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April 2010

April, the subtle tear of spring. These seasonal movements– scored by a languid cellist –are quaint in their sexuality. The sun asks no simple questions, and in its light I become a prospector panning damage for identity. This month T.C. Boyle sits down with me to discuss the inspiration behind Wild Child, we stream Judson Claiborne’s much anticipated second release, Time and Temperature, Thomas Matlack opines on being a good...

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Alexa Meade

Alexa Meade

Acrylic on Flesh - Yes, these are living, breathing humans, stunningly painted and composed to look like portraits.

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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