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> <channel><title>Fogged Clarity &#187; Short Fiction</title> <atom:link href="http://foggedclarity.com/tag/short-fiction/feed/" rel="self" type="application/rss+xml" /><link>http://foggedclarity.com</link> <description>An Arts Review</description> <lastBuildDate>Tue, 22 May 2012 21:08:31 +0000</lastBuildDate> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=</generator><itunes:summary>Arts Review Fogged Clarity&#039;s interviews with authors, musicians and poets, exclusive acoustic music sessions and poetry readings from some of the world&#039;s most gifted and interesting contemporary creators.  TC Boyle, Benjamin Percy, Samantha Farrell, Strand of Oaks, Will Oldham, Bonnie &#039;Prince&#039; Billy, Bruce Smith, Joe Meno and many more. Hosted by Benjamin Evans, Executive Editor of Fogged Clarity.</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:image href="http://foggedclarity.com/wp-content/uploads/powerpress/FC_logo_podcast.jpg" /> <itunes:owner> <itunes:name>Fogged Clarity</itunes:name> <itunes:email>ryandaly@foggedclarity.com</itunes:email> </itunes:owner> <managingEditor>ryandaly@foggedclarity.com (Fogged Clarity)</managingEditor> <copyright>Fogged Clarity</copyright> <itunes:subtitle>Interviews, Readings and sessions with authors, musicians and poets</itunes:subtitle> <itunes:keywords>Fogged Clarity, Art, Music, Literature, Fiction, Authors, Interviews, Visual, Poetry, Acoustic, Sessions</itunes:keywords> <image><title>Fogged Clarity &#187; Short Fiction</title> <url>http://foggedclarity.com/images/logoSM.png</url><link>http://foggedclarity.com</link> </image> <itunes:category text="Arts" /> <itunes:category text="Music" /> <itunes:category text="Arts"> <itunes:category text="Literature" /> </itunes:category> <item><title>Conversation With a Dying Amnesiac</title><link>http://foggedclarity.com/2012/03/conversation-with-a-dying-amnesiac/</link> <comments>http://foggedclarity.com/2012/03/conversation-with-a-dying-amnesiac/#comments</comments> <pubDate>Sat, 31 Mar 2012 22:09:42 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Conversation with a dying Amnesiac]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[Oregon]]></category> <category><![CDATA[short story]]></category> <category><![CDATA[Taylor Koekkoek]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=16977</guid> <description><![CDATA[Taylor Koekkoek “Elise. God, Elise. What’s happening?” “The nurse said you were awake.” “Elise, I don’t know what’s happening.” “You’re in the hospital.” “Why am I in the hospital? Why are you standing so far away?” “Your car was hit while you were in transit from Sacred Heart to, well here actually, so all’s basically [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Taylor Koekkoek</h3><p>“Elise. God, Elise. What’s happening?”</p><p>“The nurse said you were awake.”</p><p>“Elise, I don’t know what’s happening.”</p><p>“You’re in the hospital.”</p><p>“Why am I in the hospital? Why are you standing so far away?”</p><p>“Your car was hit while you were in transit from Sacred Heart to, well here actually, so all’s basically well that ends where it was going to end. You’re driver dropped his cellphone or something like that.”</p><p>“Am I all right?”</p><p>“The doctor says you’ve lost some memory.”</p><p>“But I’ll be okay? Wait, why was I at Sacred Heart?”</p><p>“The cancer.”</p><p>“Who’s cancer?”</p><p>“Your cancer.”</p><p>“I don’t have cancer.”</p><p>“Yes you do.”</p><p>“Will I be all right?”</p><p>“No. They expect you to pass on pretty soon here.”</p><div
class="pullquoteRight">“Mr. Erikson ran over all of Oliver’s legs?”</div><p>“I’m dying?”</p><p>“Yes.”</p><p>“But when did I get cancer?”</p><p>“You were diagnosed ten months ago. Maybe nine. Your chart will probably say.”</p><p>“And I’m dying?”</p><p>“You’re dying.”</p><p>“Where are we?”</p><p>“The Brindle Valley Hospice.”</p><p>“Elise, this doesn’t make any sense.”</p><p>“No, I guess it wouldn’t.”</p><p>“Why do you keep looking at me like that? It makes me feel so alone. Why do you look at me like that?”</p><p>“This is a strange thing to tell you, Alan.”</p><p>“What is?”</p><p>“We hate each other.”</p><p>“What?”</p><p>“We divorced, Alan. We hate each other now. Have for a while.”</p><p>“No we don’t.”</p><p>“Yes we do, Alan.”</p><p>“I don’t hate you.”</p><p>“You will.”</p><p>“No I won’t.”</p><p>“Yes you will.”</p><p>“Do you hate me?”</p><p>“Well, yes.”</p><p>“But I don’t hate you.”</p><p>“You will.”</p><p>“I don’t believe you.”</p><p>“I know.”</p><p>“Please, I don’t know what’s going on, but please just don’t look at me like that, Elise.”</p><p>“I’m sorry, Alan. I forgot how to look at you any other way.”</p><p>“Where are you going?”</p><p>“I’m going to get a coffee from the cafeteria and make a couple phone calls. Let you think.”</p><p>“But you’ll be back?”</p><p>“What time is it?”</p><p>“Please, Elise. I don’t know what’s happening.”</p><p>“All right.”</p><p>“All right?”</p><p>“All right.”</p><p
style="text-align: center;"><strong>…</strong></p><p>“Elise.”</p><p>“Yeah?”</p><p>“I’m glad you’re back.”</p><p>“Okay.”</p><p>“How is Oliver?”</p><p>“Mr. Erikson backed over his legs with his pickup. I had to put him down a year ago.”</p><p>“God. Why’d you have to say it like that?”</p><p>“You asked how he was.”</p><p>“I know I asked how he was, but why do you have to be so cruel about it?”</p><p>“I wasn’t being cruel, I just wasn’t being friendly.”</p><p>“Why can’t you just be friendly?”</p><p>“Because I hate you.”</p><p>“But I don’t hate you.”</p><p>“You will”</p><p>“Am I really dying?”</p><p>“You’re really dying… It’s getting late.”</p><p>“Will you come back tomorrow?”</p><p>“Alan—”</p><p>“Please. You don’t have to like me. I’m just not ready to be alone yet.”</p><p>“Okay.”</p><p>“Okay?”</p><p>“Yes, okay. I’ll visit you tomorrow.”</p><p>“Thank you, Ellie.”</p><p>“You’re welcome… Don’t call me Ellie.”</p><p>“Why not?”</p><p>“Because you don’t call me that anymore.”</p><p>“I don’t?”</p><p>“No.”</p><p>“Couldn’t I start again?”</p><p>“No.”</p><p>“All of his legs?”</p><p>“What?”</p><p>“Mr. Erikson ran over all of Oliver’s legs?”</p><p>“All but one.”</p><p>“Which one?”</p><p>“What difference would it make?”</p><p
style="text-align: center;"><strong>…</strong></p><p>“I was afraid you weren’t coming back.”</p><p>“I said I’d be here, not that I owe you anything. I’m not coming back again.”</p><p>“You won’t come back?”</p><p>“This is a pretty nice place.”</p><p>“I won’t see you again?”</p><p>“Really: flatscreen, trees outside your window. I even like the wall color. If it weren’t for your bed and all the tubes in you I’d think this was just a bedroom. I’m sure you have more channels; you don’t need to watch infomercials.”</p><p>“I know.”</p><p>“No remote?”</p><p>“No, there is one. All the other channels terrify me. Shows I’ve never heard of, celebrities I’ve never seen, and, God, the news. It all makes it harder to pretend this isn’t happening.”</p><p>“I guess it would.”</p><p>“But I’ve seen this infomercial before. I’ve listened to this man and I’ve seen this knife sharpener. I’ve seen this part before; he sharpens his credit card and cuts a tomato with it. It’s…familiar. Do you have to stand so far away?”</p><p>“Listen, Alan, I can’t be here all day.”</p><p>“Couldn’t you just talk to me, Elise?”</p><p>“Not all day.”</p><p>“Why did we divorce?”</p><div
class="pullquoteRight">“The hospital called me. You still have me as your emergency contact.”</div><p>“Because we started hating each other.”</p><p>“Why?”</p><p>“That’s my phone.”</p><p>“Who is it?”</p><p>“I need to take this.”</p><p>“Oh. Okay.”</p><p
style="text-align: center;"><strong>…</strong></p><p
style="text-align: left;">“Who was that?”</p><p>“Who was who?”</p><p>“Who were you talking to on the phone.”</p><p>“Greg.”</p><p>“Greg who?”</p><p>“Greg Paulson.”</p><p>“Oh. How is Greg?”</p><p>“He’s good.”</p><p>“Good… What’d you talk to Greg about?”</p><p>“Dinner.”</p><p>“Dinner?”</p><p>“Dinner.”</p><p>“Why’d you talk to him about dinner?”</p><p>“Because I’m having dinner with him.”</p><p>“Why are you having dinner with Greg Paulson?”</p><p>“Because he’s my fiancée.”</p><p>“What?”</p><p>“I—”</p><p>“What are you talking about, Elise?”</p><p>“Alan—”</p><p>“Fiancée?”</p><p>“Yes.”</p><p>“Well what the fuck, Elise?”</p><p>“A lot has changed, Alan. Everything’s changed.”</p><p>“Everything and you.”</p><p>“And you.”</p><p>“No. I didn’t. I’m right here.”</p><p>“Then you’d been gone for a very long time.”</p><p>“Well, I’m back now. I’m here now.”</p><p>“What does now matter?”</p><p>…“You changed your hair.”</p><p>“Yes. New stylist.”</p><p>“She charge any less?”</p><p>“No.”</p><p>“Huh. I don’t like it.”</p><p>“All right.”</p><p>“Are you sleeping with him?”</p><p>“He’s my fiancée.”</p><p>“Christ, Ellie.”</p><p>“Don’t call me that.”</p><p>“Am I seeing anyone?”</p><p>“I don’t think so.”</p><p>“Oh… Think it’s possible and you haven’t heard about it yet?”</p><p>“I don’t think so.”</p><p>“Oh… Greg Paulson?”</p><p>“Yes.”</p><p>“Did you leave me for him?”</p><p>“Yes.”</p><p>“Christ… Were you sleeping with him while we were married?”</p><p>“Toward the end.”</p><p>“Christ, Ellie.”</p><p>“Don’t call—”</p><p>“How could you be so cruel?”</p><p>“I only started sleeping with Greg after I caught you sleeping with Nina. Not that it matters anymore.”</p><p>“What?”</p><p>“Not that it matters anymore.”</p><p>“I wouldn’t do that.”</p><p>“How would you know?”</p><p>“Because I know I wouldn’t do that.”</p><p>“Well, I guess we surprise ourselves.”</p><p>“I wouldn’t have.”</p><p>“I found you with her. I found you with her in our house. Dumb bastard.”</p><p>“Nina Buchanan?”</p><p>“Yeah.”</p><p>“Huh… Did I say why?”</p><p>“What do you mean, why?”</p><p>“I don’t know.”</p><p>“We hadn’t been intimate for some time. Not since the miscarriage.”</p><p>“Miscarriage?”</p><p>“Not that it matters anymore.”</p><p>… “What are you thinking, Elise?”</p><p>“I’m not thinking anything.”</p><p>“If you hate me, why’d you come?”</p><p>“The hospital called me. You still have me as your emergency contact.”</p><p>“But why did you come?”</p><p>“I don’t know. Do you want me to leave?”</p><p>“I didn’t say that. You know I didn’t say that.”</p><p>“All right.”</p><p>…“You hate me now, but you loved me once. Didn’t you? You can’t pretend we weren’t ever in love.”</p><p>“I think I always hated you, I just didn’t know it yet.”</p><p>“Don’t say that.”</p><p>“Just like you hate me right now, only you don’t know it yet.”</p><p>“I don’t hate you.”</p><p>“But you do and you ought to after all the things I’ve said to you.”</p><p>“You couldn’t say anything to make me hate you.”</p><p>“How would you know?”</p><p>“I just do.”</p><p>“Remember how you found out I was sleeping with Greg?”</p><p>“No, and I don’t want—”</p><p>“I called you on the phone while I was sucking his dick.”</p><p>“Stop it, Elise. Please—”</p><p>“I said, <em>Do you hear this, know what this sound is?</em>”</p><p>“Please, Elise. Stop. Please stop.”</p><p>“You hate me and you should.”</p><p>“I don’t want to. God, I don’t want to.”</p><p>“When did what we want ever matter?”</p><p
style="text-align: center;"><strong>…</strong></p><p>“You really don’t remember any part of it?”</p><p>“No.”</p><p>“None of the bad?”</p><p>“None of it.”</p><p>“What’s the last thing you remember?”</p><p>“A Saturday morning. You were wearing my old <em>Race for the Cure</em> shirt and it’s so big on you. The sleeves cover your hands.”</p><p>“I threw that shirt out two years ago.”</p><p>“And we were reading the paper at the dining room table. You’d finish section A and I’d finish B and we’d trade like that until we’d read most of what was worth reading.”</p><p>“I liked that table.”</p><p>“From the kitchen window we saw the silhouette of an airliner crossing a stretch of open sky and you said to me, <em>Will it be our turn soon?</em> I asked you what you meant and you said, <em>Will it be our turn to take a flight soon, go away?</em> And I said, soon.”</p><p>“We never took that flight.”</p><p>“I said soon I’d take you anywhere, all the way to China. And you said you didn’t want to go all the way to China. So I said, Tahiti then. And you said you didn’t want to go to Tahiti so I asked you where you wanted to go. You said you hadn’t decided yet.”</p><p>“Disneyland.”</p><p>“What?”</p><p>“Before bed that night I told you I’d decided Disneyland.”</p><p>“Really, Disneyland?”</p><p>“Yeah. What are you smiling about?”</p><p>“Nothing. It’s— I mean out of anywhere in the world.”</p><p>“So?”</p><p>“It’s just cute. That’s all.”</p><p>“Well you’d think it’s childish eventually. We never went and when I asked you why you told me it was a stupid thing for a full-grown woman to cry over, not going to Disneyland.”</p><p>“I don’t feel like I’d say that to you.”</p><p>“Well you did.”</p><p>“I’m sorry, Elise.”</p><p>“It’s ok. Anyway, it doesn’t matter anymore.”</p><p>… “Do you love him?”</p><p>“Greg?”</p><p>“Yeah.”</p><p>“Yes.”</p><p>“And he loves you.”</p><p>“Yes.”</p><p>“I suppose I should say congratulations or something.”</p><p>“No you shouldn’t.”</p><p>“I want you to be happy, and I guess, at any rate, I’m dying.”</p><p>“You don’t want that.”</p><p>“For Christ’s sake, Elise. Would you stop telling me how I feel.”</p><p>“I’m sorry.”</p><p>“All right.”</p><p>… “What are you feeling then?”</p><p>“I’m just waiting to wake up. I’ll wake up and you’ll be there and I’ll say I had a horrible dream and you’ll tell me everything is all right.”</p><p>“It’ll be over soon enough.”</p><p>“I guess you’re right… I’m sorry I said I didn’t like your hair. It looks nice.”</p><p>“Thank you… It’s getting late.”</p><p>“Elise?”</p><p>“Yeah.”</p><p>“Could you do something for me? One thing and then you can go. Never see me again.”</p><p>“I could go right now.”</p><p>“I know you could, that’s not what I meant. I just—could you just do something for me? Not for who I became, but for who I am right now. For the me that has always loved you and always will.”</p><p>… “One thing. But only for <em>you</em>. Not for you.”</p><p>“When you leave, will you tell me you’ll come back?”</p><p>… “All right.”</p><p>“And will you pretend it’s Sunday morning? Would you pretend we don’t hate each other yet?”</p><p>“Okay.”</p><p>“And would you come close to me.”</p><p>“Okay.”</p><p>“Okay?”</p><p>“And then I’ll leave.”</p><p>“Yeah. But you’ll say you’re coming back?”</p><p>“Of course I’ll come back, Alan.”</p><p>“You will?”</p><p>“Of course I will. Did you think I’d leave you here?”</p><p>“I’m sorry, Elise. I’ve been so confused. I thought—”</p><p>“It’s okay, Alan. Everything’s going to be all right.”</p><p>“I was so afraid, Elise.”</p><p>“It’s all okay now. I’m not going anywhere. Besides, who’d take me to Disneyland?”</p><p>“But you have to go now?”</p><p>“I have to go now. I need to feed Oliver.”</p><p>“And then you’ll come back?”</p><p>“What’s gotten into you? Of course I’m coming back.”</p><p>“I love you, Elise.”</p><p>“I love you too. Now go to sleep. I’ll be with you when you wake.”</p><p>“But what if you’re not?”</p><p>“Then you haven’t woken up yet.”</p><div
id="bio"><em><strong>Tayler Koekkoek</strong> is a writer from the Pacific Northwest currently pursuing a degree in English at the University of Oregon.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2012/03/conversation-with-a-dying-amnesiac/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Swaddled</title><link>http://foggedclarity.com/2012/01/swaddled/</link> <comments>http://foggedclarity.com/2012/01/swaddled/#comments</comments> <pubDate>Wed, 01 Feb 2012 00:10:51 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Stephanie Elliott]]></category> <category><![CDATA[Swaddled]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=16521</guid> <description><![CDATA[Stephanie Elliott “Mama!” her baby cries as she begins readying them both for the bus ride. “Shhh, Wendy, princess,” she soothes the baby with coos and talk. “It’s cold out. We must dress warm. So the snake won’t bite!” With a yellow blanket, the mother swaddles the little form into an almost unrecognizable rigid mass, [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Stephanie Elliott</h3><p>“Mama!” her baby cries as she begins readying them both for the bus ride. “Shhh, Wendy, princess,” she soothes the baby with coos and talk. “It’s cold out. We must dress warm. So the snake won’t bite!” With a yellow blanket, the mother swaddles the little form into an almost unrecognizable rigid mass, then covers herself with her own coat, picks up her baby and throws a top blanket over them both, bonding them as one. “I love you!” the baby says with a clearer voice than you’d expect from one so small. So special. The mother smiles at her child and says, “I love you, too, my Wendy. Little Cinderella.”</p><p
style="text-align: center;"><strong>***</strong></p><p>Right away they notice as she steps up. People in the front seats of the city bus sight the woman with the dangling cloth obscuring the bundle she so watchfully carries. Whatever it is, it doesn’t look heavy. They observe her intently looking for a seat in the front among them. <em>If you see something say something</em> go the signs and announcements all around the public transportation system. The citizens on the bus are seeing something, but aren’t sure if that something needs saying.</p><div
class="pullquoteRight">“Nurse,” she heard, and saw the other faces that peered and longed to touch what they’d made, as they called for her through the glass partition.</div><p>And the woman with the bundle sees something right away, too. The eyes cast upon her. She suspects they want to know, as usual, what’s wrapped in the blanket clutched to her chest. A seat second from the first is made available to her, a center seat that causes the woman to have to wriggle her bottom between an obese lady with big bags and an elderly man packed in a puffy down coat. The bus begins to move. The woman holds her load securely so as not to drop it as she splays her legs for support. People still look as she adjusts the blanket at the top, gently folding back the edges. A peek of the side of a baby’s head. The passengers appear to collectively relax. A mother with her baby. Making sure to nestle its blanket around the infant’s head, folks witness a mother protecting her child’s ears and neck from any draft. Conversation in the crowded space livens up, talk about the frigid record-breaking February weather, and pieces of one-sided cell phone chatter erupt as the bus drives on to the next stop.</p><p>Still curious, some people keep watching, for after all it is a baby, and the sight of a baby has a habit of breaking deadpan dazes, seems to revive worn out New Yorkers, bringing smiles, or at least some small interest that awakens them from their otherwise ticking-time lives. Sometimes the mother sees other looks, though. Looks of remembrance perhaps. Sometimes mystified expressions. Maybe even jealousy. As if they long for a baby of their own.</p><p>At each bus stop bodies get off and new bodies board with brand new glances at the woman, as if they’ve never seen a mother and child before. The looks do make her feel a bit embarrassed, but in a way, also special. Without the baby she more than likely would go unnoticed, could be just anyone on a bus. But with the baby in her arms they know who she is: A good mother. Though after a certain length of constant ogling, she feels uncomfortable. They stare, seem to scrutinize her every move. The gawking, the gawking always makes her self-conscious, and even, well yes, a little angry. Is she doing something wrong? Have they figured it out? It’s not the first time anyone has done this, what are they all glaring at? She knows who she is, what she’s doing. They always do this, this glaring and eyeballing and then someone will whisper, “It looks like…like a doll,” or a comment like that. And then someone else will whisper back a thing like, “Doesn’t it? I think maybe, too. A little baby doll.&#8221;</p><p>She gets that a lot. She always gets that about her baby. And she knows why.</p><p
style="text-align: center;"><strong>***</strong></p><p>Little babies. Lined up behind glass, each nearly identical. Each little baby swaddled the same, in the same but separate, plastic cradle. On the maternity ward she’d learned how to swaddle them good and secure, to make them feel as if they were still in the womb.</p><p>“Nurse,” she heard, and saw the other faces that peered and longed to touch what they’d made, as they called for her through the glass partition. “Where’s my baby? Which one is mine? Can you hold my baby up so I can see him?” Only she could touch the babies. For now, they were hers. Brand new, unformed, who would have known which was which? Who would have known who they belonged to? She did, though. Nurse Florence.</p><p>At this point in their unlived lives, she knew them better than anyone. Their individual sounds became recognizable to her within hours of being born. Nurse Florence knew their needs. And she’d tend to her babies’ needs.</p><p>And then they were gone.</p><p>Little babies. She saw them everywhere. Saw them behind her eyes in her sleep at night.</p><p
style="text-align: center;"><strong>***</strong></p><p>For most of those years living with her mother she’d always thought that if she were to die, if her mother got sick or had a heart attack and died, or even had a stroke that left her so bad that she couldn’t speak or think and just lay there like a rotting potato, Florence would never be able to make a decision on her own. She knew in her heart that if Mama were to go she couldn’t possibly go on without her.</p><div
class="pullquoteRight">It’s not like it’s never been done before, it’s not like nobody else has never done this. I have a voice, I can speak.</div><p>Someone had said to her once, “It’s not natural. Not natural to live with your mother at that age, when you’ve been a grownup for so many years.&#8221; This someone she thought had maybe taken those words right out of one of those self-help psychology books, or maybe heard a doctor on TV say, “It’s not natural for an adult to live with their parents.” This someone, she also thought, had never known alone.</p><p>But still, it wasn’t smooth satin this living together business. She often felt like her mother had no respect for her. None at all. Like her mother owned her, as if Florence were just a piece of property, her own thing she could use as she pleased. And as if that owner, like owners are entitled to do with their own stuff, could handle the merchandise at their own whim.</p><p>“Slut,” her mother would call out the second floor window, while Florence tended to the small garden of gladiolas, tomatoes, and herbs in front of their tiny townhouse. “You going out again to that bar to find a man? You’ll never get a man,” her mother would say, and Florence would hope as she bent over the basil and thyme, that none of the neighbors heard, “Who would want you? Why you going there?” But when Florence stood at the gate trimming the hedge, she could see plainly that people passing by looked up at her mother with her head craning on her neck out the window, yelling, “You’re too old,” and she knew they’d never heard their own Mama saying a thing like, “Too old for a man. Too old for having a baby. Nothing but a slut.”</p><p>After a long time, Florence’s thoughts changed. She thought now she’d made a mistake. She’d rather have a man upstairs to kiss than her mother, that snake. But for the relief of the burden of cursing love every day, for that reason alone, Florence begged death on, not caring what would become of her without her mother. And now since it happened, since Mama had passed, from that day on Florence could, and does, make every decision on her own. And they are hers, and hers alone.</p><p
style="text-align: center;"><strong>***</strong></p><p>Everywhere. Little babies. She sees them inside and outside and hidden behind eyes. On crowded streets eyes darting taking in new sights, faces in parks and crying on buses, and peering from car windows that stop and start again at green lights, and she thinks they want out, those unhappy eyes from behind glass, saying to her, <em>take me home with you</em>. And so if she doesn’t take them, take care of her babies, their needs, they’ll be gone— “Maam, why are you running? Oh my God! Is that your baby? Stop! Stop running. Stop that woman! Oh God! She’s got a baby. Stop her now, she’s almost out of the building.” She keeps running, and her mind races…. It’s not like it’s never been done before, it’s not like nobody else has never done this. I have a voice, I can speak. They think I’m out of my mind, but I know what’s happening, and why I’m doing it. I remember the lived pieces….Layers of living, layer upon layer cascade and crash into each other—“Mama!”—moments that have been lived are in moments now forming— <em>Cinderella dressed in yella</em>— all that collected living—<em>kissed a fella</em>— of moments, sights sounds smells tastes tactile touch thoughts ferment—<em>made a mistake</em>—and then fertilize moments of the future…little babies. Wendy— People knock to walls and doors and down side hallways in the hospital, security guards rush to apprehend the woman, and then as they pin the woman to a wall, her head knocks up against a glass case with shelves displaying get-well cards, hospital-logoed coffee mugs, stuffed bears and bunnies, all available in the gift shop in the lobby, “Oh, for Christ’s sakes,” someone else says, “it’s just a goddamn doll.”— <em>1, 2, 3, 4, 5, 6, 7, 8</em>— She missed, OUT.</p><div
class="pullquoteRight">Florence whispered close to the cardboard side, “I love you, too, Wendy.”</div><p
style="text-align: center;"><strong>***</strong></p><p>Little babies. Everywhere she saw little babies. Behind plastic windows in boxes all lined up, identical, which one would she choose? There were infant ones. Toddler ones. Which one?</p><p>Maybe she would just take the one right here in front of her.</p><p>“No, no,” her mother said, “Take it out from under your sweater.” And the girl did, pulling the doll out from under her yellow, two-sizes-too-big, hand-me-down sweater, putting the doll back on the shelf. “You mustn’t steal. It’s not right, Florence. I’ll buy you one. Which one do you want?” But they all looked the same. The ones on this shelf at least. “Here, take this one,” her mother said, reaching to the shelf above where there was one single box. She pulled it down and put it in Florence’s hands. “You’ll have this one.”</p><p>The writing on the box declared that Wetting Wendy, not only could wet, but she could speak. A special little doll inside. Florence turned the box over and saw a hole there in the cardboard back and poking out was a plastic ring that begged her to pull. When she drew the plastic ring toward her a long string came out, and then took its time slipping back as Wetting Wendy said, “Mama!” She <em>could</em> speak! Wendy could talk! and she spoke directly to Florence right here and now.</p><p>The little girl pulled the string again. “Hold me,” Wendy said, and so Florence put her arms around the box with the little baby inside. She longed to take Wendy out, save her from her isolation and hold her for real. She pulled the string until Wendy told the girl, “I love you!” and Florence whispered close to the cardboard side, “I love you, too, Wendy.” Again she pulled the string and Wendy insisted, “I’m your baby girl! Take me home with you!” And then Florence knew this was her baby. This baby had always been waiting just for Florence to come along so she could take good care of Wendy forever. “This one, Mama. I want this baby. I want Wendy.”</p><p
style="text-align: center;"><strong>***</strong></p><p>The big girls in the schoolyard had the jump rope going round at a good, fast, rhythmic pace, so that each girl could take their turn hopping in to show off their jump-roping skills. Florence just watched the big girls, always with her mouth hanging open, just watched. And listened. Heard every word the same as she’d mouth them, the words she used to lull herself to sleep at night. Just watched them hop and skip and sing:</p><p><em>Cinderella, dressed in yella<br
/> Went upstairs to kiss a fella<br
/> Made a mistake<br
/> And kissed a snake<br
/> How many doctors<br
/> Did it take?<br
/> 1, 2, 3, 4, 5, 6, 7, 8—you missed, OUT!</em></p><div
id="bio"><em><strong>Stephanie Elliott</strong> graduated from the City College of New York where she won numerous awards for her writing. Her work has appeared in <strong>Confrontation</strong> and <strong>The Healing Muse</strong>. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2012/01/swaddled/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Mushroom Wine</title><link>http://foggedclarity.com/2012/01/mushroom-wine/</link> <comments>http://foggedclarity.com/2012/01/mushroom-wine/#comments</comments> <pubDate>Sun, 01 Jan 2012 19:08:27 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Atlantic]]></category> <category><![CDATA[author]]></category> <category><![CDATA[Colin Fleming]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[short story]]></category> <category><![CDATA[Texas Review]]></category> <category><![CDATA[the Atlantic]]></category> <category><![CDATA[The Boston Globe]]></category> <category><![CDATA[The Iowa Review]]></category> <category><![CDATA[The New York Times]]></category> <category><![CDATA[The New York Times Book Review]]></category> <category><![CDATA[The New Yorker]]></category> <category><![CDATA[writer]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=16190</guid> <description><![CDATA[Colin Fleming It was not that Tanyon Shotter was absolutely certain that he would not see his wife Keara again, but that did seem to be the unspoken agreement between them as she gave him a cold peck on the cheek in the early Holy Saturday sunshine of her parents’ Wellesley driveway. It reminded him [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Colin Fleming</h3><p>It was not that Tanyon Shotter was absolutely certain that he would not see his wife Keara again, but that did seem to be the unspoken agreement between them as she gave him a cold peck on the cheek in the early Holy Saturday sunshine of her parents’ Wellesley driveway.</p><div
class="pullquoteRight">It reminded him of that episode of <em>The Brady Bunch</em> where the boys leave a trail of popcorn so that they don’t get lost in a Hawaiian forest, only to end up meeting Vincent Price in a cave.</div><p>He knew, of course, that he’d see her again in some capacity. Probably in a legal one, which worried him. But he was fairly certain that they would never come together in the manner of a husband and wife reuniting after a long day, with any of a number of pet names lining themselves up at the front of Tanyon’s mind, waiting to see what positive effect they might have on his wife. The creation and dissemination of these stockpiled names had become a sort of hobby for Tanyon. As he pulled Keara’s bags from the trunk of his still-idling Ford Mustang—a mid-life crisis car purchased a half dozen or so years before a mid-life crisis normally sets in—he reflected on some of his attempts to come up with a core group of honorifics that were supposed to become part of their daily back-and-forth. These names, he felt, need not have been all that serious, and they might even work better the more embarrassing they were. Playful names, he thought, were ideal—names that any one person only ever said to any other in private, beyond the hearing of a third party. Like a secret word that let you into a club made up of two members.</p><p>“Let’s see&#8230;there were the early stalwarts—Love, Sweets, Sugar. Very awkward, that Sugar one.” He looked up from his work to see Keara’s parents frozen in their familiar, judgmental <em>American Gothic</em>-style pose behind their dining room window, as though they had taken their places in the standing-room-only section at some kind of athletic contest.</p><p>“Ugh. Bad time. Bad time all around. Maybe I should wave to them?”</p><p>He started to raise his right hand, and then let it fall.</p><p>“That might make them enjoy themselves more,” he thought.</p><p
style="text-align: center;">***</p><p>&#8220;I had tried to spice it up. It was a concerted effort. Legitimately. At the therapist’s suggestion. ‘Be as dirty as you can, be a cave man. Be cave lovers.’ Right. What a disaster that was. I guess that is why we are here now. But these things are rarely the result of a single moment. Even if everything does seem to crystallize in that moment.”</p><p>He had come home from the office early, having made some vague excuse to cancel his only post-noon consultation. Mrs. Faraguana was a hypochondriac anyway, she’d simply return the following weekday afternoon, like she normally did.</p><p>He picked up two dozen snapdragons at his regular Beacon Hill florist’s, a shop he visited often enough in his amends-making efforts that all the clerks knew his name, and would greet him as soon as he walked through the door wearing his normal look of apprehension as to what arrangement might work best.</p><p>“It’s getting to the point that I’m like Norm on <em>Cheers</em>,” he thought one night, after exchanging greetings with a newly hired clerk, who nonetheless knew him at first sight. He liked the idea of snapdragons, not only because Keara had once stated, back in college, that they were among her favorites—and because he’d get points for remembering that—but also because he appreciated the floral irony, and was confident that his wife would not pick up on it.</p><p>“I deserve a little joke. She does snap at me a lot. True, she doesn’t exactly breathe fire, but there are times when I wonder if she might.”</p><p>After the florist’s, it was on to a Charles Street market where he secured several cuts of filet mignon, three twice baked potatoes, and an assortment of asparagus glazes so that he could make his trademark roasted spears. He spent an unduly amount of time in the wine section trying to find a Cabernet that was both zesty and mellow, and then returned to his Rowes Wharf apartment. Years before it had been selected as one of Boston’s fifty best homes by <em>Architectural Digest</em>, a citation that he thought would please his wife, but only made her cry instead.</p><p>Still, he felt that his Cabernet selection would go over well. Keara had commented on a couple reviews in <em>Wine Spectator</em> a few weeks ago, post-coitus—“my once-a-month trip to the farmer’s market,” as Tanyon thought of it. He poured two glasses of wine and set one on his nightstand, and one on hers. He felt his courage growing. “Perhaps tonight—if all goes as planned—I’ll kick it up a notch. Maybe that therapist is on to something after all.”</p><p>He vacuumed the apartment, did the laundry, cleaned all the sinks, and even de-limed the shower head, which gave him a satisfaction akin to completing an extra credit assignment. And then he readied the bedroom DVD player with one of their favorite discs, and made a path, of sorts, with the snapdragons, placing one after another, from the front door to the bedroom. He felt a little silly doing this, and it reminded him of that episode of <em>The Brady Bunch</em> where the boys leave a trail of popcorn so that they don’t get lost in a Hawaiian forest, only to end up meeting Vincent Price in a cave.</p><p>“Ha. I wonder what that therapist of ours would make of that imagery. Maybe she’d just say sometimes a man in a cave is just a man in a cave. I don’t think I’ll tell her all the same though.”</p><div
class="pullquoteRight">Was this the right time to premiere his latest honorific? Could there be a better time? A worse time? Was the best and worst time one and the same? If so, should he just go for it?</div><p>As a final preparation he rounded up the dozen or so rusticated brown-copper votive holders that they kept in an antique midshipman’s chest, and equipped each with a squat candle, placing them at paced-off intervals alongside his snapdragon path. With the family room aglow, and his work complete, he went to the window and savored the dusk as the day’s last rays of sun spangled the harbor.</p><p>Keara arrived and set out on her husband’s path. She found Tanyon in the bedroom in his lightest, most sheer dressing gown. He moved to kiss her, but she had already bent down to remove her shoes, and his lips deflected off of her shoulder. He pressed play on the DVD player, and the pleasing voice of Rod Serling filled the room. They had watched a <em>Twilight Zone</em> marathon at the end of their first date in college, back when it was the three of them more often than it was just the two of them. But it was only the two of them now, plus Rod Serling, and Burgess Meredith, who had emerged from the vault beneath the bank where he worked, to find that he was the only man left on earth.</p><p>“I think this &#8220;Time Enough at Last&#8221; episode is my favorite,” Tanyon said as Keara swirled some of the Cabernet around her mouth.</p><p>“You would.”</p><p>“How’s that?”</p><p>“Well, the Burgess Meredith character is bookish, like you. And his wife—who dies, of course—is cold. As you like to imagine that I am.”</p><p>“That’s not true. Not at all. It’s just not true.” He paused and considered his options. Was this the right time to premiere his latest honorific? Could there be a better time? A worse time? Was the best and worst time one and the same? If so, should he just go for it?</p><p>He stood up from the bed and cupped his hands inside the lapels of his lightly-cinched dressing gown. He took a deep intake of breath, and separated himself from his robe, with a little shimmy of his left foot. He stood there naked before her—like a cave man—but this was not his great surprise.</p><p>“Why, that’s not true at all,” he resumed. “That’s just not true. Angel Tits.”</p><p>After making up the couch in the living room, he stood once more by the window. He pressed his head against it and felt a draft coming through, but it didn’t really bother him now that he had his heavier robe on. He could see the airport across the harbor. A plane landed. A plane took off. Three hundred yards away. Four hundred. Five at the most. He measured in football fields. He tried to count the blackened husks docked in the Charlestown marina. Some boats looked bigger than other boats, but they probably weren’t much bigger.</p><p
style="text-align: center;">***</p><p>He wasn’t sure what to do next as he pulled out of the driveway of his in-laws, fighting the urge to flip them off.</p><p>“Well, I’m a free man now. With the whole weekend in front of me. What does a Boston bachelor do with two full days at his disposal?”</p><p>He could already feel his forced enthusiasm starting to wane. The last place he wanted to be was at home. He was shocked though at his own impetuousness as he found himself on I-95 South, bound for Manhattan to hit up some of his favorite Greenwich Village record shops. It would kill the day, and provide a nice surge of nostalgia harkening back to those times when he would pester his father to put off their yard work so that they could leave Ridgefield, Connecticut behind for the amped-up pace and pulse of New York.</p><p>Some of his fondest memories involved listening to old vinyl records by Illinois Jacquet, Don Byas, and Ben Webster—the great, stomping tenor men—in closet-sized record shops on MacDougal Street, as his father flipped through the racks of bebop and stride pianists, turning to his son and holding up his latest, greatest find whenever he came upon an Art Tatum or Earl Hines LP that he didn’t already own.</p><p>Tanyon liked that his father was a piano aficionado, and he was more of a tenor buff. It was as though they’d be able to harmonize with each other in some imaginary band—were either of them able to play their favorite instrument—rather than compete for the same spot. Sometimes he thought of the happier days of his marriage as Coltrane in his mid-fifties Prestige years, where everything was soulful and rhythmic; now, it was like mid-sixties Coltrane, when everything went atonal.</p><p>Many of the shops that he used to visit with his father were still in business, which both relaxed and excited him. “This is a pretty fine day after all,” he thought, pleased that the present had not completely dislodged the past. He bought enough records and CDs to fill the cloth bag in the trunk which he usually used when he went off on one of his wine buying excursions to his favorite shop on the Cape, and resumed his journey.</p><p
style="text-align: center;">***</p><p>It was typical of him to think that the disassembling of his marriage had more to do with him than with his wife. There had been a period of heavy drinking—“guilt fallout,” as he put it, while Keara was away for a couple weeks in Milan. These temporary separations usually served to rejuvenate them, but in this instance, the reason for Keara’s trip was more in line of a meditative mission—specifically, some time apart to give some final thoughts to starting a family, an issue they had gone back and forth on, given Keara’s unhappy girlhood and an uncle who may or may not have—well, they weren’t exactly sure what he may or may not have done. Spotty details would sometimes be dragged to the surface—thanks to the same therapist who had hit upon the less-than-brilliant “be a cave man” strategy—but neither Tanyon nor Keara knew what to think, or what they should do.<br
/> “What if it’s a girl and I’m overly possessive? And too protective, and I don’t let her live her own life? And beyond messing up a child’s life, I’ll make you resent me too, Tanyon. And sometimes I already feel like it’s so hard to connect, to be part of something that’s more than just myself. I can’t even get the myself part right.”</p><div
class="pullquoteRight"> It hadn’t been his intention to do so, but when he saw the ivy and the creepers that encrusted the edges of a sign heralding one of the Cape’s most idyllic spots, the bucolic temptation proved too great to resist.</div><p>He’d try to be agreeable. “I feel the same way. Like it’s impossible, sometimes, for me to be a part of something else either.”</p><p>This technique was among his least successful, and he never understood why lines of this nature would cause his wife to immediately race from his presence, like the sight of him was about to cause her to combust.</p><p>He wondered what each of them would have done if they had not ended up with the other. Keara was intelligent and attractive enough that he would have expected that she would have eventually met someone, the issues from her past notwithstanding. As for himself—there was Sindy back in Connecticut, but there was also the matter of what he believed that he and Keara had done to her. But back in college, he bounced back and forth between the two women, unsure who he ought to commit to. Not that he ever thought of himself as a philanderer. It was, simply, he believed, how young people lived at the time.</p><p>“No harm, no foul. So long as you’re honest with everyone.”</p><p>And he had been.</p><p
style="text-align: center;">***</p><p>While Keara was in Italy, Tanyon took several trips of his own to Falmouth and his favorite wine shop, intent on stocking up the wine cellar he had had custom-built in the basement. On his way back on the day before Keara came home, he stopped at a forest preserve near Sandwich. It hadn’t been his intention to do so, but when he saw the ivy and the creepers that encrusted the edges of a sign heralding one of the Cape’s most idyllic spots, the bucolic temptation proved too great to resist.</p><p>As the car rolled to a stop atop a bed of nettles and auburn-tinged moss that served as the unofficial parking lot, Tanyon looked at his watch and saw that the sun would soon be setting. He decided to take one of his bottles of newly purchased ‘89 Bordeaux and trudge out to the coast and see the day off in style.</p><p>The shoreline proved to be further away than he had expected, but he could hear the sound of waves meeting rocks somewhere off in the distance as he padded along in the forest. He liked that there was sand amidst the carpet of pine needles, like he was at the very spot where two ecosystems came together. But he could no more find the shore than he could refrain from tucking into the wine as he walked, and eventually he had to retreat back to the car before he ran out of light or fell over.</p><p>He didn’t like admitting that he was drunk any more than he liked thinking about his upcoming discussion with his wife about the children they were going to or not going to have. The only thing of which he was sure was that it would feel cathartic to turn his car around in this darkened forest of a parking lot and gun it back towards the main road.</p><p>Which is exactly what he did—hitting a deer in the process, and knocking himself unconscious when the head of the animal penetrated the windshield. A state cop told him the next morning that he was lucky it wasn’t a buck.</p><p>“This time of year, with those antlers of theirs, they can impale you in a car like this. What were you doing up here anyway?”</p><p>He had made sure to get rid of the empty wine bottle by throwing it in the hollow beneath an overturned tree.</p><p>“I was thinking about a girl,” he answered.</p><p>“Ha. Aren’t we all, buddy&#8230;”</p><p
style="text-align: center;">***</p><p>He figured that if anyone should be blamed, it was probably Duke Ellington, who had a way of making him feel braver than he knew he really was. His official reason to head further south and stop off in Fairfield County was to visit his father, and share his new bounty of jazz albums. The old man would get a kick out of some fresh sounds. But he knew he wouldn’t be going by the house, because he understood that an unannounced visit would tip off his father that something was wrong. And when his father knew that something was wrong, Tanyon only ever felt guilty, because he knew how much his father would worry.</p><p>He originally supposed, as he drove through Harlem, that he would simply return to the apartment at Rowes Wharf, worn out from his long day and tired enough that he’d be able to fall asleep without hours’ worth of effort. He called himself an idiot—out loud, even—when his thoughts turned to hoping that Keara might have changed her mind, and was now at the apartment, waiting for him, worried. But it was Duke Ellington—and, more specifically, Paul Gonsalves—that settled it.</p><p>There was always something about Ellington’s performance from the 1956 Newport Festival that pumped him up. He had found a remastered CD set in one of the Greenwich Village shops, which was now cranking on the stereo. Usually he hated taking the Merritt Parkway, because he couldn’t stand the rhythmic clicks that would emanate from beneath the car when the tires passed over each segment of the road—it was like driving over a bunch of LEGOs that had been stuck together.</p><p>But now, he noticed that the clicks seemed timed to fall between the beats of Sam Woodyard’s drums on “Diminuendo and Crescendo in Blue,” like an extra accent. As tenor man Paul Gonsalves began to blow his eighth chorus of his famous twenty-seven bar solo, Tanyon knew that he was going not to Ridgefield but to nearby Wilton to see Sindy, and offer something in the way of an apology for cutting her out of a business plan—however unintentionally—that had set Tanyon and Keara up for life—a life they were no longer to share together.</p><p>He never questioned how much he owed Sindy, and the good times with Keara were always undercut by a concern that someone else had helped put them in their particular situation. To be fair, he wasn’t exactly sure that the truffle idea was not mostly his own. He knew it was not Keara’s, although it was her father—and a few investment group friends—who put up a lot of the money to get them started.</p><p>Tanyon’s own father had a degree in agricultural engineering, a passion which—like jazz—he passed along to his son. He was also one of those knockabout inventors—the kind that legitimate inventors sometimes branded as a “quack”—who spent endless hours tinkering with formulas in hopes of coming up with some radical new food source or beverage that would yield amazing benefits for the human race, and give him something to shoot the bull about with his friends at one of his clubs.</p><p>At Tufts, Tanyon continued on in his father’s tradition, and thought, after joining an amateur inventor workshop, that maybe he could surprise the old man with a patent of his own—some wrinkle on a new way to make wine, maybe. He spent a lot of long afternoons in Bray Laboratory, where he eventually met Sindy, a gifted biomedical student who had actually been a neighbor of sorts in their pre-college days, although neither of them knew it at the time. She had more know-how than he did, and understood what he meant when he discussed his rather crude ideas about making wine out of something besides grapes. Like out of mushrooms, something that would offer health benefits beyond those normally associated with wine. He remembered reading that fungi can be a deterrent to breast cancer, which had claimed his mother halfway through high school, and turned his father into a perpetual tinkerer, wisher, dreamer—anything that might take his thoughts away from his pain.</p><p>“I’m sure I can help you come up with something,” she had said. “Although I wouldn’t exactly be sweating if I were Ernest or Julio Gallo.”</p><p
style="text-align: center;">***</p><p
style="text-align: left;">They worked on the idea over the next several years, while Tanyon wondered if he was meant to be with Keara or Sindy. He was prone to thinking in fatalistic terms, as though some things were simply going to happen, whether he wished them to or not. Sindy was the less guarded of the pair. She had a nonchalance to her that Tanyon envied, like she could just pick up and leave anything behind, if it no longer suited her or no longer brought her pleasure, or meaning. Keara was more rigid, but she committed more deeply, even when it hurt her, and Tanyon thought that he was probably the kind of person whom other people had an easy time leaving, so maybe Keara was best for him. But then he’d pick up in the lab again with Sindy, and he’d find some counter-argument to move him back in the other direction, a thought process he later blamed on the caprices of youth.</p><p>A few overly bored TAs became involved in hammering out a formula that might work, and finally hit on one that went off to a testing lab. It looked like a small success had been achieved, and the project, seemingly, came to an end. But months later, reports came back from the lab that they might really have something here. And then 60 Minutes just happened to run a piece on the salutary effects of black truffles—glorified mushrooms, of a sort—and Tanyon was able to find some investors in a small black truffle farm, led by Keara’s father, and the formula was pressed into service.</p><p>Six years later, Tanyon and Keara had a cash windfall on their hands, having introduced a new fad in wine circles that was the source of a number of feature pieces in the leading magazines, garnering further investments from different sectors of the health, wine, and biomedical industries. Sindy, meanwhile, was working as a real estate agent in her hometown of Wilton.</p><p>Whenever Tanyon would ask Keara about cutting Sindy in, his wife would say that she had already tried, but to no avail. And then she would often begin to cry, which confused Tanyon greatly, so he would let the matter drop and try to find something less upsetting to talk about. Perhaps he could make it right by Sindy at some point in the future, when he and Keara were in a better position as husband and wife. Or afterwards.</p><p
style="text-align: center;">***</p><p>He drove through the center of Wilton on the lookout for the agency where he had read online that Sindy worked. “I wonder if it’s very depressing,” he thought, “showing houses to strangers that your friends used to live in.”</p><div
class="pullquoteRight"> He looked back at her, unsure whether she had stopped talking or whether her words had been scattered by the breeze that had him reaching deeper into his pockets.</div><p>He was also hard at work on his opening line. Naturally, he didn’t want to come across as a stalker; nor did he want to use anything as trite as saying that he had been home to visit his father, and now, after all of these years, he had decided it was prime time for a visit with his old chum—to say nothing of the money she must have known she had a right to, and his wife’s confusing claims that she had tried to make things right.</p><p>He parked a little ways down the road so that he could sit in the car for a few minutes and gather himself. The agency was about thirty yards up the street. But just as he had finalized his opening line and was starting to get out of the car, there was a knock on the passenger side window. It was Sindy, who opened the door and sat down as though he had explicitly come to pick her up.</p><p>“I think we should probably talk.”</p><p>“What on earth…I mean&#8230;”</p><p>“I was at the diner down the street picking up lunch for the office. Keara had phoned and said you might be stopping by. You look good by the way.”</p><p>“Um&#8230;okay. That’s just odd. The thing about my wife. Not the looks thing. Same to you, I mean.”</p><p>“Let me just drop this off inside and tell them that I’m going to be out for a little while.”</p><p>“Okay.”</p><p>He thought about backing out and making a break for Boston—or maybe his father’s—but he figured that he probably deserved whatever he had coming to him.</p><p
style="text-align: center;">***</p><p>She had him drive to Weir Farm, a spot he knew from childhood field trips. It was a home for several generations of artists, as well as a working farm. The entire notion of a farm—given the whole truffle business—made him even more ill at ease.</p><p>“You’re fidgeting something awful, Tan. I’m the one who ought to be anxious.”</p><p>“Um…alright. If you say so. I feel like I’ve gone down the rabbit hole, in a manner of speaking. I don’t know what you know. More than I would have ever guessed, apparently. So maybe this is redundant. My wife left me today—formally, that is. And I don’t know what the hell I’m doing driving all over the Northeast Corridor. And now I’m walking around with a bunch of goats and geese by my side with a former girlfriend of sorts, and my wife’s erstwhile best friend, whom I basically screwed in more ways than one and I’m just so sorry…And you appear disturbingly clued in. I tried to talk about you with Keara, but&#8230;”</p><p>“But I wouldn’t take anything. Financially.”</p><p>“Yes. But if you ever change your mind…God. I sound like an idiot. Even with the divorce. I’m sure we can work out something. But I’m glad that at least one friendship was saved. It’s just like Keara not to have told me though. We don’t really talk anymore. I don’t expect that we ever will again, in any real sense. There will be lawyers, of course. They’ll talk.”</p><p>“Your wife loves you very much, Tan&#8230;”</p><p>Her voice began to trail off as his eyes scanned over a nearby pond, where several painted turtles clustered on a thick branch that jutted out of the water. He looked back at her, unsure whether she had stopped talking or whether her words had been scattered by the breeze that had him reaching deeper into his pockets.</p><p>“I’m not sure what you’d call it. I started thinking that not having kids was a way to leave herself an exit, if you will. From us. From whatever we were.”</p><p>“Or maybe it was a way to keep your relationship with her different from your relationship with me.”</p><p>“Ha. That’s just odd. Because not having a kid—“</p><p>“A daughter.”</p><p>“Fine, a daughter. Or a son. Either one. You can’t have a combo.”</p><p>He didn’t know why he had said something so boorish and immediately lowered his voice.</p><p>“Sorry. Bad joke.”<br
/> “No. That’s not what I mean. Please don’t hate Keara for this.”</p><p>She grabbed his forearm and he could feel her nails through his coat. She was shaking and trying not to cry, with some degree of success. This made Tanyon panic all the more. Her pain was obvious, but she had some dominion over it, so it must have been a pain she had lived with for a long time, something she had worked at mastering.</p><p>“I didn’t tell you. I came here. Keara knew. But I didn’t want to complicate things. I was in my own head and I couldn’t get out. And you two were starting out. And I felt…betrayed. Not because of the money or anything like that. But because I knew you had made up your mind. And then Keara got in touch a few months back, and just started crying into the phone about how you were growing apart, and about having kids, and about…”</p><p>“About what?”</p><p>“About the daughter you already had.”</p><p>“I have a daughter?”</p><p>“You…had a daughter.”</p><p>He turned to vomit into the pond, and succeeded in merely retching instead—having not eaten all day—dispatching the turtles back into the water.</p><p
style="text-align: center;">***</p><p>&#8220;What do you want?”</p><p>“I want to talk to my wife.”</p><p>“Tanyon&#8230;it’s the middle of the night. Sleep it off. I’ll ask her to call you tomorrow.”</p><p>He was not surprised that his mother-in-law sounded as alert as she did, never mind that it was quarter-of-three in the morning. She was always alert, like some sentinel looking over her daughter so that he could not cause her harm.</p><p>“Look&#8230;if she doesn’t want to talk now&#8230;just tell her I’m on the road. Back from Connecticut. Promise me you’ll tell her that. Tonight.”</p><p>“I don’t think she needs to know that you’re on your way home from visiting your father.”</p><p>He could tell that he only had a sentence or two left in him.</p><p>“I was not visiting my father. Please. Tell her.”</p><p>He hung up and tried to concentrate on the road. He didn’t know when he would be home. Probably after daybreak. It didn’t matter.</p><p>He wondered if he was being overdramatic by crying for someone he never knew, or if the very concept of a stillborn child mitigated against full-blown tragedy. It wasn’t like he had some three-year-old daughter die on him, one whom he—or someone—had gotten to know. And then he worried if he was in some kind of violation of morality by trying not to cry. His head felt heavy, and he considered that maybe nodding off wouldn’t be so bad after all. He went long stretches without seeing another car.</p><p>The Ellington CD was still in the player. When Tanyon turned it on, Paul Gonsalves resumed his solo. Tanyon knew it by heart. Gonsalves was halfway through. Thirteen and a half bars to go. Tanyon kept the volume down low, simmering the music. When Gonsalves wrapped up bar number twenty-seven, he cued up the beginning of the track once more. Again and again and again—he didn’t think he’d be able to get home any other way.</p><p>It was near five when he stumbled into his apartment. Darkness. He put his cell phone down on the living room table and saw a small piece of paper, which he gently collected and turned around in his fingers, as though he were filtering out any potential bad contents. He went towards the window, where there was a vague stream of light. A draft was coming through again, but it felt good against his forehead as he looked down at the missive that was probably some long-forgotten grocery list or one of the occasional notes he wrote to himself.</p><p>It was in Keara’s hand: <em>Come to bed. Angel dick</em>.</p><p>He could see the airport across the harbor. A plane landed. A plane took off. Three hundred yards away. Four hundred. Five at the most. He measured in football fields. He tried to count the blackened husks docked in the Charlestown marina. Some boats looked bigger than other boats, but they probably weren’t much bigger.</p><div
