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Wedding in the Hesperides

Patty Seyburn You should have known I’d return. My letters to you always embraced the left margin, the page’s West where the golden apples grew – yes, yes, those same apples Atalanta gathered up while she ran against her suitor, Hippomenes and in losing, poor virgin, lost herself to marriage. I am a better loser: a mediocre huntress, at best, at ease with chronology – step, step – one leads to the next. In the tick-tock...

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What Is Best

What Is Best

Our May Issue features two new poems by Patty Seyburn, including, "What Is Best."

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Puddings

Patty Seyburn Miss Dickinson’s were a must-have: complex like soufflés, souls or casseroles, no simple assemblage of milk, sugar, cornstarch and you stir and stir until veins paint your arm with ardor and tedium. It will get viscous and boil, the bubbles voluptuous, reluctant. Result is not the paradigm at work here – you could have bought pudding, saving yourself time for art. Take preventative measures (plastic wrap) or a skin...

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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