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DEVOTION: RED ROOF INN

Bruce Smith Write like a lover. Write like you’re leaving yourself for another. Write like you’re de Beauvoir, object and subject. Write like you must rescue yourself from yourself, become scrupulous to the body and the rain that floods you with rage and the crude sublimities: there was a lip print on the plastic glass wrapped in the misty domestic interior of the room. Write like there’s evidence, there’s tenderness, like...

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DEVOTION: AL GREEN

Bruce Smith I rode the Greyhound watching the twitchy things of the North give way to the sticky, bloodshot things of the South. No ground so burnt there’s not a church where I heard the Reverend amplify, rarefy, and glorify the word so that we were all in some state of sweating July. The ashy black man and the white bail bondsman held each other until they were blue. I heard the Reverend take the hymn of my mama and the whore’s...

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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