id="bio"><em><strong>Colin Fleming</strong> is a contributing writer for <strong>The Atlantic</strong>, <strong>The New Yorker</strong>, <strong>The Boston Globe</strong> and <strong>The New York Times Book Review</strong>. His fiction has appeared in <strong>Boulevard</strong>, <strong>Texas Review</strong>, <strong>Slice Magazine</strong> and <strong>The Iowa Review</strong>, among other publications.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2012/01/mushroom-wine/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Fire</title><link>http://foggedclarity.com/2011/11/fire/</link> <comments>http://foggedclarity.com/2011/11/fire/#comments</comments> <pubDate>Thu, 01 Dec 2011 04:10:47 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Ethel Rohan]]></category> <category><![CDATA[Fire]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Ireland]]></category> <category><![CDATA[Pank]]></category> <category><![CDATA[San Francisco]]></category> <category><![CDATA[short story]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=15870</guid> <description><![CDATA[Ethel Rohan Inside her bedroom, Patsy depressed the hairspray’s nozzle until her finger ached and then touched the lighter’s flame to the flammable cloud. She stared into the airborne flames, transfixed. She closed her eyes and conjured the fire of moments earlier, beating overhead like a golden eagle. Patsy’s latest lover pulled her down onto [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Ethel Rohan</h3><p>Inside her bedroom, Patsy depressed the hairspray’s nozzle until her finger ached and then touched the lighter’s flame to the flammable cloud. She stared into the airborne flames, transfixed.</p><div
class="pullquoteRight">She closed her eyes and conjured the fire of moments earlier, beating overhead like a golden eagle.</div><p>Patsy’s latest lover pulled her down onto the bed and sounded his nasty chuckle. “You’re not the only one can set a fire.”</p><p>Patsy wondered how much longer she would keep him around. He’d only lasted this long, three weeks and counting, because she hadn’t yet found his replacement. She hated an empty house and setting fires just wasn’t the same when no one was watching. Even with company over, though, she always felt Anna’s absence in the house.</p><p>It was Anna’s weekend with her dad and his second wife, Lily. Patsy sometimes fantasized about setting fire to her ex-husband and his skinny, smug, replacement missus, saw them burning out like two straw dolls.</p><p>Her lover’s stubble tore at her chin and cheeks, like sandpaper on paint, and she pictured her outsides flaking away, chip by chip. She closed her eyes and conjured the fire of moments earlier, beating overhead like a golden eagle.</p><p
style="text-align: center;"><strong>…</strong></p><p>Patsy had never mastered pancakes. Her batter always turned out too thin or thick and she either burned the pancakes or they remained raw in the middle. Today, her Saturday with Anna, she tried her hardest.</p><p>Anna pushed her plate away. “They’re <em>black</em>.”</p><p>“They’re fine,” Patsy said.</p><p>“They’re <em>yuck</em>.”</p><p>Twelve-going-on-twenty, Anna’s chest, waist and hips were starting to fill out along with her attitude.</p><p>Patsy and Anna argued inside the gloom of the kitchen. The house faced the wrong way and the sun never entered the back rooms until afternoon.</p><p>Anna threatened to go live with her dad and Lily.</p><p>“Because of pancakes?” Patsy said.</p><p>“Because you don’t try. You don’t care.”</p><p>“Fine, go live with Tom and Lily, see how long they’d put up with you,” Patsy said.</p><p>Anna’s chin trembled and her cheeks burned red.</p><p>Patsy felt immediately sorry and suggested they go out for breakfast, to the IHOP.</p><p>Anna shook her head hard, as if she had spiders in her hair.</p><p>Patsy suggested they make S’mores. Anna had loved to make S’mores when she was younger, when they’d go camping, when they were still a family.</p><p>Anna lit up like a sparkler. “For breakfast? Seriously?”</p><p>They readied the marshmallows, graham crackers and chocolate and Patsy reached for the gas lighter. The familiar feel of the lighter in her hand calmed and heartened her, much like an alcoholic’s first daily grip of the bottle.</p><p>They ate to full and laughed at each other’s chocolate teeth and marshmallow lips. Anna wore a black camisole and her hair caught-up in a bun, showing off her shoulders and long neck and shiny oval face. She looked like a dancer, like a beautiful girl on stage in the lead role. Patsy felt an ache in some part of herself she couldn’t name.</p><p>“How’d I get so lucky,” she said, “to get you?”</p><p>In the afternoon, three of Anna’s friends came over. Patsy liked to have the girls hang out at hers, enjoyed the full, happy feeling in the house. The girls disappeared up to Anna’s bedroom and soon the sounds of music and laughter and screeches touched every wall. Patsy locked herself inside her bedroom and sat on the edge of her plump duvet. She lit match after match and watched the sticks burn out. The smell of sulfur always catapulted her back to childhood and her father’s ritual with his matches, loose-leaf tobacco and pipe.</p><p>Patsy’s parents had raised her with a fear of fire. As a boy, her father had lost his two next-door-neighbors, seven-year-old twins, in a house fire. The boys were his best friends. He could smell their cooked corpses for months after the inferno and sometimes said he could still hear their screams.</p><p>Her father had never allowed candles in the house, or a deep fat fryer or Christmas lights. He also kept matches and lighters out of children’s reach and unplugged every electrical appliance in the house every night.</p><div
class="pullquoteRight">Patsy pressed her thumb to the scar on the inside of her left wrist.</div><p
style="text-align: left;">Patsy stared into the ball of fire atop the matchstick. Fire brought out a tenderness in her that not much else did anymore, aside from Anna. Fire made her feel like she was deep-kissing an angel.</p><p
style="text-align: center;"><strong>…</strong></p><p>Tom and Lily insisted on a meeting to discuss ‘Anna’s welfare.’ Patsy refused to meet with them, but they threatened her with Child Protective Services. As soon as Patsy heard the splutter of Tom’s car in her driveway, she raced upstairs to her bedroom and her aerosols and watched fire dance in the air. Anna called and called.</p><p>Tom and Lily remained standing inside the living room. Tom looked like he’d bulked up at the gym and his stance and new build made him appear more like a police officer than a technical writer. Lily, a yoga instructor, remained as skinny and attractive as ever, her chestnut hair pouring down her tiny back. Patsy inwardly talked down her panic and sniffed at the sulfur on her fingers. She wanted to be in her kitchen, not the living room. She’d feel better in her kitchen. She offered lemonade.</p><p>They sipped the lemonade with mechanical movements and suffered small talk. Patsy pressed her thumb to the scar on the inside of her left wrist. Years back, she’d burned herself on the face of an iron. Tom had pulled her over to the faucet and held her arm under cold, running water, and had fussed and worried. After that, she’d burned herself repeatedly. In the end, though, even hurting herself couldn’t make Tom care.</p><p>Tom started the ambush. “We need to talk about Anna.</p><p>“What about Anna?” Patsy said.</p><p>“We’re concerned about her well-being,” he said.</p><p>Patsy laughed into her glass. “Her what?”</p><p>In the back garden, Anna played hoops and repeatedly thumped the basketball against the backboard.</p><p>Tom returned his glass to the table, lining it up perfectly again with its ring of condensation on the pinewood. “Thing is, Patsy, Lily and I think it best Anna come live with us.”</p><p>Patsy’s glass slipped out of her hand and dropped to the floor. She looked up from the smashed glass and seep of lemonade over the tiles and glared at Tom through tears. “That will never happen. Never.”</p><p>“Please, Patsy,” Lily said, “we know this is hard, but we have to think about what’s best for Anna.”</p><p>Patsy imagined taking the red lighter to Lily’s hair, to her lips, to her hands and feet.</p><p>“You need to accept you’re not the best role model,” Tom continued.</p><p>Patsy ordered him and Lily out of her house.</p><p>“We’ve already filed paperwork,” Tom said.</p><p>Patsy shouted and chased Tom and Lily down the hall and out her front door.</p><p>Lily turned around at the front gate. “You’re crazy. You need help.”</p><p>“You better believe it,” Patsy said and slammed her front door.</p><p>She returned to the kitchen and pulled every tea towel from the drawer and heaped them onto the counter. Anna remained outside, the basketball still thudding. Patsy held the gas lighter to the mound of tea towels. The reflected flames shimmered in the window.</p><p>Anna shouted from the back garden. “Fire! Mom! Fire!”</p><p>Patsy remained motionless inside the kitchen, her face warmed by the flames.</p><p>Anna burst through the back door. “Mom?”</p><p>Patsy brushed the fabric bonfire into the sink, turned on the faucet and doused the flames.</p><p>“What happened?” Anna asked, her tone suspicious.</p><p>Patsy faced her daughter, that longstanding feeling of fuel in her veins gone. Calm, resolute, she made them both a promise. “It’s okay, sweetheart, Mommy’s got everything under control.”</p><div
id="bio"><em><strong>Ethel Rohan</strong> is the author of <strong>Hard to Say</strong> (PANK, 2011), and <strong>Cut Through the Bone</strong> (Dark Sky Books, 2010), the latter was named a 2010 Notable Story Collection by <strong>The Story Prize</strong>. Her work has or will appear in <strong>BULL Fiction</strong>, <strong>The Chattahoochee Review</strong>, <strong>The Los Angeles Review</strong>, <strong>Southeast Review Online</strong>, <strong>Potomac Review</strong>, and elsewhere. She earned her MFA in fiction from Mills College, California. Raised in Ireland, she now lives in San Francisco.<br
/> </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/11/fire/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Ehud Havazelet</title><link>http://foggedclarity.com/2011/10/ehud-havazelet/</link> <comments>http://foggedclarity.com/2011/10/ehud-havazelet/#comments</comments> <pubDate>Mon, 31 Oct 2011 22:35:46 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Featured Articles]]></category> <category><![CDATA[Interviews]]></category> <category><![CDATA[audio]]></category> <category><![CDATA[audio interview]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[Bearing the Body]]></category> <category><![CDATA[Ehud Havazelet]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Guggenheim Fellowship]]></category> <category><![CDATA[Gurov in Manhattan]]></category> <category><![CDATA[Interview]]></category> <category><![CDATA[Like Never before]]></category> <category><![CDATA[Oregon]]></category> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[short story]]></category> <category><![CDATA[The Best American Short Stories 2011]]></category> <category><![CDATA[The Fogged Clarity Interview]]></category> <category><![CDATA[What is it then between us?]]></category> <category><![CDATA[Whiting Writers' Award]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=15681</guid> <description><![CDATA[Fresh off his publication in "The Best American Short Stories 2011," the award-winning author discusses John Cheever, New York City, and the search for truth. ]]></description> <content:encoded><![CDATA[<h3 class="byLine">The Fogged Clarity Interview</h3><div
class="center"></div><div
id="attachment_15748" class="wp-caption aligncenter" style="width: 210px"><img
src="http://foggedclarity.com/wp-content/uploads/2011/10/ehud.jpg" alt="Ehud Havazelet" title="ehud" width="200" height="200" class="size-full wp-image-15748" /><p
class="wp-caption-text">photo: Sigrid Estrada</p></div><p>In an intimate interview, the award-winning author discusses his process, growth, and the relationship between creation and mortality.</p><div
id="bio"> <em><strong>Ehud Havazelet</strong> is the author the story collections <strong>What is it then between us?</strong> and <strong>Like Never Before</strong>, as well as the novel, <strong>Bearing the Body</strong>.  He is the recipient of a Guggenheim Fellowship, a Whiting Writer&#8217;s Award, and a Rockefeller Foundation Fellowship.  His short fiction has appeared in <strong>The Missouri Review</strong>, <strong>TriQuarterly</strong>, and <strong>The Southern Review</strong>, and his latest story, &#8220;Gurov in Manhattan,&#8221; was recently anthologized in <strong>The Best American Short Stories 2011</strong>. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/10/ehud-havazelet/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/interviews/2011/November/EhudHavazelet_FoggedClarityInterview.mp3" length="47956353" type="audio/mpeg" /> <itunes:keywords>audio,audio interview,author,authors,Bearing the Body,Ehud Havazelet,fiction,fogged clarity,Guggenheim Fellowship,Gurov in Manhattan,Interview,Like Never before</itunes:keywords> <itunes:subtitle>Fresh off his publication in &quot;The Best American Short Stories 2011,&quot; the award-winning author discusses John Cheever, New York City, and the search for truth.</itunes:subtitle> <itunes:summary>Fresh off his publication in &quot;The Best American Short Stories 2011,&quot; the award-winning author discusses John Cheever, New York City, and the search for truth.</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>49:57</itunes:duration> </item> <item><title>The Seventh Veil</title><link>http://foggedclarity.com/2011/10/the-seventh-veil/</link> <comments>http://foggedclarity.com/2011/10/the-seventh-veil/#comments</comments> <pubDate>Mon, 31 Oct 2011 22:31:12 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Hopwood award]]></category> <category><![CDATA[Jascha Kessler]]></category> <category><![CDATA[short story]]></category> <category><![CDATA[The Seventh Veil]]></category> <category><![CDATA[The Wall Street Journal]]></category> <category><![CDATA[UCLA]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=15613</guid> <description><![CDATA[Jascha Kessler Six months in Los Angeles, and I’m still alone in my place. But not too depressed. No longer mourning the loss. Ready for the present, perhaps, if not my future. Let well enough alone. If it’s well. If it’s enough. I sit at a good though monotonous job at Technetronics, Inc., assembling micro-components [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Jascha Kessler</h3><p>Six months in Los Angeles, and I’m still alone in my place. But not too depressed. No longer mourning the loss. Ready for the present, perhaps, if not my future. Let well enough alone. If it’s well. If it’s enough. I sit at a good though monotonous job at Technetronics, Inc., assembling micro-components for the guidance system of what must be the latest model cruise missile.</p><div
class="pullquoteRight">I have the feeling I have come to the wrong party, not a soul in the place do I recognize.</div><p>We’ve all been cleared to work here, some forty men and women on this line. At 08:00, we file from the locker room into our places, wearing gauze surgical masks and caps, covered up by sterile white jumpsuits, our feet shod in canvas booties. The badges over our hearts show our names and our polaroid portraits, both profile and full mug. This room in the plant is sterile: sealed, air-conditioned, bathed in soft, gray-white fluorescence, and permeated by Muzak— cocktail-hour dance tunes, slowed-down old jazz standards— a flattened-out, tinkly noise played at the one low volume that wears away the day and fills the night and sleep with its tinny, discreet jangle. Nauseating. We sit at the long bench, working with tiny bits of gold wire and hundreds of minuscule chips under stereomicroscopes. This little brain we’re assembling will guide a stubby-winged missile a thousand miles— skimming over hill and dale, streaking along just above the surface of the earth, darting through valleys and touching treetops, up, down, up, winding in and out at a tall man’s eyelevel until it sees its target, plunges abruptly down to detonate a small, strategic mini-holocaust, and obliterates a city somewhere.</p><p>During lunchtime, we get to chatting, more or less. My coworkers are more or less like me: young to middle-aged, all from somewhere else, too. We talk movies, tv, the sports page— sex, religion, and politics are no-no’s. At 17:30 there is the slamming of car doors and the roaring of exhausts as we file out and head for the Freeway. And then the long evening— each in his or her own unit, alone for all you know. Turning the key confirms the solitude. But the pay’s very good, the job more or less assured— it’s a fresh subcontract and Technetronics, Inc., is in on the ground floor of this new development in weaponry. So not to complain, I adjure myself. Maybe someday soon I’ll return to the stud¬ies abandoned in despair after the breakdown. I know that this time I have got ahold of things. Damned if I ever let go again.</p><p>About 16:00 this afternoon the fellow to my left, Peter Fuerst, says to me, “Kingsley, how about coming to our party tonight. Most of our bench will be there.”</p><p>Well&#8230;, I say.</p><p>And Sally Johns, the girl to my right, with a pair of hips if ever I saw hips, even in her full, loose, white jumpsuit, says, “Come on, Kingsley, give it a try. You bring your wine, and I’ll bring mine.”</p><p>Her luminous blue eye winks at me above her white mask. I’m persuaded.</p><p>It’s Friday. April again. It’s even rained this week, Los Angeles is clear, washed, glistening— there’s snow on the peak of Mt. Baldy to the East, and the many different kinds of green foliage that fill this city are fresh and tender. Life may be possible, who knows? I do need something more for myself.</p><div
class="pullquoteRight">Another is a minimal conceptualist— she shows me the razor marks on her wrists, a famous artwork she created the other year in the elevator of the County Museum.</div><p>A shabby stucco cottage in Venice, gabled and low, with a Midwest sort of front porch and some splintery rattan furniture on it.  A half-dozen cats prowl about or sprawl, lazily cleaning themselves. It’s on Rose Avenue, a few doors from the Pioneer Bakery. The street’s lined with decrepit houses just like it, all with fenced, hopeful patches of front lawn. Bougainvillea vines, rose and hibiscus bushes mask their peeling age, and the cool evening air is tainted with the night blooming jasmine— a sharp scent that mixes pleasantly with the delicate yeasty odors of bread baking in the nearby plant. A few blocks to the West, beyond the flat, broad beach, the Pacific lies calm and gray, not a boat or ship anywhere in sight. It’s nearly 22:00 when I open the front door, and the party’s underway. I straighten my tie and step in. The usual scene. Outside, the quiet of late evening; inside, hi-fi cramming the small rooms with thunder and screeching. I set my jug of mountain red on a side table with the rest of the booze offerings. People are dancing, or talking mouth to ear. I have the feeling I have come to the wrong party, not a soul in the place do I recognize.</p><p>Or else I’m not as well as I have believed myself to be. By 23:00 I’m slouched on a beanbag in a corner, an observer, sipping at my 7th glass of wine. Plenty of action, yes; but it baffles me. I’m sure I must know these folks from Technetronics, Inc., by name or face or form?  Yet somehow they are all strangers now. One tells me he’s a movie director, up for an Oscar. Another is a State Senator down for the tax hearings next week. Another’s on the Gover¬nor’s Special Commission for Environmental Protection, Toxic Wastes Committee. That gal’s a well-known sculptor in epoxy resins, getting into advanced laser holography. Another, a little Chinese, is a minimal conceptualist— she shows me the razor marks on her wrists, a famous artwork she created the other year in the elevator of the County Museum. The tall black girl is a ceramist— lingams and yonis and omphaloids three meters high. I have spoken to a familiar-looking man from my own bench who tells me he’s a psychotherapist specializing in addicted call girls. There is a pair of Sufi dancers in orange pantaloons and gauze blouses, their heads in blue turbans, and a pale, married couple of Sikhs in white, wearing tall white headdresses and drinking only Perrier. I have poured my wine out to a woman who’s the bestselling author of Gothic romances in paperback, she’s just passed the ten-million mark. Peter Fuerst himself has red hair now, not mousy brown. Sally’s cropped black head is hidden in a long, silky, synthetic blonde mane, its tresses compressed by a band of sparkling rhinestones, hanging below her backside — I know those hips — and the rest of her full body hardly covered— shiny platinum patches on the large nipples of her heavy and free-swinging breasts&#8230;and she’s not Sally now either&#8230;she’s Salome Head, Coptic belly-dancer from Alexandria, Egypt. Mark, who assembles to the left of Peter Fuerst all day long, is introduced to me as a stockbroker— he’s offering me a new issue of preferred stock in a valve-factory— a steal now at seven dollars, shares bound to triple and split within the year&#8230;it’s all the new chemical pipeline-building, he says, and diversification too: chips, and more chips. And it is Mark, I think, behind the curly chestnut G.B.S. beard. Though it’s not Mark’s nose propping the heavy frames of his thick, clear glasses.</p><p>I have tried talking to these people over the buffet, in the kitchen, even while faking a hootch with Sally, who has pressed her quivering, naked abdomen and buttocks up against me more than once. Yet none of them seems to know me, and we have to get acquainted all over again. Hi there, it’s Kingsley! I’ve said, only to be met with blank looks: “Kingsley who?” It’s finally too much for me, and I have to sit down in my corner to nibble at hardtack and drink my wine in peace.</p><p>Towards 24:00, things start to get wild. Not rough, just a little wild. I can guess what is going down soon. Group swinging. Whatever. Sally — Salome Head — crouches in the center of the room, gyrating to the sounds of Ali Baba and his Middle East Assassins— a long album, with six endless, authentic ethnic tracks. The place has been darkened, the lighting undulating blue and purple around the walls and ceiling.</p><p>And I don’t feel at all well. I am holding a brimming glass of wine, staring at it as it runs over my cupped hands. I look up, and Sally’s standing over me, her long thick blonde hair brushing the top of my head. Her forehead’s sweat-beaded, the mascara’s sliding down her heavy cheeks, the lids of her big black eyes painted a cobalt blue and powdered with flecks of gold dust. I realize that she must be wearing black contacts. And when she unpins her muslin veil, all embroidered with hearts and roses, and smiles at me, a gold tooth glints in the front of her mouth. Maybe it’s not even Sally? No one here tonight has the same name, or same anything I remember from Technetronics, Inc.</p><p>“Come on now, John,” she whispers throatily. “Dance with me, okay, man?”</p><p>John? Kingsley here, I say.</p><p>She stares at me and replies brusquely, “Kingsley? Never heard of him.” And then she leans over above me, her pendulous breasts powdered white, sweat-streaked, rank, musk reeking from her deep armpits, her heavy, gold-glittered thighs trembling from her exer-tions on the dance floor. She thrusts her hands under my arms as though to lift me from my collapsed, beanbag seat. But I am too heavy, too firmly planted. The heat radiating from her hits me in the face, dizzying me. She grins, full of zany lust. There is a bright zircon-crusted star winking from her bellybutton. “Come on now, John, won’t you join the dance?”</p><p>Tell me one thing, I say.</p><p>“And what should that be, my darling lover?” she croons, panting.</p><p>Just tell me— what gives? That’s Peter over there, isn’t it; and that’s Mark; and this is our bunch from Technetronics, Inc., isn’t it? Silence. Well, isn’t it? I insist.</p><div
class="pullquoteRight"> The Sufi has already put the Assassins back in the machine and turned them loose.</div><p>She lets go of me. Stands back erect, her plump belly, its hollow, starry gash of navel thrust at me, her bangled wrists planted firmly on those hips, their painted talons gripping her thighs in anger. She gazes down at my forehead, not at me. And she speaks in a new voice: acid, mocking. “Look, Kingsley, you better leave L.A.”</p><p>&#8220;But why?&#8221; I ask surprised, and anxious too.</p><p>“Because you just ain’t gonna make it here, man.”</p><p>Oh?</p><p>“No, man, you ain’t. Because you lack a persona, see?”</p><p>But Sally&#8230;!</p><p>My protest is cut short. She digs a sharp nail into my heart, and says, “Man, you got nothing but your own self!”</p><p>That’s all I want! I hear myself shout back at her.</p><p>Her other hand slices across my Adam’s apple, and she snorts, “That just ain’t enough, man. Never was. Never will be.”</p><p>There’s a sudden silence in the room. They haven’t changed the cassette. I can hear the loud, low hum of the amplifier putting out its silent, roaring sound, like the white noise of nothingness. Salome hooks both hands into my belt and heaves me from my seat; she leads me through this congeries of pure strangers, not one of them resembling the disciplined, skilled workers I know during the week at Technetronics, Inc. From their invented vocations and surprising faces, they watch me being yanked along. They stare at me with pity, and contempt. As she thrusts me backwards out the front door into midnight on Rose Avenue, I see their turned heads. They have watched my expulsion and said nothing. She closes the door, slowly hooking up her yashmak again with one hand, leaving visible now only those black-stenciled brows arched over her great, black, blank eyes. The Sufi has already put the Assassins back in the machine and turned them loose. The drums erupt with a wallop, and the door is shut in my face. The Princes of the Earth go on partying without me.</p><p>I walk to the car. There’s a damp breeze flowing in from the Pacific a few blocks off. It’s salty and it’s sour. I am chilled in my light suit. I have nothing but myself now. And I am wondering what I can do with it.</p><div
id="bio"><em><strong>Jascha Kessler </strong> has published seven books of poetry and fiction, as well as six volumes of translations of poetry and fiction from Hungarian, Persian, Serbian and Bulgarian, several of which have been awarded major prizes.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/10/the-seventh-veil/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Little Miracles</title><link>http://foggedclarity.com/2011/09/little-miracles/</link> <comments>http://foggedclarity.com/2011/09/little-miracles/#comments</comments> <pubDate>Sat, 01 Oct 2011 00:15:34 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[J.S. Simmons]]></category> <category><![CDATA[Little Miracles]]></category> <category><![CDATA[Oregon]]></category> <category><![CDATA[short stories]]></category> <category><![CDATA[short story]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=15340</guid> <description><![CDATA[J.S. Simmons The ad in the back of the paper claimed she was twenty-three. As she climbed the stairs and smiled, chin lifted toward the landing, Jack saw the lines in her face, the gray strands at the crown of her head where roots showed beneath the bleach job. He tried to tell himself it [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">J.S. Simmons</h3><p>The ad in the back of the paper claimed she was twenty-three. As she climbed the stairs and smiled, chin lifted toward the landing, Jack saw the lines in her face, the gray strands at the crown of her head where roots showed beneath the bleach job. He tried to tell himself it didn’t matter but the best he could do was recognize that one got what he paid for, one hundred-twenty-five dollars. She wasn’t fat. She had a shapeless paunch to her, a full body flaccidity highlighted by tight, lacy clothes. He wanted desperately for this to be satisfying. Her hips were too narrow for her lumpy haunches.</p><p>She took his money, asked what he wanted and where the bathroom was. He told her.</p><p>“Undress, sweetie,” she said.</p><div
class="pullquoteRight"> He’d wanted to do something to Kate without her knowing, something he could gather within and use later to cut her.</div><p>She gave him perfunctory head, which he knew was par for the course. They all made it clear they didn’t like this part, though they all did it. When he was stiff enough she handed him the condom. They began in the missionary position but his erection flagged as he looked at her. He couldn’t, when he closed his eyes, erase Kate’s face. And the call girl’s was impossibly haggard. He pulled out and asked her to get on all fours.</p><p>“That’s my favorite,” she said.</p><p>He wasn’t hard anymore.</p><p>“Suck it again?” he said.</p><p>“I want to fuck.”</p><p>“Just to get me hard.”</p><p>She did it. Her mouth was cold. He imagined he felt the filth and acid breath seeping from her porous, wet tissues into his prick.</p><p>He got behind her and squeezed himself to maintain his tenuous stiffness. It was a miracle he got it in again. He pumped gingerly, hoping there’d be enough friction to get him worked up so he could screw her in earnest and get this over with. He stared down at her greasy anus. Its tang and musk were overpowering. Perhaps she hadn’t taken a proper shower in days. He knew he couldn’t do it. He became angry, lost his diffident erection that much more quickly.</p><p>Apologizing, he pulled out and tried to make small talk while the woman waited for her car service.</p><p>“Got any blow?”</p><p>She stared at him. “I’ll wait downstairs, I guess.”</p><p>At twenty past eight he watched her climb into a Lincoln town car and ride away. He’d still be on time for work. He felt like utter shit, scraped out inside and disgusted with himself. He’d wanted to do something to Kate without her knowing, something he could gather within and use later to cut her. He hated her a little more for the embarrassing way his attempt had played out.</p><p
style="text-align: center;">* * *</p><p>A week earlier Jack had switched on Kate’s computer and shut off the internet connection. Browsing through her history he found troubling email exchanges. One contained a breathy confession to a friend: She was no longer in love with Jack and had feelings for someone else. Another email detailed plans to meet a man named Sean at a dark bar with high-backed booths.</p><p>“Because I’m tall and this is a secret,” she wrote.</p><p>He sat before the screen, his stomach turning and tightening. His head felt huge, membranous and diffuse. It was difficult for him to be still, but he hadn’t will to move from the chair. When she came home he confronted her and she screamed at him, berated him for invading her privacy. They fought until they were both exhausted. Jack’s rage subsided in increments, giving way to tearful bewilderment.</p><p>“What did I do to you?” he asked.</p><p>“Nothing.”</p><p>“Why don’t you love me?”</p><div
class="pullquoteRight">He knew that in allowing her to touch him he forfeited some of his few remaining scraps of dignity. He couldn’t help himself.</div><p>“I do.”</p><p>He stared at her. There were more questions, but he knew well enough he wouldn’t like the answers. And anyway, to speak would mean to lose hold of the weeping and moaning he’d at last subdued. His eyes burnt. His head ached. He wanted Kate, loved and admired her. He’d believed she would stay with him, only him, but that—he now understood—was foolish, a case of believing what he wanted to, rather than what made sense. She was twenty-one to his thirty. It occurred to him he should leave or tell her to sleep somewhere else. He imagined explaining it all to any of his few friends, and a pang of nausea twisted his gut. She sat across from him in the small living room, her big legs crossed at the knee. A stubborn white stain they’d dripped together onto the sofa, just a few months before, peeked from beneath her haunch. She was still angry but had stopped yelling. Something like sympathy tempered her speech. The sound of her soft and reasoned words enraged Jack. He imagined raping her. For two seconds: One hand would claw deep into the flesh of her waist, the other would grip the back of her neck, four fingers gently deflating her windpipe. His bloated prong rasping in and out. Perhaps there’d be spots of blood on his shaft, to gloat over. He blinked it away, not sickened by the violence of it but by the knowledge that he wasn’t capable of doing more violence to her than that entailed in begging.</p><p>They lay down in the same bed. Jack curled tight against Kate, not sleeping. He wanted her even then, her big frame and comforting height, her long legs, broad shoulders and equine buttocks. He gazed at the wall over her shoulder, traced a crack in the paint. He sniffled.</p><p>She touched his shoulder and asked, “What did you expect?”</p><p>If the question made sense—and it did—it meant he was a fool. It meant he’d never had the right to expect anything but this.</p><p>“Why?” he said. He spoke softly, hoping for a reassuring lie. But as he repeated himself his voice rose and cracked. She held him. He knew that in allowing her to touch him he forfeited some of his few remaining scraps of dignity. He couldn’t help himself.</p><p
style="text-align: center;">* * *</p><p>He sat at his desk writing sloppy code and feeling aware of his groin. He hadn’t showered. He wondered whether his coworkers smelled the latex and lubricant on him. His office mate Steve used cocaine often, daily. Jack asked if they might go out together after work and Steve said sure. He knew of a good band playing in Manhattan. They’d stop at his place in Astoria, call his dealer and head into town.</p><p>They stopped at Molly Malone’s for a beer and a rail in the bathroom. They stayed there because they no longer cared about anything else. Jack snorted a fat one off the top of the toilet paper dispenser. The mucous and powder paste dribbled down the back of his throat and he savored the bitter chemical flavor presaging the rush. They took turns handing off the bag and bracing the door. Then they were on their barstools, babbling, laughing and talking seriously about how great each thought the other fellow was. Jack wanted to have sex with someone, almost anyone. He looked around at the shabby women there and tried to make inviting eye contact. A plain brunette around forty looked back. She stared through him with severe purpose. Jack and Steve drank more beer and snorted most of the cocaine. Steve went to the bathroom alone and returned with a handmade paper envelope for Jack.</p><p>“I gotta crash,” he said. “That’s the rest of yours.”</p><p>They stumbled out and said goodnight. Jack stood on the sidewalk believing he wanted to screw, not merely to lie next to a naked woman and feel the warmth of her skin as a stand-in for affection. He thought about money, knew he really hadn’t any to spend. He couldn’t make it matter. There was a video store with peep booths three blocks away. He walked to it.</p><p>Inside were white wire racks of videos categorized into four aisles, plus the rear wall of gay porn and the narrow dead end corridor lined with red formica stalls. He might change a twenty for singles, feed them into a booth, masturbate, and go home. That was a possible choice. But a rack of adult classified papers sat by the door, plain black and white print, dozens of photos of nude women with eyes blacked out, local telephone numbers, rates by the hour and half-hour. Standing under a streetlamp he scrutinized them.</p><p>He called five numbers before finding an in-call service that didn’t require an advance appointment, in Midtown. On the N train platform he slipped a hand into his trouser pocket and tried to rub some feeling into his penis. It was numb and soft but the train came and he got on. For forty minutes he held his adult want ads, thought about the last flakes of cocaine in his pocket, wished the old man across the aisle would leave so he could stuff his nose into the unfolded envelope and suck it up before he got to the hooker’s doorstep. He missed four calls from Kate while the train lumbered beneath the streets, out of her range.</p><p>He emerged from the subway wanting the last line badly, but foot traffic was surprisingly dense at three in the morning and police saturated Manhattan heavily. They kept driving past him. He became paranoid. It seemed a particular cruiser circled the same ascending blocks he did, watching him. He tried to remember the call numbers: one seven one two? Was that the same number as the last cruiser he’d seen? The intensity of his craving beat the logic of his fear. In an alley behind a dumpster he squatted, smelling piss and garbage. His fingers shook but he got the envelope out, opened it, poked with the cut straw and broke the clusters into powder. It wasn’t much but he would feel it.<br
/> He knew what he was doing. This wasn’t revenge or one-upmanship. This would have no effect on Kate, other than providing her with occasion to tell him again how little she thought of him now.</p><p>He found the address easily and called.</p><p>Their toneless female voice message said, “Leave message after beep. We call back in minute. Please no private numbers.”</p><p>“Uh, yeah,” he began. He left his name.</p><p>He’d never been to an in-call service but the procedure made sense to him. Four minutes passed and he answered his phone to a heavily Slavic male voice. He repeated his name and the door buzzed. His phone rang again: “Home.” He pressed the ignore button before shutting off the ringer.</p><p>The apartment was cramped, furnished with a loveseat and one upholstered chair in the square living room, a bed and nightstand in each open-doored bedroom, a bare unlit galley kitchen. There were two girls, one on each seat, a plump bottle blonde who, Jack thought, might be slightly pregnant, and a bony brunette with royal blue eyes. They wore matching snug velour tracksuits.</p><p>“You can choose,” the blonde said. “Me or her.”</p><p>She had the same accent as the man who’d called to check Jack’s number and buzz him in. The man was absent. Jack wondered whether he’d gone to another apartment in the same building, maybe next door, so he could rush in and violently come to the girls’ aid if necessary. He wondered how many apartments could be used this way without calling the business to the attention of law-abiding neighbors. The whole high rise might be a brothel made of two-bedroom, two girl cells.</p><p>He pointed to the brunette, “Her.”</p><div
class="pullquoteRight">“First, I gotta have my money. Then you need to tell me exactly what you want, or we can&#8217;t do anything.”</div><p>The blonde shrugged and sat down. The brunette stood and looked at him from shoes to hair without expression. She led him to a bedroom, took off the tracksuit and, still wearing her plain white panties, asked him to help her make the bed. Raw, ragged scars underlined each of her small breasts. Before her surgery she must have had nothing but nipples riding a minute swell of flesh. A shame Jack thought, to ruin that in favor of this. She stripped the sheets and fetched another set, which he helped her tuck in.</p><p>“Oh, forgot to take money,” she said.</p><p>He’d had it ready in his back pants pocket, separated from carfare and identification. Most of it was earmarked for rent, which would now be late. She took it from his outstretched fingers, moved to the door, opened it. The blonde—who had stood waiting while Jack and the brunette performed preliminary chatter—took the money, walked away and, Jack heard, slammed the front door of the apartment behind her. Where would she go with the cash, to an apartment reserved for accounts receivable and bookkeeping?</p><p>The brunette faced him. “So what you like to do?”</p><p>The first time he had a prostitute he’d invited her into his home and stood in the middle of his living room waiting for anything to happen, until, after a long silence during which she looked at him severely, the girl told him, “First, I gotta have my money. Then you need to tell me exactly what you want, or we can&#8217;t do anything.”</p><p>Now he felt only a little less awkward describing what he wanted. He steeled himself and blinked slowly. This girl had said her name was Raina. He silently rehearsed a request.</p><p>“You give me head and then we fuck,” he said too softly.</p><p>She made him repeat and smiled, genuinely it seemed.</p><p>“You are good looking guy.”</p><p>“Thank you. You’re very beautiful.”</p><p>“No,” she said. “Take off your clothes.”</p><p>He’d paid for an hour but when he finished they’d used less than thirty minutes. She told him how much time he had left and looked at him in a way that did not appear to say she wanted him gone. He was disgusted at himself again, but wanted something more.</p><p>“Lay down on your stomach,” he said.</p><p>She did. He was jangling, exhausted, and the desire to use a human being had been false. It was an idea he’d tried to clutch, an effective distraction, but a brief one. He’d wanted to feel something. He was too preoccupied with the specifics—why wasn’t he good enough, how had he reduced himself so severely in Kate’s estimation, who was this “Sean?”—to perceive or admit to himself that what he wanted to feel was good, at whatever cost and for however brief a duration.</p><p>And then he thought this girl beautiful and genial, and these fine qualities failed to make one whit of difference. He recognized that much. He desired. He wanted painfully and maybe his want had no bottom. He wanted someone to want him back, to need him. He wanted more of Kate than could ever be on offer. There wasn’t that much to spare in any woman, unless she was like Raina and then it wouldn’t matter because anyone could have her for two hundred fifty dollars an hour.</p><p>“Now push your bottom up in the air.”</p><p>She turned her head, regarded him skeptically but did as he asked. He crawled behind her, between her legs. He gripped his penis and bent his face to her narrow, splayed haunches. This erection surprised him more than the last; its fervency did. He wanted to discover how far into her he could push his tongue. He pumped himself with his fist, licked and drooled over her wriggling bottom. He kissed it delicately. She squirmed and looked back at him, again smiling her possibly genuine smile.</p><p>“I like this,” she said.</p><p>He groaned, “I like it too.”</p><p>Raina smelled, not like a woman in the morning, but still musty and peppery with professional residue and sweat. As he ejaculated over his fingers and onto the scratchy sheet, his reasons fluttered about his mind, his love, his resentment, his counterfeit surprise at discovering the infidelity he’d suspected for months.</p><p>“You have time for fast shower,” Raina told him.</p><p>She held her flat palms beneath the anchor scars and said she mustn’t get them wet or she would have joined him. His penis was oversensitive from latex and friction and he tried to be delicately thorough with the soap and hot water. Would Kate smell how clean he was? Would she care? She’d called him so many times. Why? He stood under the near scalding water in a stranger’s shower thinking about the other men who must have used it. He ran the soap halfway across his chest. There was very little left of his hour in Raina’s apartment, seven or eight minutes. Runnels of water ran over his pubic hair and testicles and shaft, stinging the raw patches.</p><p>Outside the prostitutes’ apartment building Jack checked his phone and found he’d missed five additional calls. He dialed home.</p><div
id="bio"><em><strong>J.S. Simmons</strong> is an author from Boston. He passed most of the &#8217;90s in Brooklyn, Queens, and The Bronx, and now lives in Eugene Oregon, where he writes stories, and is working on a novel predicated upon an obsession with his blue collar breeding. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/09/little-miracles/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>At the Beach, After the Fact</title><link>http://foggedclarity.com/2011/08/at-the-beach-after-the-fact/</link> <comments>http://foggedclarity.com/2011/08/at-the-beach-after-the-fact/#comments</comments> <pubDate>Thu, 01 Sep 2011 03:48:41 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[after the fact]]></category> <category><![CDATA[AGNI]]></category> <category><![CDATA[At the beach]]></category> <category><![CDATA[author]]></category> <category><![CDATA[creative writing]]></category> <category><![CDATA[Farmington]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Maine]]></category> <category><![CDATA[On the beach after the fact]]></category> <category><![CDATA[Patricia O'Donnell]]></category> <category><![CDATA[story]]></category> <category><![CDATA[The New Yorker]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=14983</guid> <description><![CDATA[Patricia O&#8217;Donnell Four young women make their way through groups of people on spread-out towels and blankets. This is the third day of unusually warm weather for June in Maine, and the beach is crowded. They find a spot close to the water, near the line where the sand is wet, and shake out their [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Patricia O&#8217;Donnell</h3><div
class="center"></div><p>Four young women make their way through groups of people on spread-out towels and blankets.  This is the third day of unusually warm weather for June in Maine, and the beach is crowded.  They find a spot close to the water, near the line where the sand is wet, and shake out their beach towels.  One woman sits cross-legged on her towel in a flowered sundress.  Blond hair wisps out from under a floppy straw hat.  The others watch, and sit down around her, as if following her lead.  After a few moments they remove tee shirts and pull off dresses.  They pull out tubes of sunscreen and wipe the white cream on their arms and legs.  The blonde woman watches them, and finally pulls off her dress.  She takes off her hat, and puts sunscreen on her thighs and on her belly, which pushes over the top of her bikini bottoms more than she would like it to.  She sighs, and lies on her back, closing her eyes behind her sunglasses.</p><p>Andrea hears the low murmur of her friends’ voices, punctuated by the regular hiss of waves landing on shore.  “Oh no, I don’t think so . . .”  hssh . . . “That’s what she said.  I didn’t ask . . .”  hssh . . . There is a moment of silence then, and Andrea feels their attention on her, pushing against her like the sun.  She knows they are all thinking of it again, their thoughts drawn back to what they are trying not to talk obsessively about.  Jessica, who is least able to hold her tongue when she has a thought, says, “I still think it was a gang thing.”</p><p>Andrea raises her voice with effort to be heard over the hssh of the waves and the protesting murmur of the others.  “It was not a gang thing.  It was more like a fight.  Only very short.”  She opens her eyes to the brightness of the sun, and closes them again.</p><p>“It was just a punch, Jessica.  The guy just punched him after Derek said what he said.”  The voice belongs to Nicole.</p><p>“Oh, right,” Jessica says.  “Sorry.”  After a pause, Jessica says, “I think I’ll go for something at the snack bar.  Would anyone like anything?  Andrea, can I get you something?”</p><p>“No . . .” she says, then realizes that Jessica wants to be of help.  “Well, I’d like a soda, I guess.  A Diet Sprite, if they have it.”  She lifts a hand and waves toward her bag.  “There’s money in there.”</p><p>“No, never mind that, I’ll get it.”</p><p>Andrea hears her stand and brush sand off her thin legs.  She imagines her pulling on a shirt over her two-piece suit before walking away.  Then it is silent but for the waves.  She feels her friends’ concern thick around her.  Though Andrea asked for friends to accompany her to the beach today, this sunny warm Sunday the day before Derek’s funeral, she suddenly finds them intolerable, and wishes she’d come alone, or wishes she’d stayed home.  But that would probably have been intolerable, too.  At moments she is nearly able to forget about it, or to feel okay, but then something rises in her, as regular as the waves, as strong and as uncontrollable, and she is not able to bear it.  Yet she continues to lie here, eyes closed behind her sunglasses, and there is nothing she can do but bear it.</p><p
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align="left"><p>It was just two nights ago.  Not Saturday night, last night, but the night before.  Saturday early morning, actually, around 1:30 a.m. She had broken up with Derek three months earlier but they had gone out together, for old times’ sake, and because they were still friends.  Their friendship, at that point, was an uneasy one.  Derek could still not accept that they would no longer be together.  His persistence made Andrea exasperated; couldn’t he see that they weren’t right for one another?  They’d gone out for two years, and during all that time he’d never seemed to notice her impatience with him, how far she felt from him at times.  He’d been oblivious to it, assuming that she was as much in love with him as she used to be, as much in love with him as he was with her.</p><p>He’d insisted on paying for her drinks at the bar, even though she protested.  “No, no, I’m working now and you’re still a college student,” he said, waving his credit card at the waitress.  His engineering degree and GPA had landed him a good job.  Andrea had decided to be practical and major in nursing, but she resented her courses, and longed for a freedom she had when she was younger, before she knew Derek, when she’d thought she would major in art.  Derek, with his button-down shirts and credit card, was the living picture of stability, practicality.  After a few drinks his face turned heavy, his eyes half-lidded and soulful as he’d looked at her.  He’d gained a few pounds in the past year, and his stomach pushed against his cotton shirt as he leaned toward her.  “Andrea,” he said, and something in his voice made her want to turn away.  He became earnest and too sincere when he drank; any irony he was able to summon when sober deserted him entirely.</p><p>She took another sip of her gin and tonic, and leaned toward him, a mocking look on her face.  Would he even notice?  “Derek.”</p><p>He stared at her.  “I’m serious.”</p><p>“I know you’re serious, Derek.  I wish you weren’t.”</p><p>He leaned back then suddenly and turned toward the room.  She’d hurt him.  She didn’t want to hear him talk about his feelings for her, and ask again about her feelings for him.  “I’m sorry,” she said, raising her voice to be heard above the music.  He leaned an arm across the top of the booth behind him, and raised his drink to his mouth with the other.</p><p
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align="left"><p>Jessica has returned with a soda in a can for Andrea.  Andrea sits up and pops it open, feels the cool carbonation and artificial sweetness on her tongue.  Just like that, she remembers being here on this same beach with Derek, the summer they’d started going out.  How could she have forgotten that?  Derek was working on a painting crew that summer, and had a t-shirt shaped tan.  She’d thought he was sweet, the goofy humor and earnestness then part of his charm, before it came to annoy her.  He was lying next to her on the blanket, looking at her from under the brim of a Red Sox hat.  He’d touched her cheek, and drawn a line down it with his forefinger.  They were new lovers then, and thinking of this, Andrea has to remember what she does not want to remember:  how she was the first girl Derek had made love with.  Though she had boyfriends before she met Derek, he was a virgin until he met her.</p><p>She sets the soda can down next to her so suddenly that droplets spray up from the open mouth.  Her friends look at her.  She turns to Nicole, to Jessica, to Alli.  “I told you we were fighting, right?”  They nod, miserably.</p><p>“What were you arguing about?” Alli asks, uncertainly.  None of them know how to act with her; she doesn’t know how to act with herself anymore.</p><p>“Oh, nothing.  You know.  You know how he gets sometimes.”  She hears the present tense come from her mouth but they just nod, and don’t correct her.  She stands.  “I think I’ll get in.”</p><p>Jessica stands up also, awkward.  “I’ll go with you.”</p><p>But Andrea shakes her head.  “I think I’d rather go by myself.”  She touches the other girl’s arm.  “Don’t take it wrong, Jessie, I love you,” and Jessica smiles.</p><p>Andrea gasps when the water hits her, and raises her arms, but makes herself walk farther in.  The water is a cold shock; now she knows why only one or two other people bob in the water farther out.</p><p>They were both drunk when they left the bar. Her apartment was just a few blocks away, but Derek insisted on walking her, though she said she was fine to walk alone.  “C’mon, I do it all the time,” she said.  “This is Portland.”</p><p>“I care about you, even if you don’t care about yourself.”</p><p>She’d stopped at that, hands on hips.  The street was empty around them, a night mist making the streetlamp glow hazy above their heads.  “What is that supposed to mean?”</p><p>Derek had been walking with his hands in his pockets, a toothpick from the bar in his mouth.    He took it out before he answered.  “You don’t take good care of yourself.  You don’t seem to think you’re worth taking care of.  You smoke . . .” he gestured to her lit cigarette, “and you do reckless things.”</p><p>Andrea didn’t want to hear more about what reckless things he thought she did.  He was always protective of her, not recognizing the fact that she was a grown woman who could take care of herself.  She turned and headed for the park, a shortcut to her apartment.  He talked with his parents every day and she’d been on her own since she was sixteen, but she was stronger for it.  Over her shoulder she shouted, “You just need someone to take care of.  You don’t feel like a man unless you’re protecting a weak female.”</p><p>“No, Andy, I didn’t mean that.”  He was walking after her now, trying to catch up.  “Let’s go the street way, come on.”</p><p>She shook him off and kept walking, dropping her cigarette butt on the sidewalk.  The light from a streetlight flickered through leaves onto a small group of young men sitting on a bench just inside the park.  They made catcalls at her as she went past, cigarette smoke rising above their heads as they laughed.  They shouted something at Derek, walking just behind her; one said something about what he’d show her, since her boyfriend couldn’t.  She felt rather than saw Derek pause behind her, heard him say something sharp to them as he walked past without stopping.  They were words he wouldn’t normally say, in a place he wouldn’t normally be, but for her.  Then the shout, the footsteps, the noise of a fist hitting Derek’s face—just once—and the sound he made as he fell, the back of his head hitting a low concrete border.  Then it was just the two of them, Andrea and Derek alone in the park.  He lay on the ground with his eyes closed and she crouched next to him, the only sound her sobbing as she fumbled for her cell phone.</p><p
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align="left"><p>The water is cold, but she doesn’t want to get out.  Her feet are nearly numb.  Maybe this is her being reckless with herself, not caring about herself again.  She turns to see her friends sitting on shore, looking out at her.  She waves, and they wave, and she turns back toward the ocean.  She will not die today, out here; they will not let her die.  The small dot of a ship is nearly invisible on the horizon, where the blue sky meets the darker blue water.  She lets her thoughts take her again to that street, to the light shaking through leaves as they approach the park.  This time she imagines herself stopping in the middle of the street, turning toward Derek instead of running away from him.  There is no traffic on this cobblestoned street.  She sees herself taking his hand, and lifting it to her lips.  It is a thick hand, graceless yet capable, and she feels its warmth beneath her lips.  “What are you doing?” Derek asks.  “What’s that for?”  A smile would, that easily, have taken the anger from his face.</p><p>She shrugs and smiles.  “You were always good to me,” Andrea imagines saying.  It is so true that she can almost believe she did say it to him.  “Even when I was being a bitch.  You were always sweet to me.”</p><p>He laughs then, and moves to take her in his arms.  She knows what he would want to happen next between them, and knows that she would not let it happen.  Even if she could tell him that she knew she had often been irrationally angry at him; even if she could tell him he had done nothing wrong; even if she could say that she couldn’t trust his love because she’d never had anything like that; she still could not go home with him.  That time between them was done.</p><p>She sees herself taking his arms from her shoulders and putting them down at his side.  She looks at his sweet, gone face once more, at his brown eyes edged in thick black lashes before looking toward the park, toward the dark shadows beyond the trees, where she knows they must go.</p><div
id="bio"><em><strong>Patricia O&#8217;Donnell</strong> is a Professor at the University of Maine at Farmington, where she directs the BFA Program in Creative Writing.  Her work has appeared in many places, including <strong>The New Yorker</strong>, <strong>AGNI</strong>, <strong>The North American Review</strong>, and other journals and anthologies.  She lives in a 160-year-old house in Wilton, Maine, with her husband and dog.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/08/at-the-beach-after-the-fact/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2011/September/AtTheBeach_AfterTheFact.mp3" length="12753329" type="audio/mpeg" /> <itunes:keywords>after the fact,AGNI,At the beach,author,creative writing,Farmington,fiction,fogged clarity,Maine,On the beach after the fact,Patricia O&#039;Donnell,Short Fiction</itunes:keywords> <itunes:subtitle>Patricia O&#039;Donnell - Four young women make their way through groups of people on spread-out towels and blankets.  This is the third day of unusually warm weather for June in Maine, and the beach is crowded.  They find a spot close to the water,</itunes:subtitle> <itunes:summary>Patricia O&#039;Donnell
Four young women make their way through groups of people on spread-out towels and blankets.  This is the third day of unusually warm weather for June in Maine, and the beach is crowded.  They find a spot close to the water, near the line where the sand is wet, and shake out their beach towels.  One woman sits cross-legged on her towel in a flowered sundress.  Blond hair wisps out from under a floppy straw hat.  The others watch, and sit down around her, as if following her lead.  After a few moments they remove tee shirts and pull off dresses.  They pull out tubes of sunscreen and wipe the white cream on their arms and legs.  The blonde woman watches them, and finally pulls off her dress.  She takes off her hat, and puts sunscreen on her thighs and on her belly, which pushes over the top of her bikini bottoms more than she would like it to.  She sighs, and lies on her back, closing her eyes behind her sunglasses.
