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Andrew Holmquist

Andrew Holmquist

We love large sweeping brush strokes. The paintings of Andrew Holmquist remind us why.

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Past and Future Recognition

Past and Future Recognition

The main themes in my work concern relationships; those between individuals and those between ourselves and nature. The isolation of the individual and the collective, universally shared human experience are central tenets in my work. In these pieces I use color, light and shadow in real and surreal ways, allowing these images to be both familiar and strange...

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  • Fogged Clarity: Blog - Dreadful Impressions: Dictaphone's "Poems From A Rooftop" http://t.co/KI3LjeJQ • 2 weeks ago
  • Fogged Clarity: Blog - Book 6 of 100—Margaret Atwood, The Edible Woman http://t.co/18jDmACJ • 3 weeks ago
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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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