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Nothing exists from whose nature some effect does not follow.— Benedict Spinoza

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Sissy, of Corint

Caitlin Horrocks Sissy had worked weekends at Corint’s Steakhouse since she was 15 and not allowed to carry open drinks to the tables. Another server or bartender had to do it for her and they grumbled, but not too loudly, because she was the boss’s daughter, and Zachary Corint was one of the few bosses left in Tatter Lake. People complained about that too, said that Corint had driven local businesses under, made bad deals and broken...

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An Examination of Religion in the work of T.S. Eliot and Christopher Dawson

Benjamin Lockerd “Eliot’s reputation as a critic of society has been worse than his record”—so wrote Roger Kojecký at the beginning of his 1971 book, T. S. Eliot’s Social Criticism.1 Thirty-five years later, the situation has not changed, for T. S. Eliot’s cultural criticism continues to be more maligned than studied. It is not uncommon to hear Eliot accused of having “flirted with fascism” and of having proposed the...

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Recent

  • RPM Challenge 2012
  • January 2012
  • Andrew Hudgins
  • Bones For Tinder
  • Home Is Not One Heart

Recently Popular

  • Swaddled posted on February 1, 2012
  • “Follies” posted on February 1, 2012
  • The Zeppelin Field at Nurnberg posted on February 1, 2012
  • Book 2 of 100–Kathryn Stockett, The Help posted on January 26, 2012
  • Review: Neil Shepard’s “(T)ravel Un(T)ravel” posted on February 1, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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