Andrea hears the low murmur of her friends’ voices, punctuated by the regular hiss of waves landing on shore.  “Oh no, I don’t think so . . .”  hssh . . . “That’s what she said.  I didn’t ask . . .”  hssh . . . There is a moment of silence then, and Andrea feels their attention on her, pushing against her like the sun.  She knows they are all thinking of it again, their thoughts drawn back to what they are trying not to talk obsessively about.  Jessica, who is least able to hold her tongue when she has a thought, says, “I still think it was a gang thing.”
Andrea raises her voice with effort to be heard over the hssh of the waves and the protesting murmur of the others.  “It was not a gang thing.  It was more like a fight.  Only very short.”  She opens her eyes to the brightness of the sun, and closes them again.
“It was just a punch, Jessica.  The guy just punched him after Derek said what he said.”  The voice belongs to Nicole.
“Oh, right,” Jessica says.  “Sorry.”  After a pause, Jessica says, “I think I’ll go for something at the snack bar.  Would anyone like anything?  Andrea, can I get you something?”
“No . . .” she says, then realizes that Jessica wants to be of help.  “Well, I’d like a soda, I guess.  A Diet Sprite, if they have it.”  She lifts a hand and waves toward her bag.  “There’s money in there.”
“No, never mind that, I’ll get it.”
Andrea hears her stand and brush sand off her thin legs.  She imagines her pulling on a shirt over her two-piece suit before walking away.  Then it is silent but for the waves.  She feels her friends’ concern thick around her.  Though Andrea asked for friends to accompany her to the beach today, this sunny warm Sunday the day before Derek’s funeral, she suddenly finds them intolerable, and wishes she’d come alone, or wishes she’d stayed home.  But that would probably have been intolerable, too.  At moments she is nearly able to forget about it, or to feel okay, but then something rises in her, as regular as the waves, as strong and as uncontrollable, and she is not able to bear it.  Yet she continues to lie here, eyes closed behind her sunglasses, and there is nothing she can do but bear it.
It was just two nights ago.  Not Saturday night, last night, but the night before.  Saturday early morning, actually, around 1:30 a.m. She had broken up with Derek three months earlier but they had gone out together, for old times’ sake, and because they were still friends.  Their friendship, at that point, was an uneasy one.  Derek could still not accept that they would no longer be together.  His persistence made Andrea exasperated; couldn’t he see that they weren’t right for one another?  They’d gone out for two years, and during all that time he’d never seemed to notice her impatience with him, how far she felt from him at times.  He’d been oblivious to it, assuming that she was as much in love with him as she used to be, as much in love with him as he was with her. </itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>13:17</itunes:duration> </item> <item><title>Weight</title><link>http://foggedclarity.com/2011/07/weight/</link> <comments>http://foggedclarity.com/2011/07/weight/#comments</comments> <pubDate>Mon, 01 Aug 2011 03:29:31 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Ashleigh Eisinger]]></category> <category><![CDATA[author]]></category> <category><![CDATA[creative writing]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Gulf Coast]]></category> <category><![CDATA[Houston]]></category> <category><![CDATA[PhD]]></category> <category><![CDATA[story]]></category> <category><![CDATA[Weight]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=14594</guid> <description><![CDATA[Ashleigh Eisinger Jessie stands before me, a circus mirror image of the woman I married ten years earlier. Slight and shriveled, the sight of her furthers my longing for the plump blonde that used to laugh with me, that same woman who would not hesitate to shear off her top and slacks before crawling into [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Ashleigh Eisinger</h3><p>Jessie stands before me, a circus mirror image of the woman I married ten years earlier. Slight and shriveled, the sight of her furthers my longing for the plump blonde that used to laugh with me, that same woman who would not hesitate to shear off her top and slacks before crawling into bed with me on a Saturday afternoon, would let me stroke her skin until we could take it no longer and gave in to all of our desires — sex, dessert, marathon viewings of <em>Friends</em> reruns watched while curled around each other in half-sleep. Now Jessie uses her afternoons to run the trails in the park behind our house or lift weights at the local gym, coming home sweaty and spent, her cheeks rosy. She looks the same as if we’d been making love.</p><p>“Are you coming?” she asks. “We’re going to be late.”</p><p>I am wearing the only suit that fits me now, a navy model bought from a big and tall shop a year before for this same office function. The buttons strain against my stomach, the top one coming undone as I scratch out a mustard spot from last year’s party. When it is sufficiently eliminated, I move to refasten the button.</p><p>“Leave it,” she says, “it makes you look less fat.”</p><p
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align="left"><p>It all started with a skirt that wouldn’t zip, Jessie refusing to don something else to attend a New Year’s Eve party. Instead we rushed to the grocery in our sweatshirts, socks and sandals, picked up a cheap bottle of champagne. We spent an hour in the store, pestering the fish man for the plumpest shrimp, sorting through to the ripest, greenest broccoli, taking our time deciding what to have. The clerk gave us a dirty look as we checked out. We were the last ones in the place.</p><p>Mid-way through the evening, between episodes of <em>Top Chef</em>, Jessie stopped watching and looked at me calmly, seriously; looked at me the way people do before they tell you something terrible.</p><p>“It’s time,” she’d said, “to do something about this weight.”</p><div
class="pullquoteRight">She paused, looked down at the soft purple robe that she wore, the fuzzy slippers. “I don’t want to look like this anymore.”</div><p>I remember shrugging my shoulders, not wanting to upset her but not wanting to urge her on. She’d smiled at me and rubbed her stomach, then leaned her head on my shoulder. I turned the channel so we could watch the ball drop, our conversation punctuated by crostini with herbed goat cheese, peppercorn boiled shrimp dipped in Cajun remoulade, bites of perfectly steamed broccoli drizzled with Mornay sauce. A Dick Clark wannabe counted down the final ten seconds and Jessie turned, her eyes wide, smiling at me as we leaned in, our lips finding each other as they’d been doing for seven years.</p><p>“You look fine,” I said when our eyes had opened again. “I like you the way you are.”</p><p>“I don’t,” she returned without hesitation. “I want to try, at least. I feel like I’ve given up on myself.” She paused, looked down at the soft purple robe that she wore, the fuzzy slippers. “I don’t want to look like this anymore.”</p><p>“Okay,” I said, then took her hand.</p><p>“And it’s healthier, you know? They’re saying now that obese women have more complications during childbirth. I don’t want that to be me someday,” she said, looking at me earnestly.</p><p>“Of course not, Jess.” I tried to soothe her. We’d been talking about kids, but this was the first real planning we’d discussed. “But you’re healthy now. I’m sure it’ll be fine.”</p><p>“Still,” she added, “diet starts tomorrow.” And she reached for another shrimp.</p><p
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align="left"><p>One Christmas, two pant sizes after Jessie and I had wed, my father told me that getting fat was the married way of life.</p><p>“You’re happy, you get married, you get fat,” he’d said, laughing. “At least women get pregnant and fat. We’ve got nothing to show for all the weight. Good thing is, it’s all part of the process.” I think I’d laughed at the time, didn’t really think much of it. I could look at Jessie’s and my expanding waistlines, our enlarged pant sizes, and think about the nights that we’d stay up until sunrise, walking the darkened streets of our little town before retiring home to cheesecake in bed, large glasses of whole milk, our soft flesh pressing together as we made love with full stomachs, the warmth of Jessie next to me while the early-shift cars rolled by outside. On our honeymoon, we’d tried to taste everything that Italy had to offer—sharply aged parmesan cheese and fully matured Burgundy and salty cured prosciutto; made-fresh pasta with every kind of sauce, seafood and lamb, each meal topped with fresh cannoli.  It seemed we would always be lovingly full.</p><p
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align="left"><p>For the next year and a half, Jessie dieted. At nights and on the weekends, times when we shared our meals, I joined her, forcing down cabbage soup and numerous salads, beef stroganoff made with lean meat and fat free sour cream, a blackened vegetable stir-fry, more rice than I’d care to admit, and, during the low-carb phase, more meat than was reasonable. Many of them worked for a few weeks – two months at most – Jessie’s face glowing as she stepped out of the bathroom in the morning. She recorded her weight on a calendar fastened to the refrigerator, each month marked by a different pin-up picture. She purchased smiley face stickers to mark the days where she’d lost. Whenever there were five blank spaces in a row, I knew our cuisine would be changing again.</p><p>Everything revolved around weight, not just Jessie’s weight on the bathroom scale but the weight of every piece of food we put into our mouths. We bought measuring cups marked with cups and milliliters and ounces. We bought food scales whose boxes featured pictures of the scale filled with apples. Nothing was cooked or dressed or plated without having its weight taken and recorded. Everything was documented, regimented, prescribed; spontaneity was deemed dangerous. I longed for one high-risk meal.</p><p>Together we learned how to weigh food without scales or cups: three ounces of cooked meat is the size of a deck of playing cards, a quarter cup of nuts is the size of a golf ball, a tablespoon of oil, mayonnaise, salad dressing, butter is equal to the size of a poker chip. When we went out to eat, everything was on the side, dry, low fat, fat free, healthy choice, low calorie. Jessie packed her purse with a cheat bag: a deck of playing cards, poker chips, a golf ball. If she’d been mugged, someone might’ve guessed she was a rabid poker player with a stress-reducing hobby or a greens keeper with a gambling problem. She would order the smallest sirloin – no oil, no butter – then pull out her deck of cards and cut off the excess. Her steamed vegetables always came dry, her salads with the dressing on the side, a golf ball’s worth of oil and vinegar destined to grace the lettuce.</p><div
class="pullquoteRight">I wonder if it’ll ever go back to being just one again, if our house will shed the weight of an extra life.</div><p>After about a year of dieting, losing then regaining, Jessie had lost a total of twenty pounds. She excitedly tossed out her old work suits, shrieking with delight as she slipped them on one by one and wiggled, seeing if she could slip the skirts and pants down over her hips. If they slid down significantly, she would strip them off and toss them to me, gleefully skipping back to the closet and rubbing the outsides of her thighs. I remembered those dimpled places, the firm deposits of flesh that I would caress with the tip of my fingers while we watched television in the mornings, before Jessie was fully awake. They were noticeably smaller, not nearly as shaky as I remembered them, and I could feel her disappearing into this new, smaller self.</p><p
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align="left"><p>As we make our way to the party, I find myself studying my wife through the corner of my eye. She is tall for a woman, with dirty blonde hair that she regularly highlights at the beauty salon, and a pinkish complexion – one that is easily flushed. Where she used to be shaped like a sturdy hourglass, she now resembles a long box with a bit of bulge in the center because of all the excess skin she still has from the 100 lbs. of her that is gone. From the side, before, she was a series of curves: out for the breasts and then in again and slanting back out for the pouch of her lower stomach, the backwards leap of her butt, then the slope of her thighs that would flatten out so that her calves could take the last hurrah. She was beautiful.</p><p>Sometimes I see her, the Jessie I once held and loved and knew, in the sagging around this new Jessie’s middle. It haunts me in its own silent way, like when an ex-lover comes to a party that you also attend. It reminds me of the duality of our lives now: separate cabinets for our foods, two sets of pots and pans in the sink after each home cooked meal, two schedules, and I wonder if it’ll ever go back to being just one again, if our house will shed the weight of an extra life.</p><p>We would take day-trips on weekends to some of the local sights: Thomas Edison’s winter home, the Salvador Dali museum, the Ringling property, sometimes even venturing the four hours to Orlando to parade around all day in one of the various amusement parks, our fat selves t-shirt clad and sandal-wearing, our hearts bubbling founts of mirth.  Often, though, we would settle for the ten minute drive to the beach followed immediately by the arduous rub-in of sunscreen, the time it took to set up our lounge chairs and towels, homemade roast beef sandwiches with thyme-infused aioli, shaved slices of sharp cheddar cheese, fresh arugula. After lunch, we would strip off our clothes and head into the water. Jessie would be gloriously pale and fresh in a swimsuit – black, of course — and she would splash and play and I would hold myself against her, feeling her solidity in the ocean surrounding us. When we came home, we would strip ourselves bare in the laundry room and, full of sand-grit and sea-stickiness, we would make love in our soft bed, our skins fresh with sunburn. I remember her laughing and naked, a pink box on her chest where her swimsuit did not cover her.</p><p
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align="left"><p>Jessie sits behind the wheel of her new Jetta, a car that she had always liked but had not felt she fit into. Tonight she has her hair pulled up into a curly ponytail, something that she has spent hours perfecting with a curling iron, and is dressed in a close-fitting black skirt that cuts off below her knee. The bright red top she wears to hide those folds of skin has a ribbon below the bust that ties in the back. Two years ago, she would have asked me to tie it for her, kissing me gently after I’d done so. Tonight, I did not see her until moments before she told me to stop fussing with my jacket and get in the car.</p><div
class="pullquoteRight">I remember feeling a drop inside my torso, like the tissue holding my heart and my stomach had simultaneously given way.</div><p>We ride mostly in silence, the radio tuned to some channel that appears during the holidays to repeat the same twelve Christmas songs over and over. Jessie hums along as we cruise through Bonita Beach, looking for the turnoff to her boss’s large home, and I wonder what she is thinking about, whether she is really so absorbed in her own thoughts or if she simply has nothing to say to me, a man that she knew so well once. I find myself gazing nostalgically at the lump in her top that sits at her waist, wondering how many card decks of herb buttered ribeye would fill that space, how many golf balls of salty, creamy pistachios or poker chips of chunky, tangy bleu cheese could bring her back to me.</p><p
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align="left"><p>Jessie came in from the salon with a smile spread across her face.</p><p>“You love it,” I said to her, “I can tell.”</p><p>“It’s not the hair,” she’d said, sliding onto the couch beside me, “it’s gastric bypass.”</p><p>I remember feeling a drop inside my torso, like the tissue holding my heart and my stomach had simultaneously given way.</p><p>“See, they take your stomach and staple it closed so that only the top portion is—”</p><p>“I know what it is,” I said. “Don’t you think it’s a little drastic?”</p><p>“Jim, this weight is never going to come off if I don’t do this.”</p><p>“And what’s the problem with that?” I asked, my voice wavering.</p><p>“Losing weight will be good for my heart,” she said, “and my cholesterol. It’ll prevent diabetes. All that stuff.”</p><p>I could see hope in her face, present mostly in the gloss of her eyes, the pink rising up in her throat and cheeks.</p><p>“I didn’t know that you had problems with any of that.”</p><p>“Well, I don’t right now. But I could! The doctor is always saying I need to lose weight.”</p><p>“Isn’t this the same doctor that told you to lose weight when you went in for a sinus infection?”</p><p>She sighed at me and I could tell she had already made up her mind.</p><p>“Becky at the beauty salon says that her cousin got gastric bypass and lost like 200 pounds. Imagine what that would be like for me.” She stood up and twirled as though showing off a new dress. “Can you see it?”</p><p>“First off,” I started, “you don’t have 200 pounds to lose.”</p><p>She rolled her eyes.</p><p>“Secondly, I think that having surgery when nothing is wrong with you is silly and over-the-top.”</p><p>Jessie crossed her arms, her newly tinted blonde hair slipping over her shoulders.</p><p>“And thirdly, I like the way you are now. I don’t want you to change—you’re beautiful now, Jess.”</p><p>But her face had changed. Instead of giddiness or the sarcastic rolling of the eyes while a hint of smile still played on her face, Jessie looked disappointed and angry.</p><p>“What about the obese pregnancy thing? I’m more likely to get gestational diabetes because of my weight!”</p><p>“I didn’t know we were planning to get pregnant yet. I thought you wanted to wait a little while?” I was being honest. We’d agreed to wait until Jessie got a hold on her career, until we’d saved enough money to give our kid what we felt it would deserve.</p><p>“I don’t think you get what this feels like,” she said to me, blonde eyebrows pressed into a straight line above her green eyes. “Do you know what it’s like to be me every day?”</p><p>“I must know a little,” I said, waving my hands down my own robust figure, “it’s not like I’m Brad Pitt.”</p><p>“No,” she said, shaking her head, “it’s not the same for men as it is for women.” She loosened her hands from her crossed arms and gestured with them, a sign that I was in for quite an argument. “You all dress in pants and shirts and that’s it. There aren’t a lot of different styles or shapes to wear, it’s just shirts, sweatshirts, jackets, trousers, and jeans.” Her mouth hung open slightly as she paused, waiting for her point to sink in. “I have to go shopping for a different dress for every party or for work or to hang around the house in or whatever, and it has to be in style, in the shape that whatever person decided looks good this season. Do you understand how hard that is for me? Do you think I like having to sort through every plus-sized section to find something that doesn’t look like a tent?”</p><p>Her face was flushed and her breath was ragged, sure signs that she would cry. I moved to stand up but she put her hand out, keeping me in my place on the sofa.</p><p>“I want to look normal,” she said, tears sliding down her rosy cheeks, “I want to feel like a regular person.”</p><p>I pulled her down to me, sat her soft body on my lap and held her while she cried, my hand sliding down her back.</p><p>“Shh, shh,” I cooed, “it’ll be alright. If that’s what makes you happy, then we’ll look into it. But you don’t have to do this.” I sucked in a breath, held it in my lungs for a moment. “You don’t have to do this for me.”</p><p
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align="left"><p>Jessie could not eat real food for almost three months after the surgery. For the first few weeks, at very regulated times, I would feed her liquids — chicken and beef broth, juice, water, melted popsicles when she craved something sweet. Even then, she couldn’t keep certain things down, her new walnut-sized stomach rejecting items that were too sugary or salty for its momentary tastes. After a few weeks she graduated to mushy foods and I shopped in the baby food aisle, a task I thought Jessie and I would perform together, hungry child in tow. She would gobble down pureed carrots and creamed peas, didn’t much care for squash, and she never ate more than a jar full. It seemed sad, to need so little to sustain her. I remembered Jessie piling her plate with mashed potatoes and gravy, thick slices of turkey and spoonfuls of stuffing and cranberry sauce at Thanksgiving, the way she seemed so robust, so full of life. Lying on the sofa or in bed, her once plump body slowly withered underneath her blanket, slipping further away with each teaspoon of mashed peaches or applesauce.</p><p>She lost weight rapidly at first, her cheeks and arms loosening, it seemed, by the day. When she could get up and move again, she slowly built up her exercise routine – first walking around the house slowly, then more quickly, then buying a new pair of tennis shoes and walking around the neighborhood. She eventually built up to a jog, then a run. She would log long hours as though training for a marathon. When she came in, her face dripping with sweat, it would startle me to see this flaccid woman walking around as though she belonged there, her legs lean underneath her running shorts.</p><p>After a while, her weight loss plateaued and I got used to seeing her in her new form — the leaner version of herself, this dimmed image of the woman that used to glow with life. Jessie did not necessarily look sickly, but I could not help but think of her that way when comparing her with the old Jessie, that beach goddess in the large black swimsuit, her blonde hair shimmering in the afternoon sunlight. But she was still my wife, this other woman dressed in my wife’s ill-fitting skin.</p><p>I found myself examining her attitude and manner, the way that she would say things. I could find offense in her many side comments, but did not want to start a fuss. Instead, I ignored them, hoped that she would neglect her running for a day and come to sit with me. I tried running with her, but she easily passed me by, trotting backwards to tell me she would meet me back at the house when I was through. I’d gone out on my own, starting with a brisk walk and moving up to a slow jog in an attempt to be able to go out with her. Each time I tried, I would have to stop and gasp for breath, and after a while I stopped trying so much, thought that maybe she would tire of all of this newness and look for me back in the things that she seemed to have left behind.</p><p
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align="left"><p>We stand on the front porch under the soft white lamp swarmed with moths and the mosquitoes that have withstood the South Florida winter. Jessie faces forward, her hands fussing with the bottom of her blouse. I reach to put my hand on her waist but she pushes it away, looking at me sternly for a moment, then softening.</p><p>“Please don’t,” she says, her voice sweet, “it makes me self-conscious.”</p><p>I nod to her and face forward, too, waiting for her boss to open the door.</p><p>Inside the party is as usual — Jessie’s coworkers stand about holding drinks and gossiping with one another, men and women separated mostly into their own groups. Jessie looks at the men’s group and smiles at me, waves me over with her hand. I muster a smile back and make my way to the men, greeted by handshakes and pats on the shoulder.</p><p>“Jim,” they say to me, their faces ruddy with scotch, “Good to see you!”</p><p>“Jessie looks great,” her boss, Frank, leans in to me, his breath a mix of liquor and something sharp. “She’s really taking it off, huh?”</p><p>“She always looked great,” I say, “but thank you.”</p><div
class="pullquoteRight">I sat a piece of salami in her hand. “Just chew it,” I told her, “don’t swallow.”</div><p>“Must be a <em>big</em> change,” he says, ignoring my response, and nudges one of the other men in the group, causing him to break out in an awkward laugh. I excuse myself and make my way over to the hor d&#8217;oeuvres table.</p><p>I skewer a few cheese cubes and place a finger sandwich on my plate, followed by two slices of rolled salami that I dot with Dijon mustard. After snagging a can of seltzer water from an open cooler, I seat myself at the counter, notice that I am the only person staying in the kitchen. A few people come in for a moment, pick up a drink or a small plate, then vanish back into their groups.</p><p>Last year, Jessie was here with me, the flesh of her face slightly melting, sipping on a glass of iced water with lemon, the seltzer too much for her post-op stomach at the time. I think of the smile that she gave me, the pathetic look from her ice water to the food on my plate. I sat a piece of salami in her hand.</p><p> “Just chew it,” I told her, “don’t swallow.”</p><p>She’d smiled at me and kissed my cheek and I’d flushed with pleasure at her touch.</p><p
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align="left"><p>We spent this Thanksgiving with Jessie’s parents in Orlando. Jessie’s mom had gone all out despite Jessie’s previous warnings that she wouldn’t be able to eat much of anything and that rich food upset her stomach. I don’t think Regina was being contrary — the spread was typical of their Thanksgiving meals — but Jessie was unnerved by it. She reluctantly dabbed teaspoon-sized portions of everything onto her plate: a dollop of mashed potatoes, the tip of a yam, a few green beans glistening with butter and studded with chips of crispy bacon, half a slice of turkey, a fluffy ping-pong ball of stuffing. At the table, her father laughed, asked her why she was eating like a bird. When she sighed, frustrated at his questions, he turned serious and put his hand over hers on the table.</p><p>“I didn’t mean to upset you, honey,” he said. “I’m just kidding with you.”</p><p>Regina nodded and glanced at me, my plate stacked with items like a map of food nations set in a gravy ocean. She gave me a look that said she sympathized with me, our relationships to Jessie all strained by food. We were all big people at that table, save for Jessie. She used to be one of us.</p><p>“At least Jim can still pack it in,” her father said, smiling. “There’s a man with a good appetite.” He chuckled and patted his round stomach. “A man after my own heart. Or stomach, at least.”</p><p>We all laughed at this.</p><p>“It’s a good sign to see a man eat,” Jessie’s father said. “I don’t know how we’re gonna get no grandbabies out of you though, honey, if you don’t get back to being a little robust.”</p><p>Jessie smiled dimly at this and we all kept eating, but the world on my plate seemed less appetizing. I found myself choking down the last bites of turkey and yam and mashed potato.</p><p>After dinner, Jessie’s dad and I sat in the living room, watching the last dregs of football drain out of the television while Regina and Jessie washed up in the kitchen. I was gluttonously full, but it didn’t feel the same. Instead of warm and loved, I felt disgusted with myself. I thought about Jessie’s meager plate, her gaunt face half-smiling at her father’s remark. I made my way into the bathroom.</p><p>I splashed my face with cold water and fought the nauseated feeling in my stomach. When I shut off the faucet I could hear Jessie and Regina talking in the kitchen, their words punctuated by the clanking of dishes, the sound of rinsing.</p><p>“But he’s right,” Regina said, “you look so thin! Are you even able to have children with this surgery?”</p><p>I could hear Jessie sigh.</p><p>“Yes, Ma. I can still have kids. Jim would have never agreed to this if we couldn’t.”</p><p>“Well thank Jesus for that,” Regina said. “So are you thinking about it any time soon,” she asked. “Your father is just dying for grandkids to spoil. We’re the only one at the VFW with no photos of fat grandbabies.”</p><p>There was a pause then and I could almost see Jessie’s face. We hadn’t talked about kids since Jessie asked the doctor—at my urging—whether or not she should have the surgery if we were planning on getting pregnant. After that it just hadn’t seemed relevant.</p><p>“I just want to focus on one thing at a time,” I heard Jessie say. “I feel like I’m finally getting the life I wanted and I want to enjoy it for a while before thinking about a baby.”</p><p>Dishes clanked in the sink. The dishwasher door closed and the knob ratcheted its way to the proper setting. Before the machine hummed to life I heard Jessie’s voice.</p><p>“Besides,” she said, “I just lost all this weight. I can’t imagine turning around and getting fat again.”</p><p
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align="left"><p>From the other room I can hear the co-worker’s wives oohing and aahing over Jessie.</p><p>“You look so good,” one says, “you’re so much <em>smaller</em>! How much have you lost?”</p><p>“About 100 pounds,” Jessie returns, a polite but giddy tone to her voice. “I feel like a new person.”</p><p>“So what now,” another asks. “Do you have much more weight to lose?”</p><p>“Not really. I’m going to the gym and running so that I can tone up, but the biggest problem is all this extra skin.”</p><p>I close my eyes and try to block it out. I’m tired of this change, tired of hearing about the old, unacceptable body and what was wrong with it, how she wants to fix it.</p><p>“So I guess the next thing is to get it removed,” she says, and I hear the women nodding and murmuring their approval.</p><p>“Won’t that leave a scar?” someone remarks.</p><p>“Won’t it hurt?” says another.</p><p>“It’s the last thing,” Jessie says matter-of-factly. I can imagine the look on her face—her eyebrows lifted, eyes bright, mouth set in a smug smirk. “After that, I’ll be a totally different person.”</p><p>“Then you’ll be just like the rest of us,” another woman says, her words sloppy, “the only dead weight you’ll have is your husband!”</p><p>The women laugh, the tinkle of their high voices like flames dancing inside my gut. I stand up from the table and make my way outside, my legs moving quicker than my mind understands. I think I hear Jessie behind me, but am not sure if that is her voice saying my name or if it’s someone else’s voice, someone else’s name.</p><p>Outside the cars roll past on some nearby highway and cicadas rattle in the palm trees. The Florida night air is cool and balmy and, in the distance, I note the sound of an infant crying or a cat mewling its laments. I button and unbutton my jacket, take it off, toss it on top of the Jetta. I walk down the suburban street, past the large houses with soft lighting glimmering through tall French doors. I can see families sitting around the TV, parents and kids illuminated by the blue glow. I pass a house where a child is playing with a toy truck in front of the door and he presses his face against the glass, watching me walk by.  I must look like a man on a stroll, enjoying the night air, a man taking account of his life, a man looking to remove some worries, or drop a few pounds. Inside, this new weight is unbearable.</p><div
id="bio"><em><strong>Ashleigh Eisinger</strong> is in her second year of creative writing PhD study at the University of Houston.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/07/weight/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>In the News &#8211; Part 4</title><link>http://foggedclarity.com/2011/07/in-the-news-part-4/</link> <comments>http://foggedclarity.com/2011/07/in-the-news-part-4/#comments</comments> <pubDate>Mon, 01 Aug 2011 03:29:26 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Alan Drew]]></category> <category><![CDATA[author]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Garden of Water]]></category> <category><![CDATA[Gardens of Water]]></category> <category><![CDATA[In the News]]></category> <category><![CDATA[Iowa Writers Workshop]]></category> <category><![CDATA[Novella]]></category> <category><![CDATA[Random House]]></category> <category><![CDATA[story]]></category> <category><![CDATA[Villanova]]></category> <category><![CDATA[writer]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=14628</guid> <description><![CDATA[Alan Drew PART 4 OF 4 Read Part 1 Here Read Part 2 Here Read Part 3 Here “Everything all right, Sarah?” Roberta yelled out from her desk as she passed in the hallway. It was the next morning. Sarah thought she might be able to slip by again, not have to speak to her [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Alan Drew</h3><hr
style="width: 100%;" /><h4>PART 4 OF 4</h4><p><a
style="font-size: 11px;" href="http://foggedclarity.com/2011/04/in-the-news-part-1/"><em>Read Part 1 Here</em></a><br
/> <a
style="font-size: 11px;" href="http://foggedclarity.com/2011/05/in-the-news-part-2/"><em>Read Part 2 Here</em></a><br
/> <a
style="font-size: 11px;" href="http://foggedclarity.com/2011/07/in-the-news-part-3/"><em>Read Part 3 Here</em></a></p><p>“Everything all right, Sarah?” Roberta yelled out from her desk as she passed in the hallway. It was the next morning. Sarah thought she might be able to slip by again, not have to speak to her until lunch time, but Roberta must have been waiting. She stopped, leaned against the doorway to Roberta’s classroom and blew out a deep breath.</p><p>“You usually say goodnight,” Roberta said.</p><p>“Students and their romances.”</p><p>“Yep, so much drama.” Roberta hadn’t looked up from her stack of papers yet. “Talking to this girl a couple days ago. She was so upset because this kid she slept with went around telling everyone about it. I mean details about what they did, intimate stuff. Even the teachers know.” She leaned back in her chair. “I’ll never get over how brutally they treat each other in high school.”</p><p>“Not any more brutal than out there,” Sarah said.</p><p>“Yeah, but stuff in here spreads like a virus.” Roberta looked at her. “The walls are thin, the windows large, and everyone’s got their eyes peeled for trouble.”</p><div
class="pullquoteRight">Dominic started the engine and it shook the whole inside of the car, not violently, but like a lullaby.</div><p>She didn’t mean to, but Sarah looked away, down the empty hallway.</p><p>“Come on in,” Roberta said. Sarah walked in and sat at a desk in front of Roberta’s.</p><p>“There was this kid when I was student teaching,” Roberta said. “Matthew Nielsen.” She leaned back in her chair and looked up at the ceiling. “He was gorgeous. I mean just fantastic. And he never smiled, so he had this dangerous, brooding thing going on, which I’ve always fallen for.” She grinned. “You know I was just barely twenty-three and he was a senior, seventeen, I think. I used to have dreams about him. You know, teaching in your underwear, but with a twist. He’d be the one who undressed me while I was writing things on the chalkboard, or while we were discussing a diagram of a fallopian tube in the text book, things like that, and all the students would be watching and taking copious notes.” She laughed. “Everytime he walked into that classroom my mind would go blank, so I’d write out scripts for myself so I could get through that period each day. He wasn’t a great student. Not horrible either, but I started finding problems in his work that I needed to discuss with him after class or after school. Legitimate problems, mind you, but problems others had and ones that weren’t all that unusual. He’d barely talk, but something about him just sent me through the roof. I started having little daydreams. Innocent ones, where we had dinner out. He’d be wearing a suit, the lighting would be dim, and, of course, in these little dreams he knew how to dance the salsa even. I’m a big girl and was big then too and guys weren’t exactly crashing down my front door.” She leaned forward and put her elbows on the desk. “Imagine that, big Roberta Vasquez dancing the salsa with blonde haired, blue-eyed Matthew Nielsen.” She waited a minute. “Then one day he came into class wearing braces. He smiled to show them to one of his friends. It was the first time I’d ever seen his teeth. He looked so young, even younger than his real age, and the obvious finally hit me: he was just a kid. Somehow I’d stopped seeing him as one. I’d started thinking things, like, ‘There’s only four years between us’ and stuff like that, but he was just a kid afterall.”</p><p>“You never told me that.”</p><p>“Well, you don’t go around admitting to other teachers you’ve had fantasies about your students now, do you?” She spoke through a laugh. “Not exactly a great resumé builder.”</p><p>Sarah laughed and tried not to look nervous.</p><p>“Remember who you are, Sarah.”<br
/> <strong></strong></p><p
style="text-align: center;"><strong>* * * </strong></p><p>Three weeks later she found herself on the threshold of a decision, one she couldn’t delay much longer. After leaving Royal Coffee she knew there was only one place to go, her house. She understood enough to know that an eighteen year old boy didn’t stick around indefinitely without something in return. Depending on how you looked at it, this either made young men callous and vulgar or self-conscious and needy. With Dominic, she had decided, it was the latter. It would be a personal insult not to sleep with him, a pain that suggested his worthlessness.</p><p>“Take me for a ride,” she said.</p><p>“Where?”</p><p>“Anywhere,” she said. “I just want the feeling.”</p><p>They had parked behind the store in employee parking. Normally she wouldn’t let him drive her around in his car; it was too conspicuous, its shiny chrome and tinted windows just begged for attention, but today she wanted something else, she wanted the immediate pleasure of his world. Her car was a Volvo station wagon, steel reinforced for safety, room in the back for bikes, snowboards, a boy or all three at once. It was an adult car, a liberal minded teacher’s car, a mother’s, full with the weight of social responsibility. Dominic’s, though, was full of too much shine and polish to be anything but a toy. A boys’ pleasure vehicle, so layered with watery lacquer paint and sub-woofers and bouncing radio lights that there was no room for anything but the desire to experience, and she wanted to be immersed in that world, that little window in time so perfectly tuned to sensory overload.</p><p>He opened the door for her and held it until she swung her legs inside. Her skirt was pulled up a bit, and she watched him watch her skin and he noticed her watching him and they were together in that knowledge, encased in the secret of it. She leaned down in the seat, her back sliding against the slickness of vinyl upholstery. Dominic started the engine and it shook the whole inside of the car, not violently, but like a lullaby. She watched his face, so serious, his jaw tight, his sunglasses hiding his eyes, the tinted windows concealing him from everything outside of it, and she had the sense of being wrapped in his insecurities—the smell of his cologne, the shininess of the paint, the slick, oily feel of the seats, and the very deliberate way he shifted gears, like he was in the cockpit of a passenger jet or guiding a space shuttle into orbit.</p><div
class="pullquoteRight">The sun was swallowed up by clouds; grey would be the final color of the day.</div><p>He drove down Estudillo and onto the freeway, and took the turn-off to Highway 17. The houses and strip-malls and tangled on and off-ramps were replaced by groves of redwood trees and green rolling hills pinned against the permanence of blue sky. The wind rushed around the car and he downshifted into third as he rounded a corner, his fingers spreading out around the silver ball as he slid it into the slot, his feet depressing the gas pedal that rocketed the car up the edge of the ridge, the engine rumbling with the strain but still gaining speed. He shifted back into fourth and the car settled, the ground just inches below them blurring away, the heat of rubber sticking to the pavement like life depended on it, and it did, she realized. He took another corner and the weight of the car shifted too much and she could see the canyon below them falling away in landslides of dirt. But the car stuck to the road and that’s when she realized the adept moves of his hands on the steering wheel were meant to impress her – the way he pumped his foot to rev the engine, the way his hand fluidly shifted in rhythm with the mechanics of the car, like his body moved in synchronicity with fast moving life. All of this was supposed to put her in awe of him, was supposed to turn her on. And it sort of did, but not in the way he believed it would. It turned her on because of the absolute need of it, the amazing fragility of his need to have such power over someone.</p><p>When they reached the top of the ridge, they drove along the spine of coastal mountains. To their left was the bay and little toy airplanes floated below them to a landing at the airport. To their right, just over her shoulder, was the endless blue of the Pacific and except for this strip of backbone they drove there was nothing else but sky. Something turned over in her as Dominic powered the car through the sky, a rising freedom that was dangerous and young and unscarred. She felt it as sure as she rocked within the car, as sure as he sat next to her, and she reached her hand over and placed it on his leg. He didn’t smile, but she could see the pleasure in his face, and when he pushed in the clutch to shift once again, she felt all the working muscles beneath the fabric of his pants. This was the freedom of a boy in a car, the freedom of not understanding that life was more boring and more important and full of more consequences than you could possibly imagine in just eighteen years.</p><p>Then the road fell toward the west and the ocean that was once beneath them, flat like something to walk across, became bigger and bigger and filled up her vision with its rolling and white-capped strikes at land. When they reached the beach, Dominic parked the car and leaned his head against the seat and looked at her. There was silence for a moment until the roar of the ocean replaced the roar of the engine. Dominic leaned forward to kiss her, but Sarah refused.</p><p>“Let’s walk,” she said.</p><p>The summer fog sat in the distance, fingers of clouds stretching towards land. A fierce wind blew in ahead of it and spit salt water into the sky so that a light mist landed in their hair and wet their coats. Beyond the jetty, in the gunmetal shadow of the coming fog, were row upon row of waves building and crashing and then receding back into the expanse. A few surfers threw themselves down the face of waves, their black bodies falling into the whitewash and disappearing. Sarah sat down in the sand and Dominic sat next to her. The surface was warm, but on the tips of her fingers, just beneath the surface, she felt the cold sand dig underneath her nails.</p><p>“Is this the place?” she asked.</p><p>He nodded. Something had changed in him. Maybe it was the refused kiss, but he was pouty, distant.</p><p>“When you come here now, what do you think?” she asked.</p><p>He used a stick to dig into the sand. He shook his head. “I don’t know, you know.” He looked out towards the crashing waves. “She’s too far away. My old man, well, he’s gotta be dead to me, you know.” He smiled, an ironic smile that was like a slash of pain across his face. “Not giving a shit’s like being dead to someone, don’t you think?”</p><p>“I don’t really know. Giving a shit—as you put it—doesn’t seem to matter much.”</p><p>A large wave crashed, one of a set, and she watched the frothy ocean creep closer towards their feet.</p><p>“That’s wrong,” he said. He pulled the sunglasses from his face. “That’s hella wrong, Sarah.” He looked at her and she could tell he was scared, scared that this friendship she’d offered him was fake.</p><p>“You’re beautiful,” she said.</p><p>“Beautiful? Shit, that’s like telling me I’m cute.”</p><p>“Well, deal with it,” she said.</p><p>The sun was swallowed up by clouds; grey would be the final color of the day.</p><p>“You know you’re not in love with Maria,” she said. “If you were you’d follow her, no matter what I or anyone else said.”</p><p>“Maybe I still will.”</p><p>“You won’t,” she said. “What you call love is not love.”</p><p>“What is it then?” he said.</p><p>“Something else.”</p><p>The wind whipped salt and sand into the air. She turned her face away from it.</p><p>“Well, if it’s not love,” he said, “I don’t think I want it, because nothing felt like her, you know. Nothing.”</p><p>“Your first?” she said.</p><p>“My only.” He said it and then he was embarrassed.</p><p>She thought he might be lying. “You’ll know it’s love when you take it for granted, when you expect that it’ll always be there, when it becomes a part of you, when it settles into something other than sex and other than beauty. And when you lose it, when it’s taken away, you’ll have to follow it just to find yourself again.” She waited. “You’re not in love with her because you’re here with me.”</p><p>“I’m not in love with you,” he said.</p><p>“That’s good.” When she said it he stared down at the sand like he was counting every grain, like he was afraid to lose it against the tide.</p><p>She leaned forward, not far, but enough. He turned his head and she put her hands to his cheeks and kissed him and he let her.<br
/> <strong></strong></p><p
style="text-align: center;"><strong>* * *</strong></p><p>They had cleaned the bullet hole. He had been shot in the chest, and the hole was so small, so perfectly round, that it seemed utterly harmless. There was more damage when he broke his leg falling from his skateboard, she thought, but this damage was near the heart, this damage cut through the lungs. When the man asked her if this was her son, she looked at him and felt such a brutal anger that she had to hold onto the inside of the pockets of her jeans to keep from hitting him. She looked at him for a moment, the way his hair was perfectly parted, the paperwork in his hand he needed to file, the way his pencil sat between his fingers ready to write his official notes.</p><p>She looked back at David’s body. She could see the lines of unused veins beneath the surface of his skin. He was naked from the waist up, below the waist he was covered with a white sheet. The sheet clung against his legs and his groin and at the end of the sheet his blue feet stuck out, bare except for a plastic tag tied to his toe. She wanted to pull the sheet from his body. She hadn’t seen him naked since he was a child, and this suddenly seemed to her such a shame. She looked at his face; there were still traces of pink around the edges of his nostrils, color clinging to the lids of his eyes. She touched his hair, felt the curl of his eyelashes, and ran her fingers along the edge of his thin nose. She touched his chest and laid her hand on the softness of his stomach. The skin was cold and smooth like waxed paper.</p><p>She nodded slightly.</p><p>“That’s a yes?” the man asked.</p><div
class="pullquoteRight">His right knee pinched the skin of her thigh and she moved with the pain in a way to make him feel she was moving with desire for him.</div><p>“Yes,” she said, and she hated him for making her say it. He was a skinny man, the color of a worm.</p><p>He pulled the sheet back up over David’s face. She almost crumbled; she could feel things collapsing inside her, but she imagined him sleeping and this helped her keep her feet. The skinny man pushed on the edge of the table and it slid into the mouth of the body-sized tomb. When David’s head was all the way inside, he closed the door and slid a small piece of paper with David’s name and a number written in blue pen into a small plastic sheath on the outside of the door. It looked like the call numbers to an author in a library card catalogue.</p><p>“It’s a shame,” he said. “I’m sorry.” But his voice was too formal, business like.</p><p>The room was horribly cold and she began to shake uncontrollably; the muscles of her jaw hurt, but she wanted to stay.</p><p>“Do you have kids?” she said, her voice accusing. He stared at her. “Do you?”</p><p>“No,” he admitted, and he seemed embarrassed by it. She knew he wanted her to leave; he had turned his body towards the door and even began to lift his hand to guide her out. She didn’t turn but stood and faced him directly. She wished he would push her so that she could push him back, knock him down, kick him in the stomach. She wanted to say something, to tell him how hard it was to raise a child, and how he knew nothing about any of it. She wanted words strong enough to make him bleed, but then she heard her own question and realized, now, that her answer would also be “no”.</p><p
style="text-align: center;"><strong>* * *</strong></p><p>Dominic took the freeway back from the beach, and what had been an hour drive before took only twenty minutes this time. She made him park his car around the corner, on a cul-de-sac that few people ever drove down. The walk was long to the front door and she felt the loneliness in the time of day, the lull before men arriving home from work, the anxious peace of a neighborhood empty of teenagers still out cruising, hanging out with friends at malls. Dominic tried to lay his hand on the small of her back.</p><p>“Don’t do that,” she said.</p><p>He immediately removed his hand and replaced it in his pocket.</p><p>“Wait until we’re inside.”</p><p>All the windows were shut and the drapes pulled and with the deep shadows concealing the brightness of the sun, the house was full of flat, dull light. The effect was like that of coming into a long closed museum; the air was stale like sediment settled in the follicles of a carpet that needed to be shaken.</p><p>Her experience with men, including her own husband, was that when they got this close to a woman’s bed, there was little hesitation. Once he got within sniffing distance of bedsheets, he took control, owned the room and you in it. It wasn’t until after the man left that you had yourself and your possessions back. She expected that call to action; she expected Dominic’s hand on the back of her neck immediately; she expected grasping fingers, powerful lips, a walk backwards like one long fall towards her bed.</p><p>But what she got was something else entirely. He stood near the kitchen counter, his hands thrust into his pockets. This was new ground they were treading, and even Dominic seemed afraid of it. She breathed more easily and her eyes briefly welled with water, the same thing that happened at school when a student said just the right thing or clearly understood a difficult concept through much exhausting thought.</p><p>“Can we open a window?” he asked.</p><p>“No, we can’t.” She walked over to him, smiled, and pulled his coat from his shoulders. He stood and let her, one arm tugging free and then the other. “Come in and sit down.”</p><p>She retrieved a cold bottle of vodka from the freezer and two glasses. She had learned to drink the vodka straight with a twist of lemon, but in the afternoon heat and the eyes of a boy that now made her self-conscious she added a measure of cranberry juice to sweeten it. She joined him at the couch, where he had separated the slants of velor blinds to look out onto the dull, quiet street. When she sat down, he turned abruptly as if he had been caught peeping through the window of another woman’s house. The blinds stuck, and a thin, bright ray of light flooded her vision with floating particles of dust.</p><p>“What time is it?” he asked.</p><p>“Four-thirty.”</p><p>He nodded and seemed to be making some sort of calculation in his head.</p><p>“What time do you need to be home?”</p><p>“Six.”</p><p>“You’ll make it,” she said.</p><p>She took a sip of the drink. “I want you to tell me what it feels like with Maria, what makes it worth all the risk.”</p><p>“Don’t wanna talk about Maria,” he said.</p><p>“Then show me.”</p><p>He reached and took a sip of his drink while he gave her his most striking, well-practiced sexy look. This is what he’ll look like in a bar someday, she thought. Some day when he’s lonely and lost. He set the drink down, his hand shaking just a little to jingle the ice more than he would have liked.</p><p>“Show me, Dominic.”</p><p>His face reddened and he shifted his weight nervously on the couch, the sunlight catching the side of his unwrinkled face. Sarah ran her hands down the dusty blinds until her fingers caught on the one shade out of alignment. With a little more pressure from her hand it snapped into place and cut out the light. He moved towards her and she leaned back on the couch.</p><p>The sun had fallen lower in the sky and the house was shades of grey shapes: the grey of square walls, the darker grey of furniture, the carpet like a rainy day ocean. And then the slate colored ceiling hovering above her, strangely foreboding and closing in. His fingers worked at her blouse buttons as he tried to kiss her, his lips freezing a moment on the hot nape of her neck as he concentrated on the second button his fingers couldn’t unhook. His right knee pinched the skin of her thigh and she moved with the pain in a way to make him feel she was moving with desire for him. He reacted to the lifting of her hips by remembering that his mouth was supposed to be kissing her neck and he began to kiss so hard, so pressing as if he were trying to bore his lips through her that she nearly laughed out loud. She had to help him with her bra, which made him embarrassed and frustrated, a feeling she watched him forget when he was revealed the full view of her breasts. Then it all became too much for him and he awkwardly tried to do four things at once: remove the remains of her shirt and unhooked bra with one hand, kiss her left breast, and use the other hand to unbutton her jeans, while simultaneously wedging his foot down in the inseam of the pants to pull them down.</p><p>This time she laughed, but an admiring, maternal laugh which stopped him in mid-motion but did not upset him. “Slow down,” she said. “I’m not running away.”</p><p>She helped him remove the rest of her clothes and she was aware of the blue color of her skin in the light; she felt a rush of self-consciousness but then she realized he wasn’t noticing such things now and forgot the feeling. Once her clothes were removed, he hesitated, a shade of fear running through his eyes before she began to strip off his shirt. She looked away, over his shoulder to the sunlit lines of the closed shades. When she helped him slip off his baggy pants, she looked at his eyes.</p><p>“It’s okay. You’re doing fine.” She was surprised but glad he needed so much reassuring.</p><div
