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Guy Capecelatro III

Guy Capecelatro III

Fogged Clarity contributor Jim Rioux interviews prolific songwriter Guy Capecelatro III.

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Guy Capecelatro III

Guy Capecelatro III

Prolific songwriter Guy Capecelatro III records four tracks for this exclusive session.

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What Is Best

What Is Best

Our May Issue features two new poems by Patty Seyburn, including, "What Is Best."

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Television of Saints

Television of Saints

Rocky Volotato's eighth full-length release is a resonant collection of songs propelled by the voice of a truly fine folk musician.

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Close Reading

Michael T. Young I used to read while nestled in a crook of maple branches, or seated on a slab of concrete that jutted into lake water, striders coasting the rumpled sheets. Reeds on the far shore needled the shallows writing a subtext into palms of sunlight alluding to trout and bass tunneling the deep, to the early alphabets of mud and rock. Mallards skirred the surface by day, bats skimmed it by night, their wings scratching brief...

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New Romance

Jaydn DeWald This village is even dreamier than the original. Who, for instance, would reproduce the old snakelike impressions of our bodies In the amber grass, or reenact us, in a thunderstorm, flinging our undergarments From a cliff? It was lifetimes ago, those times. Now we cast no shadow over the plucked swans, and are left to sleep in corners Like a mound of coats. The path to our rowboat is even narrower, dustier; gnats Blot out...

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Family Romance

Michael Tyrell Almost spring, & our dictator’s new order: everyone in our country must French-kiss the frozen utility poles— the boulevards become maypoles of muffled wailing, move too much & you lose the mind, to keep the tongue & the mind pick a word to keep in your mind, blunt like starve or trowel or cudgel, say it will be coming up crocuses soon those clouds not the shoulders of ice-storms,...

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Wrong

Michael Tyrell For Rachel Wetzsteon (1967-2009) The friend, the late formalist who slips into my last REM cycle— whose new language I can’t get or hear in the swarming dream-terminal, but it’s urgent to try, there’s something she must tell me now, holding my wrist rougher than she means to— leaving a mark I know you won’t believe. You’ll say I’m wrong, it’s crazy, the wrist’s barely black & blue. As usual,...

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On The Table

Brandon Lewis That is how the last buffalo herd is culled. I read on, spilling drops of tea on the news page, letters darkened in spots. Across the road, a tree I can’t name buds red. To squint at its branch spellings, to iterate its Latin root does not tell the story quite. Time to relearn spring— clover leaf or cherry blossom, what arrives at first blush and second. And then the herds returning each season. Rangers say they...

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Carl Phillips

Carl Phillips

One of the most gifted and dynamic writers of our time discusses candidly life, liberty, and the pursuit of poetry.

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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