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Still Life with Infidels #1

M. David Hornbuckle The interior design of the cabin on the lake has not been updated since the early 1970s or maybe earlier. The carpet is orange shag, and the furniture in the living room is yellow vinyl. Taxidermied creatures inhabit many corners, stare out from every wall, and augment countertops. Ryan and Gabriella are in a bedroom, one of three. Their friend Keener, whose parents own this place, is in another, and Gabriella’s sister...

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The Boy Who Cried Wolves

M. David Hornbuckle It began with a growing sensation in the lacrimal sac. The boy’s name was Daniel Ledbetter. His peers called him Bed Wetter—not due to any actual or even perceived incontinence on his part, simply because of the sound of the words. Nonetheless, the teasing of the children caused him heaviness of heart, as well as stomachaches, migraines, a recurring and violent revenge fantasy, and a muttering tic. After some...

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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