class="pullquoteRight">But he was a stranger, some being that traveled through her and on to know things she should have known before him.</div><p>When he was undressed she lay back down on the couch and looked up at the ceiling, until he fell on top of her and his face filled up her vision. He tried to get inside of her, but he missed and she reached down to help him. His face changed immediately. She watched it go through stages, of fear then astonishment—a look that made her want to hold him and keep him with her forever—and then a loosening of every feeling but desire, a simple, unambiguous need. There was no sense of ownership, no thoughts of work or other women rolling around in his head, just the desire to feel. There was an innocence in it that she would never be able to explain to anyone.</p><p>It didn’t take long and when he had finished he looked at her, his eyes watery, the skin on his neck flushed and patchy. He smiled and rested his head on her chest. She pulled him close, her hands rushing over the tight muscles of his back, holding him against her. Some day soon he’d graduate, go to Oaxaca, maybe, go out into the world and stumble through it. He would figure out that this wasn’t what he wanted, and that would be okay. She’d let him go, possibly even keep in touch, if he’d allow it. But for now, she’d hold onto him as long as the world allowed it, as long as secrets could be kept, and as long as the life of a mother mattered to a boy.</p><p>She touched the back of his head, kissed him on the lips and his closed eyes.</p><p>“We must get you home,” she said.</p><p
style="text-align: center;"><strong>* * *</strong></p><p>She watched his back from the window as he walked down the front steps of the house. She thought for a moment about saying something to him as he walked away, but what that would be she didn’t know. She didn’t, though, and let him go in silence, watching him until he turned the corner of the street to find his car.</p><p>She made herself another drink and then went into the garage and found empty boxes and a roll of foam packing paper. It was her intention to take down the pictures, as Patrick had done, to wrap them carefully in the foam, and secure the ends with tape. She would then stack them one on top of another in the boxes. With each layer, she would lay towels atop the frames, before laying down the next row. When she was done, she would fold together the opening of the boxes and tape each one shut. Then she would place each box in the attic, hide them behind the old shirts and rusting weight set, to gather dust. She could remember the smell of his hair, the sourness of his dirty clothes on her hands after washing, the feel of his skin, the tiny sound of his voice as a boy, and the strange, low presence of it as he became a man—but he was a stranger, some being that traveled through her and on to know things she should have known before him. His face smiling on a bridge, his face straining to pull a fish to shore, his hands opening a gift he hated, his lips drinking a Coke on the beach, his bare chest emerging from surf, and each one she would wrap like something old but not quite forgotten.</p><p>But there was one that kept her from packing them away. It was a black and white of David as a baby. She remembered taking the picture. He was strapped inside the baby-seat, his pudgy fingers grasping at the padded bar that held him in place. It was Easter and Patrick was saying goodbye to his parents, standing just outside the open door to the car and saying things about love and visiting soon. It had been unusually cold that April and the wind swept into the car and it mixed with the heat coming through air vents. David hated the seat and he twisted his tiny body and grasped at the bar that would not let him go. He began to cry, an angry, frustrated yell, as Patrick pulled the car out of the driveway. When they reached the freeway, David was in full wail, his mouth opened so wide you could see his tonsils, drool running down his chin. Patrick said she should hold him in her lap, but she had said it was too dangerous.</p><p>She found the Polaroid camera in her bag; David had been fascinated by it and everytime she pulled it out he stared at the boxy thing in her hand and reached for the floppy picture that came out of its mouth. But this time he was too upset and his face was red and his voice filled the car and he threw his fists into the air. She held the camera up to her face and reached out to him to get his attention. When she did, he saw the camera and stopped crying. Just then she snapped the picture and when the flash lit up the small center of the car, he laughed, a small giggle like something gurgling up inside of him. It was this picture she looked at now, those eyes like freshly blown glass, his face full of curiosity and wet with a forgotten anger.</p><p>When the picture came out of the camera, he reached his wet hands out to grab it and she let him because it kept him quiet. She watched him for a moment as he held the picture in front of his face and then dangled it from two fat fingers over the bar of the car seat. She turned around to look out the window of the car driving 70 miles per hour towards home, past fields of orange groves still filled with grey puddles, past newly built houses sitting beneath freeway overpasses. The car was warm and next to her was Patrick, his hands on the wheel, guiding them through lane changes and the twisted mess of highway interchanges, and for that hour everything she loved was within touching distance, just a few inches of empty space away.</p><div
id="bio"><em><strong>Alan Drew</strong>’s first novel, <strong>Gardens of Water</strong>, was published by Random House in 2008. To date, it has been translated into eleven languages and published in eighteen countries. In 2004, he completed a master of fine arts degree at the Iowa Writers’ Workshop, where he was awarded a Teaching/Writing Fellowship. He lives with his wife and two kids in Philadelphia, and teaches fiction writing at Villanova University. He is hard at work on a second novel. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/07/in-the-news-part-4/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Girl Group</title><link>http://foggedclarity.com/2011/07/girl-group/</link> <comments>http://foggedclarity.com/2011/07/girl-group/#comments</comments> <pubDate>Fri, 01 Jul 2011 13:48:56 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[Dylan Brock]]></category> <category><![CDATA[Dylan James Brock]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Girl Group]]></category> <category><![CDATA[Hunter College]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=14136</guid> <description><![CDATA[Dylan James Brock While Sarah Witherspoon was still alive she was a mockingbird with a tin ear. Her attempts to recreate beauty never did justice to what she mimicked. When not insulting her outright, people called her Spoony. She was a plain brunette with thin hair and a thick brow that kept her from being [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Dylan James Brock</h3><p>While Sarah Witherspoon was still alive she was a mockingbird with a tin ear. Her attempts to recreate beauty never did justice to what she mimicked. When not insulting her outright, people called her Spoony. She was a plain brunette with thin hair and a thick brow that kept her from being pretty. The most remarkable aspect of her was how hard she tried and failed to be remarkable.</p><p>Spoony wore different colored sneakers to church. Her clothing made her look like a bag lady who had been miraculously made back into a girl. Her clashes of fabric were disturbing rather than an expression of taste. Striped skirts and argyle shirts with a plaid flannel. I avoided her until I fell for her sister Julia.</p><p>The Witherspoons lived around the bend of a lakeside road near downtown Roosevelt City. Both of our homes were considered historical sites. Our home’s myth of origin involved a doctor whose daughter was murdered in her sleep. That ghost never left her bedroom. Whenever a window would shut by itself in there my mother would say, “See? See?” Then we would laugh and I would wonder how seriously she took it.</p><p>Our house seemed to be a strange mélange of nineteenth century styles. It had a tower and stained glass but also a wide-open interior. I was told it was the fourth oldest remaining private residence in the county. It dates from the decade before the Civil War. The murder supposedly happened as a result of an unfaithful fiancée. A doctor&#8217;s daughter had wandered in wartime and she been killed for doing so.</p><p>Spoony supposedly lived where there was an early death as well. Her home was from the early twentieth century, but held more repute because it was done by a rouge pupil of Frank Lloyd Wright. Julia, Spoony&#8217;s younger sister, called it Frank Lloyd Light. The home attracted more attention than ours even though it was forty or so years younger. As a result, their supposed ghost was more renowned. Ethel died by her own hand as a teenager when her shell-shocked fiancé abandoned her shortly after World War I. Our families were both crusted with bloodstains that could never be washed from the spirit.</p><p>The homes were situated at the very northern extent of Roosevelt, where it ends with sand cliffs overlooking Agawatta Lake. As such, we both had docks at the bottom of long sets of wooden stairs. These docks had to be high for the chop that hit the lake. Across it was only a ribbon of green, North Roosevelt, richer than us. We looked rich, though.</p><p>One afternoon Julia got to me. It was a spring day in the nineteen-nineties. Julia had left her bedroom to read under real light, and had done so in a bikini. Her hair was the blond of Roosevelt sand, pale yellow, almost white. When I came down to see what wondrous thing had appeared on the dock down the way, she waved and then went back inside. Her smile was a life preserver that took me out to sea.</p><p>The next day it was hot enough to be August. I came down at the same time as the day before and was happy to find Julia there again. I shot looks at her skin without seeming to look at all. Spoony, overdressed and sweating out a glow, kept Julia there. Like shiny paper, the light crinkled on the choppy surface of the lake. Though only late May, there were already the white triangles of sloops ghosting over the water. The sun got so bright that it seemed to shine through skin, as if we were thin and held up to a powerful bulb.</p><p>I was beside my mother. She looked as young as me at times. I already had a beard at the end of my third year in high school. Though cracked by thin wrinkles, from a distance mom could pass for a girl. Her thin fingers played with the celery in her Bloody Mary, breaking it into chunks.</p><p>She and I talked about the children’s book she was always about to start, one based on personal myths I was told growing up. As an only child, I had shared these imaginary friends my mother had made. Sometimes, in the minutes before sleep, I would actually hear Pappy the Mongoose complain about the Cobra Sisters. The family stories made more sense to me than what little I had been taught of the Bible.</p><p>Julia and Spoony were the only other children who knew mom’s stories. Mom babysat for us all. Since babysitting, I had seen little of Julia. She was the sort of teenage girl who treated her bedroom like a cocoon. Then she emerged and flew, and I was searching for a net.</p><p>Spoony treated her sister as if she wanted to kill her in a jar and pin her to the family wall. Julia was elegant in every way that Spoony was plain – from features to wardrobe, it felt like Julia got right what Spoony meant to. If there was a song Spoony wanted to sing it was Julia&#8217;s. I suppose it was inevitable that sibling jealousy would arise. Still I thought she wouldn&#8217;t mind my pursuit of Julia; stupidly, but I thought it still.</p><p>Julia seemed to be pursuing me in kind. In June she swam over and dried off next to me. I loved it when she would emerge from the water and drip out a shine in the weak Michigan sunlight. Then it was my task to spread thick sunblock on her smooth back. We didn&#8217;t touch much other than that. Still, the give and take of her skin moved all of me.</p><p>Spoony followed her, swimming more skillfully but still seeming less graceful. When she climbed out of the lake, Spoony bragged that she had been up four days straight. Seeing a translucent girl every night did that to her. Spoony claimed impossible powers.  She had a special connection to the spiritual world. Julia shook her head, and then lay a hand on her sister’s bouncing leg, stilling it.</p><p>Spoony was always touching me, and I was always jerking away. Finally I told her that my dad hit me a lot as a child, and that I didn’t like to be touched because of that. Later, though, when Spoony was looking at an empty spot somewhere above the boat-clogged lake, Julia put her hand on mine and I liked that touch.</p><p>Julia and I ran into each other twice at the same coffee shop, and the second time she asked me out. She was wearing a sundress and the wind off Lake Michigan was brutal, so that it clung to her on one side. It was checkered with small red squares that fell away before her pale skin at just the right curve of her chest. She caught me looking at her breasts and smiled quickly before darting away.</p><p>The meetings in the cafe parking lot allowed a private invitation to go to a movie. The sisters were privileged in that they had their own phone line. It was for both of them, though. I couldn’t call Julia without risking chatter with Spoony. That didn&#8217;t matter now that a date was set.</p><p>Julia had a car and I didn’t, so she showed up at my place. She had on pearl earrings. I complimented them. Julia said they were her great-grandmother’s and for special occasions. Her face paused in repose, every thin bone seeming to form a sentence she was about to punctuate. Then Julia pulled out a flask, right there, driving, she had a flask, and she took a pull in such a way that it meant freedom to me, as if I had achieved what growing up was supposed to be but never quite became. I held her hand in the film and got hard and smiled like a maniac for days after.</p><p>Before we got back to her house, she invited me in. Spoony was standing in the driveway when we got there, smoking a cigarette. Some light was still in the sky but so little that it blackened her so that I could see no color in her at all. There was a breeze coming off Agawatta Lake even at night, and it shuffled her long skirt and kept the cigarette smoke from lingering around her. Spoony&#8217;s puffs were awkward and thick with coughs. It was clear that she had been waiting for us. She was the only reason I didn’t kiss Julia goodnight.</p><p>Two days later, Spoony waded down the autumn shore just to show me something. Beneath her arms were slashes and cigarette burns. Spoony brandished them proudly, as if they were intricate tattoos. We said not a word about Julia, but there was no escaping one sister for the love of the other.</p><p>I stayed apart from Julia even as my ardor intensified. A few weeks passed where I didn’t call either sister. Spoony kept coming over with new wounds. Now the ghost girl was telling her to do terrible things. That&#8217;s all I was told, that the things were terrible. Spoony had always tried so hard to draw attention to herself that I tried to pay little attention. On callous days I scoffed to myself and wondered when she would end up in a mental hospital.</p><p>A few weeks after my date school started again. Two strange boys started showing up around the Witherspoon home, both of whom would set next to Julia on the dock. Senior year was getting underway by then, and I told myself to forget about my neighbors. Spoony didn’t leave me alone, but it seemed that Julia had forgotten me.</p><p>Then came the September day Julia called me. She had never called me before, and I expected to hear bad news about Spoony. There seemed to be no other reason left for us to speak. I was told we had to talk in person. We sneaked out very late and met by the water. Julia said nothing about Spoony. She just picked cattails until I took her hand and we kissed. Together we collapsed beautifully into the thin beach, the long grasses of the marshy shore brushing against my calves. I had long hair at the time, straight and blond, just like Julia’s, and we mixed our hair together as our mouths searched each others.</p><p>In October, Julia found Spoony under bloody sheets, cut all to hell. There was no one big slash, just dozens of slits in various degrees of healing, she said. I didn’t mention that I had known as much, nor did I tell Julia what Spoony had done the night before.</p><p>The cuts came the day after I got into bed and found Spoony there, fully clothed and sweating. She smelled like roses in a locker room. I told her to leave. She did. No threats. No tears. Only a strange, mechanical walk out of the house. I wonder what my parents thought, seeing Spoony leave my bedroom that late.</p><p>A few days before Halloween Spoony smothered Julia with a pillow. Then she hung herself in the dining room. The funeral for both was on All Saint&#8217;s Day. I remember wondering how there could be any saints after a world that could be so awful to two girls. I barely faulted Spoony for the murder at first. I felt I should have known and stopped it. If anyone had known enough to do so, it had been me.</p><p>School was a terror afterward. The two boys who had been doting on Julia told everyone that I had slept with both. Someone threw a hard-boiled egg at me during lunch. A guidance counselor curled her lips as if I stunk. I transferred from Roosevelt City to Roosevelt Shores and left high school alone.</p><p>Harmonies began to find me in the night. I saw nothing while awake. Awake I only hear voices. A quartet of girls sing Motown wordlessly. These voices only came at home, sometimes in the tower, sometimes in the attic. Sometimes in my dreams I still see Spoony teaching new songs to the older ghosts, though they are all the same age. In those dreams the voices take on new words, “Baby, baby, where did our love go?”</p><div
id="bio"><em><strong>Dylan James Brock</strong> got his undergraduate degree from the University of Michigan and an MFA from Hunter College in New York City.  He has worked as a reader at the <strong>Paris Review</strong>, a barista at Starbucks, a research assistant for author Kathryn Harrison, a dog walker, an adjunct teaching writing in Michigan and New York City, a sales associate at Best Buy, a founder of the record label <strong>Jumberlack Media</strong>, a ride attendant at a water park, and a freelance web developer.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/07/girl-group/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>In the News &#8211; Part 3</title><link>http://foggedclarity.com/2011/07/in-the-news-part-3/</link> <comments>http://foggedclarity.com/2011/07/in-the-news-part-3/#comments</comments> <pubDate>Fri, 01 Jul 2011 13:48:07 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Alan Drew]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Garden of Water]]></category> <category><![CDATA[In the News]]></category> <category><![CDATA[Iowa Writers Workshop]]></category> <category><![CDATA[Novella]]></category> <category><![CDATA[Villanova]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=14120</guid> <description><![CDATA[Alan Drew PART 3 OF 4 Read Part 1 Here Read Part 2 Here She made the mistake of turning on the television&#8211;something to relieve the silence of the house&#8211;and there he was on the evening news, a headline, one of three bodies. On a radio talk show a psychologist discussed the state of our [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Alan Drew</h3><hr
style="width: 100%;" /><h4>PART 3 OF 4</h4><p><a
style="font-size:11px;" href="http://foggedclarity.com/2011/04/in-the-news-part-1/"></p><p><a
style="font-size: 11px;" href="http://foggedclarity.com/2011/04/in-the-news-part-1/"><em>Read Part 1 Here</em></a><br
/> <a
style="font-size: 11px;" href="http://foggedclarity.com/2011/05/in-the-news-part-2/"><em>Read Part 2 Here</em></a></p><p>She made the mistake of turning on the television&#8211;something to relieve the silence of the house&#8211;and there he was on the evening news, a headline, one of three bodies.  On a radio talk show a psychologist discussed the state of our children and included David in an epidemic of childhood immorality that included the burning of a church, the beating of a woman in Golden Gate Park, and the use of drugs.  Our youth were reckless, soulless, and adrift, he said.  Every day another paper arrived on the front porch like a taunting and even after Patrick had canceled the subscription they kept coming.  And here, at the grocery store, was David again, staring back at her from the front page of the <em>Enquirer</em>.</p><p>She was at Safeway, standing in a long line of shoppers who waited in the narrow row that led to the cash register.  What finally got Sarah out of the house was an empty fifth of vodka and the last four aspirin of a large bottle that was full just a week before. She stood there in line behind women with baskets full of fish sticks and Otter Pops, boxes of Coke cans and lunch-size bags of chips spilling out across the black conveyor.  With a bottle of Stolichnaya clutched in her hand, she felt the walls of her chest collapsing in on her lungs.  She tried to turn away from his picture, but wherever she looked he was staring back at her, either for real, in the bleeding color of those photographs, or in her mind when she closed her eyes to calm herself.  She couldn’t go home without this bottle and she couldn’t stand there with her dead son watching her.  So she stood there in paralysis, with nowhere to go except inward and face the horrible fact that she had to go on living.  She had to stand there and wait her turn, she had to smile to the smiling cashier—who was just a child, just a high school kid with a night job—and she had to pull the money from her pocket and wait for the change and she had to go home, and, inevitably, she had to go back to school and face her students, kids who didn’t know yet what their lives were worth.</p><div
class="pullquoteRight">When he got out and walked across that expanse of pavement, between the parked cars and the planted trees, she felt alone and separate in a way she knew she would for good.</div><p>She knew the picture; it was his ninth grade yearbook photo, the last year he smiled for such shots.  She faced him and remembered the day the picture was taken, the way she had forced him to comb his hair, even though he wanted to spray it up into little spikes as if his head was a dangerous weapon.  She had bought him the blue shirt just days before because it brought out the color of his eyes and she liked to see that blue looking out at her.  She drove him to school for the picture that day and he made her park on the other side of the parking lot.  Even though she understood why, when he got out and walked across that expanse of pavement, between the parked cars and the planted trees, she felt alone and separate in a way she knew she would for good.</p><p>They must have gotten the picture from someone at school.  Roberta had called her and told her someone had asked for information about Sarah.  She had told him to go to hell, but they were hovering around the school, talking to students.  She guessed they must have been to Washington too.  One night a man from The Sun had called the house, got Patrick, thank God, and offered him $10,000 to sell their story.  Patrick pulled the phone out of the wall, but then calmed, grabbed his tools from the garage, rewired the phone, refastened it, and called their lawyer.</p><p>Above David’s picture was a headline: “Boy Professes Love for Councilman’s Wife.”  Then in smaller letters, “The shocking story of love and murder.”  She wanted to read what was inside, even though she knew, or thought she knew, it would be lies, but the prospect of there being any truth in the story at all was like an open conviction in a public trial and she needed to know, she needed answers, any answers.</p><p>But she couldn’t do it, she couldn’t lift her hand and she turned away to see a woman in the next aisle open the paper.  As she read, a little girl, maybe seven, ran up to her with a bag of candy in her hand.</p><p>“Can I get this?”  The girl leaned against her mom’s hip, but kept her eyes on the candy.  “Can I?”</p><p>The woman glanced at the girl’s hand and said, “Sure, honey” and the little girl smiled and began to rip the plastic off the bag.  Her mother didn’t seem to notice and she continued reading.  The girl had now opened the package and pulled out a small red candy and placed it in her mouth.  While she ate that one, she reached in the bag, pulled out another, and put that piece of candy between her lips.  She reached for a third.  She’s going to choke, Sarah thought, but the mother was still reading the paper, her brows pushed together, her eyes glancing back and forth, and when she was done, she closed it and shook her head, the kind of head shake that indicates disgust, the kind that implicates and believes that the horrible things that happen in the world happen in some separate reality, some place far away from yourself.</p><p>“Beautiful daughter,” Sarah said.</p><p>The woman looked up, her face broken into a smile and said, “Thank you” before she recognized Sarah’s face.</p><p>“Don’t think you can keep her safe,” Sarah said.  She twinged at her own words, but didn’t try to soften the effect.</p><p>The woman’s smile left and she looked at Sarah for a moment like she was some suburban prophet spreading a dark truth.  She turned away, found her daughter’s arm and pulled her close.</p><p>When the line moved up, Sarah lifted every Enquirer off the rack and held them close to her chest.   When she laid them out on the conveyor and the poor girl rang each one up, the woman standing behind her stared off in the distance out at something that was not Sarah.</p><p
style="text-align: center;"><strong>* * *</strong></p><p>His journals were silent for a few weeks, but she didn’t bother him about it because he hadn’t betrayed anything to the students.  They kept writing in their journals, folding over their most personal entries.  Sarah even stopped marking zeroes in the grade book next to Dominic’s name where the grade for the journals should have been.</p><p>There was something new between them, she could feel it.  In class he still said nothing, didn’t do any of the in-class writing, but he was quietly less defiant.  She thought she noticed him looking at her, just brief glances, when he came into class.  Occasionally when she lectured, his face would be lifted from his binder, his hand would stop drawing, and he would listen.  One morning she called in sick to work.  She had had a dream about David and when she woke the prospect of a day surrounded by kids felt like a rock pressing against her chest.  In her desk drawer the next morning was a note from him. <em>Man, Ms. Evans, that substitute was hella boring!</em> She should have been angry, but she couldn’t find it in herself.</p><p>Then something happened and he started filling pages upon pages of his journal with writing, none of them folded over.  When she first saw the pages, something caught in her chest, and rather than read them after school at her office desk, she took his home, made a drink, and settled into the couch.</p><p>He wrote about what it was like to be stoned, the way he had thought about killing his step-father once, the way school was for geeks and people who kissed teachers asses, how he hoped to be a BMW mechanic one day because you could make “hella money” and he wrote about his father.</p><p><em>My mom says my father ain’t worth thinking ‘bout, but I can’t help it and I think ‘bout him all the time.  He lives in L.A. and he used to be in some gang, some small East L.A. gang, but he did time and now I don’t know what he does.  Got a letter from him like three years ago.  My mom didn’t know ‘bout it and I just left one night and took a Greyhound to L.A.  I didn’t even know where I’d find him, but I sent a letter to him, back to the address on the letter he sent, told him I was coming, and I kept imaginin’ him standing there at the bus station, waiting for me to get off, but when I got there he was no place to be seen.  Just some guy sleeping on the benches, and I remember he was all wet in the middle like he’d pissed his pants or something and the whole station smelled like piss and I got sick in the bathroom and I got back on the next bus home.  When I got home my mom looked like she hadn’t slept in like forever and she slapped me when I got back, but then I knew she loved me.  But it isn’t enough, you know.  It’s like there’s this one person out there that doesn’t give a shit, and I can’t stop thinking ‘bout him and don’t know if I will ever.  How do you forget about someone?  How did you get over what happened to your son?</em></p><div
class="pullquoteRight">That mistake, that underestimation of him as a separate person was the final thing that caused her to lose him.</div><p>“You have no right to ask me such a question,” she wrote back.  But then she set aside his journal, made a drink, and let her mind settle.  “If you want me to speak to you about David,” she wrote, “I want you to tell me about Maria.”</p><p
style="text-align: center;"><strong>* * *</strong></p><p>Sarah had pulled pictures out of albums and taped them to the refrigerator, she hung pictures from the mirror in their bathroom, spread them across the kitchen table.  She spent hours staring at their glossy images, as if they might speak to her some explanation.  For months she stood in front of the refrigerator with a drink in hand and gazed into her son’s face or sat in the middle of the living room with baby pictures spread across the floor or placed certain pictures from family vacations in progressive order as if they might become animated.  There was a picture with his hand wrapped in a gauzy bandage, and what it told her was that it was her fault he had touched the stove-top burner.  There was another of his leg in a cast&#8211;she never should have let him have a skateboard.  There were a million mistakes she had made, but the worst was that when she looked at these pictures, even now, nearly a year after his death, she only saw shades of the boy in him, even when he had become a man, and that mistake, that underestimation of him as a separate person was the final thing that caused her to lose him.</p><p>And there were the clippings from newspaper articles, Op Ed pieces, the pictures of his body being wheeled out into the light, the picture of her in Detective O’Reilly’s car, her face like something transluscent and nocturnal.  There were the quoted phrases from his journals, a supposed text message sent from his cell phone: “U-R-Myn”, it said, and she didn’t know if he had sent it or the woman.  There were pictures of her, the woman, young, beautiful, much younger than Howard.  There were the words and phrases she underlined: ‘Illicit”, “affair”, “guilty”, “absent parents”, “found naked”, “unstable”, “troubled”,“love”, “lover”, “loving”, “loveless”, “too young.”</p><p>Patrick came and went to work, he took trips to the home office in Phoenix and had called one night to tell her he needed to stay a couple days longer; they were working over the weekend, he had said.  She knew what that meant.  When he came home, he would take the pictures off the bathroom mirror and hide them in drawers and she would have to find them and replace them when he was gone.  It was like a game they played, an argument with mementos as pawns.  One night when she had been asleep, he pulled down all the clippings in the house, even lifted the ones off the floor and placed them in a shoebox that took her all of the next day to find.  When he got home that night she waited for him and screamed and he screamed back and then they sat there in that thickening silence once again.</p><p>His mind must have still been unsettled about it, because Patrick came home with a couple bottles of wine and a bag full of groceries.  It was a week and a day from the anniversary of David’s death.  The night was warm, the first in months, and he opened up the house to let it in, put on some Coltrane, uncorked the first bottle of wine and went to work in the kitchen.  She wasn’t hungry, but she went into their bedroom anyway and found a dress she knew he liked.  She washed her face and pulled back the hair she had let fall into her eyes. There was more grey, the wrinkles around her eyes were deeper, but she was able, through much makeup, to create a semblance of her other self.  When she was done, she found Patrick at the table, bathed in candlelight, and she almost remembered that she loved him and she wanted to, wanted that feeling in a way she hadn’t in a long time.  He stood and took her hand&#8211;an amazing thing a hand&#8211;and walked her to the table.  It was as if they were on their first date and it seemed ridiculous to her, but she allowed him to pull out her chair.   He poured the wine and held it up for a toast, although to what they were toasting she didn’t know because he didn’t say anything.  They didn’t even touch glasses, just lifted them towards each other. There was something sinful about this, as if Patrick were trying to tease pleasure out of the world again, and she felt slightly sick to her stomach as she cut into the fish.  She drank the wine, but it was dry and acidic.</p><p>Patrick moved the food around on his plate but ate little.  He set down his fork and knife and looked at her.  “I need you back,” he said.</p><p>She set the wine glass down and held it there for a moment to make sure it wouldn’t tip over.  She didn’t know what that meant, to ‘have her back’, but she found out when he stood, walked around the table, laid his hand on the back of her neck and kissed her.  She tried to kiss him back and before she knew it she was standing up from the table, the uneaten meal left there alone, and being led back to the bedroom.</p><p>He laid her on the bed and she immediately wanted to sleep, wanted to curl herself up into a ball and become small and distant and lost, but he was kissing her shoulder, the weight of him pushing down.  He turned her over and unhooked the dress, and she let herself be undressed.  She watched him as if from a great distance as he pulled the tie from his neck, unbuttoned his shirt, and lifted his legs out of his pants.</p><p>He lay on top of her and she could feel his stomach against hers.  She kept her arms at her side, but he lifted them and wrapped them around the thickness of his shoulders, placed her fingers on his back, and she felt the softness of his skin give under the pressure of her fingertips.  She felt him pushing his way inside, but she wasn’t ready and it hurt but she let him anyway.   He leaned in closer to her face, filling up her vision with his cheeks and nose and flashes of his lips and then David was there, there in that face that moved in and out of her vision, there in the contours of bone and flesh and she tried to drive him away, tried to force him out of her mind, but even as she closed her eyes he was there.  She pushed Patrick away, shoved her knees into his hips, and kicked her legs until he was off her.  She pulled her legs to her chest, facing him, and thought of all the things she should say but said none of them.</p><p>“I can’t do this,” Patrick said.  He sat on the edge of the bed, his white back facing her.  “They offered me the position in Phoenix.”</p><p>She let that settle into the carpet a moment, the fact of it ringing in her ears.</p><p>“Do you love her?”</p><p>He lifted his head a little; she could see the movement of shallow breath in his ribs.</p><p>“I can’t be here like this,” he said, and he stood up naked in their bedroom, his body thin and sad.  She remembered the muscles of who he was, the tight stretch of ligaments, the thickness of his chest, but age had finally caught him by the neck.  He was only a man afterall, she thought, and she wasn’t mad.  “Maybe some day in the future, but not now, not like this,” he said.  In the dark he pulled on his pants, slipped on a shirt and started to walk out.</p><p>“Don’t,” she said.</p><p>He stopped near the open door.</p><p>“Come here,” she said.  “Come here and you can pack tomorrow.”</p><div
class="pullquoteRight">Dominic hadn’t been in class and she had swallowed down panic all day, reminding herself that Dominic wasn’t David, that he was a man who had to find his way in the world.</div><p>He walked back towards the bed, laid his body next to hers, the warmth of it seeping through his clothes and into her skin, and he stayed like that until the coldest part of the night passed into morning.</p><p
style="text-align: center;"><strong>* * * </strong></p><p><em>Her father’s got the old school Oaxaca thing going on.  He hates me and everytime I drive by the house he comes out waving his fist or screaming to me in Spanish.  But he’s gotta go to work, you know, so when he’s gone Maria’ll meet me outside and we’ll drive somewhere.  Sometimes my house or down to the water, but not too often there because that place eats at me, or up into the hills, just somewhere we can be alone.  She tells me her father threatens to send her back to Mexico, and sometimes she cries over it, but what can we do?  She was a virgin when she met me and if her father knew she wasn’t now, he’d probably kill me or something.  I think his family still pulls the old white sheet on the wedding night, shit.  Can you believe that?  It’s kind of weird talking about this with you, but you know she didn’t really want to at first and I didn’t force her to, but we talked about it, and I said it would be safe and we used stuff, you know.  I think it hurt her when we did it the first time.  Her face was funny looking, and she cried a little, and I thought about stopping, but I couldn’t.  I kind of feel bad about that, you know, because I think it would’ve been nice for her if I did, especially when I knew it hurt her, but once you’re going it’s like your body takes over and you’re on overdrive or something and you just can’t stop.  But it wasn’t just sex.  Really it wasn’t&#8211;it’s more than that, but I can’t explain it.  It doesn’t matter what my mother says about it, or what her Dad says.  He tells her I just want to use her, just want to ruin her, you know, because that’s the only way he can think about it—me ruining her.  But he’s wrong, because it’s not just about getting inside of her, about ‘getting off’ like they say, it’s about how she makes me feel afterwards, you know?  She’s so damn beautiful, like an angel, really, ‘my mexican angel’, and every time I can’t believe she’d do that with me, I can’t believe she’d let me, and, you know, in a way I kind of do feel like I’m ruining her.  Is that weird? Will I  marry her? Shit, Ms. Evans, I don’t now, but I’ll tell you one thing, I love her.</em></p><p
style="text-align: center;"><strong>* * *</strong></p><p>They had made a deal, an exchange of confidences, but she was onto her third drink and still the blank page of his journal stared back at her.  She had only written “Dominic&#8211;” at the top, and the rest of the page was such an expanse of emptiness, that she had no clue how to fill it up.  How did she get over losing David?</p><p>She hadn’t, but in some way she must have because she was sitting here, writing to this boy, going to school everyday, and even hoping that Patrick might come back sometime, that he might return and they could start over again.  Sometime she had made a decision to get off her bed, to not let herself rot away, but she hadn’t made that decision through any degree of letting David go.  Or had she?  She remembered him in a fixed state, the only state she could: an eighteen year old man who shaved but still had the skin of a child.  But more than two years had passed now.  She was getting older and greyer, and the dye she rinsed through her hair no longer hid the fact.  She sank into certain unassailable beliefs that only the old and worn-out keep.  The only sure thing in life is that you search for love and lose it.  We all are&#8211;no matter how strong, tough, young or brutal&#8211;horribly vulnerable.  Love.  Love is a killer.  Love is overprotective and not protective enough.  Love is the keeping of memories.  No matter what, life is lived when it no longer seems livable, and there’s a permanence to that, a painful, dig down in the earth and hold on kind of permanence.  And this last fact, no matter what she did to reconcile herself to it, always made her feel she was betraying David.  A mother shouldn’t move on, she thought.</p><p>She wrote: <em>You’ll never forget your father.  He’ll always be there as a memory, good or bad, hovering over everything you do and everything you are or become.  You can’t wait for him, because he’s not coming back.  You might as well accept that now, and learn to live with it, learn to be stronger and better than it.  My son was beautiful and I’ll never forget him and I don’t want to, but he’s gone and I cannot let the memory of him live my life.  The worst thing about it is that I feel like I did it somehow, like I was the one who killed him.  Does that make sense? –Ms. Evans (Sarah)</em></p><p>She thought about crossing out her first name, but decided to leave it.</p><p>She set down the journal, walked to the kitchen and made herself another drink.  It was late, 2:00 AM according to the clock in the kitchen, and she had to be at school for her first class at 8:00.  She had learned to get through class hung-over, drunk even, and when she took another sip of her fourth drink, the icy-burn in her chest was like the numbing of the whole world.  She was working up a question, something she needed to know from Dominic, because she suspected this love he spoke of wasn’t love at all, but that he, also, wouldn’t recognize it as anything but this four-letter word that was batted around in songs and movies and by fourteen year old girls with stars in their eyes.  She walked down the hallway that led to David’s bedroom, stood in the doorway, and tried to imagine his presence there, tried to hear his voice, or the sound of his breathing from beneath the sheets.  She remembered him in the middle of the night, when she awakened to his head beating against his pillow, the sound like a fist punching a mattress.  He was asleep, his eyes shut tight like they were threaded together, but he kept drawing back his head and slamming it against the pillow.  She laid her hand on the back of his head, the hair so soft between her fingers, and pushed down gently to keep it resting on the pillow.  When the muscles in his neck calmed, she sat there next to the bed, her fingers working in his hair, trying to calm whatever was wild inside.  But he was calm in his waking, or seemed so, and that’s what disturbed her most: the possibility that David, underneath the surface of his placid temperament, had actually been smashing up against himself.  What he was as an adult, however briefly he may have been one, was fading from her memory—if she even really knew the adult David at all.</p><p>When she sat back down on the couch, she lay Dominic’s journal on her lap.  She wrote: <em>You say Maria’s father would kill you if he found out you’d slept with her&#8211;and you know he’s going to find out, right?&#8211; that he might send her away to Mexico, that everything could change for the worse for both of you, so why do you take that risk? Do you understand what you’re risking?</em></p><p
style="text-align: center;"><strong>* * *</strong></p><p>But he never wrote to her again. The next time she saw him was after school. Dominic hadn’t been in class and she had swallowed down panic all day, reminding herself that Dominic wasn’t David, that he was a man who had to find his way in the world.  She was planning a lesson for Hamlet when he burst through her door.  Before she even had a chance to look up and see who it was, he had thrown over a chair and was heading to toss another into the air when she reached him and touched his forearms.</p><p>“Dominic, calm down.”  She turned him around to face her, and even though he struggled a bit he wanted to be turned around.  She held onto his wrists with her encircled fingers and then slid them around his palms to cradle his hands.  “What’s wrong,” she said.  “Talk to me.”</p><p>His eyes were dilated with anger, big black openings into something ugly at his center, and she had the feeling that if she were someone else, he would kill her—and he could.</p><p>“Maria’s gone,” he said.</p><p>She pictured bullet holes, blood on a tile-floor, the white of skin turning blue, and for a moment she wanted him to shut up.  “What do you mean, gone?”</p><p>“Her father sent her back to Oaxaca, to live with her uncle.”</p><p>“Sit down,” she said.</p><p>“Don’t wanna fucking sit down,” and he pulled his hands away from her.</p><p>She looked through the blinds of the classroom windows, out across a grassy quad towards  a square of light that still shone from the prinicpal’s office.</p><p>“Okay, just don’t throw any more desks.”  He said nothing.  “Okay?” she said.  “The furniture’s bad enough around here already.”</p><p>“Allright, Sarah.”</p><p>“You can’t call me Sarah here.”  She closed the door to the classroom and then the blinds to the windows.  She walked over to her desk, took a seat on top of it, and looked up towards him.  “Take a breath and tell me what’s going on.”</p><p>“That bastard was waiting for me.  Supposed to be at work, but he was waiting for me there on the porch.  That’s how badly he wanted to fuck me over.  He stayed home from work to tell me and they need the money, you know.”  He walked across the room and leaned himself into the corner near the windows.  He didn’t look at her, but spoke while staring at the empty desks, their faces scratched with crude messages.  “When I saw him I knew things were bad, you know, so I got out and walked up the steps to where he was sitting.  I tried to look in the house to see if Maria was looking out the windows, but then he said, ‘she’s not here, <em>pendejo</em>.’  He really did called me a <em>pendejo</em> and I wanted to hit him right then and there, but he’s her father, you know, and you don’t go hitting fathers.  Then he said, and he smiled his rotting teeth when he said it, ‘Her plane left, oh,’ and he actually looked at his wrist watch, even though he knew the time, ‘about an hour and ten minutes ago.’  Then&#8230;”  Dominic was silent, but lifted his head as if searching for something in his memory.</p><p>“You didn’t hurt him?”</p><p>“No, but I would have, easily.  I said some things, some bad things, and I walked up the steps towards him and I would have beat the shit out of him, but he was ready.”  He wiped at his eyes.  “He had a baseball bat where I couldn’t see it and when I got up to the top step, he stood up and held that thing like he was Barry Bonds or somethin’.  I could tell he wanted me to try and hit him, he was hoping for it.  It was this big aluminum bat with a dent in the side.”  He kicked the wooden cabinets with the heel of his shoe and looked at her.  “I don’t know what I’m gonna do.”</p><p>“You’re going to calm down first,” she said.  “Then you’re coming with me.”</p><p
style="text-align: center;"><strong>* * *</strong></p><p>They left the classroom together, but split up once they were in the hallway.  She told him to meet her around the corner from the parking lot, off campus property.  If you were a female teacher you could be seen leaving campus with a girl, but not with a boy.  She gathered up her bags, locked up her room, and had to walk by Roberta’s classroom to get to the parking lot.  Roberta’s door was open when she passed and she sat at her desk, her nose buried in a stack of papers.  Sarah slipped by without being noticed.</p><p>Dominic was waiting in the streetlight shadow of an oak tree, backed up against the trunk and smoking.  It was the red point of the cigarette that gave him away and when she opened the car door she said, “Put that out before you get in here.”</p><p>He threw it on the ground and stomped it out with the ball of his shoe, a little too angrily, she thought, and got in the car.</p><p>She had no intentions at first, no direction, but she pointed her car south along Estudillo road, towards her house.  It was silent for a while and out of the corner of her eye, she watched the passing streetlight turn from brightness to shadow and back again across Dominic’s lap.  His face was turned away, looking out the window onto the blue streets and the dozens of intersections that led away into the night.</p><p>“I need a drink,” she said.</p><p>“No kidding.”</p><p>“When you’re twenty-one, kiddo,” she said.</p><p>He laughed.  “Shit,” he said. “Fight for your country, but can’t have a beer.”</p><p>“Oh, where’ve you heard that one?”  She turned to look at him.  “You’re not dressed to go out.”</p><p>“Don’t start dissin’ the threads.”</p><p>“You’re coming over to my house,” she said.  She thought he might refuse, say he had other things to do, people to meet, any old line to get away.</p><p>“No argument here,” he said.</p><p>She made him a drink.  The house was dark and she watched him stand in the kitchen a moment, his hands in his pockets, looking around at the tiles, the kitchen sink all sparkly and silver underneath the light, the table strewn with pictures.</p><p>“Nice place,” he said.  “A real nice crib.”</p><p>“Why don’t you try some English for a change.”  She threw some ice in the glass, poured the drink, and handed it to him.  He sniffed it.  “Not poisoned,” she said.</p><p>“You never know these days,” he said.  “Gin’s usually my juice.”</p><p>“Well, it’s vodka or sparkling water, kid.”</p><p>He smiled and took a sip.  “Any juice is better than none,” he said. “You always bring students over for a drink?”</p><p>“This seemed to be a special occasion.”  She finished pouring her own.  “You’re not scared of an old lady English teacher are you?”</p><p>“Only if you’re giving me a grade.”</p><p>“Touché.”</p><p>He walked into the living room and turned on a light.  She watched him.  He was like a cat checking his surroundings, looking behind chairs, glancing at the books stacked beneath the coffee table, walking along the walls and surveying the pictures.  He stopped at a picture of David, leaned in, and stared for a moment.  She couldn’t see it, but she knew which one it was.  David standing next to his new car, the door open, him leaning on it like a lover and smiling.</p><p>“How old was he?”  He didn’t look at her, but kept on staring.</p><p>She let silence creep in for a moment, imagined hearing David’s voice down the hall, and finished her drink.</p><p>“Sorry, you don’t have to answer that,” he said.</p><p>“There, sixteen,” she said. “Eighteen when&#8230;”</p><p>He glanced at her and she could tell he was adding things up, equating his life to the dead.  He stood up and walked over to the kitchen table, near to where she stood, and  looked at the pictures, the headlines, everywhere David’s eyes looking back.</p><p>“How long now?”  He looked at her.</p><p>“Two years,” she said.  “Well, going on three.”</p><p>She walked away and started making herself another drink.  Out of the corner of her eye she could see him watching her.</p><p>“It’s a little weird, you know,” he said.  “All of this.”</p><p>“Look,” she said.  “You understand nothing about this, okay?”  She stopped.  “Don’t tell me how to miss him, and I won’t tell you how to miss her.”</p><p>“Right,” he said, and held up his hand in surrender.  He sat down at the kitchen table, but she refused to join him and made him come into the living room and sit on the couch.  He sat on the far end of it and she on the other.</p><p>“I’m going down there,” he said.</p><p>“Oaxaca?”</p><p>“Yeah.  I got to.”</p><p>“No you’re not,” she said.</p><p>“I got to, you know.”  He looked at her and his eyes starting filling and she was surprised once again at how full up this kid could be.</p><p>“Look,” she said. “Even if you find her, what’re you going to do?  Stay down there and raise chickens with her in the jungle?”  She leaned forward and put her hand on his knee.  “If you bring her back here, her father’s waiting.  She’s fourteen, Dominic, are you going to make her choose between you and her father?”</p><p>“She loves me,” he said.</p><p>“Maybe she does.”  She waited a second and thought about not saying it.  “But she’ll fall in love again, with someone else.”  He stood up and looked down at her as if he might slap her.  “And so will you.”</p><p>In his face she could see things collapsing inside of him, little doors closing and others he didn’t yet understand opening.  He walked across the room and stood shaking his legs, his arms folded across his chest.</p><p>She stood and walked towards him, slowly like she would approach a wounded animal.  She could see his eyes shining in the lamplight, and she knew he was trying to hold it back.  From the other side of the room he was a huge man, football player size, but as she walked towards him he became smaller, his shoulders collapsing, his chest shrinking inward, and when she reached him his hands became small grasping things that held onto her, that pulled at the folds of her blouse.  She wrapped herself around him and felt him growing smaller by heaves and sobs.  And as she held him, there was something else, a hardness pressing against her stomach.  She tried to ignore it, but it was there.  She didn’t push him away, and while he cried she marveled at the confusion of his body, his ability to feel every possible thing at once.</p><h5><a
href="http://foggedclarity.com/2011/07/in-the-news-part-4/">Continue to Part 4</a></h5><div
