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The Seventh Veil

Jascha Kessler Six months in Los Angeles, and I’m still alone in my place. But not too depressed. No longer mourning the loss. Ready for the present, perhaps, if not my future. Let well enough alone. If it’s well. If it’s enough. I sit at a good though monotonous job at Technetronics, Inc., assembling micro-components for the guidance system of what must be the latest model cruise missile. I have the feeling I have come to the wrong...

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Poetry: A Once & Future Thing

Jascha Kessler It is the polity that forever confronts the spiritual company I call The Tribe of the Poets. Future historians will doubtless look back upon the Twentieth Century as an interregnum, a period typical of an uncertain transition from the disintegrating order of one civilization to that of a still-embryonic, coalescent society, whose proper order remains for the future. Such periods of agony are often a mixture of glory and...

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Howl Now

Howl Now

Howl Now - Living Soul Rap: In Memory of Allen Ginsberg

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A Sketch of the Artist as Ephebe

Jascha Kessler Lots of influence. Lots of anxiety. The graduation photo that once stood on the baby grand stuffed into the small living room on the sixth floor just beneath the ash-dropping chimney of the incinerator shows a 16-year old with clear eyes and the carved features of some unknown, handsome youth. Somehow it does not show the acne, although an-aged writer sees in his shaving mirror today its faint scarred pittings. Neither...

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A Modest Proposal: Regarding the Protection of Antiquities from Wanton Destruction in Future War

Jascha Kessler The title of the following observations might better be offered as, “…from wanton destruction by the present heirs and/or occupiers of the lands of their original creators.” As we were sadly aware, immediately upon the lightning-swift liberation of Baghdad after a campaign of less than four weeks it was discovered, even as guns were still rattling outside, that the Iraq National Museum had been despoiled by gangs of...

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In the Great Dismal Swamp: History, Journalism, and Our Classic Literature

Jascha Kessler The assumption that “contemporary history” is also manifested in “contemporary literature” is one of those notions with a long tradition. It can be traced back in critical discourse to Aristotle’s Poetics, in which he remarked that poetry is superior to history. The metaphysical problem underlying historical writing was already present in Plato’s The Sophist: where it is asked whether “history,” a narrative...

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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