Laura Bell & Ian Ganassi

Laura Bell, a painter based in NYC, and Ian Ganassi, a poet living in New Haven, met when both were artists-in-residence at the Millay Colony for the Arts. In 2005 they entered into the collaboration that resulted in the ongoing series “The Corpses,” a group of collages that began with a half-finished poem and several hand-scrawled phrases on a piece of printer paper stained with coffee rings that Ganassi mailed to Bell… More

Kennedy James

What happens when an instrument of restraint and repose is itself restrained? Kennedy James probes notions of freedom and space through this series of installations. More

Ross Andersson

Winner of the 2009 American Photographic Artists’ Grand Prize, Ross Andersson’s Mezzanine series is as haunting as it is skilled. More

Harold Ross

In a beautiful series of “light paintings” Harold Ross examines why “the ravages of time can be quite exquisite.” More

Harold Ross

Night Statement: The negative effects of time have often been addressed by artists and writers. However, I’m convinced that beauty isn’t necessarily diminished when something is “past its prime.” Indeed, I feel that effects of the “ravages of time” can be quite exquisite. Photography, by its very nature, is born of and lives in the… More

Martin Miller

I Am War – It erupts again, possessing in full, that fury to survive and acquit without shame.
For some, mere lines in sand, for me, echoing horror ringing from stone to stone from stump to stump.
I am changed, mild to fierce… More

Martin Miller

Weapons of Mass Destruction, a Visual Perspective – Miller began this series in 2006 “with a point of view of how awesome and terrifying these battle machines must have seemed to a combat soldier.” These photos were taken at the major Cold War sites in the US, where he managed to negotiate his way in and at times was under the supervision of as many as four escorts. He used an 8×10 view camera which he said “required considerable patience of the escorts.” I can only imagine the tension… More