id="bio"><em><strong>Alan Drew</strong>’s first novel, <strong>Gardens of Water</strong>, was published by Random House in 2008.  To date, it has been translated into eleven languages and published in eighteen countries. In 2004, he completed a master of fine arts degree at the Iowa Writers’ Workshop, where he was awarded a Teaching/Writing Fellowship. He lives with his wife and two kids in Philadelphia, and teaches fiction writing at Villanova University.  He is hard at work on a second novel. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/07/in-the-news-part-3/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>In the News &#8211; Part 2</title><link>http://foggedclarity.com/2011/05/in-the-news-part-2/</link> <comments>http://foggedclarity.com/2011/05/in-the-news-part-2/#comments</comments> <pubDate>Wed, 01 Jun 2011 02:07:35 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Alan Drew]]></category> <category><![CDATA[author]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[Gardens of Water]]></category> <category><![CDATA[In the News]]></category> <category><![CDATA[Iowa Writers Workshop]]></category> <category><![CDATA[Novella]]></category> <category><![CDATA[story]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=13839</guid> <description><![CDATA[Alan Drew PART 2 OF 4 Read Part 1 Here She and Dominic had only been meeting for three weeks, but it had really started months before that with a journal entry she wasn’t supposed to read. Nothing about Seth’s appearance betrayed a bat wielding attacker, and Bryson, he was on his way to UCLA, [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Alan Drew</h3><hr
style="width: 100%;" /><h4>PART 2 OF 4</h4><p><a
style="font-size:11px;" href="http://foggedclarity.com/2011/04/in-the-news-part-1/"><i>Read Part 1 Here</i></a></p><p
align="left"><p
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align="left"><p>She and Dominic had only been meeting for three weeks, but it had really started months before that with a journal entry she wasn’t supposed to read.</p><div
class="pullquoteRight">Nothing about Seth’s appearance betrayed a bat wielding attacker, and Bryson, he was on his way to UCLA, a good student, one of her favorites.</div><p><em>What the fuck happens to people?  I mean, they get old and turn into fascist dictator nazis who’ve forgot what it’s like to breathe, to feel, to even believe that we can think for ourselves.  That bastard thinks he’s got the low-down on me ‘cause he married my mom, and he hangs around the place like some homeland security spy.  They don’t understand what it’s like.  Like he tries to be my homey or something and he thinks he can talk to me about girls and shit and what does he know, I mean, what the hell do they know about it anyway?  Taking my keys, fuck them!!  Just because my girly and I like to get it on?  Just because he came home early from work.  Should’ve gone to the hill.  But damn, you know, it’s like living in a cell, stuck behind bars of ‘love you’s’ and ‘want the bests’  and ‘go to college’ and ‘be somebodies’ and my mom crying and he, that fucker, talking ‘bout rubbers right in front of her—my fucking mom, right there and her eyes all full of water and tears falling down her cheeks.  Like that’s shit she just don’t need to know about.  And whatta they know about love? Just sit in front of the TV, their eyes going all watery and empty, never touch each other, him telling her to go to hell.  What’s thatta bout?  Man, and they telling me that what Maria and me got goin’ on ain’t love. They know what her skin feels like? The way she looks at me with her blue eyes, like I could fall into them and swim? There’s always a girl around, you know.  They’re easy because they like the car or they like the jersey and the gold chain and you act all jack and you tell ‘em their pretty and that their eyes are filled with stars or some other shit and they fall all over you, but whatever, you know, it’s like leave me alone.  With Maria it’s all different.  She’s so fly, the way her hair curls around her shoulders, her blue eyes.  I mean, man, a Mexican girl with blue eyes.  And everyone wants her, you know?  Cholos always hanging ‘round, but she rides with me.  She tells me I’m fine and she holds onto me and when we’re together, you know, and she kisses me on the neck or on the lips everything’s sweet, everything’s good.   And when she’s with me, just me, you know, and I hear her breathing and she says she thinks she’s in love and those bars go away, and I feel calm, crazy calm like this’s all that matters and I feel so strong like the world can’t touch me.  They say they love me, but they don’t even know me, and it don’t matter ‘cause it’s not the same you know, your mom’s gotta love you, but not Maria, man, not her, she’s gotta choice and she chooses me.</em></p><p>The page had been folded over the entry, covering it.  She had told her students to fold over the page of any journal entries they thought were too personal for her to see.  She wouldn’t read those entries, she assured them.  She would simply glance at these to see that the page had been filled with writing—to make sure they were actually making the effort.  She had all her students keep a journal and she told them they could write about anything, use any language they wanted, and grammar didn’t count.  The point was to get them to write about things important to them, rather than simply learn how to write in stifling diction and false phrases to get a grade on essay papers.  What most students wrote was boring, pedestrian, and fairly vacant, but others wrote about things that were truly amazing and shocking, as if the journal was a confessional.</p><p>She never intended to read the folded over entries.  It was a genuine offer of trust to her students, but the eye wanders and when it did those first few times, she discovered things that were impossible to ignore.  A few months before, a boy had been brutally beaten after a football game.  He had been left in the parking lot, next to the opened door of his car, and it wasn’t until much later in the evening that a policeman found him in a puddle of his own blood and rushed him to the hospital.  In one of his folded over entries, Bryson Williams wrote this line: “Seth hit him with the bat, and I know he’s a fag and all, but once was enough, but Seth just kept pounding him.”  She knew Seth Green, and to look at him you’d think he was the nicest kid, well-mannered, well-spoken, polite.  Nothing about Seth’s appearance betrayed a bat wielding attacker, and Bryson, he was on his way to UCLA, a good student, one of her favorites.  Seth was in Marty Thompson’s class and when she showed him the entry, they contacted the principal.  The next day the police arrived at school.  They called Bryson into the principal’s office during her class, and when he left she avoided looking at him.  Just a year before that, Keesha Johnson wrote about how her uncle came into her bedroom one Thanksgiving night when everyone else was in front of the television watching football.  Sarah talked to the school counselor, social services got involved, and eventually Keesha left school.  It was almost as if these kids wanted her to read these entries, as if the fold indicated an opportunity for intimate confidences to be exchanged.</p><p>She didn’t see this as a betrayal of trust.  Unless an issue of life and death was at hand, their secrets were safe with her, but what she discovered, what she had absolute proof of now, was that their world was a dark, murky, dangerous place that they hid from their parents, from their friends, and from most of their teachers.  Each kid was walking around in a space unto themselves, just waiting for someone to reach them or stop them or protect them but you had to break that barrier, you had to offer them the chance because in their world chances didn’t exist, in their world everything was ending tomorrow, if tomorrow even came.</p><p>Dominic was a terrible student.  His unfolded entries were silly, adolescent at best.  One was an ode to marijuana titled &#8220;The Last Toking&#8221; where he had Jesus and the twelve apostles smoking a bowl, except for Judas who refused and became a policeman and arrested them all.  When Jesus was nailed to the cross, he yelled out, “Oh, my homies, they know not what they do.”  Next to it was a picture of a bearded man sitting on a cloud and smoking a huge joint with a caption: “Heaven.”  Another entry consisted of transcribed verses of ‘poetry’ from Tupac Shakur and a penned-in tombstone with R.I.P written in the center, but when she asked her students to write about the nature of love, she got another folded over entry.</p><div
class="pullquoteRight"> “Did you know your son was seeing Mrs. Howard?”  He asked it softly, as if his voice might hurt her more than all of this.</div><p><em>After my Dad left I’d drive out to the water, alone, and the sky and the water were almost the same color and it’d be so big and I’d want to jump into it, and everything would be perfect for a few minutes ‘cause there’s nothin’ but blue as far as you can see, but then there was a ship and that ship got bigger and bigger and pretty soon your watchin’ that ship instead of the sky and water and that ship is ugly but you watch it anyway and you know it’ll never stop, that it’ll just keep on goin’ away, out into that empty space that’s too far for you to go out into, and too dangerous, and that ship’ll get smaller and smaller until it’s just a dot on the horizon and then nothin’ at all and you wonder where it’s goin’ and you know you’ll never see any of those places, those people, and then it’s gone.  After that, the ocean and the sky isn’t the same anymore, it’s just empty, ugly, space.</em></p><p>Below this entry, she took a risk.</p><p>“It’s difficult to lose someone you love, Dominic.  If you ever need someone to talk with, please let me know. –Ms. Evans”</p><p
style="text-align: center;"><strong>* * *</strong></p><p>“Did you know your son was having an affair with councilman Howard’s wife?” the man asked as he shoved a microphone in her face.  It was just hours after she’d watched Dominic’s body, with three others, all of them anonymous in their county shrouds, be wheeled out of the house.  She couldn’t make out the reporter’s face, or any others.  She was in the middle of a surge of cameras and microphones, a tangling of arms, a throng of talking heads, but she had retreated so far within herself, into the hard shell of shock, that she barely noticed the way her body was pressed against, jostled to the side, pulled backwards by reaching hands.  Detective O’Reilly’s hand was tight around her right arm and he shoved his way through the crowd, pulling her in his wake, and she tried to concentrate only on this.  She tripped over a man’s foot and O’Reilly pushed him out of the way, knocking him into another man with a camera.</p><p>Detective O’Reilly had just asked her the same question in the police station.</p><p>“Did you know your son was seeing Mrs. Howard?”  He asked it softly, as if his voice might hurt her more than all of this.</p><p>“Of course not,” she said.  She wanted to hit him, but the world felt two-dimensional, like it was a movie projected on a 360 degree screen, and the words came from far, far away.</p><p>“I’m sorry,” he said.  She watched him tap his fingers against the desk.  “We think your son was seeing Mrs. Howard.  The councilman found them&#8211;”  He looked at her a moment.  “It looks like the councilman found them together.”</p><p>An image of David’s back going out the front door that morning flashed in her mind.  He had his headphones on and when she said, ‘Love you,’ he couldn’t have heard it.</p><p>“Did it hurt?” she asked.</p><p>“Excuse me?” Detective O’Reilly said.</p><p>“Did it hurt him?”</p><p>“The bullet was near the heart,” he said.  He looked around the room as if he were looking for help.  “It didn’t take&#8211;” He stopped and looked at her. “I don’t know,” he said.</p><p>Now O’Reilly was taking her home even though she didn’t want to go there, and as he settled her into the passenger seat of his unmarked police car, camera lenses pointed through the glass.  Someone switched on a spotlight and the inside of the car became brilliantly light, her white hand on the armrest of the door, her feet hiding in the shadows of the dashboard.  Out of the corner of her eye she could see the lenses focus, the huge mechanical corneas turning in the center, growing smaller with the light, and settling on her face like the hollow barrel of a loaded gun.</p><p
style="text-align: center;"><strong>* * *</strong></p><p>It took Patrick a day and a half to get home from Singapore.  She didn’t blame him; it wasn’t his fault.</p><p>The first night, the very night of David’s murder, Roberta had come over but she didn’t really know what to do and ended up cooking dinner, but Sarah wouldn’t eat.  Roberta tried to hug her, but Sarah refused.  Outside the street was deserted; the police had set up a road block to keep out the press, but in the distance, if Sarah listened closely, she could hear the hum of voices, the movements of a crowd like something gnawing on roots buried in the ground.  “You shouldn’t leave for a few days,” Roberta had said.  “They’re everywhere.”</p><div
class="pullquoteRight"> His eyes were deep and red and filled with hours and hours of knowledge.</div><p>Those first few dozen hours after Roberta left Sarah didn’t turn on any lights, didn’t use any appliance, didn’t even change her clothes, but simply sat in the dark and listened to the silence.  The house had never been this quiet, and the stillness of it was like having your body held under deep, cold water.  There were phone calls, but she had turned the volume down on the answering machine.  She knew she should call her mother, but she simply couldn’t tell her that David was gone and she wasn’t yet convinced of the truth of it, even if she had seen his body and identified it with his name.  A neighbor, someone that very day, had mowed his lawn and she had to sit and listen to the pop and whine of the mower.  With the blinds closed, the streetlight was kept out, and at night she sat on the sofa and stared into the darkness and sometime in the early morning she wondered if she had even ceased to exist, but then light began to seep through the cracks in the shutters and soon shapes appeared in the faint, blue light and she watched her legs and the curve of her hip become part of another day.  Sometime in the morning she heard a thump at the front door, and it took her a while to realize it was the newspaper, sitting there and waiting with the patience of written words.</p><p>When Patrick finally arrived, even he wouldn’t break the silence.  He walked through the door, still dressed in a suit, his hand grasping the handle of his briefcase, and looked at her curled up on the sofa.  His eyes were deep and red and filled with hours and hours of knowledge.  He dropped the briefcase in front of the door, walked across the room, and laid down beside her, his head in her chest, his arms wrapped around her like another set of ribs and sobbed like he was drowning from holding it back, and if she hadn’t have been so filled with her own water, her own ocean of pain, she might have found room for his pain too.</p><p
style="text-align: center;"><strong>* * *</strong></p><p>The next journal Dominic turned in was 10 numbered blank pages.   She wrote ‘incomplete’ at the bottom and returned it but said nothing else.  Two weeks later when he did the same thing again, numbering the next ten pages 11—20, she waited until the end of class, and asked him to see her.  He stood by her desk, his one three-ring binder at his side, and waved to a friend who was out in the hall.  His demeanor towards his friend was one of a ‘homeboy’, like a man who stood on a corner sipping 40oz. beers and constantly pulled up his falling pants.  When everyone in the class had left, she told the friend that Dominic would be a few minutes, closed the door and asked him to sit down.</p><p>“I’m all right,” he said, and he remained standing there in front of her desk, his jaw set, his face pointed towards the ceiling so that she was presented with his chin.</p><p>“Are you really?” she said.</p><p>He held his arms out for a moment and let them slam back against his body.  “Man, Ms. Evans, why you all worried about me and shit?”  He looked towards the closed door. “It’s none of your business.”</p><p>“Dominic, you put on this show,” she said, “as if you’re all tough and heartless, but I think there’s more to you than that.”</p><p>“Oh, Jesus,” he said.  “Don’t pull that nice teacher shit. You don’t know nothing, Ms. Evans.”</p><p>“Anything,” she said.  “I don’t know anything.”</p><p>He sat on the edge of a desk, his lips curled, showing teeth.   “You know, you lie,” he said after a moment.</p><p>“I’m sorry about that,” she said.  “It was wrong.”</p><p>He set down his binder and looked away for a minute at the closed door.  He seemed to relax a bit, something changing in his face so that he looked more like a boy than a man who might be hiding a gun.  “What if all the kids knew you read those things?  That’s pretty screwed-up, you know?”</p><p>“Strung up from the school flagpole, maybe?”  He didn’t laugh.  “I’d appreciate it if they didn’t,” she said.  “It wouldn’t be too good for them to know.  Besides, I don’t make a practice of it.  Sometimes things just catch my eye and I worry.”</p><p>Dominic was silent and then nodded his head.  He grabbed his binder and stood up.  “Your kid’s the one got shot, right?” he said.</p><p>He could have walked over to the desk and punched her in the face and the shock would have been less.  She looked up, her eyes trying to kill him, but when she saw his face, she could tell he wasn’t trying to hurt her.  He was trying to understand something.</p><p>“Yes,” she said.  It was silent for a minute and a parade of thoughts marched out in front of them, but she said nothing more and neither did he.</p><div
class="pullquoteRight"> She looked up, her eyes trying to kill him, but when she saw his face, she could tell he wasn’t trying to hurt her.  He was trying to understand something.</div><p>“All right,” he said.  “It’s cool, Ms. Evans.”  And he walked out the door.</p><p
style="text-align: center;"><strong>* * *</strong></p><p>“What do you know about this kid?” Sarah asked Roberta.</p><p>They were sitting outside near the front steps of the school, working their lunch supervision.  She motioned her head towards Dominic, or rather, his car; Dominic couldn’t be seen behind the tinted windows of his Chevelle.  He had driven the purring machine up to the front steps, set the stick shift in neutral and let the engine idle, a mean, low idle that seemed set so low on purpose.  She had watched him before.  He always picked up underclassmen—freshman and sophomore girls that made themselves look older with copious use of make-up, who leaned over the doors and stuck their faces inside the darkness of the car, their bodies moving like clumsy gymnasts, pirouetting themselves into the passenger seat.  Recently, though, he had been picking up the same girl.  And sure enough, there she was: young, a freshman probably, her belly exposed by a mid-riff shirt, her jeans so tight at the hips she had to tip-toe down the steps.  As she reached the car, the passenger door came swinging open.</p><p>“Open Sesame,” she said.</p><p>Roberta laughed and looked at the car.  The girl hopped in and for a moment, through the open door, Sarah could see Dominic behind the wheel, hidden in the shadows of the car, hand on the stick shift, other hand hanging limp over the steering wheel.</p><p>“Dominic Salazar?”  Roberta said and pulled the plastic wrapping from her tuna sandwich; the wrapping was smeared with mayonnaise.  “What do I think of Mr. Salazar?”</p><p>“I can’t believe you eat that stuff,” Sarah said.</p><p>The girl got in the car and flipped her dyed blonde hair once for all the world to see before closing the door.</p><p>“I can’t believe they fall for that,” Roberta said.  “It’s like they’re prostitutes or something.  All Christina Aguilera’d out, piercing their noses, blue contact lenses, and for what?  A ride in some jerk’s car, a trip to the ‘hill’?”</p><p>The engine roared under the hood a couple times, as if he might skid out across the pavement, and Sarah was ready to report it, ready to have a heart to heart with him, but then the wheels surged forward, rolled quietly away and out onto the street like it was carrying the Grand Marshall in a parade.</p><p>“A jerk?”</p><p>“Professional opinion or two friends?”  She didn’t let Sarah answer.  “He’s a young man with a lot of affective issues, a boy with low self-esteem who has a difficult time with social adjustment, and&#8230;”</p><p>Sarah just lowered her chin and looked at Roberta who smiled and took a bite of the sandwich.</p><p>“Jerk,” she said, her mouth full of tuna. “A jerk and a half and a quarter more.” She wiped her fingers on a napkin.  “You know, he shows up here, revs up that engine of his and these little girls, you know straight out of middle-school, who don’t even know what’s up, who are still trying to decide if it’s okay to wear ‘Winnie the Pooh’ panties, these little girls’ hearts go all flitter-flutter, and he takes them for a drive, tells them they look ‘fly’, like they’re J-Lo or something, and finds a quiet little spot in the shade somewhere in the hills or maybe he even takes them home and says, “You know, baby, you’re my one and only,” and what girl doesn’t want to hear that, especially from an upperclassman, and the next thing she knows his hand is down her shirt, what there is of it anyway, or his fingers are slipping into her pants, if that’s possible these days.”</p><p>“That it?” Sarah said. “Or do you have more to say.”</p><p>“Oh, I’ve got more.  Just catching my breath.”</p><p>“How do you know this?”</p><p>“Why are you so curious about this kid, Sarah?”  Roberta started on the other half of the sandwich.</p><p>“He’s in my class.”  She pulled a strand of hair behind her ear.  “He’s writing some interesting stuff in his journal.  Doesn’t sound like things are too good at home.”</p><div
class="pullquoteRight">She knew then, even though it would take many more months, that she couldn’t look into his face everyday, that the crowning achievement of their marriage was David.</div><p>Roberta looked at her a moment. “Ahh, I see what’s going on here,” she said.  She nodded her head sadly.</p><p>“You do, you think?” Sarah said.</p><p>Roberta put her hand on Sarah’s knee. “Yeah, I think I do, and it’s not the same thing.  Not even close.  David didn’t know what he’d gotten himself into. He was the victim.”  She looked at Sarah a moment and then rolled her napkin into a ball.  “Look Sarah,” she said.  “I talk to the girls.  You know they tell me things.  Don’t bother with this kid; he’s not the one to save.  I’m telling you, it’s not worth it.”</p><p
style="text-align: center;"><strong>* * *</strong></p><p>Patrick met with the police, made arrangements at the cemetery, but avoided the morgue.  She watched him read the papers, four of them in all that had piled-up like little caskets on the front porch.  He had a pad of paper sitting next to him on the coffee table and as he read the story, he jotted down times and phrases and other information.  She watched his face, the way his eyes squinted when he read something painful, the flexing of his jaw muscles, and that distinct troubled look of someone who cannot figure out a problem.  She looked at his thinning hair, the wrinkles beneath his eyes, and the lips that moved ever so slightly as he read, and in everything, even the curl of his eyelashes, she saw an older David.  She knew then, even though it would take many more months, that she couldn’t look into his face everyday, that the crowning achievement of their marriage was David, and without him they had little together to hold onto.  He finished one paper and moved onto the next, not even bothering to close the pages of the first.  The pages crackled in his hands as he turned them.  He wrote more on his pad and underlined something.</p><p>“10:30,” he said.  “The school called to tell you he wasn’t there?”</p><p>She walked to the kitchen, opened a cabinet above the refrigerator and pulled out a bottle of vodka.  Her hands were shaking and little splashes of it fell onto the counter when she poured.  When she returned, she saw him look at the glass in her hand but he managed not to say anything.</p><p>“I got the message between classes, around 9:15.”  Patrick had fried some eggs and the stink of it filled the house.  It was just four days after the shooting.  She had watched Patrick eat a plate full, and she had been so disgusted she wanted to throw it on the floor.  Now he sat in front of his empty plate dressed in one of his starched shirts, a necktie clawing at his throat, even though he wasn’t going into work.  “Patrick, it wasn’t the first time,” she said, and realized that was a mistake as soon as she said it, but she wanted him to know.</p><p>“He’d been missing class?”  The look on his face was so full of hurt, so full of confusion that she almost laughed at him.  How can a man be so unaware?  But the pain of it touched her somewhere and she stopped.  He laid the paper down on the table.</p><p>“But his grades were fine,” she said.  “He always showed back up.”  His face said, why didn’t you tell me.  It was the face of betrayal.</p><p>“Jesus, Patrick, he’s eighteen.”</p><p>“Should have told me.”</p><p>“When you’re in Singapore?  When you’re at the office in Phoenix with&#8230;?”</p><p>There was a moment of recognition between them, a filing away of things to be dealt with later.</p><p>He crossed something out four times on the yellow pad of paper.  “Did you know about this woman?” he said.</p><p>“No, I didn’t know about that.”  The irony of it hit her somewhere and it deepened the pain.  She should have known about that, she thought.</p><div
class="pullquoteRight"> “I need you not to go,” she said.  “I need it not to be normal.”</div><p>“You didn’t need to work, Sarah.”  He rubbed the heel of his palm against his forehead.  “I make enough money.  You could’ve stayed at home.”</p><p>“Don’t,” she said.  “Don’t do that.”</p><p>He stopped and looked at her, then looked away. “In Singapore,” he said, “it’s so clean, so God damned clean.  You should see it, not a spot anywhere.  When you walk around, it’s like your walking in some dream.”  His hands began to shake and he set down the pencil.  “When I got your call, I was having dinner with the Japanese at the hotel.  They brought the phone to the table, if you can believe that.  My translator didn’t understand the word ‘accident,’ and they all were confused.”  He held the back of his palm up to his eyes and turned away so she wouldn’t see.  His shoulders started to shake.  “They just kept asking questions, and the word kept coming to my head but I just couldn’t say it.  But they wouldn’t stop asking and finally by the look on my face, the translator understood.  I stood up from the table to leave and as I started walking out I heard the translator say it for me, but I still didn’t believe it.”</p><p>“I was there,” she said.  “I identified David’s body.”  She let the silence build around that until she was sure he understood.  “The hole looked like nothing, like something to put a band-aid over.”</p><p>He stared at her a second, his eyes blinking as if little explosions were going off in his head.  “God, I’m sorry,” he said.</p><p
style="text-align: center;"><strong>* * *</strong></p><p>It was the Tuesday after the funeral that Patrick went back to work.  When she saw him come out of the bathroom dressed in his suit and tie, slathered with cologne, his hair combed as if having combed hair actually mattered, she wanted to hurt him.</p><p>“Your son has died, how can you go to the office?” she said.</p><p>“Our son.”  He reached for his watch on the dresser next to the bed.  “You can take the blame out of your voice,” he said.  “It won’t help.”  This was Patrick as always: calm, rational, unemotional.  When David was born, she remembered now, he didn’t cry like she expected him to.  He was even scared to hold the baby.</p><p>He walked out of the bedroom and towards the family room.  She jumped out of bed and followed.</p><p>“You got him that car,” she said.  “If he hadn’t have&#8211;”</p><p>He stopped in the middle of the hallway and turned to face her.  His face had a thousand things to say and she waited, formulated responses.  He raised a finger to her and for a moment she thought he might hit her, and she hoped he would, but then he turned around and walked to the closet where he kept his briefcase.</p><p>She reached him, grabbed his hands, and forced him to sit down at the kitchen table.  She bent down on her knees next to him and held his arms down at his sides.</p><p>“I need you not to go,” she said.  “I need it not to be normal.”</p><p>He looked at her, his eyes moving back and forth inside his head as if he were searching for something else hidden behind her words.  Then he nodded and let himself fall back into the seat.  She let go of his hands, placed her own on his knees, and looked up at his face but he had turned it away.  She sat next to him at the table, the light of morning coming in through the windows and settling across the kitchen floor.  There was nothing to say or do.  He touched his tie, pulled on his jacket, and then laid his hands on the table.  She looked at him, but he wouldn’t look at her.  She wanted to say “sorry” and the word came into her head and rolled around her tongue and she thought that if she sat there long enough in the silence he’d be able to hear it knocking there behind her closed lips but she swallowed it down.  And then that silence really crept into the house and Patrick must have heard it too, because he leaned over, laid his hand on hers, just long enough for her to feel the warmth of blood below the surface of his skin, reached down, picked up his briefcase, stood, and walked out the front door.</p><h5><a
href="http://foggedclarity.com/2011/07/in-the-news-part-3/">Continue to Part 3</a></h5><div
id="bio"><em><strong>Alan Drew</strong>’s first novel, <strong>Gardens of Water</strong>, was published by Random House in 2008.  To date, it has been translated into eleven languages and published in eighteen countries. In 2004, he completed a master of fine arts degree at the Iowa Writers’ Workshop, where he was awarded a Teaching/Writing Fellowship. He lives with his wife and two kids in Philadelphia, and teaches fiction writing at Villanova University.  He is hard at work on a second novel. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/05/in-the-news-part-2/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Brother in Arms</title><link>http://foggedclarity.com/2011/05/brother-in-arms/</link> <comments>http://foggedclarity.com/2011/05/brother-in-arms/#comments</comments> <pubDate>Wed, 01 Jun 2011 02:07:28 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Army]]></category> <category><![CDATA[author]]></category> <category><![CDATA[Brother in Arms]]></category> <category><![CDATA[Daniel Frankenfield]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[story]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=13718</guid> <description><![CDATA[Daniel Frankenfield Rick and I sat in the living room, breath falling from our mouths. The television was on but no cable to watch. We needed money. We needed cigarettes, food, heat and all the other things, but mostly money. There was a Uni-Mart up the street. Rick toyed with a hand rolled cigarette until [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Daniel Frankenfield</h3><p>Rick and I sat in the living room, breath falling from our mouths.  The television was on but no cable to watch.  We needed money.  We needed cigarettes, food, heat and all the other things, but mostly money.  There was a Uni-Mart up the street.  Rick toyed with a hand rolled cigarette until the thing fell apart in his hands.</p><div
class="pullquoteRight"> It was true.  It was a solid looking piece and could have fooled anyone.  Rick paced the living room, thumbing a cigarette in one hand and twirling the gun in the other.</div><p>“I’ve been giving this some thought,” he said. “We could really blow that place over.”</p><p>“What place?”</p><p>“The convenience store.”</p><p>I lit a cigarette.  A thick cloud billowed under the single bulb dangling from the ceiling.  I wasn’t listening.</p><p>“At this hour it’d be easy,” Rick said.  “In and out.”</p><p>He’d seen too many cowboy movies but it was too cold to tell him to lock it up.  He went on about going up the street real quick and getting some money.</p><p>“You mean robbing the place?”</p><p>He looked excited for the first time in a long while.  We could do this, he said.  We needed to do this, he said.  This was the end of the line, he said, and we needed to make a move.  Everyone is making moves.  Everyone is out there making moves and we’re stuck in here.  “Make moves with what,” I asked.</p><p>He bounced out of the orange tweed armchair and down the hallway.  Two steps later he was back out straight-armed, pointing a black automatic pistol at my face.  “Yeah?” he asked.  “What now?”</p><p>I jerked my eye from the barrel.</p><p>“Relax,” he said.  He aimed at the wall and pulled the trigger.  The trigger clacked a sound of pressurized gas firing and a small round cracked in the drywall.</p><p>“A pellet gun?” I motioned.  “A clerk will know the difference.”</p><p>“You didn’t.”</p><p>It was true.  It was a solid looking piece and could have fooled anyone.  Rick paced the living room, thumbing a cigarette in one hand and twirling the gun in the other.</p><p>“They don’t even make these anymore.  Look <em>too</em> real,” he said.  “We could probably pull like four hundred bucks from that place.  Think of that.  You want to be warm?  You want to live here next month?”  He paused, waiting for me to say something.  “Well, there you have it,” he said.  “The whole thing in ten seconds.  All you do is watch the door.”</p><div
class="pullquoteRight">We walked until we reached the Uni-Mart and stood on the side of the building smoking my last two cigarettes.  I put the bandana on and Rick drew his hood strings.</div><p>I’d been in the place enough times, night after night.  The only person in the place would be the night shift clerk, a small and precise Chinese man.</p><p>“We just walk to the register, flash this thing and run.  We’ll be back before the cops even leave the station.”</p><p>The ceiling bulb flickered, dancing light off the walls.  No heat, no cable, no food.  Just that single hanging ceiling light.  Maybe this was the ticket.</p><p>“What are we supposed to wear?  He’ll recognize us.”</p><p>Rick had another idea.  He ran back and ran back out with a red bandana.  He told me to tie it over my face.  It was the only bandana so his disguise was going to be the hood of his sweat shirt.  He’d draw the strings tight over his face so nothing could be seen.  He demonstrated, a hole closing in over him.</p><p>I tied the bandana on over my nose, and Rick pulled the drawstrings tight.  We stood in the window.  “He’s going to laugh at us,” I said.</p><p>“Yeah, he’ll be laughing ‘til I shoot his face in.”</p><p>“You sure about this?” I asked.</p><p>“Ten seconds,” he said.  “In and out.”</p><p>The air was dark and the street was empty.  We walked until we reached the Uni-Mart and stood on the side of the building smoking my last two cigarettes.  I put the bandana on and Rick drew his hood strings.</p><p>“Our voices,” I said.  “He’s going to know our voices.”</p><p>“He doesn’t know us.”</p><p>“Well if there was some kind of police line up.  He’ll identify us by our voices.”</p><p>There was a phone booth a few yards away.  I walked in and tore some pages from the phone book.  I told Rick to stuff them in his mouth and I did the same.  Rick checked the gun.  He stuffed the barrel in his pants with the handle hanging out and tucked his coat over it.</p><p>I glanced inside.  The store was empty.  I thought about paying bills.  Personally delivering the rent to that landlord with the hanging gut and skinny arms, telling him the ceiling light was on the fritz again and the carpet was just about shot.</p><p>“This is it,” I mumbled through the phone listings.</p><p>“You just watch the door.” He mumbled back.  “And don’t this fuck up.”</p><p>We pushed the door in.  Rick paced towards the counter with a long, deliberate stride.  Just short of the register he bailed back into the sodas and sports drinks, all the way down the aisle.  The clerk stared confusedly, trying to eye the both of us.  I walked past him nodding.  “Cold night,” I mumbled, pointing to the bandana.  I found Rick back there.</p><div
class="pullquoteRight">He seemed aware of what was going to happen but there was no fear in his eyes.  Instead, something fierce.</div><p>“What the fuck?” I whispered.  “I thought this was in and out.”</p><p>“I froze.”</p><p>“What now?”</p><p>Rick grabbed a cola and brought it to the counter, hood still drawn.  “Cold night,” he mumbled.</p><p>The clerk nodded with wide eyes.  Rick paid for his drink in assorted change.  We walked back outside.  I spit out the listings.</p><p>“What was that?  Don’t fuck it up?”</p><p>“I didn’t see you making any moves.”</p><p>“You had the goddamned gun.”</p><p>“Well you take the goddamned gun.”</p><p>And I did.  It was weightier than I expected.  I stuffed the thing in my pants.  Rick eyed me up.  “Are you sure this is worth it?” he asked.  “I mean what if something goes wrong?  What if he has a gun?”</p><p>“He doesn’t have a gun.  He doesn’t have a pot to piss in.  This was your idea so quit your crying and we’ll be home in a minute.”  I stuffed my mouth with the pages and I walked back up the sidewalk entrance.</p><p>I pushed the door and it swung open, knocking into the stand of discount candy.  Rick followed, throwing open the other door.  I marched up to the clerk.  “Forget something?” he asked.</p><p>“Yeah,” I mumbled through the print pages, feeling the gun’s handgrip hot in my palm.  “Yeah, I forgot something.”  Rick watched the door.  The store was empty.  The Chinaman would see what I’d forgotten.  Just pull it from my waist and press it in his face.</p><p>He seemed aware of what was going to happen but there was no fear in his eyes.  Instead, something fierce.  Something stupid.  This place, his temple.  He’d die for it if he had to; reach a hand out for my throat and the other for a baseball bat to bash my face in with.  I took a step back.  “Any buy-one-get-one’s on sale?” I mumbled though the wad.</p><p>“Camel lights,” he said.  I sighed and pulled the bandana off.  He pulled them down and I paid for them with what was the last of my cash.  Two packs for the price of one.  Rick walked out.</p><p>Outside, I took out a cigarette and passed it to Rick.  I stuffed the pack I paid for in my pocket and took one from the pack I got for free.  I lit one up and Rick’s as well.  I took a long drag and exhaled into the wind.</p><p>“You’re a bitch,” he said.</p><p>We made it back to the house.  Rick took the couch and I plopped into the orange tweed armchair.  The cushion was just about in shreds.  I looked at myself in the window.  I took a deep breath.  I jumped out of the chair and whipped out the gun all in one smooth motion.  I held it waist high, point blank at the tattered armchair.</p><p>“Shut The Fuck Up Motherfucker Before I Blow Your Brains All Over This Fucking Place!” I screamed.</p><p>“Please,” the armchair whimpered back.  “I have a wife and kids.  Just take it, take it all.”</p><p>“I thought I told you to keep your mouth shut,” I said and squeezed off fifteen rounds into the thing. <em>Clack</em>, <em>clack</em>, <em>clack</em> they went, burying themselves deeply and fatally.  Rick sat on the couch, watching the door as I stood under the light.  He got up to look at the carnage.  And there we were.  The world’s two richest men and it’d be nothing but the best.  Nothing but the best that money could buy and all the free cigarettes to go with it.  Nothing but the heat and the light of the world.</p><div
id="bio"><em><strong>Daniel Frankenfield</strong> serves in the medical corps of the United States Army.  In 2006, he was the winner of Shippensburg University’s fiction contest judged by poet John Hoppenthaler. His writing has been published in <strong>The Reflector</strong>.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/05/brother-in-arms/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>In the News &#8211; Part 1</title><link>http://foggedclarity.com/2011/04/in-the-news-part-1/</link> <comments>http://foggedclarity.com/2011/04/in-the-news-part-1/#comments</comments> <pubDate>Fri, 29 Apr 2011 22:18:30 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Featured Articles]]></category> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Alan Drew]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Gardens of Water]]></category> <category><![CDATA[Iowa Writers Workshop]]></category> <category><![CDATA[Novella]]></category> <category><![CDATA[Villanova]]></category> <category><![CDATA[Villanova University]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=13087</guid> <description><![CDATA[The first installment of "Gardens of Water" author Alan Drew's original novella, which will be serialized in our three subsequent issues. ]]></description> <content:encoded><![CDATA[<h3 class="byLine">Alan Drew</h3><h5>THIS NOVELLA WAS PUBLISHED IN SERIAL FOR FOUR CONSECUTIVE ISSUES.</h5><hr
style="width: 100%;" /><h4>PART 1 OF 4</h4><p
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align="left"><p>She wasn’t about to apologize for this.  Life had been full of apologies, and now, at forty-three, she wasn’t going to answer for it.  It was simply coffee and conversation, or a beer in the backyard of her house where the wooden fences offered protection.  Today it was cappuccino at a Royal Coffee, which had three stores in Santa Maria.  They sat together at a small table in the newest one on the edge of town, near the sparkling car dealerships and on-ramps to the freeway.  She chose it because it was two miles from her place and even farther from the high school where she taught English, and because Dominic liked to look over the brand new Fords, lit up with afternoon sun like monstrous pieces of joy.</p><p>To ease the silence between them, she read out loud the logo that rose in man-size letters above the car showroom: “Ford: The Driving Experience”.  This caught Dominic’s attention and he raised his bowed head from the cup of coffee.</p><p>“Old 289’s didn’t have much power, but they looked just as fine as any other Mustang.  The GT-350s, though, they were hella-tight,” he said.  He took a sip and curled his lips at the taste.  He reached across the counter, over her arms, saying an unnecessary, “Excuse me,” and grabbed the sugar.   Pouring another heap into the coffee, he continued.  “Look at these new ones,” motioning his head out the window, “they’re pretty, but the power is soft.  Don’t even feel it accelerate.  Look down you’re doing eighty.  Just like that.”  He snapped his fingers.  “If you can’t feel it, what’s the point, right?”  He smiled and took a sip of the coffee, his eyes trying to draw her in.</p><p>“There’s something to be said for a slow cruise,” she said.</p><p>He stopped, held the drink in front of him, pulled it back to his lips and took a larger swallow.  When he finished, just a hint of frothed milk stuck to his goatee.</p><p>“Sarah, if it’s a slow cruise you want, take a boat,” he said.   “These bastards are pretty, but I’d put my bills on an old 350.  A muscle car should feel musculature.”</p><p>“Muscular,” she corrected.</p><p>“Muscular,” he whispered to himself, naturally falling back into the role of a student.</p><p>She waited for him to wipe the froth from his beard, but when he took another sip and set the mug back down without cleaning it himself, she picked-up her napkin, folded it over into a triangle, dipped the end in her water glass, and reached forward to dab it away.  He didn’t seem shocked or embarrassed by it, although if it had been his mother she knew he would have turned away and done it himself.  With her, though, he sat by dutifully, letting her fingers touch the hair above his lips.  When she finished, he looked into her eyes as if he was staring into a mirror, affecting just the right sexual sneer.  His brown eyes still revealed the purity of the child, but the depth of his iris hid dissembled motivations just like a man’s&#8211; which by law he was, she reminded herself.</p><p>She was an attractive woman, she knew that, despite the stresses of raising a child for eighteen years, after losing him, and even after her separation from Patrick.  When her friends asked her how she did it — her friends whose hips grew wider than a doorway with age, whose full lips retreated to thin lines, whose whole demeanor suggested that they were resigned to their sexual depletion — she said that it was all the teenage hormones on campus, like a plague of youth, that kept her young.  She knew she was still pretty, not because of what she saw in the mirror, but because of the reaction she got from the kids.  The boys liked her.  She saw the way they acted when she came into class in jeans, her pearl fitted blouse tucked-in to show off her hips.  She felt their eyes, like a warm shadow on her body when she turned to write on the chalkboard.  Sometimes she leaned over a desk, the blouse giving way to reveal just enough of her bra to be a turn-on, but not enough to be obvious.  She didn’t mind using her body to keep their attention, for how many teenage boys are really interested in <em>Jane Eyre</em>?</p><p>It wasn’t as if they looked alike, Dominic and David, but she was conscious of a resemblance.  David had had chestnut hair, his light blue eyes the color of veins near the surface of skin.   His features were slight, his skin the tone people use to paint bedroom walls.  If David was in a room you wouldn’t notice him unless you were standing near enough to see his lips; they were thick lips, drawn boldly in purple, like the petals of a tropical flower.  This, she knew, was what had attracted the woman to her son.  David was not a handsome boy, but where it counted for a woman, in that one critical place, that one soft, beautiful vulnerability, he was flint to an older woman’s stone.  With Dominic it was his hands.  The long, dark, delicate fingers, the pale crescent nails extending just beyond the tips.  Those hands that held on as if touching was the only thing important in life.  If you placed a picture of David and Dominic side-by-side, as she had done, their faces would draw in you no conclusion whatsoever&#8211; just two eighteen year old boys burning the ether of their innocence.  But if you placed a picture of David’s lips next to one of Dominic’s hands, every woman would recognize something in them, something innately sensual that demanded the touch of a woman’s skin.</p><p>These meetings with Dominic had started three weeks ago, and now they were running out of things to say to each other.  He sat sliding his index finger along the edge of his mug, a smooth action like ones actors use in movies.  In the future this mannerism would become his own, but for now it was obviously plagiarized.  She had nothing more to say.  What did a forty-three year old woman have to talk about with a boy who was interested in the feel of muscle cars?  She was intrigued by him, moved to tears by the softness of his skin, afraid of his shallowness, but had that instinctive teacher’s sense that something deeper lay beneath his short goatee, his slicked back hair, and Lakers jerseys.</p><p>“I’m empty,” she said, and glanced down at her cup.</p><p>“Let me fill you up,” he said.  She had to keep herself from laughing.  One day he’d realize how silly these exchanges were, but in their own way they were endearing.</p><p>He picked up her mug, awkwardly bumped his hip into the table as he stood, and walked towards the coffee bar for a refill.  She watched his stiff shoulders, the way he scratched the back of his neck.  He pretended to look at the CD case of the music that was being played and advertised at the counter— soft, watery music that reminded her of being tossed beneath a crashing wave.  She knew it wasn’t his kind of music, but he turned the case over anyway and read the credits, nodded his head, and even danced a brief hula, his hips swiveling to the easy beat.  He turned and smiled at her.  He got the refilled cup, walked to the cream and sugar counter and called across the room. “Cream, milk?” he asked.</p><p>“No thanks,” she said.</p><p>“They’ve got amaretto.  Some sweetening?”</p><p>“No, just black.”</p><p>He smiled and poured the amaretto into her cup anyway.  It was impossible to protest to that smile.</p><p>They sat in silence for a few moments, she watching him, saying nothing at all, but using her eyes.  He looked at her and then glanced around the room.  When he did, he saw the woman two tables away who was pretending to read the paper.  Sarah had noticed her from the moment they sat down, but apparently Dominic had just picked up on the eyes looking past the newsprint and reading them instead.</p><p>“Her eyes are like fuckin’ bullets.”  He stirred his coffee, clanging the spoon against the mug.</p><p>“Don’t worry about her,” she said.  “And stop cussing.”</p><p>“It’s rude, you know,” he said.</p><p>“She’s trying to decide if I’m your mother or not.”</p><p>Dominic looked at her, his eyes darting and nervous, his hands patting down his oil-slick hair.  The woman didn’t bother Sarah particularly; she would be doing the same if she were in her position.  What bothered her, though, was the woman’s desire for the illicit, her need to be excited by something that might disgust her.  A young man and a not-so-young woman having coffee together, so what?  But she knew it was a big deal, after all.  A cup of coffee was not a cup of coffee.  A gentlemanly boy had other ideas.</p><p>Sarah reached into her school bag, pulled out a pad of paper and a pen, placed her reading glasses on the bridge of her nose, and asked in a formal voice: “How much experience do you have then, in retail?”</p><p>Dominic looked up at her, his face confused, his lips slightly open as if he thought she was finally losing her mind.</p><p>“You need to be able to work a cash register to perform this job,” she said.</p><p>“A year at Staples,” he said.</p><p>The woman returned to her newspaper.</p><p>“Good, good,” she said, pretending to write something down.  “What about—”</p><p>“I’m qualified,” he said.  She looked up, recognizing something dangerous in his voice.  His elbows were on the counter and he leaned forward.</p><p>“Hired,” she said.</p><p
style="text-align: center;"><strong>* * *</strong></p><p>It was two years ago, the morning of November 6th, when Sarah got a phone call from David’s school telling her that he hadn’t shown up for classes. This wasn’t the first time. There were two high schools in Santa Maria&#8211; David attended Washington and she taught at Taft.  He was a senior and she had chalked it up to senioritis but this was turning into a habit.  The district allowed fifteen unexcused absences and he was now at twelve.  “Damn it, David,” she thought, and she was late to class after leaving two messages on his cell phone voice mail.</p><p>“Wherever you are you get your butt back to school when you get this message.”  She called again, thinking she had sounded too angry.  “I love you,” she said, talking into a machine.  The emptiness of fiber-optics answered back.  “I’m worried about you.”</p><p>In the two classes preceding lunch, she had passed back essays and reminded her students to use topic sentences at the beginning of each paragraph.  A room full of kids stared back blankly at her, their eyes like unwashed glass.  In her European Literature course she lectured about iambic pentameter.  “It’s the rhythm of the heart,” she said,  and had them put their hands on their chests and tap as she pointed to stress marks on the chalkboard.  It worked for awhile until Dante Campbell began to rap, syncopating the rhythm with lyrics about “homies” and “gin and juice.”  She stopped the lecture and instead started with puns.  “Ay, the heads of maids or their maidenheads.  Take it in what sense thou wilt.”  Some of the girls looked shocked, their faces turning red.</p><p>“Damn, Ms. Evans,” Dante said.  “Shakespeare’s some X-rated shit.”</p><p>“Dante, the intelligent man doesn’t need to curse” she said.  But she knew she had them hooked.  One small battle won.</p><p>Lunch was after fifth period.  She usually called Patrick, her husband, but he was in Singapore at the time on a business trip, selling plastic fabric to be used in advertising billboards.  Before going to the faculty lounge, she stopped by the principal’s office and used the secretary’s phone to call David once again.  When Patrick bought David the car, against Sarah’s protests, she bought him a cell phone in case of any road side emergencies.  At least that’s what she had said; it was really just out of a need to know she could always be in touch despite the new freedom of a car.  She got his voice mail again:  “I’m indisposed at the moment,” he said in his most mature, mocking voice.  Then, as if he suddenly found himself in a music video. “Drop a line and I’ll get ya on the backside.”</p><p>“What’s the use of a phone if you never answer?” she said.  “You sound like a cockney rapper.  I’m putting you in the leg irons when you get home.”</p><p>In the lounge, she sat with Roberta Vasquez.  She was a large woman originally from Nogales, Arizona.  She was thirty-six, unmarried, without children, and spent late nights at school writing long comments to each of her students on their biology assignments.  Roberta treated biology as a life lesson, a ‘this is how it is in the world, and this is why you shouldn’t do it’ curricula that was supposed to scare kids into responsible action.  She showed them pictures of enlarged hearts, like sponges filled with years of alcohol.  She played movies about venereal diseases, and taped pictures of organs with discolored warts on the walls of her classroom, until a parent group became upset.  Teaching was a battleground for her; she understood that the world offered no protection for kids, and that they had to know what they were up against.  She was no nonsense and Sarah appreciated her for it.  There was a television hanging in the corner of the lounge; the news was on, but no one watched.  Over the din of the teacher’s complaints — those stupid school board members, the superintendent’s over-spending, frayed text books from 1986 — she could just make out the voice of the anchorman.</p><p>“I think Carla’s pregnant,” Roberta said.  “She cried all the way through class.”</p><p>“It’s the nineties,” Sarah said.  “Don’t you teach them about condoms?”  She took a bite of her salad.</p><p>“Bananas in the first semester,” Roberta said.</p><p>“Why pregnant?”  There was a breaking newsflash on the television.  Sarah’s stomach jumped.  Most of the rest of the news seemed planned, scripted, but when something was breaking it felt to her like the world was a machine held together with loose screws.</p><p>“Some of these girls want a baby,” Roberta said.  “They’ve got nothing else.  A baby’ll love them, they think.  The boys don’t.”  She took a bite of her tuna sandwich and spoke while she chewed.  “She called him a <em>pequeno cabron</em>.”</p><p>“Probably is,” Sarah said.  “All that mayonnaise is unhealthy.  Don’t you teach them about cholesterol?”</p><p>There was a reporter standing outside a house.  The street looked vaguely familiar, but she couldn’t place it.  Behind the reporter strings of yellow tape waved in the wind.  Men in plain clothes but with guns strapped to their waists stood just outside the front door to the house.  They were well dressed, their pants pleated, the shirts starched and tight, their hair closely cropped.  The kind of men that look like they have everything under control.</p><p>“I know her father,” she said.  “He’ll make her marry the boy.”  Roberta kept rubbing her thumb over the knuckles of her left hand.  “It’d be the biggest mistake in her life.”</p><p>“Or the second,” Sarah said.</p><p>The anchorman was speaking, but she couldn’t hear what he said.  Then the camera panned to the left to find a frightened looking woman.  She looked like a housewife, that flustered, unkempt, “I just cleaned the bathtub” look Sarah couldn’t stand.  Someone turned the volume up on the television.  The woman’s eyes bounced back and forth, she looked at the house and back beyond the camera.  She wiped at her eyes with the tips of two fingers.  She said she heard three shots.  She thought they were backfires from a car, but a car never backfires three times in a row, she said.  A graphic below her said: “Eyewitness”.</p><p>“Earwitness,” Sarah said out loud, but a knot started to develop in her stomach.  The world felt so much more dangerous when you didn’t know where your child was.</p><p>“What?” Roberta said.</p><p>“The television,” she said.</p><p>Then, as the woman told her story, Sarah noticed the car behind her, parked on the street and wrapped in yellow tape.  It was David’s silver Honda; the windows were tinted.  On the left hand side of the bumper was a sticker that said, “<em>Skateboarding Is Not A Crime</em>”.  She dropped her fork.  Everything in the room tilted and she became dizzy.</p><p>“Sarah,” Roberta said.  “What’s wrong?  You look like you’re going to throw up.”</p><p>“I’ve got to go,” she said.  “I won’t be here sixth period.”</p><p>“Sarah?”</p><p>But she was up from the table, walking towards the door before panic forced her feet into a stumbling run.  As she turned the corner into the hallway, she heard someone say.  “Jesus Christ.  That’s Howard’s place.”</p><p
