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The Bluebird

Richard Cassone Lili leaned against the window and listened to the noise on the playground. The children below were organizing themselves into rows along neat lines painted on the blacktop, waiting to go to school. Since she’d entered the fifth grade, she always got to come in first and wait in the classroom. The older children had class on the top floor of the brick schoolhouse, and the teachers had enough on their hands in the...

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Out of Gas

Richard Cassone The rain fell. It fell in sheets. It fell in drops as penetrating as buckshot. It slowed and still fell: a light, widely woven blanket of needles, piercing, stinging. It was day, but dark like dusk. The old man watched. Explosions of water rattled his windshield. He saw from inside the bursts, through the glass. They wanted to touch him. Some crept in through the cracked rubber seams of the door. They pooled...

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Recent

  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop”
  • Book 6 of 100—Margaret Atwood, The Edible Woman
  • And the Winner Isn’t …
  • Tatiana Plakhova
  • Thrift

Recently Popular

  • Writer’s Brock – “…the George Costanza method” posted on April 10, 2011
  • Alexa Meade posted on March 31, 2010
  • Review: Richard Hoffman’s “Emblem” posted on May 1, 2012
  • Guy Capecelatro III posted on May 1, 2012
  • Dreadful Impressions: Dictaphone’s “Poems From A Rooftop” posted on May 8, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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