Martin Miller

Weapons of Mass Destruction, a Visual Perspective – Miller began this series in 2006 “with a point of view of how awesome and terrifying these battle machines must have seemed to a combat soldier.” These photos were taken at the major Cold War sites in the US, where he managed to negotiate his way in and at times was under the supervision of as many as four escorts. He used an 8×10 view camera which he said “required considerable patience of the escorts.” I can only imagine the tension… More

Julian Hibbard

The Noir A-Z is a “visual alphabet to accompany dominant terms from the noir universe.” Dark, provocative and even playful at times, the images beg to be investigated. More

Lina Gavėnaitė

Put the headphones on, click view in full screen, and take a walk through the Lithuanian countryside courtesy of the wonderful Lina Gavėnaitė. More

Giga Kobidze

A beautiful series of designs along with a well-fitting classical musical accompaniment. View in full screen and pop the headphones on. It might just make you feel like Tony Soprano for a spell. More

Alain Delorme

When in China a couple of years ago, I remember seeing similar scenes. Chicken cages, pigs, tires, bottles, small children… you name it, people transport it in mass quantities. In Totems, Alain Delorme photographs it with much justice. More

Daniel O’Toole (EARS)

he masks we create become the outer layers that protect us, our exterior is a shallow shield and its decoration irrelevant, yet its maintenance is essential as we constantly work to alter our appearances. “War Paint” is a body of work that begins to examine the meaning and allure of that second skin… More

Sara Blake (ZSO)

This month in The Eye is NYC based illustrator Sara Blake (aka ZSO). Her work is the embodiment of modern technique, and represents what happens when traditional media collides with modern digital processes and a beautiful mind. Look, admire, enjoy… More