style="text-align: center;"><strong>* * *</strong></p><p>There were police cars everywhere, their lights silently flashing out a warning.  She had been to the house before; a campaign party for Councilman Howard.  She and Patrick had donated money and David had worked on his campaign, part of an internship that they hoped would get him into Berkeley on a Political Science scholarship.  He hadn’t wanted to do it, but after a few weeks he settled into the job just fine, and even seemed to enjoy it.  She had to park behind two television vans and when she got out she tripped over wires that ran like black snakes to the cameras.  There were people standing three feet deep behind yellow taped borders and she had to fight her way through the crowd.  “Jesus,” one man said.  “How ‘bout excuse me.”  She ignored him, her heart pounding in her throat, a spinning gathering at the edges of her vision.  She talked herself into calm, “This is nothing, just some coincidence.  David’s at home watching television.”  But when she got to the head of the crowd, she saw two of the plain clothed officers ducking into the backseat of David’s car.  One wore latex gloves and placed a stack of text books in a plastic trash bag held by the other.  When they finished, they opened the trunk of the car.  What got her, what made it come crashing in, was that they used a set of keys to open the trunk, the man’s gloved hands fingering the key chain as if it was his, as if he owned even the car.</p><p>In her panic, she forgot to lift up the yellow tape and instead pushed through it, tugging it forward and alerting the nearest policeman.  “Ma’am,” he said. “You can’t go in there.”   She tried to untangle herself, her hands grasping and stretching the tape, but before she could the policeman reached her.  He grabbed her by the arm and when she looked up all she saw was the black of his uniform; he was so close that the darkness filled up her vision and she thought she was passing out.  He pulled her up and took her by both shoulders.</p><p>“That’s my son’s car,” she said.  She tried to rip her shoulders free, but he had strong hands.</p><p>“What’s your name?” he said.</p><p>“Bastards,” she said.  “Leave him alone.”  She yelled it towards the men who were sifting through the trunk, but they didn’t stop or even appear to hear.  It was as if they were standing behind a glass wall or working within the box of a television screen.</p><p>“Please, ma’am, your name,”  His voice was soft, almost caring, but his hands were pinching her skin and she couldn’t pull free.  She felt like her body was about to come apart in fragments, but every spark in her muscles told her to get inside, to push through the open front door to the house, to find David and wrap her body around him, but she just wasn’t strong enough.</p><p>For a moment she couldn’t remember her name, only his.</p><p>“David,” she said.  “Evans.  David Evans.”  Something about saying it steadied her, as if the name itself kept him alive.  She looked at the policeman, looked into his eyes for an answer and got it.  “God,” she said and twisted her whole body away from his hands, but he grabbed her again and wrapped her up in his arms, gave her an unwanted hug, and began carrying her away from the crowd.  She couldn’t do anything, her feet dangled inches above the grass, and she slumped in his arms.  When he placed her feet back on the ground, he held her and she buried her face into his chest.  The metal of the badge dug into her scalp and she pushed against it to feel it dig in further.  In the space between his chest and his arm she could see men running around, just becoming aware that they had a mother on the scene.  Two policemen in uniform ran over to where she was being held, and a plain clothed cop rushed towards the open doorway to the house, frantically waving his left hand to someone inside.  But before he could stop them a stretcher pushed through the darkness of the doorway, the white sheet catching all the sunlight of mid-day as it came into the pandemonium of people in awe.</p><h5><a
href="http://foggedclarity.com/2011/05/in-the-news-part-2/">Continue to Part 2</a></h5><div
id="bio"><em><strong>Alan Drew</strong>’s first novel, <strong>Gardens of Water</strong>, was published by Random House in 2008.  To date, it has been translated into eleven languages and published in eighteen countries. In 2004, he completed a master of fine arts degree at the Iowa Writers’ Workshop, where he was awarded a Teaching/Writing Fellowship. He lives with his wife and two kids in Philadelphia, and teaches fiction writing at Villanova University.  He is hard at work on a second novel. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/04/in-the-news-part-1/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>After the Meteor</title><link>http://foggedclarity.com/2011/03/after-the-meteor/</link> <comments>http://foggedclarity.com/2011/03/after-the-meteor/#comments</comments> <pubDate>Wed, 30 Mar 2011 03:59:32 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[After the Meteor]]></category> <category><![CDATA[austin]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Sam Ramos]]></category> <category><![CDATA[Washington D.C.]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=12439</guid> <description><![CDATA[Sam Ramos The balloon drifted into the clouds and then a thousand more joined it. The pilots inside leaned out to her, each becoming ever smaller in the offing. It wasn’t that she was sad, though she was. It was life’s awful brilliance – the eternity of every single thing, small and big. A flood [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Sam Ramos</h3><div
class="pullquoteRight">The balloon drifted into the clouds and then a thousand more joined it. The pilots inside leaned out to her, each becoming ever smaller in the offing.</div><p>It wasn’t that she was sad, though she was. It was life’s awful brilliance – the eternity of every single thing, small and big. A flood brought misery with it, but the click of her heels when she walked was sublime. Families were executed in turbulent times, but the scent of home brought deliverance. She could, in a moment, be swept into melancholy, madness, or glee. At any moment, reality might be undone, and the true vision of her hysteria could overpower the night.</p><p>Julia cried when she was born, and she cried every day after. When a fly came into the room she cried, and she cried when the fly left. When there was no milk she cried; when there was more milk than she could drink she cried again. She cried at night and in the day, at dawn and at twilight. The doctors couldn’t say why.</p><p>Despite her parents’ concerns, Julia learned, grew and played like any little girl. Her mother thought the affliction might become worse with age, and that adulthood – with its setbacks – would bring a more terrible sickness. She stayed up nights and invented a time in which Julia’s heart was broken in some immature love affair, and Julia, unable to absorb the consequences, had to be hospitalized to prevent suicide.</p><p>She expressed her fears to Julia’s dad. Equally afraid, he only responded, “We will protect her.”</p><p>When she was five her mom and dad brought Julia a fish. Golden lived in a bowl with white pebbles on the bottom, and a green stone castle. Julia watched Golden float. Her eyes followed the easy roll of Golden’s fins. When Julia swam she kicked and struggled, but Golden was quiet in the water. Julia talked to her, and imagined Golden had the same problem with tears that she had. Only Golden’s tears were lost in the water, and became invisible.</p><p>“Don’t be sad,” Julia whispered.</p><p>When Golden stopped swimming they made a cake. Julia drew Golden’s portrait in the frosting. Julia cried, and her mom cried too, as she licked sugar from her thumb.</p><p>On her next birthday, Julia’s mom and dad took her to see a hot-air balloon. When the balloon lifted from the ground and into the sky above them, Julia hopped with excitement.</p><p>“There it goes,” her dad said.</p><p>Julia’s mom pulled a tissue from her purse and wiped Julia’s cheeks. Julia bit her lip and her weight shifted quickly from one foot to the other. The balloon drifted into the clouds and then a thousand more joined it. The pilots inside leaned out to her, each becoming ever smaller in the offing.</p><p>“Julia, come join us!” they shouted.</p><p>“I will!” Julia cried.</p><p>The pilots fired their burners and the balloons rose until they disappeared.</p><p>“You will what?” asked Julia’s dad.</p><p>Julia waved to the shrinking balloon.</p><p>They took a cross country train on family vacation. Julia’s mom pointed out the window to the mountains, cows, and crows. Julia touched the glass. There were more tears. They bought candy from a cart that passed through. Julia unwrapped a caramel and let it melt on her tongue until it dissolved completely.</p><p>Tragedy came in a rocky place where the trees were thick and green. The train left its tracks at a curve and slid down a long hill. It had been a quiet moment, just before nap time. Julia’s dad sat with his fingers intertwined and his eyes half-closed. Her mom read a magazine. Julia sat between them and kicked her legs up and down. Then the car tilted. Tree limbs shattered the windows. Leaves, dirt and stones violated the air. As the train twisted and turned over itself Julia’s tears floated in space around them. They splashed against a thin man’s suitcase and at the base of a grasping woman’s empty hand.</p><p>When the train stopped moving Julia lay between her parents and thought she was dead. Heaven seemed a strange place to her. Suitcases shifted and fell. Dust swirled in the sun.</p><p>For months afterward Julia lived in a hospital. During the day the nurses made her practice walking in the hall. She walked between parallel bars until her arms ached, or was strapped into a wheeled device that made her feel more machine than girl.</p><p>She was in bed one night when a meteor shower took place outside her window. The meteors were great fireballs that lit up the church steeple in the trees a mile away. Julia was so frightened she pulled the blanket over her head. She moaned and choked as quietly as she could. Her gown became damp with sweat, her legs trembled, and the muffled obliteration of everything she knew reached her from the unobserved distance.</p><div
class="pullquoteRight">She walked between parallel bars until her arms ached, or was strapped into a wheeled device that made her feel more machine than girl.</div><p>When she woke in the morning the sky was clear. Instead of a field of ashes and fire the city stood the way it always had. Julia was terrified that she’d lost her mind; that she’d been misplaced in some endless delusion.</p><p>A nurse arrived holding a tray. She observed Julia’s bloodshot eyes and quivering lips.</p><p>“What’s wrong?” the nurse said.</p><p>“Are my parents alive?” asked Julia.</p><p>“What?”</p><p>The nurse gawked. Julia peered back. Her hair fell in stale black strands over her ears.</p><p>“You know they’re not,” said the nurse.</p><p>She placed the tray across Julia’s bed. It was runny eggs, juice, and toast.</p><p>Julia became convinced that she hadn’t invented the meteors, and was frustrated when the nurses wouldn’t believe her.</p><p>“It was real,” she screeched. She threw her pillow on the floor. “Real!”<br
/> A nurse put on the T.V. and pointed at the news.</p><p>“There’s nothing there!” she shouted. “Get your head out of the clouds!”</p><p>The nurse was a big woman with flabby arms. She lifted Julia like she was paper and put her on her feet.</p><p>“Now walk,” the nurse grunted.</p><p>Instead of walking, Julia went limp.</p><p>“Walk!” the nurse screamed. “Walk! Walk! Walk!”</p><p>Tears came. Julia couldn’t speak or move. She let her weight fall and the nurse dropped Julia on the tile. Then the nurse growled and stalked out of the room, her fat ankles struggling against her white sneakers. Her socks were pink with lace ruffles.</p><p>Julia lay very still for a long time.</p><p>When she could walk again Julia was taken to an orphanage in a large, wood house painted blue, with an iron filigree fence. Julia thought it looked haunted. She saw sorry spirits around every corner, and behind all the doors.</p><p>Julia was left in the front hall and the headmistress took her hand. The headmistress was a tall woman who walked with an angry limp. She had black eyes and spoke as if she’d been insulted at birth. As Julia was led upstairs a row of girls peered down on her from the second floor banister. They looked like dolls, or as if dolls had been made with them in mind.</p><p>Sometimes the girls went on field trips. At the aquarium Julia admired the starfish most. The other girls preferred the seahorses. A person in a scuba suit hung in the middle of a great tank and gave out pieces of pink flesh to the barracudas and sharks. The diver wore a mask but Julia could see his eyes were wide and excited. She watched; the other girls squealed, their faces to the glass, and the headmistress tapped her foot behind them.</p><p>At the petting zoo, on another day – at the first touch of a lamb’s tongue – Julia knelt on the ground – in the straw and dust – and she bawled, with her fingers curled into fists. The other girls stood far away and they whispered. The headmistress put her hand on Julia’s shoulder and shook her. It was no use.</p><p>“Is something wrong?” said an employee.</p><p>“Nothing at all,” the headmistress sighed. “Except this little girl who confuses crying with breathing. You’d think everything was a funeral.”</p><p>The employee, an old woman with thick glasses and breath like a candy cane, leaned over Julia.</p><p>“The lamb is just fine, dear,” she said. “The lamb is just fine.”</p><p>The clouds were pink and a warm, warm orange, in the shape of many things, and the sky beyond was cream.</p><p>When she was thirteen Julia took notice of an ancient woman who often passed by the orphanage. Her face resembled a ravaged skull, and her body was slight as a breeze. She wore long, drab gowns, even on the hottest days. Most notable was her head, which was bald and spotted with lonely islands of downy white hairs. The old woman’s gait was so proud, and her scalp so stunning, that Julia wept at the thought of her.</p><p>One morning Julia stood in the bathroom mirror and cut chunks of her hair away, until her own head was as bald as the old woman’s. She buried the hair she removed under a tree in the front yard of the orphanage.</p><p>“You’re never going to be adopted,” one of the girls said from the porch.</p><p>Julia wiped her tears and hissed. The girl ran inside. Julia showed her head to the woman as soon as she could. The woman opened her toothless gums and, for several minutes, laughed her approval.</p><p>The other girls in the orphanage wore brightly-colored dresses and had long, blonde hair. They had fine manners and sat up straight at the dinner table. In the evenings they tried on each other’s clothes and practiced kissing on their hands. They were adopted quickly, then new girls took their place, and the new girls were even prettier.</p><p>Julia did not want to be pretty. Her clothes were faded and mismatched. She gnawed her nails so they were uneven and raw, and refused to clean her ears. She licked her lips until they were chapped, then chewed them until they bled. Her eyebrows grew in a single line and she didn’t pluck them. At the dinner table she slouched.</p><p>Couples came to the orphanage and fawned over the girls, but when they came to Julia, crying, they didn’t know what to do. One would lean over her and ask what was wrong, and Julia would respond that nothing was wrong. The other would cross their arms and say, “You’ll never be adopted that way.”</p><div
class="pullquoteRight">He had dark skin and big eyes. His voice was soft as tissue. Her tears fell harder when she was near him, and she was embarrassed. She could see his back sway one way and then the other as he rang up old women’s cabbages and fish.</div><p>Julia drew a collection of friendly houses. Inside each she sensed the remains of better days. The place felt like one she’d known, but she couldn’t complete it in her memory.</p><p>“What is that?” one of the girls sneered.</p><p>“Nothing,” she snapped.</p><p>Julia crumpled the page.</p><p>Julia didn’t think the life she drew was real, but then, sometimes the life she led didn’t seem real either. The colors were too vivid, and the people too strange. Events passed that seemed impossible, and sometimes she was the only one who saw them, and sometimes not.</p><p>She drew her mom and dad, and put the picture under her pillow next to a stamp with a yellow frog on it, and a plastic man with a top hat who seemed to have no purpose at all, and to belong nowhere.</p><p>The girls shared a room with two long rows of beds. The other girls decorated their beds with pink sheets and left fresh flowers on their bedside tables. Julia had no sheets at all, unless it was cold. Then she used one blanket, and it was brown.</p><p>During the night she was at the girls’ mercy. Julia kept her eyes closed tight, even when they surrounded the bed and tormented her. They pulled on her clothes, poked her stomach, jumped on her mattress, and smeared toothpaste on her face. They prodded and bit, spit in her ears, and when it was cold, they took her blanket.</p><p>She didn’t open her eyes, except once. A girl named Wendy leaned close and whispered, “You’re the saddest thing I ever saw.” Julia opened her eyes then. The girls were distorted and monstrous. It was so terrible that Julia closed her eyes again. The girls pealed. The game went on.</p><p>She took a walk one morning past the overflowed creek to the supermarket. She stood by the oranges and watched the boy at the cash register. He had dark skin and big eyes. His voice was soft as tissue. Her tears fell harder when she was near him, and she was embarrassed. She could see his back sway one way and then the other as he rang up old women’s cabbages and fish.</p><p>Julia sighed and took an orange, then she got in the boy’s line.</p><p>The boy twitched when he saw her. Julia eyed the candy. She put the orange in his hand.</p><p>“One orange,” he said.</p><p>Julia nodded and a tear came loose from her lashes.</p><p>“I think I’m going to the circus when it opens,” the boy said.</p><p>His nose was peeling. He and his friends swam in the creek on occasion, when no one else was around.</p><p>“Are you?”</p><p>Julia rolled her head, then shrugged and nodded.</p><p>“We could go together,” said the boy. The orange was still cradled in his palm. He handed it to her. “Take it.”</p><p>Julia held the orange in both hands.</p><p>The night of the circus, the girls wore their most colorful summer dresses and tied ribbon around their waists. The headmistress did the girls’ hair and put on their makeup. The bedroom was fogged with hairspray and powder.</p><p>No one attended to Julia, because she had no hair and she refused to wear makeup. She wore the only dress she owned – it was gray and black. Everyone else hated it, and the more they hated it, the more she wanted to wear it.</p><p>“Where did you get that thing?” the headmistress asked.</p><p>Julia couldn’t remember, so she made something up.</p><p>“My mom made it,” she said.</p><div
class="pullquoteRight">The shudder of the bus was a comfort. The driver and the sleeping man in the back seat felt like friends to her.</div><p>“That’s not true,” the headmistress said. “Your mother died long before you were big enough to wear it. Where did it really come from?”</p><p>Julia ignored her. She convinced herself that the dress had been sewn by her mother, and it became her most prized possession.</p><p>When the clock struck seven she sat in the front room and waited. The other girls’ dates came all at once. They were clean boys with blue eyes and stupid grins. The girls skipped down the stairs and were led out of the house on the arms of their immaculate escorts.</p><p>Julia waited patiently. It became late. The headmistress clucked her tongue and went to bed.</p><p>“It’s because of your hair!” she called from upstairs.</p><p>It was much later when the girls came home. Their faces glistened with sweat and first kisses. Wendy threw herself in the sofa across from Julia. She blew hair out of her face.</p><p>“We saw your boy tonight,” she smiled. “The one from the supermarket.”</p><p>Julia started. Wendy puckered her lips and extended her arms, then played her fingers on the cushions of the couch.</p><p>“He is a beautiful kisser, you know,” she smiled. “He invited me to go swimming with him.”</p><p>Julia’s mouth fell open in a great frown, her lips curled and her teeth bared. Wendy crossed her legs.</p><p>“I think I just might,” she whispered.</p><p>The girls tittered from the hall.</p><p>“Quiet down there!” came the headmistress’ voice, accompanied by the bang of her fist on the wall.</p><p>Julia leapt from her chair, but before she could put her hands on Wendy, the other girls were on top of her. They giggled and held her down. Julia sobbed and choked on their perfume and the cherry scent of their lip gloss, until she was too exhausted to move. The girls rushed upstairs, each one of them still sniffling with delight, until the door closed overhead.</p><p>Julia lay on the rug. The circus was long over. She went to the front porch and looked for the boy. A dog walked into the street, stopped to sniff a manhole cover, and continued on.</p><p>The rain came. Instead of going inside Julia walked to the bus stop. The bus arrived shortly after. The only other person on board was asleep in the back row.</p><p>“Something wrong?” the driver said.</p><p>Julia shook her head. She dropped her quarters in the slot then found a seat.</p><p>The driver shifted and the bus moved. The shudder of the bus was a comfort. The driver and the sleeping man in the back seat felt like friends to her. Julia closed her eyes. When she opened them a different man was asleep in the back row. Julia rubbed her eyes as the bus came to a stop on the edge of a vast lot. A tower at the lot’s center illuminated two great swaying hulks. Their backs glistened with water and massive chains were attached to their legs. Their trunks were listless and their mouths hung open. The elephants stood one behind the other. They lifted and dropped their ears. Julia could see tents and trailers. The shapes of people moved between them.</p><p>She left the bus and passed her way forward through the rain. She looked in the windows of the trailers. One held a band of singing gypsies. A burly man with a beard sat on top of a dresser with an accordion. A curvy woman with red lipstick was at a table with her legs crossed. There were two children at her feet. The woman sang.</p><p>Julia moved on. Another trailer held the fat lady. The next contained the bearded woman and the tattooed man. Finally Julia came to the trailer of a dark-haired woman at a tremendous desk. Julia knocked on the door. The rain seemed to fall harder. The woman appeared in a red and black tuxedo. She introduced herself as Donna, the owner of the circus, and invited Julia in. Julia stood in the warm trailer on a plush red rug. Water dripped into its fibers. Julia held her arms out and evaluated the ruins of the dress her mother had made.</p><p>“You’re sure a mess, aren’t you?” said the woman.</p><p>Julia’s features came undone and she fell on her knees and sobbed. Her hands covered her face and shook. Snot poured from her nostrils and into her mouth. After her surprise passed, the woman led Julia to a hammock by a window and helped her lay down. Outside the gypsy music played, the moon was clear between the rain clouds, and a moth clung to the window screen.</p><p>Days went by and Julia didn’t stop crying. Jugglers and clowns came and went. A pony was brought in on a leash. Dwarves did somersaults outside the window. Nothing worked. The tears didn’t end.</p><p>At a loss, Donna put Julia on the midway. A tiger had died a few weeks earlier. Donna gave Julia a red-sequined ballerina costume and put her on a stool in the tiger’s cage.</p><div
class="pullquoteRight">The circus, she’d learned, was beautiful and ugly. Its delights were reserved for children. Its terrible mechanisms were in hiding below.</div><p>Visitors looked at her, moaned with sympathy, then moved on. Women who seemed very kind – some of whom reminded Julia of her mother – bent over their children’s heads in long dresses that hugged their rear ends, pointed, shook their heads, and led the children away. One evening Julia thought she saw the boy from the supermarket, near the back, peering over the shoulder of a man in overalls. She caught the boy’s eyes and he stared back, eyebrows raised. Then her vision blurred and she dropped her head. When she looked again he was gone.</p><p>A red and white sign was painted and placed above her. It said, “THE AMAZING CRYING GIRL!”</p><p>Julia no longer left her cage. She took her meals there, and did her private business in a corner, behind a black curtain. She sat on the stool all day and wept, and at night she slept sitting up. She wobbled but kept her balance, and salty tears slipped from her closed eyelids to the sawdust at her feet.</p><p>A member of the cleaning crew swept around her cage every morning. He was a dangerously lean man of seventy, who, due to cancer, whispered when he talked. One morning he put his face between the bars of Julia’s cage. Julia lifted her eyes to his.</p><p>“Why do you cry?” he asked, so softly Julia almost misunderstood him.</p><p>“Isn’t there every reason to cry?” she said.</p><p>The man didn’t respond. He looked on a moment longer into Julia’s cage. It was just long enough for Julia to catch the swimming moistness of the man’s eyes. She almost reached out to him. She wanted to ask if he missed the world they used to live in, where things were what they were supposed to be; if his escape was the same as hers; if he was who he said he was. She almost asked him if he knew where she was from, and if she could go back. Instead she stared, and after a moment the man shuffled away, his overalls faded and greasy with dirt, and Julia soon forgot him.</p><p>The circus traveled in a train painted with the faces of its most popular clowns. Trapeze artists in elegant dives flew across the churning body of the locomotive as it traveled over bridges and hills. Julia was transported in the same car with the dogs and ponies. Her life seemed now an unalterable night.</p><p>Her car shook. The train had been moving for days, and Julia was lost in thought and dream, with no recollection of time or place. The hot afternoons on the midway were one continuous stink of hotdogs and cotton candy; a blur of leering red faces and pitying looks. She floated in her body. The car bumped and screeched. The circus, she’d learned, was beautiful and ugly. Its delights were reserved for children. Its terrible mechanisms were in hiding below. Julia didn’t look for beauty where she was. It had been too long since anything touched her.</p><p>The train entered a soft curve, then all seemed still before a roar and a force lifted Julia and her cage free. She was tossed into a familiar space. She felt her tears splash across an ankle and back into her eyes as she was upended into the darkness. There was a horrible sound of metal twisting, bones breaking, screams, cries, then, a deep silence.</p><p>Julia lay on her side, afraid to move. She heard nothing. After a long time she stood, and found her cage had been battered open. She limped to a small spot of light in the dark, and pulled the door of the car free.</p><p>The country had been decimated. A layer of ash muted the miles all around. Trees hung low with soot, and the train was charred to black.</p><p>“Was it a bomb?” she said to no one.</p><p>There was no life. The air moved with floating powder, and soon Julia’s red-sequined tutu was as gray as the sky.</p><p>She stepped from the train and searched from car to ravaged car for survivors. There were only burned and mummified corpses that looked as if they’d been left embalmed some centuries before. Cars had been torn open, and human and animal bodies lay in the ash like distorted statues in a blanket of snow.</p><p>Just inside the muttering wind there was a sound of shuffling. It came from the car where her cage had been. Julia ran to the opened door and peered in. There a pink pony named Perfect was getting to her feet, and a mongrel dog named George was shaking his body at her side.</p><p>Julia put her arms out and helped the pony and the dog to the ground. Perfect searched the ash for food and George walked in a circle before resting on his haunches. A minor dust cloud rose around him.</p><p>Tears streamed down Julia’s face. She grinned and tears fell on her tongue.</p><p>“I guess we better find food,” she laughed. “This is the way. Come with me.”</p><p>Perfect and George followed her from the train and onto a path past a line of trees and a decaying row of friendly houses. Julia knew them. She’d learned to ride a bicycle in front of one; at the next she’d skinned her knee. Farther on was someplace better; someplace thrilling. A purple dragonfly buzzed across the path and disappeared into the keening ruins of the earth. George yipped. Julia skipped ahead.</p><div
id="bio"><em><strong>Sam Ramos</strong> was born in Austin, Texas and received his BFA in Art History from The School of the Art Institute of Chicago in 2010. He has published two novels and his short fiction has appeared in <strong>Pindeldyboz</strong> and <strong>Jettison Quarterly</strong>, among other journals. He currently resides in Washington, DC.<br
/> </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/03/after-the-meteor/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Pulse</title><link>http://foggedclarity.com/2011/03/pulse/</link> <comments>http://foggedclarity.com/2011/03/pulse/#comments</comments> <pubDate>Wed, 30 Mar 2011 03:59:27 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[Colorado]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Nick Kimbro]]></category> <category><![CDATA[Pulse]]></category> <category><![CDATA[University of Colorado]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=12192</guid> <description><![CDATA[Nick Kimbro I listened for the fourth beat and felt how, as it passed, my entire body seemed suspended. 1-12-2011, 8:42 pm—Deceased brought in from snow. After signing transfer form, delivering officer, Deputy Desmond Fogle [#347], makes crass remark about deceased’s ‘knockers’ before surrendering Oklahoma state license with the name ‘Heidi Gordon’ printed beside an [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Nick Kimbro</h3><div
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class="pullquoteRight"> I listened for the fourth beat and felt how, as it passed, my entire body seemed suspended.</div><p><strong>1-12-2011, 8:42 pm</strong>—Deceased brought in from snow. After signing transfer form, delivering officer, Deputy Desmond Fogle [#347], makes crass remark about deceased’s ‘knockers’ before surrendering Oklahoma state license with the name ‘Heidi Gordon’ printed beside an approximate picture of the deceased. I examine picture, and for a fleeting moment believe it might be a practical joke. I scrutinize Deputy Fogle’s features; they are bent towards the clipboard in my hand.  He yawns impatiently, waiting for me to sign off so that he can take a nap on the side of the highway somewhere. I scribble my name in appropriate blank and stand poised above her while he exits. Have not looked closely at the body until now, but the resemblance is stunning. Her skin is blue and her features mute. It is not possible for her to be the same person, but that fact does not interest me. I close my eyes, forget what I know—try to see how far I can stretch the suspension of disbelief.</p><p
style="text-align: center;"><strong>*</strong></p><p>“No more reading,” I remember saying.<br
/> “Lots more reading,” she responded. I lay on her chest in her room, beneath a canopy of shade created by her book. We both had an organic chemistry test in the morning, although, unlike me, she was determined to study. I readjusted my body, rested my fingers against the parts of her I knew were ticklish, hoping to distract her without her realizing. No use. I continued to lay with my ear pressed against her chest, listening for every fourth heartbeat. I kept time with my finger against her breast, lightly tapping until I came to the fourth beat, which I held in the air, hovering above her nipple until the rhythm resumed.</p><p>“Hey!” she said, suddenly realizing what I was doing.</p><p>“Weirdo.”</p><p>“I’m not a weirdo.” She closed the book and sat up, shifting so that now she was on top<br
/> of me. “What do you need, little boy? Are you looking for attention?”</p><p>I nodded.</p><p>“Do you feel neglected?”</p><p>I nodded again.</p><p>“Well, come here, little darling, and let mommy make it all better.”</p><p>I grabbed her by the waist and rolled her over so that her back pressed firmly against the carpet, kissed her and pressed with my tongue against her teeth.</p><p>“Little boy!” she said with mock astonishment. “What on earth will the neighbors think?”</p><p>“Knock it off,” I said, and kissed her again. This time she softened and relaxed into it, her body arching against the floor as I fumbled with her pants’ button. We messed around, and afterwards I laid on top of her again, head against her chest, listening to the quickened rhythm of her heart and counting once more the missed beats.</p><p>“What does it feel like when your heart skips a beat?” I asked.</p><p>“How should I know?”</p><p>“It’s your heart.”</p><p>My eyes focused on a freckle on the inside of her left breast, watching it blur and regain focus as I drifted in and out of thought.</p><p>“I’m surprised it doesn’t make you feel anxious.”</p><p>“What would I be anxious about?”</p><p>“Complications.”</p><p>I had not meant to say it—that was my anxiety, not hers—but now that it was out, I continued: “Your heart sets the rhythm for the rest of your body. If that rhythm isn’t stable, your body’s like a band with a fucked up drummer. Like free jazz or something.”</p><p>“I <em>like</em> free jazz,” she smiled. “And besides, my rhythm <em>is</em> stable, it’s just different. More interesting, you could say.”</p><p>I listened for the fourth beat and felt how, as it passed, my entire body seemed suspended, as though my own heart were waiting for hers to start beating again.</p><p>“And besides, isn’t it all just perspective anyway? What if it isn’t a lapse, but a pause—a four p.m. siesta before the factory doors open again and everything starts anew, refreshed?”</p><p>“However you want to look at it.”</p><p>“I think that <em>you</em> could use a siesta.” She smiled and crawled on top of me, positioned her ear against my sternum and held her hand over my stomach, began slapping it rapidly once she’d dialed into my heartbeat. I tried to inhale, to breathe deeply and force my heart rate to slow, but her fingers continued to slap my belly at the same blinding pace, until the skin there began to flush.</p><p>“See there?” I said, grabbing her hand and pulling her up onto my chest. “Totally dependable. Never misses a beat.”</p><p>She smirked.</p><p><strong>1-12-2011, 11:16 pm</strong>—Wife calls to ask when I will be home. <em>Late night</em>, I tell her, which is a kind of code the other has learned not to question. I circle the table. ‘Heidi’ lays upon it, still dead. I stare at her from different angles. Karen died years ago, but my mind cannot stop postulating the improbable. I imagine one scenario after another; far-fetched sequences of events to justify how the girl I once knew might have ended up on the table in front of me. As if it mattered. A corpse is a corpse… but even as I think it, I know it is not true. <em>Late night</em>. Sleep has been scarce. Deputy Fogle [#347] has advised that I practice thinking about nothing. Is this the same as not thinking? Have tested this method on several occasions now, lying in bed next to well-meaning wife, thinking about not-thinking, about the color black; thinking about the globules of color radiating on the inside of my eyelids, and about many things in a fevered, stream-of-conscious fashion, trying to convince myself that I already am dreaming. The result is a waking nightmare. Method is faulty. <em>Late night</em>. Even the freckle on the inside of her breast is where it should be, although the breasts themselves have swollen over the years. My breath catches and I look away. It can be awkward, surrounded by naked bodies. One feels there is some haunted part of them still capable of objecting. I look at her again and decide that this one, at least, does not mind.</p><p
style="text-align: center;"><strong>*</strong></p><p
style="text-align: left;">By the time I received my first graduate school acceptance, Karen had already been accepted to four different schools, including Johns Hopkins’s medical program: her first choice. I remember celebrating with her the night she found out. I also had applied to Johns Hopkins, but hadn’t heard anything as of yet. “I think acceptances are rolling,” she said. “I’m sure yours is on its way.”</p><p>All that followed were rejections, except for one, and that wasn’t even to a medical program, but to the one law school I applied to out in Colorado. Not sure what made me apply. A change of pace, maybe? Deep down I think I knew I wasn’t cut out for medicine, but Karen was, and I believed I was pretty cut out for her.</p><div
class="pullquoteRight">World feels diminished, compressed to the size of this room, this table, the distance between our cold, increasingly mutual bodies.</div><p>I did not tell Karen about my acceptance, but continued to hold out hope for the final school on my list: The Annapolis School of Medicine. Annapolis, after all, was only a stone’s throw away from Johns Hopkins. I could see her on the weekends. Possibly during the week, as long as I promised not to keep her up too late—a promise I fully intended not to keep. When the rejection finally came, I hardly looked at it before crumpling it up and tossing it in the wastebasket. I did not tell Karen, but continued to check the mail as usual, cursing whenever I was with her and found it empty.</p><p>“Don’t worry,” she would reassure me constantly. “Any day now.”</p><p>Meanwhile, she commenced preparations for her own impending departure. We were still five weeks away from graduation, but she had a trip scheduled to tour the campus, meet her professors, all of that stuff.</p><p>“Maybe I should come too,” I said, the two of us laying together on the eve of her departure. “Annapolis isn’t that far away. I should probably check it out just in case I do get in.”</p><p>“I can’t believe you haven’t gotten your offer yet. You should call them, say you’ve got other acceptances pending or something. This is ridiculous.”</p><p>“Yeah. Ridiculous. So what do you think?”</p><p>“About what?”</p><p>“About me coming with you.”</p><p>“Oh. Well, of course I’d love for you to come… Do you think you could get a flight this late? Obviously you could stay in the hotel with me, but how would you get back and forth to Annapolis? You’d need a rental car or something…”</p><p>“Forget about it,” I sighed, and rolled over onto my back. “I probably won’t get in anyway.”</p><p>“Don’t say that! Of course you’ll get in.”</p><p>“Right. Of course. But what if I don’t?”</p><p>“What do you mean?”</p><p>“Us. What will <em>we</em> do if I don’t get accepted to the program in Annapolis?”</p><p>Her eyes drifted toward the ceiling. I couldn’t tell whether it was a thing she’d not considered, or one she’d considered exhaustively. I knew the answer: we were too young. Too young to keep up the long distance, and too young for me to follow after her… unless, of course, I could find some personal reason that would not put any pressure on her, or me.</p><p>Karen did not answer the question. Instead, she chided me for being so negative. I apologized by going down on her, then drew up and pushed our two bodies together. She loved the way my face smelled after I went down on her. We fucked and came and, even after I was finished, my hand slipped beneath the covers and pressed between her thighs. There was a moment of questioning in her eyes, but only a moment. I don’t know how many times I made her come before she finally forced my hand away, but I know it was not enough.</p><p>Afterwards, I laid with my head on her chest, listening once again for the fourth beat: that pause, my sanctuary. Her body was relaxed, drifting in and out of half-sleep the way one does sometimes after sex. My eyes remained fixed on the two suitcases standing side by side in the corner, and I clung to her, drinking her in as gently as possible so that she would not notice. It was as if I could not get close enough. Until every fourth beat, that is, when everything felt suspended and I experienced the temporary relief of stasis. It always passed though, too soon. No matter how I clung to her, her beating heart always resumed.</p><p><strong>1-13-2011, 12:53 am</strong>—The blue has faded from deceased’s skin, resuming a healthy corpse-like paleness. She’s still cold to the touch though. I was sitting next to her on the steel table, savoring the buzz from a nicotine patch, when my hand pressed against the bare skin of her shoulder. Unsure, still, whether gesture was intended or accidental. I was surprised at how the cold actually transmitted between us, like a current between two wires, mingling with the nicotine and chilling the base of my spine, causing my testicles to draw up into my body. The air feels cold in my lungs. The quality of light in the room has shifted, now tinged with something that makes it appear darker while, at the same time, more crisp. World feels diminished, compressed to the size of this room, this table, the distance between our cold, increasingly mutual bodies.</p><p
style="text-align: center;"><strong>*</strong></p><p>The problem with an arrhythmia is that it is difficult to distinguish from a long QT interval—i.e. the time it takes for electrical impulses in the heart to recharge between beats. Unlike an arrhythmia, a long QT interval may appear stable, without actually being so. There is always the threat of the charge not picking back up, or, just as bad, picking up a fraction of a second too late. I’m not sure exactly when it happened to Karen, although I’m told that she was sleeping. For a long time afterwards I would try to simulate the rhythm myself, drumming it on my chest at night and sustaining every fourth beat, like counting sheep, until eventually I would drift off and the rhythm would cease altogether.</p><p>I accepted the University of Colorado’s offer and attended law school there, which turned out to be a much better fit than medicine. Later on, I combined interests by studying forensic law, and after several years, put together a campaign for county coroner. It was a long shot: the incumbent I was running against had been coroner for the past five years, was a physician of some standing before that, and unfortunately, his years in office had passed as uneventfully as a ship in the night, which is all anybody wants from a coroner.</p><p>Except that’s not entirely true.</p><p>During our one public hearing—which took place on a winter night in February and was attended by a grand total of six people, including us candidates—I asked him about his relationship with the bodies in his care.</p><div
class="pullquoteRight">I was surprised at how the cold actually transmitted between us, like a current between two wires, mingling with the nicotine and chilling the base of my spine.</div><p>“Relationship?” he repeated, drawing out each of the vowels sardonically.</p><p>“Yes, relationship. Are you not often called upon to spend late, quiet hours in the morgue? And are you not frequently alone there, surrounded by any number of deceased bodies, some of them female, and some of them admittedly attractive?”</p><p>His face went red immediately, and he looked to the moderator for help. Neither one of them seemed to know quite what to say.</p><p>“You can’t be serious,” he finally sputtered. “What is wrong with you, to even consider asking me a question like that?”</p><p>I would not answer.</p><p>Instead, I continued, addressing the rest of the room, which, besides the moderator, consisted of two janitors and a junior reporter from the local news network. “It’s not that I don’t believe you,” I said. “It’s just that I’m unsettled by your unwillingness to even <em>consider</em> the question. Do you honestly expect us to believe that, in the five years you have served as coroner for this great county, with deceased persons circulating through your office on a regular basis, many of whom are both young and attractive—not to mention nude—that the thought, no matter how brief, of fucking them has not flittered across your mind?”</p><p>“Young man, you are insane.”</p><p>“Not once?”</p><p>The hearing ended with him storming out of the hall, still not having answered what, to me, and evidently to the other citizens of Arapahoe County, was a perfectly legitimate question. Weeks later, after I had been elected the new Arapahoe County Coroner, and the video of the hearing had gone viral, I met again with the junior reporter who had been there at the hearing, and who had since received a promotion. She joked with me, congratulated me on my election and the unusual tactics I’d used to secure it, but eventually she could not help steering the conversation back to that night, turning the question around on me. She worked hard to suppress her laughter as she asked: “Would you, Mr. Harper, ever consider amorous conduct with one of the deceased trusted to your care?”</p><p>Obviously, after what had happened, there was only one answer I could give. She smiled, and I returned her warmth with ease. “<em>Consider</em>?” I repeated, and rolled my eyes for a moment before answering: “Well sure, Nathalie. I suppose in certain <em>unforeseen</em> circumstances the thought would at least occur to me.” We both laughed and shook hands, and she congratulated me once more on my victory.</p><p><strong>1-13-2011, 1:03 am</strong>—I rest the tips of my fingers against the deceased’s eyelids, feel the gently sloping astigmatism pressing against the other side. Her mouth, the skin of her neck, her shoulders: all are relaxed, lacking any tension. I bend my head to her breasts and locate the freckle on the left—like a hole in ice—turn my head so that my ear rests above her sternum. My fingers hover, poised above her breast and waiting; waiting for the rhythm to resume, waiting for the night to come swirling back into focus. We remain like that, poised but not moving, the silence spreading around our increasingly mutual bodies.</p><div
id="bio"><em><strong>Nick Kimbro</strong> teaches creative writing at the University of Colorado at Boulder, where he is also working on his MFA. His writing has been featured in <strong>Underground Voices</strong>, <strong>Splash of Red</strong>, <strong>Ghost Ocean Magazine</strong>, and <strong>Danse Macabre</strong>, and is forthcoming in <strong>decomP magazinE</strong>, <strong>Eclectic Flash</strong>, and <strong>Fast Forward: A Collection of Flash Fiction.</strong></em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/03/pulse/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2011/April/NickKimbro_Pulse.mp3" length="6316144" type="audio/mpeg" /> <itunes:keywords>author,authors,Colorado,fiction,fogged clarity,Nick Kimbro,Pulse,Short Fiction,University of Colorado</itunes:keywords> <itunes:subtitle>Nick Kimbro I listened for the fourth beat and felt how, as it passed, my entire body seemed suspended.  - 1-12-2011, 8:42 pm—Deceased brought in from snow. After signing transfer form, delivering officer, Deputy Desmond Fogle [#347],</itunes:subtitle> <itunes:summary>Nick Kimbro
I listened for the fourth beat and felt how, as it passed, my entire body seemed suspended.
1-12-2011, 8:42 pm—Deceased brought in from snow. After signing transfer form, delivering officer, Deputy Desmond Fogle [#347], makes crass remark about deceased’s ‘knockers’ before surrendering Oklahoma state license with the name ‘Heidi Gordon’ printed beside an approximate picture of the deceased. I examine picture, and for a fleeting moment believe it might be a practical joke. I scrutinize Deputy Fogle’s features; they are bent towards the clipboard in my hand.  He yawns impatiently, waiting for me to sign off so that he can take a nap on the side of the highway somewhere. I scribble my name in appropriate blank and stand poised above her while he exits. Have not looked closely at the body until now, but the resemblance is stunning. Her skin is blue and her features mute. It is not possible for her to be the same person, but that fact does not interest me. I close my eyes, forget what I know—try to see how far I can stretch the suspension of disbelief.
*
“No more reading,” I remember saying.
“Lots more reading,” she responded. I lay on her chest in her room, beneath a canopy of shade created by her book. We both had an organic chemistry test in the morning, although, unlike me, she was determined to study. I readjusted my body, rested my fingers against the parts of her I knew were ticklish, hoping to distract her without her realizing. No use. I continued to lay with my ear pressed against her chest, listening for every fourth heartbeat. I kept time with my finger against her breast, lightly tapping until I came to the fourth beat, which I held in the air, hovering above her nipple until the rhythm resumed.
“Hey!” she said, suddenly realizing what I was doing.
“Weirdo.”
“I’m not a weirdo.” She closed the book and sat up, shifting so that now she was on top
of me. “What do you need, little boy? Are you looking for attention?”
I nodded.
“Do you feel neglected?”
I nodded again.
“Well, come here, little darling, and let mommy make it all better.”
I grabbed her by the waist and rolled her over so that her back pressed firmly against the carpet, kissed her and pressed with my tongue against her teeth.
“Little boy!” she said with mock astonishment. “What on earth will the neighbors think?”
“Knock it off,” I said, and kissed her again. This time she softened and relaxed into it, her body arching against the floor as I fumbled with her pants’ button. We messed around, and afterwards I laid on top of her again, head against her chest, listening to the quickened rhythm of her heart and counting once more the missed beats.
“What does it feel like when your heart skips a beat?” I asked.
“How should I know?”
“It’s your heart.”
My eyes focused on a freckle on the inside of her left breast, watching it blur and regain focus as I drifted in and out of thought.
“I’m surprised it doesn’t make you feel anxious.”
“What would I be anxious about?”
“Complications.”
I had not meant to say it—that was my anxiety, not hers—but now that it was out, I continued: “Your heart sets the rhythm for the rest of your body. If that rhythm isn’t stable, your body’s like a band with a fucked up drummer. Like free jazz or something.”
“I like free jazz,” she smiled. “And besides, my rhythm is stable, it’s just different. More interesting, you could say.”
I listened for the fourth beat and felt how, as it passed, my entire body seemed suspended, as though my own heart were waiting for hers to start beating again.
“And besides, isn’t it all just perspective anyway? What if it isn’t a lapse, but a pause—a four p.m. siesta before the factory doors open again and everything starts anew, refreshed?”
“However you want to look at it.”
