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Sissy, of Corint

Caitlin Horrocks Sissy had worked weekends at Corint’s Steakhouse since she was 15 and not allowed to carry open drinks to the tables. Another server or bartender had to do it for her and they grumbled, but not too loudly, because she was the boss’s daughter, and Zachary Corint was one of the few bosses left in Tatter Lake. People complained about that too, said that Corint had driven local businesses under, made bad deals and broken...

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An Examination of Religion in the work of T.S. Eliot and Christopher Dawson

Benjamin Lockerd “Eliot’s reputation as a critic of society has been worse than his record”—so wrote Roger Kojecký at the beginning of his 1971 book, T. S. Eliot’s Social Criticism.1 Thirty-five years later, the situation has not changed, for T. S. Eliot’s cultural criticism continues to be more maligned than studied. It is not uncommon to hear Eliot accused of having “flirted with fascism” and of having proposed the...

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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