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An Arts Review

It is the function of art to renew our perception. What we are familiar with, we cease to see. The writer shakes up the familiar scene, and we see a new meaning in it.— Anais Nin

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At the Beach, After the Fact

Patricia O’Donnell Four young women make their way through groups of people on spread-out towels and blankets. This is the third day of unusually warm weather for June in Maine, and the beach is crowded. They find a spot close to the water, near the line where the sand is wet, and shake out their beach towels. One woman sits cross-legged on her towel in a flowered sundress. Blond hair wisps out from under a floppy straw hat. ...

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Weight

Ashleigh Eisinger Jessie stands before me, a circus mirror image of the woman I married ten years earlier. Slight and shriveled, the sight of her furthers my longing for the plump blonde that used to laugh with me, that same woman who would not hesitate to shear off her top and slacks before crawling into bed with me on a Saturday afternoon, would let me stroke her skin until we could take it no longer and gave in to all of our desires —...

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The Credits Say 15th Elf

Chloe N. Clark He was cast as a minor Elf, the one always at the edge of the frame, running into battle or contemplating grave proclamations. His children tried to find him, point him out with ecstatically jabbing fingers, but they were always wrong. Years later at a bit players’ convention he laughed with extra Munchkins, drank to a forgotten Klingon whose name was lost in credits, and signed a couple of notebook pages hastily ripped...

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He Was Always Almost Something

Chloe N. Clark Sometimes he’d write words on blackboards solely because he liked the way chalk dust softened his fingertips, paled them into some color not quite living. Once he ate earth, accidentally almost, it tasted bitter rich like too dark chocolate drenched in coffee grounds or ash. He never drank flames, though he meant to, after a childhood night at the circus when he watched a fire- eater delight the crowd by never dying a...

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A. Manette Ansay

A. Manette Ansay

The author of "Vinegar Hill" and "Good Things I Wish You" sits down to discuss her life and craft.

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Peter Carey

Peter Carey

Ben Evans sits down for a conversation with one of the greatest novelists of our time.

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James Lasdun

James Lasdun

The prolific London-born writer sits down with Ben to discuss his process, style, and latest collection, It's Beginning To Hurt.

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Recent

  • RPM Challenge 2012
  • January 2012
  • Andrew Hudgins
  • Bones For Tinder
  • Home Is Not One Heart

Recently Popular

  • Swaddled posted on February 1, 2012
  • “Follies” posted on February 1, 2012
  • The Zeppelin Field at Nurnberg posted on February 1, 2012
  • Book 2 of 100–Kathryn Stockett, The Help posted on January 26, 2012
  • Review: Neil Shepard’s “(T)ravel Un(T)ravel” posted on February 1, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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