“I think that you could use a siesta.” She smiled and crawled on top of me, positioned her ear against my sternum and held her hand over my stomach,</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>6:35</itunes:duration> </item> <item><title>Willing</title><link>http://foggedclarity.com/2011/01/willing/</link> <comments>http://foggedclarity.com/2011/01/willing/#comments</comments> <pubDate>Tue, 01 Feb 2011 04:38:31 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Lissa Franz]]></category> <category><![CDATA[Massachusetts]]></category> <category><![CDATA[short story]]></category> <category><![CDATA[The Missouri Review]]></category> <category><![CDATA[Willing]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=11038</guid> <description><![CDATA[Lissa Franz Ian knew the pieces didn’t fit, but he wanted them to fit very badly, and the angrier Ian got, the harder he tried to make his anger into something that would change the way things worked. It was Kurt’s turn to host the neighborhood playgroup, and he felt uneasy as he located the [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Lissa Franz</h3><div
class="pullquoteRight">Ian knew the pieces didn’t fit, but he wanted them to fit very badly, and the angrier Ian got, the harder he tried to make his anger into something that would change the way things worked.</div><p>It was Kurt’s turn to host the neighborhood playgroup, and he felt uneasy as he located the Equal packets behind the sugar bowl. The women attending his little gala – his nascent fête – were all women who discussed him. He was a topic. He was <em>the man who stayed home</em>. At the playground mothers stepped away from him to husband-bash, then returned to ask, coyly, “So, what do you do?” As if the set of baby swings, missives filled with his progeny, were merely a cover for some stunning and mysterious profession. When he admitted he was a “stay-at-home,” the women went from thinking him exotic for being on the playground at eleven a.m. to cocking their heads with pity. It only slightly helped to think he was lumped in with the other schmucks who’d lost their jobs in the downturn.</p><p>Kurt put himself on mind-numbing autopilot: cleaning the kitchen and playroom, stashing piles of clutter in laundry baskets, washing dirt streaks off the bar of soap in the bathroom. When things were presentable, he cradled sleeping three-month old Paige – in her one ridiculous French outfit, deliberately washed but not ironed – in the crook of his arm while he and Ian started a wooden Pooh puzzle. Ian kept trying to jam pieces together that obviously didn’t fit. Ian knew the pieces didn’t fit, but he wanted them to fit very badly, and the angrier Ian got, the harder he tried to make his anger into something that would change the way things worked.</p><p>They put the puzzle away. A house cleaned for no reason was depressing to Kurt, that crisply toxic Pine-Sol oblivion. They sang <em>Twinkle Twinkle</em> in heavy metal; they misted the plants, somewhat inaccurately; they did superball tricks in the kitchen involving the refrigerator magnets and ceiling fan.</p><p>Then, right when he thought they wouldn’t, the women arrived. Babies yowled in bucket car seats and toddlers clung to legs and sucked their thumbs, and suddenly Kurt had nine women standing in his kitchen: low-slung-jeans, overstuffed diaper bags, and assorted states of recovering blond (you can’t dye your hair during pregnancy, Kurt had learned, and not from his wife), extracting themselves from jackets and baby slings. They furtively studied the interior of his boxy, almost-new colonial – just like theirs  – studded with toddler art projects, books stacked on the floors (art within art, Abbey liked to say, fanning the piles), and a series of damp and moldy-looking terrariums in plastic cups he and Ian had been creating to fend off the doom of impending winter. There was little remarkable about the house, inside or out, and Kurt preferred it that way. He tried to forgive his neighbors their massive Childlife swingsets, lawn services, velvet window treatments and the general heaviness of people who have everything they want but nothing they really need. Abbey said anyone with half a load of self-respect or iota of creativity wouldn’t keep house the way they did: the original blazing white paint job, the cheap pine crap they had adored in their youth. The way Kurt saw it: this was a house full of <em>love</em>. In more honest flashes, he was grateful to Abbey for not insisting her house reflect the level of refinement and prestige she had at work. He wasn’t sure he’d do the same if the situation were reversed, but he’d squandered his own long stab at a career.</p><p>Jessica, Mia, Deb, Lorie, Shelly, Tova, Kate, Justine and Ruthie: full attendance. They gripped his forearms and called him <em>Honey</em> until Kurt felt like the gag gift that has unexpectedly reappeared in an inappropriate place. Edible underwear at your mother-in-law’s birthday party; a vegetarian at an NRA convention; a man in a woman’s playgroup. He lagged behind to start more coffee as the children dragged their mothers off to find the toys they knew to be lurking. Playgroups were invented as a social outlet for mothers; to the children, the sharing issues and sudden blasé treatment made them act like heads of rival states, and all eventually resorted to primitive self-preservation tactics like hitting and biting.</p><p>“Let me <em>see</em>,” Mia said, lingering in the kitchen with him, clapping her hands to take Paige.</p><p>Kurt reluctantly gave up the baby.</p><p>“How is Abbey?” Mia asked, brushing Paige’s cheek with her finger. “I wish she was around more.” She stuck her nose into Paige’s neck.</p><p>“Busy. Her client base is expanding a little fast.”</p><p>“What does she do, again?”</p><p>Kurt paused. What did his wife do? She drove forty-five minutes into the city dressed in fine three-season wool, bought her lunch at a Vietnamese noodle shop, was always clean, made more money than he had ever contemplated, sat through meetings with would-be clients who bragged about how many millions in seed money they’d squandered, and never arrived home before 7 PM. He shrugged. “She’s in finance.”</p><p>Mia turned. “My husband’s in finance, too.”</p><p>Kurt hooked his eyes on Mia’s, and they laughed. She had short brown hair, darker brown eyes, and wore enigmatic Chinese silk-screened shirts that showed off her breasts and the thin map of her collarbones. She nursed her children well past age two, but didn’t flaunt it. Mia made no effort to dress herself up; she wore clothes appropriate for paint, snowball injuries and vomit.</p><p>Paige woke and spit up, and Mia wiped it on her yoga pants.</p><p>“I want to ask your opinion,” she said, pertinently looking at the baby.</p><p>Abbey had chided him that morning for his nerves, joking that the women wanted him only to figure out what sports’ equipment to get their husbands for Christmas. He had squelched his response in order not to start an argument, one that would merely highlight his own insecurities. He had watched Abbey zip out of the driveway in the Infiniti – he drove the minivan, a car single-handedly designed to make you feel trapped in practicality, despite its splendid remote control sliding doors and heated seats – watching the way she smoothed her silk skirt beneath her so it wouldn’t get wrinkled, her coffee thermos in its slot, her mind neatly untangling itself from him and the children.</p><p>Mia herself was a Tuck MBA with seven years experience as a biotech CIO. Now she had three children under the age of four, chose unglamorous volunteer work (books on tape for the blind, town recycling initiatives) and showed off her elasticity at the gymnastics class their children shared. She was known for eschewing babysitters because at nine dollars an hour for a fourteen year old “they had better clean my house, too”.</p><p>“So,” Mia the Tuck MBA said. “Tova told me you used to be a cop.”</p><p>“She did?” Kurt felt socked in the stomach. They had lived in this town for three years, and his past life had never come up.</p><p>Mia cooed at the baby. “Let me get to the point. I’m being stalked. Any ideas on what I should do from here would be appreciated. Particularly from someone who has seen this kind of thing. I mean, you have, haven’t you?”</p><p>“You’re being <em>stalked</em>?” Kurt played his best shocked civilian self. Tova! He looked around for her, for anyone hiding, watching him.</p><p>Mia continued, waving her hands in the air. “Someone I didn’t like at work. Or let me put it another way: someone I didn’t like back. Remember I quit three years ago.”</p><p>“Define stalked.” Kurt tried to half-listen to her answer, fussing with the coffee machine.</p><p>“He follows me in the car. I have children in the car. He tailgates, he mouths things. If I leave my car doors unlocked, he leaves me notes. Once I found one wrapped around my toothbrush. So I guess he was in my house. He’s not dangerous, but he’s obviously got some sort of derangement issue. Some sort of obsession.”</p><p>“He’s not dangerous? What do the notes say?” A lascivious hunger rose in him, keen and familiar, that he wanted to punch in the face.</p><p>Mia shrugged, leaned back on her heels. “Mostly nothing. Like, I love that red sweater! I love the way you move in it. Suggestive and sophomoric and really dumb. It’s kind of flattering, to tell you the truth. I always look like shit. But ultimately, guys like this are the ones who end up pathetic and unmarried and unloved, because they never make it past bar games and rating women based on the size of their–“ She looked at Kurt. “They’re the kind of guys who make you feel hot. Right? The kind you wind up with for one night and regret it the rest of your life.”</p><p>Kurt swallowed. “Does Drew know?”</p><p>“He thinks it’s funny. Isn’t it cute how the twenty-six year old likes Mia! Look at how he grovels! Look what he can never have! He says it’s a little fantasy I’ve indulged myself in to relieve the monotony of being at home. It’s not my fantasy! No – it’s his! Wanting what someone else wants, right? And that’s not even the sad part. You want to know what the sad part is?”</p><p>Kurt could imagine the sad part, yes he could.</p><p>“I’ve led him on. I’ve done it by not being more aggressive in telling him to cut it out, and now I’m getting kind of scared. He’s not acting like the kid I knew. It’s like I knew him and it was cute, and then it got more like breaking and entering, and now I’m afraid he’ll be waiting for me sometime when I get home. He’s a big guy. Drew teases me because I’ve been setting the alarm! I feel trapped.”</p><p>Kurt wondered what was wrong with Mia’s husband. “Take out a restraining order. It’s a formal deterrent. Or you can press charges for harassment.”</p><p>“Oh, I don’t know.” Mia sighed dismissively.</p><p>“You asked for advice. He’ll back off if you do it, trust me. What’s his name?”</p><p>“Bo.” She giggled nervously.</p><p>“Sometimes a guy like Bo really doesn’t understand what he’s doing, he doesn’t see it as compulsion until he gets the order. Embarrassment is like guilt. No one else can make you feel it, but nevertheless when it bubbles up it can be an effective tool.”</p><p>She sighed. “Bo wouldn’t know what embarrassed is.”</p><p>“You’d be surprised. That kind of guy thrives on power, what’s he going to feel when it’s taken away? When his little game is found out?”</p><p>“What if it just pushes him over the edge? What if I wind up dead?”</p><p>Dead? His eyes flickered over Mia. How much did she know?</p><p>“It’s very rare, but it happens.”</p><p>He sighed. “Yes. Unfortunately.” Kurt held out his hands for Paige.</p><p>“Well. Thanks for the advice.”</p><div
class="pullquoteLeft">Kurt spent a long time upstairs with his son, talking. The fact there were guests downstairs made their conversation strangely poignant, as if they had to whisper, or were spies.</div><p>When Kurt walked in to survey the progress of the playgroup, eight women sat on the floor talking in the midst of ankle deep plastic. It was typically chaotic, the women trying to conduct three simultaneous adult conversations while acting as judges in sharing traumas, until he saw his son, Ian, in the corner. He looked baleful and lacking pants. In fact, he looked as if he had just peed in the corner, miserably mistaking his big red bucket for his training potty with handles. He was surrounded by cooing women, one of whom pinched his tiny blue underwear in her fingers.</p><p>“Ian.” Kurt ran over and scooped up his son with his free hand. Ian put his head down on his father’s shoulder and as they walked upstairs he said, “I thought there was a potty, Daddy, I thought there was a potty but I forgot I couldn’t find it.”</p><p>Kurt spent a long time upstairs with his son, talking. The fact there were guests downstairs made their conversation strangely poignant, as if they had to whisper, or were spies.</p><p>“I love you, Ian,” he said, over and over.</p><p>“I do too, Daddy,” Ian said, spacey. “Let’s play laundry basket.”</p><p>“Not now, sweetheart. We have to go back downstairs. There are people here. This is supposed to be fun!” This evoked his own experience of being a child. He knew Ian could only hate him for it.</p><p>But Ian completely ignored him – a lifeskill of the toddler set – and shot out five fingers. “Just five rides,” he said. Kurt saw his wife in him, a flash of her rational, mathematical self. “Just: one two three four five.”</p><p>Kurt couldn’t help it. He spun Ian around the landing five times in a laundry basket, all of them squealing, until Mia stood at the bottom of the stairs calling up.</p><p>“Everything okay up there?” she said. “Or are you just avoiding us?”</p><p>Kurt evened his breath and appeared. They went back into the playroom and sat down. The kids were already getting whiny. The women packed up their bags, putting tiny feet into soft leather walkers and Velcro boots. Kurt hadn’t really spoken to any of them. His careful tray of mini bagels and juice boxes was decimated.</p><p>“Time to go already,” Justine sighed. She was a redhead who wore hats. “We always seem to be transitioning, don’t we, Boo-Boo?” She said this to her six-month-old son, Milo, as she stuffed his head into a knitted peapod.</p><p>Kurt helped locate coats and shoes and tried to quell the depressed, scattered feeling he always had when people left. What was it he’d been hoping for? His maleness was immutable, and the women instinctively held back, or insulted him by overdoing the isn’t-he-cute eyes when he changed Paige, or tousled Ian’s hair, or interjected a comment about shopping for cases of diapers at Costco. If he was enlightened, why weren’t they?</p><p>Mia moved slowly at the door, taking her time with her children’s zippers and hoods. When she stood up she leaned in and kissed Kurt on the lips, just slightly longer than a goodbye peck. Kurt froze. Had she just lingered? Was she the only woman who’d kissed him hello and goodbye?</p><p>She was.</p><p>“Thanks for the advice,” Mia said, taking her baby in her arms and her toddler by the hand. She was on her way to pick up her four year old from nursery school. “You’re sweet.”</p><p>Kurt followed Ian into the playroom and they silently cleaned up while Paige slept in the swing that clicked like a metronome. When they were finished, it was time to make lunch and mix a bottle and Kurt was exhausted. Ian played a game on the computer and when Kurt asked him to stop to eat a sandwich he said no, and then NO NO NO NO NO NO NO and threw a pen at Kurt while his back was turned. Then he told his first deliberate lie.</p><p><em>Ian, did you throw that pen at me?</em> After an entire minute – Ian shock-still, fingers stuffed in his mouth, weighing the answers, eyes darting – he said, <em>NoDaddyNoDaddyNoIdidn’t</em>.</p><p>Kurt felt Mia’s kiss again, her dry lips. He did not enjoy this new perspective. Every turn in life brought a new perspective, it seemed, and once you had it, there was no giving it up. This was not always enjoyable. For instance, his wife: she would not be pleased about Mia kissing him on the lips, and he would tell her about it if it would not upset her. But it would upset her. And he wasn’t willing to do that. And the very act of not telling his wife – this is what made him a man! – it made his dick hard.</p><p
style="text-align: center;"><strong>*</strong></p><p>That night when Abbey arrived, weary and wrinkled, he and Ian and Paige sat on the edge of the bed and watched as she undressed, putting her shoes in their place on the rack and unrolling her hose without using her nails and working slowly through each silky tucked-in layer until she stood in her underwear, poised to redress with sweatpants and a turtleneck sweater and woolly socks. It was silent and cold in the room, and Abbey smiled at them, and Ian marveled at her biceps and long hair and Kurt marveled at the girlishness of her thighs and the lovely supple jelly of her small tummy and Paige became agitated by her smell. This was Kurt’s favorite moment of every day.</p><p
style="text-align: center;"><strong>*</strong></p><div
class="pullquoteRight">Dennis gave him a queer look, damning and innocent, the look of a man who’d always wanted the wrong things.</div><p>Every Thursday night in winter Kurt met his friend Dennis at the hockey rink for men’s pickup. They skated an hour in full pads – it was a checking league – until Kurt waved himself off the ice, exhausted. In the locker room, waiting for Dennis, a kid – twenty-five or so – put on his pads with his buddies for the next game. Kurt toweled his hair and tried to get used to the static rubber floor.</p><p>“Christ, she’s awesome,” the kid said. “I keep telling her to relax. She wants to, I can sense that. She’s got the kids though. I never thought I’d find a woman like that attractive. I always thought, yuh! Over thirty, fat, kids, suburban housewife thing. But this one– I can’t get her off my mind. I leave her notes, I send flowers, I follow her around just for that eye contact. You know what I mean? That acknowledgment. I nailed her once in the conference room when we were both working late, and I can’t forget it.”</p><p>His friends snickered and Kurt could detect the ones who had girlfriends they loved by the way they studied the floor. It was easy to brag about love if your idea of it was breaking and entering and leaving a note wrapped around a married woman’s toothbrush.</p><p>“Bo, check out at that dude,” said one of the guys, nodding at Kurt.</p><p>He wheeled around. “What’re you smiling at, prick?”</p><p>Kurt swallowed his face. He should have known better. He looked behind him for Dennis.</p><p>“Me? I enjoyed your little story. Man meets woman, man harasses woman, man lies about having sex with woman to his friends.&#8221;</p><p>“Why are all married guys such pricks? You know what I think? You don’t even enjoy fucking your wife anymore, and you’re bitter. You’re bitter because all you can do is hear about it. You just keep focusing on the love, man. It’s all about the love, isn’t it? Isn’t that what you tell yourself?”</p><p>“Ha ha ha,” Kurt said. “Ha ha ha ha ha ha.”</p><p>The kid was short but wide, and tense with bunched-up anger, eyes dim with a mistake waiting to happen. Kurt worked hard to seem like he didn’t care, his body leaden, and he avoided the kids’ eyes like he would with a dog.</p><p>“Ge’th’fuck outta my way, prick,” the kid said, purposefully walking past Kurt with his shoulder down. Kurt saw it coming and treated it like a check. Hockey in the goddamn locker room.</p><p>“Whoa,” said Dennis, when he came in a minute later. “I guess we need to get outta here.” He cut his shower short.</p><p>At the Meetinghouse they sat at a table and had a pitcher of beer and potato skins, the tips of their hair still wet, their faces pulsing red heat.</p><p>“My mom’s sick.” Dennis was very good at trading one difficult topic for another. “I’ve been doing all the housework. You know.”</p><p>“Like me.” Kurt tried to say it with humor, the joke of his little life.</p><p>“I guess. Shit, I wish there were kids, at least it’d be fun.”</p><p>“It’s not always fun.”</p><p>“Bullshit. You have more fun than anyone I know.”</p><p>“So get married.”</p><p>Dennis was grave. “If I could just have the kids.”</p><p>“You’re missing the point,” Kurt said.</p><p>“Now if I could have Abbey,” Dennis said. “That would make things worth it.”</p><p>“Your kids would be ugly,” Kurt said. “Forgetaboutit.”</p><p>“Not with Abbey.”</p><p>“Stop about Abbey!”</p><p>Dennis was a carpenter who lived in his mother’s basement apartment in the town center. He hung out in his bedroom listening to Pink Floyd wearing the same rugby shirts he had worn in high school.</p><p>“I want your life, Patchen.”</p><p>“My life. Shut up, Den.”</p><p>“I’d be real good with the kids. It would be deeply meaningful. I could learn how to cook.”</p><p>“Leaving eight bucks under your dinner plate for your Ma is the most I’ve ever seen you cook.”</p><p>“Leave my ma alone. She’s not feeling well.”</p><p>For twelve years Dennis had joked about Abbey. How he wanted Abbey. He said tentatively, your wife. He called her, <em>Beautiful</em>. <em>Hey Beautiful</em>. Kurt had a moment of clarity he knew he’d regret.</p><p>“You fucking love my wife,” he said. “You’re fucking in love with Abs.” He guessed it was something he’d always known.</p><p>Dennis barked out a laugh. He held his stomach and leaned over the picnic table as if to retch. Then he sat up straight and grinned like an ass. He hadn’t changed at all from high school. Maybe none of them had. “You’re so fucking fucked-up,” he said. “My best friend.”</p><p>“Well, am I right?”</p><p>Dennis gave him a queer look, damning and innocent, the look of a man who’d always wanted the wrong things.</p><p>Kurt thought about the first time he saw Abbey, in high school at a swim meet. She wore an oversized sweatshirt over a keyhole navy suit and a stack of colorful ankle bracelets. He had kissed her two invitational meets later. She was a butterflyer and he had dreamed about the ridge of muscle in her lean shoulders, how she smelled like chlorine and sleep.</p><p>“My mom has a tumor in her spine,” Dennis said after a long pause. “Fuck.”</p><p>“Fuck,” Kurt repeated, because it was the most respectful thing he could think of.</p><p>The day Dennis announced, “No college for me, Ma! I’m going to Carpentry School!” She had looked at him – was Kurt there? and said, <em>You’ll make a wonderful carpenter. It’s what you’ve always wanted, isn’t it?</em> She fed him his favorite dinner that night. They still ate together.</p><p
style="text-align: center;"><strong>*</strong></p><p>Paige slept between them with her arms flung over her head; Abbey nursed her at night. During the day Kurt fed Paige bottles of formula or breast milk Abbey pumped with a contraption that made Kurt’s teeth hurt. Tonight Kurt dipped into the middle of the bed to lift his infant daughter out and into her cradle. Abbey stirred, and he could tell she had been crying by the way her eyes were puffy and her nose navigated air.</p><p>“Hey,” he said. He crawled into bed and put his arms around her. “What’s up?”</p><p>“You stink,” Abbey said, and curled up tight against him. “I was just thinking.”</p><p>“About?”</p><div
class="pullquoteRight">He had been the type of kid to cry at the sight of an old person, someone hobbling around in the middle of the street. Then, when he was older, they started falling in front of him, drawing blood. He usually rescued them and then became violent to get away.</div><p>“What time is it?” She leaned over to see the clock but Kurt held onto her. He could see her sweet ass. He put his hand down into her thin, stringy underwear.</p><p>She slapped his hand and said, “God, it’s one-thirty and I have to work tomorrow. How’s Dennis?”</p><p>“His mother’s going to die.”</p><p>“What?” Abbey tried to sit up but he held her down. He felt strong against her thinness. He smelled himself as he moved, pockets of soapy sweat tinged with smoke from the bar.</p><p>“She’s dying of cancer.” He put his hands back on his wife.</p><p>“I love that woman. Did you know she works at the soup kitchen near my office? She’s there every Thursday. She’s a chopper. She chops and chops and chops, and then someone else arrives to assemble and receive all the glory.”</p><p>“What were you crying for?”</p><p>“Ian,” Abbey said, resolutely. “I get the overwhelming sense that I’m missing everything. He grows from the moment I step out the door until when I get back. He looks different, he’s learned new words, he’s riding a tricycle. He’s made up whole games I know nothing about.”</p><p>“You could cut your hours.”</p><p>“I don’t want to talk about this! What would we do?”</p><p>“Should I answer that? I would get a job, and you would stay home.”</p><p>She shook her head.  “It’s working. Right, Kurt, this arrangement is working? Because it’s easier to wallow in a little self-hatred than to fantasize about some life overhaul that’s never going to happen.”</p><p>“Define never.”</p><p>Abbey sighed.</p><p>Kurt thought of Ian naked in the playroom. The women had laughed, had called his penis cute things. He thought of Mrs. Stelf dying of cancer. He thought of Dennis taking care of her, and doing the housework and secretly loving Abbey. He put his hands back on his wife.</p><p>“You want to make love to me?” Abbey said.</p><p>Kurt gently flipped her onto her stomach and slid off her underwear. He had been the type of kid to cry at the sight of an old person, someone hobbling around in the middle of the street. Then, when he was older, they started falling in front of him, drawing blood. He usually rescued them and then became violent to get away. It had happened more than once. He lived his life like this.</p><p>“I’m going to be so damned tired tomorrow,” Abbey said, muffled by her pillow.</p><p>Kurt rubbed his palms down her spine on each side, along the muscles he loved. Abbey went limp. He was fierce with desire. He was usually so careful, so yielding.  Now he worked her over, his hands rough and callused from hockey, working his imagination in ways he knew would shame him the millisecond it was over. But right now– right now it was what he wanted and needed, a want he could fill, and he closed his eyes, away from her, tunneling down the path of his own need.</p><p
style="text-align: center;"><strong>*</strong></p><p>In the morning Kurt pulled into Mia’s driveway. He wanted to talk to her, and he wanted to make his point in person. He left his children in the car and rang her bell.</p><p>She answered in sweatpants and a T-shirt, her hair sticking straight up.</p><p>“My God,” she said. “It’s the grim reaper.”</p><p>“I met that kid at the rink last night.”</p><p>Mia’s eyes shot open. “You what?”</p><p>“I saw that punk. Bo. The one stalking you? I came to tell you I think he’s dangerous. I think you should take out the restraining order. Now. Today. You have to do something. Have you?”</p><p>Mia yanked him inside by his sleeve. “How did you know it was him?”</p><p>“He mentioned you. Showboating for his buddies.”</p><p>“What did he say?” She slammed the door to the cold.</p><p>“Nothing that incriminating,” Kurt lied. “I just get the feeling I know what kind of kid he is. A loose wire. I think you’re wrong about knowing him, and I think you’re wrong about him hurting you.”</p><p>“Huh,” Mia said.</p><div
class="pullquoteLeft">He had stood on the threshold too long; Mia cocked her head in a question, and they were suspended there, a test of will and movement, of breath, of his future and his sad past.</div><p>A child whizzed by in a cape. Someone screamed.</p><p>“We’re still doing Halloween,” Mia said. “My kids can’t let it go.”</p><p>“The kids all look cute until about second grade,” mused Kurt. “Then they start making themselves as unattractive as possible.” This year Ian and Paige had gone as ladybugs, Kurt as an aphid. “I just – you know. Thought I should say something. <em>Had</em> to say something, I guess.”</p><p>“I won’t ignore it,” Mia said, coming too close. “I was serious when I asked you about it. What I should do.”</p><p>“Okay.”</p><p>“Okay?”</p><p>“Well, that’s it. That’s all I wanted to tell you.” Kurt tipped back and forth on his feet, his mind thinking: KISS KISS KISS KISS KISSSSSSSSSS.</p><p>Mia studied him, and Kurt tried to contort his face with what he hoped looked like comprehension.</p><p>“Kurt?” Mia was too close; he smelled her fillings. He thought of what Bo had said about the conference room and shook it off like rain. He thought of Dennis wanting Abbey. He had stood on the threshold too long; Mia cocked her head in a question, and they were suspended there, a test of will and movement, of breath, of his future and his sad past.</p><p>“Maybe–”said Mia, taking a step back, slightly flustered.</p><p>“I should go,” said Kurt.</p><p>She seemed hurt, a little. Or was that disgust in her eyes?</p><p>Kurt told himself to stop creating the desire to protect something that wasn’t his in the first place.</p><p>He broke free and ran to the car, where the children were howling, cold and abandoned in their rocketship seats. He buried his face into each of their laps for forgiveness.</p><p
style="text-align: center;"><strong>*</strong></p><p>In Debbie’s basement – enviably finished – Ian played Tinker Toys with the “big kids”, all of whom were two. Kurt wanted to maim the person who invented Tinker Toys. They had been brought back for nostalgia in their chic cardboard tins, but every time Kurt tried to make the helicopter he decided they were only good for kindling. Nothing fit right, the holes were too small, and the wood naturally shrunk and swelled and splintered. The women spoke around him (was he the only one, goddammit, who ever played?), politely asking questions about Abbey (whether she was still nursing) and Paige (whether she was still nursing). He had to control Ian’s temper when finally they gave up on the helicopter (again) and someone said, “Is that just frustration or is he holding something else inside of him? Something bigger?”</p><p>It wasn’t until they were packing up to leave – the twenty minute ritual – that she said hello.</p><p>“Hi, Kurt.” Mia.</p><p>He stumbled on Ian’s toes, then put his hand over Ian’s mouth to stop the howl.</p><p>“Hi,” Kurt said. “How’s it going?”</p><p>Mia had dark circles under her eyes. “It’s going. I’m late. Nice to see you.” She struggled past him with her two kids. When her fleece jacket accidentally got caught up in the door handle she stumbled towards him and fell, and as he caught her his mouth barely brushed the waxy cup of her ear. She might have considered it an accident.</p><p>Sitting in his car, Kurt watched the rest of the women emerge. He studied them cruelly: dowdy dresser, fat hands, obsessed with cocktail parties. When had he turned into such a crank? He yearned for Mia’s smile, her small teeth, and when his mind moved over her, he felt the way he would have in high school, a terrible physical lurch. He was the last to turn on his car.</p><p>“Daddy,” Ian said, disgusted by his slowness, “Go.”</p><p
style="text-align: center;"><strong>*</strong></p><p>On Saturday, while Abbey finger-painted with Ian and Paige napped, Kurt went to visit Mrs. Stelf. Dennis’ truck was gone. He would be at the gym, pumping up for a Saturday night spent alone watching Comedy Central. Mrs. Stelf knew Kurt was coming; he had called ahead. She set out a box of Pepperidge Farm cookies on top of a thick plastic tablecloth, the kind with the furry bottom. She wore neatly pressed sweatpants with Keds, and became out of breath pouring tea.</p><div
class="pullquoteRight">Dennis was terribly stubborn. His mother would die and he would continue to live in the basement of the house, maybe for years and years afterward, trying to conjure her up through casseroles and certain Lily of the Valley soaps.</div><p>“Air,” she said, waving her hands around her face. Mrs. Stelf was not a hugger, although Kurt had considered overwhelming her on the way in; until he realized, with no small amount of shame, that he didn’t want to touch her. Not because he was afraid of catching something, but because he was afraid she would disintegrate.</p><p>“Air,” Mrs. Stelf continued, “is not something you should take for granted.”</p><p>Kurt sat down at the table and dumped sugar into his tea. In the car on the way over he had rehearsed stupid euphemisms about dying, not one of which considered the apparent fact of not breathing anymore and how painful that would be.</p><p>“So I guess Dennis told you,” said Mrs. Stelf.</p><p>“I’m so sorry.”</p><p>Mrs. Stelf sat down next to him. “They want to know what I choose, Kurt. Fight the good fight or let nature take its course. Ultimately, I don’t think they can deny the therapy to anyone. If you’re willing to pay, to take that risk. Suddenly everyone wants to live.”</p><p>“Of course.”</p><p>“Dennis thinks it isn’t an option. He’s spoken with the doctors. He thinks he understands the treatment, and the odds mean everything to him, that shred of hope. Thirty-seventy! Twenty-eighty! For me, the numbers are meaningless. What’s in a statistic other than a bunch of cold history? I’ll die at the end either way. We’ll rip through my savings and Dennis will have to sell the house, my only thing to leave him.” She looked directly at Kurt, and he could imagine the conversation he would have with Dennis.</p><p>Dennis:<em> Fuck yeah she’s getting the treatment! She’s not going to just roll over and die on me! Fuck no!</em></p><p>They drank peppermint tea. Kurt remembered all the time he spent in this house as a child. Mrs. Stelf worked; in the afternoons the house was gloriously empty. His own mother was perpetually home, busy becoming a ghost of herself, one of those mothers who was so present that she somehow failed to exist. Mrs. Stelf used to arrive and clunk down her keys and change into matching pastel sweats and make them crackers smeared with cream cheese and pepper jelly. She would pour a glass of wine and sing Frank Sinatra at the top of her lungs. Her apron said <em>Kiss My Cookies</em>.</p><p>“But really,” said Mrs. Stelf now, “I don’t worry about Dennis; he’ll be fine. I don’t worry about the actual dying part, the departing. It’s the unknowable juncture of pain and death. I mean, is it necessarily unbearable and then you die? It’s very unpleasant to think about.”</p><p>The back door slammed and Dennis strode in as if were still in the gym, doing that ridiculous puffed up male thing in between sets. Kurt was not happy to see him. He would ruin the truthful cadence of the conversation.</p><p>“I’ve already told her,” Dennis said, gulping water at the sink, “that I would happily ensconce her in mind-relieving drugs if things got rough. Wouldn’t I, Ma?” Dennis draped his arms around his mother’s shoulders, and she visibly winced.</p><p>“Come sit.” Kurt patted a chair. “Here.”</p><p>“We were discussing options.”</p><p>“There are no options,” Dennis said. “She does the therapy, it goes into remission. It’s a no-brainer.” He shoveled a stack of cookies out of their crinkling plastic nest and popped them into his mouth.</p><p>When this was met with silence, Dennis said, “The doctors have no reservations that she can handle it. She’s in good shape. She’s always been perfect.”</p><p>“You sound like you are discussing a farm animal,” Mrs. Stelf said, not entirely annoyed. “I want to hear what Kurt has to say. He’s always had a fine opinion for what’s right.”</p><p>Dennis rolled his eyes dramatically.</p><p>Kurt nibbled on a Milano. He was thinking about how Ian, when he was nervous, screwed up his eyes and face and fists, then laughed hysterically.</p><p>“It’s not a question I could possibly answer,” Kurt said. “How could I? It’s not my body. It’s not my life, it’s not my mother’s life. I think if it were, I’d have to agree with Dennis. How could you not go for it? What if you could live in remission and get another good eight or ten years? What if you could get five, or two? Isn’t that something? But then, our idea of cancer treatment is barbaric. I know it’s gotten better, but it’s still barbaric. Not to mention humiliating.”</p><p>“That’s the other thing,” said Mrs. Stelf. “I don’t want Dennis taking care of me if I linger around here past my prime. Past when I can make my own decisions. How will he ever be able to meet someone, if his old ma is stinking up the house?”</p><p>Dennis snorted.</p><p>“My number one priority is to see him get married before I go.”</p><p>Kurt said, “I agree with Dennis then. You need to live forever.”</p><p>Mrs. Stelf smiled. “He will find the right girl,” and the way she said girl, Kurt could see her own girlhood in her, the luck and the fresh love and the pining. His chest squeezed, and he thought about this other unmentionable sea of female love, and his own abiding love for Mrs. Stelf.</p><p>“The lawyers can help us, Ma,” Dennis said. “It’s all set up beforehand. You can do whatever you want, as long as you set it all up before. It’s just that not everything is foreseeable. Don’t you agree, K-man? Don’t you think there are things that are unforeseeable?” His voice broke.</p><p>Kurt left them sitting at the table. Dennis was terribly stubborn. His mother would die and he would continue to live in the basement of the house, maybe for years and years afterward, trying to conjure her up through casseroles and certain Lily of the Valley soaps. He would keep her clothes and the boxes of fake silk scarves and costume jewelry clunking around in beautiful wooden boxes Dennis made her in high school. Inside were dovetailed compartments and squares of coarse velvet he had meticulously sliced with an exacto knife.</p><p>Kurt knew he should hurry home. Ian would have lasted two minutes finger-painting and Paige would be squalling and they all had been up since five-thirty. He often wished Abbey would get flustered so he could rescue her with his skill. This would ensure that she still needed him. But parenting wasn’t skill, and the knowledge he banked – where Ian’s slippers might be hiding (behind his dresser), Paige’s sudden love for having her forehead stroked, Ian hating his favorite roasted carrots because yesterday he’d inhaled a stray piece of garlic – all seemed incredibly poignant now. There would always be things to know about his children, and different people would know them along the way. He was winning an unwinnable contest. His fear was that he would wake up one day and Abbey would be a brilliant financier and his children would have moved on, and him? His sporadic dream of becoming a science teacher – the hands-on, rocks and birds and skeletons of sixth grade science, before the gruesome stretching of amphibians on pins and the breaking up of everything into the tiny units of atoms, microns, DNA, cells – would have been forgotten. He would be wallowing in some gray area of empty-nest volunteer hell, and his knees would be too shot to play hockey. He would have the look of his own mother at four o’clock in the afternoon.</p><p>Instead of driving home, Kurt drove himself over to the police station. The woman behind the plexi looked at him frankly and then told him to hang on a sec, the way they did in towns where things rarely lurked or hunted or gave chase. The dispatch radio spewed pre-party DUI, kids on skateboards near the monument, a parking meter defaced; little things, really, compared to what men were capable of.</p><p>“May I help you?”</p><p>Kurt recalled the day he retired his badge. It was the worst day of his life, yet it freed him for less spurious lifetime pursuits. Was he here to make a confession? Compose a speech? It was the first time he’d dared step foot in a police station. It smelled familiar, like wet dog and paperwork and greasy lunch.</p><p>“My name is Kurt Patchen.”</p><p>He thought he saw a flicker of recognition.</p><p>“May I help you?”</p><p>“Maybe. I’m just wondering about certain protocols.”</p><p>“What kind of protocols?”</p><p>“You know. Restraining orders.” He coughed.</p><p>“For yourself?”</p><p>Kurt laughed.</p><p>“Mr. Patchen? Is that funny?”</p><p>“Uh, it’s not for me. It’s for, um, a colleague. A friend who–“</p><p>The woman pointed to the shelf behind him. “Take a brochure. It has numbers to call, hotlines, lawyers, everything you need to know about harrassment.” She eyed him. “Take two.”</p><p>“Right. Okay.” She looked at him like she was flipping through her memory bank, trying to find him filed under psychopath. But maybe Kurt was just paranoid. He hoped she wouldn’t reach his particular history of disgrace. He’d been let go for falsifying testimony, having made up some reports to help a woman’s case. He believed her to be in grave danger. He had not been romantically involved, as speculated in the papers, but even Abbey didn’t trust his motives. He became obsessed with the woman’s safety, ignoring certain signs that she wasn’t well. He only did it to ensure she didn’t wind up – what was the term Mia used? – dead.</p><p>“Hey, thanks.” He felt strangely vindicated pocketing the brochures.</p><p
style="text-align: center;"><strong>*</strong></p><p>At home there was a double stroller by the front door. When he walked into the house, Abbey and Mia were laughing in the living room. Mia nursed her ten month old son Christopher, who turned to look at him. Kurt told himself not to stare at Mia’s breast, now pulled into a cone. He heard Ian and Mia’s other two children playing downstairs, and he had to stop himself from wishing it had been a harder afternoon for Abbey.</p><p>“Well well well,” Abbey said. “If it isn’t the knight in shining armor himself.”</p><p>“Hi.”</p><p>“We were just talking,” Abbey said. “I’m catching up on everything you don’t tell me about playgroup.”</p><p>Kurt looked back and forth at the two women and they both eyed him with diminutive amusement.</p><p>“Don’t worry, it’s nothing serious,” Mia sat cross-legged while Christopher nursed.</p><p>“Okay.” Kurt searched Mia’s eyes too long, and his wife looked at him quizzically. He’d just realized the kid Bo wasn’t lying about Mia. Of course! What an idiot he was. She’d been with the creep all along, and he’d fallen for her ideas of victimization. She didn’t want to file a report because it wasn’t like that: she had been willing.</p><p>“I just stopped at the police station,” Kurt said.</p><p>Both women looked at him with eyes so bright they could have been tears.</p><p>“You look very earnest,” Mia said. “What a big earnest guy.”</p><p>Abbey snorted. She looked at him strangely, and he felt the clobber of nervous sweat. “Whatever were you doing <em>there</em>?” She bore her eyes into his solar plexus. His firing was mixed up in notions of propriety – he was painted as taking advantage of a woman who turned out to be so semi-deranged and unstable, why, anyone in their right mind could see it!  – and his wife’s amazed disappointment in his judgment was his never-ending penance. He barely had to breathe to be reminded of it.</p><p>Kurt looked straight at Mia. “Oh, you know. Looking for protocols.” His eyes lingered – yes! – over Mia’s breasts, which she had left exposed, after all, nipples erect and hard beneath her flimsy nursing apparatus. He turned and banged through the swinging door into the kitchen. He stood at the sink and drank water straight from the tap like Dennis, slurping and noisy, half of it running down his chin.</p><p>He saw the clock and reflexively barked, “Have you fed Paige?”</p><p>The kids were supposed to save him. Ian was born two months after he was fired. They moved to a different town and Kurt stayed home with the baby when Abbey went back to work after six weeks of maternity leave. Kurt enjoyed the flexibility of his time, and felt back in control of his life.</p><p>After a beat Abbey yelled back, blithely, “I fed her but she wasn’t really hungry. I put her back down. She ought to sleep for a while, don’t you think?”</p><p>It wasn’t Tova who told Mia about his disgrace. It was his wife.</p><p>Paige never slept for more than twenty minutes in the late afternoon. When he flipped on the monitor he could already hear her armadillo grunts, sucking on her wet fist, struggling to lift her head. He crept upstairs and into her room to to feast on her sweaty, hot neck, on the way her eyes sparkled at the sight of him.</p><div
id="bio"><em><strong>Lissa Franz</strong> is an author living in Massachusetts.  Her fiction has appeared in <strong>The Missouri Review</strong> and <strong>Crescent Review</strong>. She is a previous recipient of a Massachusetts Cultural Council Artists&#8217; Grant and is currently placing a novel about a female pilot during World War II.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/01/willing/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Sell Out</title><link>http://foggedclarity.com/2011/01/sell-out/</link> <comments>http://foggedclarity.com/2011/01/sell-out/#comments</comments> <pubDate>Tue, 01 Feb 2011 04:38:31 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[New York]]></category> <category><![CDATA[Saramanda Swigart]]></category> <category><![CDATA[Sell Out]]></category> <category><![CDATA[story]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=11068</guid> <description><![CDATA[Saramanda Swigart 1. Twins, Age 34 Small One-Bedroom Apartment, East Village, Manhattan The knocking lasts an hour and forty-seven minutes. As always, the neighbors stay quiet. I lie still, listening. It begins timidly at 1:32 a.m. and ceases at 2:49 a.m., according to my bedroom clock. I keep the clock six minutes fast, so truly [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Saramanda Swigart</h3><div
class="center"></div><p
style="text-align: center;"><strong>1. Twins, Age 34<br
/> Small One-Bedroom Apartment, East Village, Manhattan </strong></p><p>The knocking lasts an hour and forty-seven minutes.  As always, the neighbors stay quiet.  I lie still, listening.  It begins timidly at 1:32 a.m. and ceases at 2:49 a.m., according to my bedroom clock.  I keep the clock six minutes fast, so truly the sobbing begins at precisely 2:43 a.m., and it savages my heart.  I chew at a nail.  I chew two or three more before tiptoeing to the door.  I stand and listen to my sister cry.  Somehow I can tell that she is sitting, leaning against the door, facing the opposite wall.  At 3:00 a.m. by my watch (accurate), I let Lexi in.  It is the first time I have seen her in four months.  She wears a typically bizarre arrangement of clothing: a huge Russian officer’s jacket, pink floral pants and red spiked heels.  Her eyes are red, her mouth red at the corners, her cheeks blotchy.  At her worst, she is still beautiful.</p><p>“Take off your coat,” I say.</p><div
class="pullquoteRight">Tears form in her eyes, but she does not let them drop.  “I have nowhere to go,” she says softly.<br
/> “You made yourself this,” I say, “It must be what you want.”</div><p>“No.”</p><p>“My house.  Take it off.”</p><p>She removes her coat and throws it on my couch.  I examine her arms.  When I look up she is staring into my eyes.  My heart seizes in a pandemonium of love and hope.</p><p>“You want money,” I say.  It is not what I mean.</p><p>“Naturally you assume that,” she says.</p><p>I mean to say <em>I am so happy you are alive: life without you would not be life.</em> But I do not.</p><p>“Do you want a drink?” I ask.</p><p>“Sure.  A juice if it’s OK.”</p><p>I pour myself a vodka and cranberry and pour the remaining juice into a glass for Lexi.  We stand sipping our drinks, avoiding one another’s eyes as though shy.  I will be exhausted at work tomorrow.  The greasy F train will deposit me in mid-town, and I’ll adjust my collar in the windows of storefronts, rotate my stockings, and forget to change from my scuffed and comfortable shoes.  I know: suited men will appear ghoulish; the coffee will taste poisoned; my manager’s condescension will rile me to unwarranted anger.  I will despair at how low-status my office job is; how much older I look in the years since I began work here; how unlikely I am to advance. All day I’ll misfile documents and forget the names of clients.  It’s too late to worry, though.  I’m awake.</p><p>I look at the ice cubes melting in my drink.  There are two of them, waning.  An evil in me incites me to say loudly, too loudly for the room, “Lexi, when did you become so…”</p><p>Her head snaps up, “So what?  So <em>burdensome</em>?  Such a <em>life sentence</em>?”</p><p>“No.  I mean, no.”  I am shocked at how easily she has exposed my most malevolent thought.  “So hostile, I guess.  I mean, you used to be…”</p><p>“The second you turned into such a <em>do</em>-gooder.  Such a <em>sell-out</em>.”</p><p>She abruptly walks to my stereo, both hands tight around her drink. Once again, I am taken aback by how graceful her hands are, slim, perfectly tapered, the nails not cheapened by lacquer or excessive length.  I look down at my own hands, four nails wrecked this very night, the pearl-colored polish peeling off.  My hands betray me: the rest of my look reflects my new life, my ordinary job.  Lexi is skinny and punk rock.  Her weird pink pants – more like pajama bottoms than couture – harmonize strangely with the red pointy-toed shoes.  On her boyish chest an obscure band logo clashes pink on a blue shirt.  Lines have developed around her mouth and eyes.  Her short spiky haircut partially reveals the thumb-sized scar behind her left ear.  Each time I see it I get a rusty taste on my tongue, as though my mouth were filling with blood.</p><p>She picks out a record at random and stares at the cover, then replaces it.  Then she picks out another.  It is a New York Dolls LP.  The record corner shakes in her hand.  There is a graphic of a fat pink baby on the cover.  The font looks as though it has been squeezed from a toothpaste tube.</p><p>“Didn’t you give me this?” she asks.</p><p>“Yes.  Sorry.  You should take it.”</p><p>“I listened to it every day.”</p><p>“I remember.”</p><p>“I liked everything you liked.”</p><div
class="pullquoteRight">I have just left work: I am still in my cheap suit.  The sleeves are soaking wet, even pulled all the way up.  I lift her head from the freezing water for the final time and her wild eyes open.</div><p>I don’t say anything.</p><p>“I was always singing <em>Bad Girl</em>.”  Lexi bites her lip.</p><p>“Lexi,” I say helplessly.</p><p>“I don’t want money, Cassie,” she says, “I just wanted to stay here with you.”</p><p>“You can’t stay here anymore.”</p><p>Tears form in her eyes, but she does not let them drop.  “I have nowhere to go,” she says softly.</p><p>“You made yourself this,” I say, “It must be what you want.”</p><p>“No, of course it’s not,” she says carefully, “no, but I’m so lonely, Cass.  I’m a stray.”</p><p>“That’s exactly the problem, exactly.” <em>Please do not leave me</em>, I think.</p><p>“I guess I’ll leave,” says Lexi.</p><p>We stare at one another.  From the bedroom the clock ticks in the silence.  From the building, no sound at all.  We stand with our melting drinks, perfectly still.</p><p
style="text-align: center;"><strong>2. Twins, Age 29<br
/> Small Studio Apartment, Lower East Side, Manhattan</strong></p><p>Of the scenes I remember most vividly, one is of holding Lexi’s head under cold water in her bathtub, lifting it and lowering it again.  Like an inquisitor, torturing a martyr.</p><p>“Come on,” I say to myself, and to her, “come on”.  I have just left work: I am still in my cheap suit.  The sleeves are soaking wet, even pulled all the way up.  I lift her head from the freezing water for the final time and her wild eyes open.  She is drugged, but awake.  Her make-up runs in ghastly circles beneath her eyes.</p><p>“Oh?” she says.</p><p>I remove my jacket first, then the shirt beneath.  I cup cold water in my hands and run it over my hot face.  I take a washcloth and wash Lexi’s face.</p><p>“Oh,” she says again, “shit.”</p><p>“Why now?”  I ask.  I sound whiny.  It is I who supports her drug habit by giving her money whenever she wants it, and refusing the “help” of doctors, clinics and police.  I lean back against the tub.  I cannot bear my own face in the mirror.</p><p>“I’m sorry,” she whispers, not for the first time.  “It’s just that I’m all alone.  I feel all alone.”</p><div
