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Jamie Baldridge

Jamie Baldridge

Dystopia - the photography of Jamie Baldridge

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Digital Flowers

Digital Flowers

Digital Flowers is a series of illustrated experiments examining shape and color. My intention is that each flower blooms before the viewer's eye.

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Diptych

Diptych

Diptych is a two part work consisting of a male and female countenance. This small series is an attempt to understand shape in relation to form-deconstruction.

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5 Girls

5 Girls

5 Girls is an illustrated story of five women, each of whom possess distinctive characteristics.

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Algorithmic Abstracts

Algorithmic Abstracts

There are two components to the artwork that I am currently producing. First is the process; The challenge of composing images and code that create sprawling abstractions with multiple levels of detail excites and inspires me. I am especially interested in the use of generative and emergent processes combined with traditional composition of color and line...

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A Wet Day

A Wet Day

An animated short inspired by a performance of Bernadette Boos in 2007. Directed and animated by Michael Fragstein at Buro Achter April.

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Forget

Forget

A music video for Forget, by Vania & the Master created by Michael Fragstein and Moritz Reichartz.

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Astonishing Collapse

Astonishing Collapse

All this living embodiment this rationality
This finite maximal production, these borders

Between the final astonishing collapse accompanied
By a resounding redundancy a pervasive pall of fear
Over the invoked legacy ultimately denying
The capacity of possibility for future

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Homecoming

Homecoming

Homecoming is a short animated film exploring the work of Franz Kafka through his homonymous story. The story follows the homecoming of a wayward son back to his fathers' farm where he spent the first years of his life.  The piece focuses on his inability to connect to the environment, and on his hesitation to make any step of approach...

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The Windows

The Windows

The Windows is my attempt to visualize C.P.Cavafy's poem of the same name. The animation was created in 2003, and was a personal project reflecting certain aspects of my own psychology at the time. A translation of the poem can be found below...

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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