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Rory Kurtz

Rory Kurtz

The art of Rory Kurtz on Fogged Clarity.

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Between Meaning and Material

Between Meaning and Material

My work is principally concerned with contemporary man's mutable conception of Nature. Growing up on the rural Delmarva Peninsula, I became acquainted with the local flora and fauna at a young age. Whether working at field chores, hunting, fishing or simply playing, many of my experiences in the "natural" world were similar to those of Lewis Carroll's Alice...

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Work in Ink

Work in Ink

Primarily, my work is accomplished with ink. I use all sorts of applicators, from pens and metal nibs, to quills and brushes. The inherent dynamic of the line is at the heart of my aesthetic. I attempt to achieve infinite simultaneous realities within each piece. Consequently, each image looks very different over distances...

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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