class="pullquoteLeft">“<em>we have walls</em>,” he made us translate, “<em>not so that we might live safely, but so that we might sin secretly</em>.”</div><p>Here’s my chance for indignation, which I can exploit or not, and I do. “Bullshit self-indulgence,” I say, “I’m here every time.  You’re going to <em>die</em>.”  I am too tired for anger suddenly.  “I’m the one who’ll be alone.”</p><p>“You know what I mean, though. You… <em>disapprove</em> all of the sudden.  You’re the one who…” Lexi stands up shakily. She’s trembling and goose-fleshed in her baby tee-shirt and tiny skirt with long underwear on underneath.</p><p>“We all need to stop some time,” I say, “we all need to fucking grow up.”</p><p>“I know.”  She takes my hand.  I look into her eyes.  Drugged, her eyes are filled with the most unalloyed sympathy.</p><p>The emergency room is as always.  They admit her, they give her the options, they let her back into my defective custody.</p><p>“You’re a lucky young lady,” the doctor says to Lexi in a tone that indicates how little patience he has for us.  “You have a sister who cares a lot.”  He knows nothing, with his petite figure, thinning hair, his going-to-seed good looks and his other places he needs to be.  Be nice, I think: he is not unkind, I think.  He has seen this before: he has even seen us before.  My fingers tap irregularly against my thigh.  Each tap indicts me, a vice-measuring metronome.  Our father, the classicist, loved Seneca: “<em>we have walls</em>,” he made us translate, “<em>not so that we might live safely, but so that we might sin secretly</em>.” Lexi and I sin publicly.  Is that better?  It was our father, the hypocrite, who sinned secretly.  Lexi sits shamed, already a little dope sick maybe.  Fuck, what am I going to do?</p><p>“Does she want treatment?” says the doctor.  “Full time is an option.  Out-patient is also an option.  Methadone: a step-down process.”</p><p>“Thank you sir,” I say.</p><p>“So, what does she want?”</p><p>I look at Lexi.  She shakes her head.  I say, “We’re OK.  Thank you, sir.”</p><p>Another Seneca quote almost makes me laugh as we walk unsteadily down 2nd Avenue: <em>it is our bad conscience that stations the doorkeepers, not our pride</em>.  I am her doorkeeper, of that I am sure.  Of that I am fairly sure.</p><p>At 9th Street Lexi insists that we buy a bowl and wet cat food to feed the strays in an alley behind her apartment.  Not regular cat food, either, she wants macrobiotic cat food from the open-all-night clinic, the kind with proper human-grade meat in it.  The guy in the store will actually eat this brown, viscous substance to prove its suitability for consumption.  I can’t watch it again, so I stay outside and scan for dealers, but see nothing amiss.  Lexi emerges from the clinic with a bag full of products and five-and-change from the forty dollars I gave her.  She looks happy if not healthy.</p><p>“You’re a crazy cat-lady,” I say, “twenty-nine and already a crazy cat lady.”</p><p>“Think of when I’m older.”</p><p>“You’ll be building, like, duplexes for them in the back yard.”</p><p>“What makes you think I haven’t already?”</p><p>Back home she sits on the bathroom floor and lets me strip off her tee-shirt and skirt, wrap her in a bathrobe.  She doesn’t seem sick, just exhausted and shamed.  I wipe her make-up remover off and carefully apply moisturizer to her face. I repeat the process on myself.  In the mirror on the door, I am momentarily disoriented, unsure which of us is which.  Lexi looks at my reflection and I look at hers. The subtle dissimilarities between our faces, so obvious when we are face to face, disappear in the mirror.  Lexi is shivering.  I pull a sweatshirt over her head and lead her to bed and get in with her.</p><p>“You’d be better off without me,” she sniffles, “you’d be fine.”</p><p>When she is asleep I say aloud, “I wouldn’t be fine.”</p><p
style="text-align: center;"><strong>3. Twins, age 25<br
/> Small One-Bedroom Apartment, Fort Green, Brooklyn</strong></p><p>Lexi and I us are playing blackjack in Fort Green with our respective boyfriends, Tim and a guy who calls himself – ridiculously, embarrassingly – Mr. Bix.</p><p>We are using pills instead of money: Valiums are worth one unit, Codeine capsules are worth two, Vicodens are five and the thirteen remaining Percocets, large, oblong and white, are worth ten.  There is a single tablet of morphine, Lexi’s contribution, whose value we all deem at twenty units.  I have my eye on it.  The four of us are languid, opiated.  In the background an endless Tarkovsky film is playing, sometimes in color, sometimes in black and white.</p><p>“It’s a masterpiece,” explains Tim, the graduate student.  “Tarkovsky made this movie with any film stock the Soviets made available to him.  The black and white isn’t even intentional.”</p><p>In our state, the slow, eloquent shots and incrementally-unfolding plotline border on the mystical.  Were I not so high, I might follow what appear to be a slow series of cynical but valuable epiphanies.  I redouble my efforts to watch the film, until Lexi pops a Vicoden from her own stash into Tim’s mouth.</p><p>“You can’t keep distributing the proceeds, Lexi,” I say, “you’re fucking up the integrity of the game.”</p><p>“Don’t take sportsmanship lessons from <em>her</em>, Lex” says Tim.  He smiles and rests his chin on his arms.  His cigarette ash drops onto the floor.  He is a big man who possesses, I must admit to myself, a certain craggy handsomeness.  His pompadour is thinning at the temples: he’ll only be able to pull it off for a couple more years at most.  He is nice to Lexi.  This relieves me, but also makes me jealous.  I am afraid that I am losing her.</p><div
class="pullquoteRight">My curtains are beginning to glow in the pre-dawn: the color of a marginally healed bruise.  The thought of dawn, the inception of a long, Lexi-less day, horrifies me.</div><p>The four of us are sitting on the floor around my coffee table.  Lexi and I used to share it.  It was her idea to move in with Tim, and though she lives mere blocks from me, and we work at the same vintage clothing shop, the separation causes an anxiety I can’t explain: I bite my fingernails bloody and take too many drugs.  To show her loyalty, she matches me drug for drug.   She always does everything I do, only more: she is a true believer in the wrong demiurge.  The two of us are six or seven months away from alleys, needles, evictions.  We have never looked more alike: skinny as hell, wearing one another’s clothes, cutting one another’s hair, doing our laundry haphazardly together, not really caring who ends up with what.   These are the unspoken parameters of our new arrangement: drugs, laundry, similitude.</p><p>My curtains are beginning to glow in the pre-dawn: the color of a marginally healed bruise.  The thought of dawn, the inception of a long, Lexi-less day, horrifies me.  Mr. Bix, with his stupid name, has passed out against the couch, cards still held against his chest.  He is a dark, brooding man: when he is awake, his intellect sparkles dangerously, pitilessly.  I don’t want him to wake after Lexi leaves.</p><p>“Tim,” I say, my voice a little desperate, “As a career student, how are you going to support my sister in the lifestyle to which she is accustomed?”</p><p>“Oh, <em>she’ll</em> support <em>me</em>.  She makes more than I will with a film degree,” he laughs, throwing an arm around her shoulder.  “Hey,” he says, “you should come to school and make no money <em>with</em> me.  Your looks and smarts: you’d clean up.”</p><p>“Going to school is working for the man,” I say.</p><p>“Yeah,” says Lexi, “that’s selling out.  That’s what we were supposed to do.”</p><p>“Ah: academic parents.  Say no more,” says Tim.</p><p>Lexi smiles at me.  “<em>Inter execrationes parentum crevimus</em>,” she says.  She rarely uses the Latin our father forced on us.  I am touched almost beyond words, and find myself unable to speak to her directly.</p><p>“It has a double meaning,” I say to Tim, controlling my tears.  “<em>Execretiones</em> means both ‘prayers’ and ‘curses’.  Our parent’s prayers curse us.”</p><p>We sit in silence for a few minutes, until they excuse themselves.</p><p>I stand at the window watching Lexi and Tim walk through the morning toward the train.  He hasn’t even left the Tarkovsky, in which there seems to be some kind of redemption to lend me meaning, if only for the night.  The sky, a dazed-looking ochre, makes everything ache.  Lexi walking away feels like flesh severing from bone.  I take another pill and fall asleep on the couch next to Mr. Bix.</p><p
style="text-align: center;"><strong>4. Twins, age 19<br
/> Studio Apartment, Williamsburg, Brooklyn</strong></p><p>When we are nineteen, Lexi is mine.  Lexi, wearing a little go-go dress from the Salvation Army: myself dressed in a very mod pants-suit and big bangly earrings.  We have escaped home: we are on our own in the city.  I have taken a Percocet just to get me through the day at the art bookstore, where my duties are so slim as to make the workday nearly unbearable.  Lexi is getting ready for her waitressing job.  She is smoking a joint with short, rapid drags.</p><p>“Do you want some?” She asks, holding it in front of me.</p><p>“The <em>gateway</em> drug?  No way.”</p><p>We both giggle.  She has an amazing smile, stretched over front teeth that overlap slightly.</p><p>She is suddenly serious. “The soup kitchen after work,” she says.</p><p>“Ah yes,” I say, “our <em>noblesse oblige</em>.”</p><p>“You make it sound stupid.”</p><p>“It’s not. Sorry.”</p><p>On the L train we sit next to one another.</p><p>“<em>Well I knew a bad girl, lived on my block</em>,” sings Lexi.</p><p>“<em>I gave her my keys, I said you don’t have to knock</em>,” I finish. “Stop singing this.  I’m serious.”</p><p>“Never! <em>All dolled up, got a waitress’ skirt</em>,”</p><p>“<em>Why don’t you come over, don’t you make my heart hurt</em>.”  My fingers tap out the rhythm against my thigh.  I have a sudden memory of our father, grading papers in some hazily happy past, Lexi and I side by side on the carpet beneath his chair.  Bach’s &#8220;Well-Tempered Clavier&#8221; plays in the background.  He approximates the left hand of the keyboard alternately on the tops of our heads.  We both nestle close, savoring his touch.</p><p>First I walk Lexi to her job, which is east of Tompkins Square Park.  It is a dirty hole-in-the-wall diner with cheap food and mismatched chairs, tables and couches.  I sit drinking coffee, watching the chubby owner yell over the phone.  He claims to be French, but he speaks in what sounds like Arabic.  After screaming he sits and quietly plays backgammon with his blonde jailbait girlfriend from Long Island who, though she can’t be more than 17, already has the posture of someone who is used to ducking hurled objects.  I trust them.  I like the owner’s incongruous tenderness toward her.  I know he is not the one who has damaged her.</p><p>Lexi negotiates the tables with ease.  She is adept at deflecting passes, conversing with heaped dishes on one arm, procuring free cups of coffee for broke customers when the boss isn’t looking.  She flicks cockroaches off of tables unnoticed, using a greasy menu.  Her hair is cut in a flattering A-line around her face, a style that hides her scar.  She is thin and statuesque, her fingers long with round, unpainted nails.  Her cheekbones are high and somehow tragic.  Her posture, unlike mine, is flawless.  I think she looks like a lesser character in a Greek myth, about to be ruined by the capriciousness of an angered and unjust god.</p><p>“Lexi,” I say.  The owner looks up from his game, grins.  His girlfriend gives a haggard little smile.  The three of them will smoke pot during the dead periods, in the kitchen of the restaurant.  Lexi comes over to my table.  “I’ll pick you up when I get off,” I say.</p><div
class="pullquoteLeft">The air smells sweet and white subtropical flowers bob in front of us.  They look like severed mouths, shrieking.  I think of our father’s garden as a place where people stagger in various phases of calamity.</div><p>“O.K.,” she says, “but remember the hats.”</p><p>“Yes, the hats.  I’ll pick them up. Tonight?”</p><p>“Tomorrow.  Tonight is the soup kitchen.”</p><p>Every year around Christmas she buys 100 wool hats on Delancey Street and hands them out to homeless people around the Bowery.  They are not always grateful, so I always come with her, though altruism is not as hard-wired into me as it is into her.</p><p>“Lexi,” I say, “you’re like the patron saint of… something.  The Bowery, maybe.”</p><p>She briefly takes my hand and gives me a smile that is shy and venerable.</p><p
style="text-align: center;"><strong>5. Twins, age 13<br
/> Suburban Home, East Northport, New York</strong></p><p>I drag Lexi through our father’s garden, one hand flailing in front of me.  We are running away from home.  Lexi is sobbing.  In the dark, I stop, sit down right on the path, and rock Lexi back and forth.  After the garden, there is a quarter mile of trees descending sharply down a hillside. Then there is the road.</p><p>“We’re going to leave.  We’re going to get the fuck out of here,” I say to her, “does it hurt?”</p><p>“No.”<br
/> The air smells sweet and white subtropical flowers bob in front of us.  They look like severed mouths, shrieking.  I think of our father’s garden as a place where people stagger in various phases of calamity.  Each year it blooms with the violence of a rut.  Like many of my father’s beautiful things, it has become a lie.</p><p>I examine Lexi’s head in the fading light.  The skin above her left ear is broken, filled with blood and fragments of plaster.  I am afraid there is a crack in her skull.  I am afraid there will be brain damage.  Moments before, our father was wielding a high-quality replica of Virgil’s bust – that poor, benign, plaster poet with his round, dead eyes – and the blow was destined for my head.  I am the customary, mutinous target of our father’s rage, and I know how to duck: I know how to run.  But this time Lexi, her blonde hair aglow about her face, stepped in front of me and took the crack to the skull.  The sound was thick and wet.  I grabbed Lexi and dragged her from the house.  In this garden of heartbreaking beauty, all I hear is the echo of Virgil connecting with Lexi’s bone.</p><p>I must think clearly.  Where should we go?  Before our parents divorced, our father was a man with an easy laugh.  But our mother’s departure exposed vast reservoirs of anger.  He grew bitter, then violent.  A week of flowering bruises left us in foster care for four months, and we hated it.  The anxiety of separation plagued us.  And the reunion: the cool blue hours of reconciliation, our father contrite, brimming with love, Bach and Latin.  He meant neither word nor blow.  He meant, in his heart, the same well-balanced perfection we all mean.</p><p>I scan the garden. <em>Terminus defunctus</em>, in both directions.</p><p>“You shouldn’t have done that, Cassie.  Someday he’ll kill you.”</p><p>“<em>Non habemus illos hostes sed facimus</em>,” I say.</p><p>“Don’t quote him.”</p><p>“We can leave.  They won’t find us.”  But I know this isn’t true and it’s obvious in my voice.</p><p>She stops crying suddenly.  She says firmly, “now we have to go back.”</p><p>I look down.  There is a quarter mile of trees to go before the road.  “O.K., we’ll go back.”  But I sit still a moment, holding Lexi’s small body in the faltering light.  This failure is irredeemable.  This failure, I know even then, will poison our lives like a virus, like a drug spreading in the body.</p><p
style="text-align: center;"><strong>6. Twins, Age 34<br
/> Small One-Bedroom Apartment, East Village, Manhattan</strong></p><p>Lexi looks at me, holding the <em>New York Dolls</em> LP. “I don’t need money,” she says, “I don’t need anything.  I just wanted to stay here.”  She still does not let her tears spill, but the lines around her mouth deepen.  She sits on the couch, clutching the record.  She smiles tremulously:  “I could sleep on the couch?”</p><p>It is 4:10 by my watch.  I need to be up soon.  Lexi stretches on the couch, leaning on her arm, continuing to smile hopefully.</p><p>Here is another chance for indignation.  Instead I say, “Lexi, you look like an <em>Odalisque</em>.  Not Manet’s; she’s too slutty.  Maybe Ingres.  The record is a peacock fan.”</p><p>“I look like a prostitute?”</p><p>“No!  Just… you look very coy.”  My face flushes, but I continue, “It’s that position you’re lying in.  You look like an innocent.  About to be corrupted.”</p><p>“<em>About</em> to be?”  And a real smile brightens her face.  I feel an inexplicable rush of relief.  She says, “I guess dad’s erudite ways afforded us something.  We’re art-fluent.”</p><p>I walk over to the couch and sit down.  She makes room for me.</p><p>“I did everything wrong,” I say, tapping my fingers against my leg, “I trusted you when I shouldn’t and I didn’t trust you when I should.  I’m sorry.”</p><p>“Cass, enough.  Enough, Cass.”  Her voice is hoarse.</p><p>I touch the scar above her ear.  She recoils, then relaxes and lets me explore it.</p><p>Lexi says, “Do you think we should have run away?  Do you think things would be better?”</p><p>“No.”  I am silent a moment.  Then I say, “Shit.  Will you stay here tonight?”</p><p>I suddenly feel overwhelmed, and I rest my head against her stomach.  She lifts her hand to my head and begins timidly to stroke my hair, catching it behind my ears. “Thanks,” she whispers.</p><p>“I want to lie down,” I say, “I feel so tired.”</p><p>“Lie down.  I’ll take care of you for awhile.”</p><p>She gets up and gathers our glasses.  I lie down on the couch, staring up at the ceiling.  Presently I hear the teapot boiling. I pick up the record and hold it in front of my face.  The edges are worn out and tattered.  Lexi walks in with mugs of tea.</p><p>“I can’t believe how long you’ve had that,” she says.</p><p>“I know.  Like twenty years.”</p><p>“You know, I was thinking.  I was thinking maybe this year we should do the hats.”</p><p>“Let’s do.”</p><p>I turn my head and look at her.  She sits beside me on the couch, takes the record and hands me my tea.  The apartment is so quiet, the dawn for once a mystery I look forward to.  I know I will fall asleep soon, but before I do, I want to make sure to commit this scene to memory; for a moment I want everything to be exactly as it is.</p><div
id="bio"> <em><strong>Saramanda Swigart</strong> recently received her B.A. in English from Columbia University after a 15-year hiatus, during which she worked in a kitchen in Italy, for a New York fashion designer, as a copywriter for a San Francisco advertising agency, and for a consulting firm in Dubai.  She has published in <strong>Thin Air</strong> magazine.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2011/01/sell-out/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2011/February/SellOut.mp3" length="25957273" type="audio/mpeg" /> <itunes:keywords>fiction,fogged clarity,New York,Saramanda Swigart,Sell Out,Short Fiction,story</itunes:keywords> <itunes:subtitle>Saramanda Swigart  1. Twins, Age 34  Small One-Bedroom Apartment, East Village, Manhattan  The knocking lasts an hour and forty-seven minutes.  As always, the neighbors stay quiet.  I lie still, listening.  It begins timidly at 1:32 a.m.</itunes:subtitle> <itunes:summary>Saramanda Swigart
1. Twins, Age 34
Small One-Bedroom Apartment, East Village, Manhattan
The knocking lasts an hour and forty-seven minutes.  As always, the neighbors stay quiet.  I lie still, listening.  It begins timidly at 1:32 a.m. and ceases at 2:49 a.m., according to my bedroom clock.  I keep the clock six minutes fast, so truly the sobbing begins at precisely 2:43 a.m., and it savages my heart.  I chew at a nail.  I chew two or three more before tiptoeing to the door.  I stand and listen to my sister cry.  Somehow I can tell that she is sitting, leaning against the door, facing the opposite wall.  At 3:00 a.m. by my watch (accurate), I let Lexi in.  It is the first time I have seen her in four months.  She wears a typically bizarre arrangement of clothing: a huge Russian officer’s jacket, pink floral pants and red spiked heels.  Her eyes are red, her mouth red at the corners, her cheeks blotchy.  At her worst, she is still beautiful.
“Take off your coat,” I say.
Tears form in her eyes, but she does not let them drop.  “I have nowhere to go,” she says softly.
“You made yourself this,” I say, “It must be what you want.”
“No.”
“My house.  Take it off.”
She removes her coat and throws it on my couch.  I examine her arms.  When I look up she is staring into my eyes.  My heart seizes in a pandemonium of love and hope.
“You want money,” I say.  It is not what I mean.
“Naturally you assume that,” she says.
I mean to say I am so happy you are alive: life without you would not be life. But I do not.
“Do you want a drink?” I ask.
“Sure.  A juice if it’s OK.”
I pour myself a vodka and cranberry and pour the remaining juice into a glass for Lexi.  We stand sipping our drinks, avoiding one another’s eyes as though shy.  I will be exhausted at work tomorrow.  The greasy F train will deposit me in mid-town, and I’ll adjust my collar in the windows of storefronts, rotate my stockings, and forget to change from my scuffed and comfortable shoes.  I know: suited men will appear ghoulish; the coffee will taste poisoned; my manager’s condescension will rile me to unwarranted anger.  I will despair at how low-status my office job is; how much older I look in the years since I began work here; how unlikely I am to advance. All day I’ll misfile documents and forget the names of clients.  It’s too late to worry, though.  I’m awake.
I look at the ice cubes melting in my drink.  There are two of them, waning.  An evil in me incites me to say loudly, too loudly for the room, “Lexi, when did you become so…”
Her head snaps up, “So what?  So burdensome?  Such a life sentence?”
“No.  I mean, no.”  I am shocked at how easily she has exposed my most malevolent thought.  “So hostile, I guess.  I mean, you used to be…”
“The second you turned into such a do-gooder.  Such a sell-out.”
She abruptly walks to my stereo, both hands tight around her drink. Once again, I am taken aback by how graceful her hands are, slim, perfectly tapered, the nails not cheapened by lacquer or excessive length.  I look down at my own hands, four nails wrecked this very night, the pearl-colored polish peeling off.  My hands betray me: the rest of my look reflects my new life, my ordinary job.  Lexi is skinny and punk rock.  Her weird pink pants – more like pajama bottoms than couture – harmonize strangely with the red pointy-toed shoes.  On her boyish chest an obscure band logo clashes pink on a blue shirt.  Lines have developed around her mouth and eyes.  Her short spiky haircut partially reveals the thumb-sized scar behind her left ear.  Each time I see it I get a rusty taste on my tongue, as though my mouth were filling with blood.
She picks out a record at random and stares at the cover, then replaces it.  Then she picks out another.  It is a New York Dolls LP.  The record corner shakes in her hand.  There is a graphic of a fat pink baby on the cover.  The font looks as though it has been squeezed from a toothpaste tube.
“Didn’t you give me this?” she asks.
“Yes.  Sorry.</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>27:02</itunes:duration> </item> <item><title>Lap Dog</title><link>http://foggedclarity.com/2010/12/lap-dog/</link> <comments>http://foggedclarity.com/2010/12/lap-dog/#comments</comments> <pubDate>Fri, 31 Dec 2010 05:16:55 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[AllWriters]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Kathie Giorgio]]></category> <category><![CDATA[Lap Dog]]></category> <category><![CDATA[story]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=10361</guid> <description><![CDATA[Kathie Giorgio Although she invited him to stay afterward, even mentioning the chilled-for-months wine, he left, mumbling something about having an early morning church service and he’d call her. Delly thought she was a cat person, even though she didn’t own any cats. She collected dozens of feline figurines, but whenever she went to the [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Kathie Giorgio</h3><div
class="pullquoteRight">Although she invited him to stay afterward, even mentioning the chilled-for-months wine, he left, mumbling something about having an early morning church service and he’d call her.</div><p>Delly thought she was a cat person, even though she didn’t own any cats.  She collected dozens of feline figurines, but whenever she went to the local animal shelter to possibly adopt a real cat, she always heard her mother’s voice, echoing from that afternoon when she was six years old and had stopped to pat a stray.</p><p>“Don’t touch that thing!” her mother shrieked.  “It has fleas!  And filth! And probably AIDS! Don’t you know that AIDS was brought over to the United States by cats?”</p><p>Delly, at six, was only barely aware of the United States as something she mumbled during the Pledge of Allegiance in school, and she had no idea what AIDS could be, except it sounded terrible.  She’d wiped her fingers on her shirt and cried all the way to the closest restroom, where her mother soaked Delly’s hand and arm all the way up to her elbow in water so hot, it left her skin pink.</p><p>Much later, Delly knew what AIDS was and she knew monkeys carried it to the United States, though she wasn’t sure how the monkeys got here or how they transmitted the disease. Even so, as much as she loved cats, she just couldn’t bring herself to touch them.  At the shelter, when the cats pressed themselves against the bars of their cages and rolled their green and blue and yellow eyes, Delly still swore she saw vermin and filth flying in black and grey flecks from their fur.  Her figurines, though, could be dusted, and she did so, twice a week.</p><p>Her mother, still alive, gave her a new figurine twice a year, on her birthday and at Christmas, though she <em>tsked</em> at her every time, as if it was possible to catch AIDS from ceramic cats. And when she called on Saturdays, she always wanted to know if Delly was going out that night and with whom.  Most of the time, Delly wasn’t.  Her mother always wondered why.  When there was a date, she always wondered why there wasn’t a second.  Delly told her mother, “Oh, you know, Mama.  He was just like all the others. After only One Thing.”</p><p>Which wasn’t true at all.  It was Delly after the One Thing.  Sometimes she got it, but usually only once with each man.</p><p>Delly knew she wasn’t that attractive.  Her father refused to pay for braces when she was a teenager and so her buck teeth still protruded beneath her upper lip and pressed into her lower lip, creating two permanent red and moist indentations.  She could never do anything with her hair, and so she didn’t do anything at all and it fell lank and lifeless down to her hips.  Her eyes were crossed just a bit and sometimes she saw double.  And she was heavy, always shopping in Lane Bryant and Torrid for the latest and sexiest wear for a size 28 woman.</p><p>Despite the teeth, the hair, the eyes and the weight, she felt that if she wore just the right clothes, a man would want her to strip as fast as possible.  And then he would stay to watch her get dressed again and undressed and dressed and undressed until suddenly, twenty-five years flew by and it was time to celebrate their silver anniversary.  Twenty-five years of dressing and undressing and never sleeping alone.</p><p>But all of the men she dated were fast, lasting barely twenty-five minutes in her bed, let alone twenty-five years.  They kissed her briefly on the teeth, gave her hair and breasts an obligatory stroke’n’grope, found their way between her legs and came.  Then they left, before she even had a chance to offer them the frostbitten wine she kept constantly cooling in the refrigerator.</p><p>Most of the men came from the Internet.  Delly was great at cybersex, possessing fast and talented fingers on the keyboard.  So by the time she met the latest man, he was usually primed and ready to go.  And come.  And leave.</p><p>But most Saturday nights, she was alone.  And even when she wasn’t, she still slept by herself in her full-sized bed.</p><p>One evening, as she sat on the front step of her apartment building with her cell phone and her mother’s voice in her ear, a large dog stepped out from behind the garbage dumpster across the street.  He stood still for a moment, caught in the setting sun, and his gray and white fur seemed to catch fire.  His muzzle lifted to the sky, one leg raised in a point in her direction, he seemed as grand and ceramic as her cats, but then he lowered his nose and began to sniff.  As he smelled the curb, the fallen garbage, the fire hydrant, he kept looking up at her and his eyes flashed alternately black and red.  He stared right at her as he lifted his leg and blasted a heady stream of iridescent urine on the only tree, a skinny thing with just a few brown leaves.  Then he started crossing the street.  Delly couldn’t see a collar.</p><p>“Hey, Mama?” Delly asked.  “What do you think of dogs? Are they vermin too?”<br
/> “Oh, no,” her mother said.  “Dogs are regal. Majestic.  Honorable. Think of Rin Tin Tin, Lassie, or Benji.  Dogs save people.  They didn’t bring diseases to our country.”</p><p>The dog sat next to her.  His tongue hung out of one side of his mouth, giving him a cheerful and rakish appearance.  Delly felt his hot breath against her knee.</p><p>When her mother finally said goodbye, Delly reached out tentatively to stroke the dog’s head.  “Hello, Mister,” she said.  He closed his eyes against her touch, then stood and walked down the street.  Delly watched him go.  Before she went back upstairs for an evening of television and dusting her cats, she reached into her pocket, pulled out her favorite snack, a Slim Jim, unwrapped it, and left it at the bottom of the stairs.   When she came back down at nine o’clock, just to peek out, it was gone.</p><p
style="text-align: center;">****</p><p>She began to leave a Slim Jim at the base of the stairs every morning before work, and again in the evening, at around seven o’clock.  They always disappeared and she assumed the dog was eating them.  Sometimes she saw him.  He stood a few feet away and wagged his tail, a long slow sweep that held grace and power.  Once, she held out the Slim Jim to him directly, but he just lowered his head and rolled his eyes coyly up at her.  Another time, when she came down at nine o’clock to peek out the front door, he was sitting at the base of the steps like he was watching for her.  The Slim Jim stuck like a cigar out of his mouth.  He lolled his tongue around it, then drew it in and chewed slowly.  He watched her the whole time, then licked his muzzle and trotted away, his tail swaying.</p><div
class="pullquoteLeft">She took Brent quickly into her bed. She tried to concentrate, but she kept seeing the dog, waiting downstairs for his snack.</div><p>On a Saturday when Delly actually had a date, she wasn’t home at seven and when she and Brent came back to her place at ten, the dog was sitting on the bottom step.  Delly felt guilty, but she didn’t want to say anything in front of her date and she didn’t have a Slim Jim in her purse.  So as she passed the dog, she ducked her head and smiled secretly at him.  She took Brent quickly into her bed. She tried to concentrate, but she kept seeing the dog, waiting downstairs for his snack.  She thought of the way he looked at her when he ate his Slim Jim, a look of guarded gratitude and something else she couldn’t quite put her finger on.  A strength of some sort.  A directness.</p><p>Brent, she noticed when he rose above her, kept his eyes closed.  Although she invited him to stay afterward, even mentioning the chilled-for-months wine, he left, mumbling something about having an early morning church service and he’d call her.  After the door closed, she lay there for a while.  Usually, this was the time she used to masturbate, since the men were all so fast.  She reached into her drawer for a vibrator, but then just rested it on her belly.  She was distracted.</p><p>Pulling on her robe, she tucked a Slim Jim in her pocket and went downstairs.  The dog was lying on the sidewalk in front of the building.  When she came out, he rose quickly and wagged his tail.</p><p>At that time of night, no one else was around, and so Delly wrapped her robe more tightly and sat on the bottom step.  Peeling away the cellophane, she put the meat stick down on the sidewalk.  “Here you go, Mister,” she said.  When he lowered his head to eat, she touched his back, just running her fingertips down his spine.  His tail moved slowly, beating against her knees. When he was done, he sat down and looked at her.</p><p>“Don’t you have an owner?” Tentatively, she ran her hands over his neck.  His ruff was smooth, there were no breaks where a recently lost collar could have nestled.</p><p>He moved suddenly, pushing his head between her legs and pressing his forehead against her stomach.  His nose, pointed down, stopped just above her crotch, and Delly attempted to close her knees, thinking he could smell the sex she’d just had.  But he didn’t seem to want to move.  She stroked him a few more times and he heaved a huge sigh.  When he did, she felt his ribs against her thighs.</p><p>“All right then,” she said.  “You might as well come up.  Tomorrow, I’ll get you something besides Slim Jims.”</p><p>She placed a bowl of water for him in the kitchen, which he drank rapidly, and when she dug through her refrigerator for leftovers, he ate those too.  Then, despite the late hour, she gave him a bath, just in case.  She used her own shampoo and when she was done, he smelled like a fresh field.</p><p>That night, he slept at the foot of her bed.  From time to time, he rested his head on her ankle.</p><p
style="text-align: center;">****</p><p>She kept calling him Mister because it seemed to fit, and she bought him a black leather collar with shiny silver studs shaped like dog bones.  She got a leash too and at night after work, they walked around the block together.  He was a very neat dog, never messing up her apartment.  She left the television on for him during the day and when she came home, he was on her recliner, watching <em>Oprah</em>.</p><div
class="pullquoteRight">She bought herself some sneakers and several pairs of drawstring pants.  Her old clothes grew looser as the walks grew longer.</div><p>When Delly told her mother about Mister, she had to come over and meet him.  “Oh,” she said, running her hands through his fur.  “Oh, he’s beautiful, Delly. He looks like Rin Tin Tin and Lassie all rolled together.”  She brought him gifts, rubber squeaky toys and bones and brightly colored bone-shaped biscuits.  She brought him a bed too, a soft sheepskin one with a brown leopard print, but Mister preferred to sleep in Delly’s bed at night, the recliner during the day.</p><p>As the nights went by, he slowly moved up from the foot of the bed, until he stretched full-length next to her, his head on his own pillow.  Delly sometimes woke up pressed against him, her arm thrown over his filled-out ribcage. Other times, she woke with her back to him, his muzzle buried in her hair.</p><p>As Delly grew used to their walks, they went farther and farther, venturing into parts of her own neighborhood that Delly only glanced at as she drove through.  She bought herself some sneakers and several pairs of drawstring pants.  Her old clothes grew looser as the walks grew longer.</p><p>One night as they passed a bar, a man stopped in front of them.  “Nice dog,” he said.</p><p>When he reached out to pat Mister’s head, Mister growled deep in his throat.  He was leaning against Delly’s legs and Delly felt the vibration.</p><p>The man told her that he watched them walk by several times that week and would she like to stop for a drink?  It was a Saturday night and Delly said sure, she’d just run back to put the dog in her apartment.  When she got there, she took off the drawstring pants and threw on some of her Torrid clothes.  Fitting more loosely now, the scoop neckline gapped and displayed even more rolling flesh than usual.  She nodded her approval, then turned the television on for Mister.</p><p>She stayed at the bar for about two hours.  The man who invited her eventually moved on, but she struck up conversation with another and then came home with a third.  When she brought him to bed, she looked over his bare shoulder when she heard a deep whine.  Mister, hackles raised, stood next to bed.  She tried to wave him away, but he stayed, his whine going up and down several scales.  The man hesitated for a moment, looking nervously at the dog, but when Delly said it would be okay, he got down to business, finished quickly, kissed her, said no to the wine, and left.</p><p>Delly lay there, stared at the ceiling, and used her vibrator. She wasn’t sure when Mister crawled on the bed, but suddenly, he was there and humping her leg. She pushed him away and he panted while she finished.  Then she curled against him and they went to sleep.</p><p
style="text-align: center;">****</p><p>She picked up other men.  From the Internet, from bars, once from a grocery store.  Each left.  Delly began to cry afterward while she used her vibrator.  Her clothes continued to fall loose and so she had to keep buying more and she was able to leave Lane Bryant and Torrid behind to shop in stores that carried XL’s and size 18’s.  She had her hair cut and she wore it in a loose wave against her cheek.  There wasn’t anything she could do about her teeth or her eyes, but she began practicing lowering her upper lip, to make her teeth look less big, and she also began to tilt her head in a way that she felt made her eyes look straighter.</p><p>But still the men left.</p><p>Mister kept standing next to the bed, whining.  He never sat nor lay down. As soon as the men left, he scrambled up next to her and he licked her tears away as she used the vibrator.  He kept trying to hump her leg and eventually, she just gave in, pushing him away when she was done.  It was too hard to hold him off while she brought herself to orgasm; he was a big dog.  He always lay close to her afterwards and his warmth and steady breathing made her feel better.</p><p>Then one night, he sat up while she was using the vibrator.  He leaned forward and took a sniff and Delly jumped and pushed his head away.  But then he licked the vibrator and his tongue traveled down to her.  And he did it again.</p><p>Delly felt a jolt and she was stunned.  She reached down and touched his head and he began to lick steadily.  She removed the vibrator and opened her legs further.  She stopped thinking.  When she came, his steady rhythm maddening, never increasing, never slowing, the same <em>lollop-lollop</em> she heard him use at the water bowl, her mind splintered and scattered momentarily throughout the room.</p><div
class="pullquoteRight">They drank from it together, she on all fours, Mister’s tail stroking her bare thigh.</div><p>Rolling away, gasping, she pressed her belly and her still throbbing crotch to the sheet.  She felt the bed shift, then Mister’s nose pressed against her rear.  He sniffed, then snorted.  Both of his front legs appeared on either side of her neck, and he buried his muzzle in her hair.  She knew what was going on before she felt his flanks beating against her.</p><p>She lay there for a minute, feeling his breath, feeling his heat.  She was still damp.  He wasn’t going anywhere.  And every night, when she came home, he bounded to the door to meet her, his eyes overjoyed, his tail waving so strongly, she no longer had her cat figurines at tail-height in her apartment.  His happiness sometimes led to destruction.</p><p>Slowly, she raised her hips until she was on her knees. She kept her upper body pressed against the bed.  When she felt him enter her, she shuddered.  He began to groan and growl.  She learned that when she tired, she had only to roll onto her back and he would lick her refreshed.  When she presented her hips, he mounted her again.</p><p>Eventually, Delly climbed out of bed and staggered to the kitchen.  Ignoring her crystal wine glasses, saved especially for this occasion, she dumped the water out of Mister’s plastic dish and filled it with the refrigerated wine.  They drank from it together, she on all fours, Mister’s tail stroking her bare thigh.</p><p>When they went to sleep that night, Delly’s knee knocked her vibrator off the bed and she heard it roll under the bedside table.  She left it there.</p><p
style="text-align: center;">****</p><p>Eventually, Delly’s mother stopped asking her about her lack of Saturday night dates.  She laughed when Delly replaced her mailbox sign with “Mister and Mrs. Delilah Markham.”  When her mother died, Delly took her inheritance and bought a nice house with a large yard out in the country.  When the moving men came for her furniture, she found the old vibrator, still on the floor where the bedside table used to be. She left it for the future occupants.  She bought a king-size bed and six lit curio cabinets for her cat figurines.  She threw out the dog bed that Mister never used.  She bought a new size 10 wardrobe and had oral surgery to fix her teeth.  And she turned down men right and left. Yet, she never ever slept alone again.</p><div
id="bio"><p><em><strong>Kathie Giorgio</strong> is an author living in Wisconsin.  Her fiction has appeared in <strong>Harpur Palate</strong>, <strong>Fiction International</strong>, <strong>Dos Passos Review</strong>, <strong>Bayou</strong>, <strong>Eclipse</strong>, <strong>Potomac Review</strong>, <strong>Hurricane Review</strong>, and <strong>Bellowing Ark</strong>, among many other journals.  Her first novel, <strong>The Home For Wayward Clocks</strong>, will be released this January by Main Street Rag. </em></p><p><em> </em></p></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/12/lap-dog/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>What Adults Do</title><link>http://foggedclarity.com/2010/12/what-adults-do/</link> <comments>http://foggedclarity.com/2010/12/what-adults-do/#comments</comments> <pubDate>Fri, 31 Dec 2010 05:16:55 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[J.T. Bushnell]]></category> <category><![CDATA[Oregon]]></category> <category><![CDATA[story]]></category> <category><![CDATA[What Adults Do]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=10369</guid> <description><![CDATA[J.T. Bushnell His attraction to her had a small current of disgust running along its edge. Tommy met her at a party through a mutual friend, Edgar, who had once almost burned down the fraternity house by spurting a mouthful of vodka at a raised match. Edgar was married now and had a job organizing [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">J.T. Bushnell</h3><div
class="pullquoteRight">His attraction to her had a small current of disgust running along its edge.</div><p>Tommy met her at a party through a mutual friend, Edgar, who had once almost burned down the fraternity house by spurting a mouthful of vodka at a raised match. Edgar was married now and had a job organizing an annual wine festival, and the parties he threw were lame, the type where everyone sat in the living room, legs crossed, chatting quietly through ambient music. But they were parties, so Tommy went. He stayed in the kitchen with the liquor and offered to mix drinks. When people accepted, he did the whole routine—twirled the glass, raised the bottle to make the pour long and precise, slammed and popped the shaker, garnished the rim. One man he didn’t know reached for his wallet. Tommy had to stop him. After the man left, Tommy opened a fresh beer and carried it to the porch, where he lit a cigarette and watched the Oregon drizzle turn the lawn muddy.</p><p>A woman joined him. She wore a black dress that ended just above powerful-looking calves and held a brimming wineglass away from her body, watching it as she moved. She paused to lower her lips to the glass, then looked at him and asked if she could bum a cigarette and smiled. Her name was Penelope. She was a social worker but volunteered at Edgar’s festival to get free wine, she said. Tommy mentioned that he had recently been promoted to manager at his restaurant. Then they talked about a movie they had both found disappointing. When he flicked his butt into the yard, she retrieved it and ran both butts under the tap and tossed them in the trash.</p><p>Tommy followed her to the living room. She kept refilling her wine glass and talked exhaustively about her ex-boyfriend. Twice she omitted the “ex” without seeming to notice. Eventually she pointed him out: “The sullen one by the stairs,” she said.</p><p>He didn’t look sullen to Tommy. He was a little man, early thirties maybe, dressed in black slacks and a black button-down, holding a martini glass that Tommy had filled several times. He stood with a redhead, smiling and nodding as she talked.</p><p>“Looks like he’s doing okay to me,” Tommy said.</p><p>He and Penelope went outside to smoke again. They ended up kissing and groping and afterward went to his apartment instead of returning to the party.</p><p><br
class="spacer_" /></p><p>The dining room was full, the wait time about an hour, he guessed. The murmur of conversation didn’t quite cover the tinkling piano fed in by speakers. Servers bustled, legs scissoring, upper bodies motionless to make them look calm. Whenever they pushed open the kitchen door they released a burst of clattering plates and shouting. Then the door swung closed and muffled the noise.</p><p>In the kitchen Tommy found Rick holding the steel salad fridge like a pinball machine and thrusting his big belly at it. The black stubble grew too high on his cheeks, almost to his eyes. His face was shiny with sweat and grease. He wore a chef’s hat that looked like a white beret, and his apron was streaked brown with meat-juice.</p><p>“Keep it down back here,” Tommy yelled over the rumbling dishwasher and industrial ventilation and laughter.</p><p>“Get out of my kitchen,” Rick yelled back at Tommy. “Go sniff ass with the customers.” He took off his hat and shooed him with it, revealing a cleanly shorn scalp.</p><p>Tommy washed his hands to show he wasn’t obeying Rick before he went to the dining room, where wall sconces glowed against burnished mahogany and votive candles flickered gently on the tables. He approached a white-haired couple hunched over their split order. He clasped his hands and looked at the torn meat. “How are you folks enjoying the rib eye?” he said.</p><p><br
class="spacer_" /></p><p>Tommy stood at his bathroom mirror, smiling. Then he dropped the smile and scrutinized the corners of his eyes and was pleased to find the skin smooth. He lifted his chin and among the shaving cream flecks saw a spot of blood on his voicebox. He pressed toilet paper there and with his other hand lifted his bangs to inspect his hairline. His forehead seemed to have sprouted little bulbs of bare skin. He wondered if this was new or something he’d never noticed before, then decided he just hadn’t noticed. He let his eyes drop to the tightly packed muscle of his upper arm, where blue veins traversed the skin. He was proud of his body because it compensated for a face that belonged to some underground creature, beady black eyes too close together, nose long and pointy, lips curled in. He scraped his bangs down and rinsed the shaving cream, then put on his shirt and tie and nametag.</p><p>Penelope sat at the kitchen table over the newspaper. Steam tendrils untangled above the mug she gripped. It was Saturday afternoon. They’d stayed in bed until two, as they had the last Saturday and Sunday.</p><p>“Time to go,” Tommy said.</p><div
class="pullquoteRight">She had a distanced quality he found irresistible. In public she always brushed his hand away when he touched her elbow or back, and after they had sex she sometimes went home.</div><p>Her eyes kept scanning the print. “I just made tea.”</p><p>Tommy took down a travel mug and set it on her newspaper. “I have to go to work.”</p><p>“Go then. I want to drink my tea and take a shower.”</p><p>He stood there a moment. Usually his relationships ended at this point, before they could become relationships. He dated infrequently enough to appreciate them a week or two, but he generally didn’t like the women he dated, probably because they didn’t like him. Penelope was different, though. Their conversations were effortless, and he found himself revealing experiences and feelings he had never admitted before—his secret distaste for casual sex, his fear that he would never marry. Also, she had a distanced quality he found irresistible. In public she always brushed his hand away when he touched her elbow or back, and after they had sex she sometimes went home, which he’d wanted from other women, but not from her. He was happy to wake to her groans and grins, her hand reaching between his legs. Plus, he would turn twenty-six soon, just before the new year, and the longest he had been with anyone was two months, the spring he had dropped out of college. It might be time to make a run at that record.</p><p>He put the travel mug back in the cupboard. “Make sure to lock the door when you leave,” he told her. “And you can make the bed if you want.”</p><p>When he got home at midnight the door was unlocked, the bed unmade. He decided he wouldn’t call, but then started to miss her and called anyway.</p><p><br
class="spacer_" /></p><p>The next weekend she gave him a wallet photo, and he looked at it in the restaurant’s bathroom because there was nothing to read. She wore a black bikini top and grinned enormously between silver hoop earrings, the ocean glittering in the background. He thought she looked like a mother who hadn’t borne her children yet, though he wasn’t sure what gave him that impression. She was almost thirty, but fit, built like a gymnast, short and muscular from rock-climbing at the gym. She wore fashionable clothes that revealed her figure. She drank and smoked like he did. But there was something about her—maybe the Irish roundness of her face, or maybe her cautious makeup, or maybe her hair’s natural sandy color; maybe it was her gracious smile, or her occasional unsettling sternness; maybe it was just her sweetness, a natural disposition that made him picture floral aprons and oven mitts. Whatever it was, when he looked at the photo he thought of some stranger saying, “This is what I looked like before the twins,” and smiling nostalgically, maybe with regret. He wasn’t sure if he liked this quality or not. His attraction to her had a small current of disgust running along its edge.</p><p>Someone came into the bathroom. “Tommy?” Through the crack in the paneling Tommy saw a server’s long black apron.</p><p>“I’m busy,” he said.</p><p>“The POS system froze. Nobody can punch in orders.”</p><p>Tommy put away the photo and flushed. He washed his hands, then wiped down the sink and mirror with paper towels. All the servers were huddled by the POS terminal, waiting. They watched with jittery, desperate eyes as he looked things over. Finally he flipped the power switch off, then back on, and became a hero.</p><p><br
class="spacer_" /></p><p>Penelope’s cell phone buzzed. They were cuddled up in his bed in the late afternoon, looking at each other dreamily, their stomachs sticky with sweat. She fished the phone from her purse, looked at it, smiled, then put it away and draped herself over him again. A few moments later she asked, “How many people have you slept with?”</p><p>He breathed through his nose, enjoying her sour musky odor. It was a smell he recognized from the locker room and usually hated. “Let’s not talk about that,” he said, then watched her eyes drift away and worried his response might make him sound promiscuous. “A number you’d like,” he said. “A nice medium number.” He looked at the translucent fuzz along her jaw, the freckles running the slopes of her nose. “How many guys—” he started to ask. “No, don’t tell me.” He traced the contours of her back. The heater clicked off. He closed his eyes and listened to the drumming rain. “Okay, how many?”</p><p>“You’re my twentieth.”</p><p>He kept his breathing normal, made his hand continue moving. A blackhead grazed his fingertips like a grain of sand, and he resisted the impulse to pick at it.</p><p>“That’s a good number, right?” Penelope said. “I know people whose number is a lot higher.”</p><p>“It’s a good number.” He scooted away so he could rest on his stomach.</p><p>She nuzzled him, stroked his calf with her instep. “What’s your number?”</p><p>“About twenty,” he lied. It was seven.</p><p><br
class="spacer_" /></p><p>He was running on a treadmill at the gym later that week. A woman asked him, “Are you going to be much longer?” She had a low voice and severe Slavic features, a woman who would look good in bright red lipstick and a fur coat, he thought. She wore running shorts and a ratty tank top. He had noticed her kicking ass on the treadmill before, braid bouncing with her long strides. She intimidated and excited him.</p><p>“I think I’m signed up until noon,” Tommy said through labored breath. His pecs bounced beneath his T-shirt, which made him feel both sexy and silly, like David Hasselhoff.</p><p>“On this treadmill?” she asked.</p><p>He paused the machine. They went to check the sheet. She put a finger on the slot and said, “I guess I signed up for the wrong time.”</p><p>He looked at the name she was pointing to, then at her nubby fingernail. “Tell you what, Savannah. You let me take you for coffee, and I’ll let you have the treadmill.”</p><p>Her harsh features softened, and Tommy shed the feeling of inadequacy he’d been carrying all week.</p><p><br
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class="pullquoteLeft">The man was alone, the only customer left. He was slender, maybe forty, dressed in jeans and a grubby sweater, clean shaven, hair slicked into a ducktail. He put on an expression of warmth and challenge as Tommy approached.</div><p>It was late, but he couldn’t do the books until the last customer had cashed out. When the knock came, he paused the computer game and opened the office door. Rebecca stood there untying her apron, her face incredulous. She handed him a tab. “The guy at twenty-three won’t pay.”</p><p>The man was alone, the only customer left. He was slender, maybe forty, dressed in jeans and a grubby sweater, clean shaven, hair slicked into a ducktail. He put on an expression of warmth and challenge as Tommy approached.</p><p>“Hi, there.” Tommy offered his hand, and the man took it. “How was your dinner tonight?”</p><p>“Top-notch,” the man said.</p><p>“And how was the service?”</p><p>“No complaints in that department.”</p><p>“Was there some trouble with the check?”</p><p>The trouble was, he couldn’t pay. Didn’t have a dime on him. Didn’t have a credit card or check, didn’t even have a driver’s license to offer as collateral. “Payment is impossible,” he said, and gave a smirk.</p><p>Tommy understood it was a scam, but he didn’t know what to do except kick the man out. He considered having him work off the debt washing dishes, but it would take an entire shift, and you didn’t want someone like this in the kitchen. He looked toward the hostess stand and saw Rebecca slumped in a booth, tugging her ponytail loose, and he thought about this man accepting her service and kindness, making Rick keep the grill on, and here he was smirking, proud that he was a thief.</p><p>“Sir,” Tommy said, straightening his spine, “if you can’t arrange payment, I’ll have to call the police.” He felt emboldened by his responsibility, the way he could recognize a problem and tackle it. “Would you like to use our phone?”</p><p>The man put on a look of dignity. “No thank you.”</p><p>He had a busboy keep an eye on the man until blue and red lights pulsed outside, but the man sat there calmly, back straight, hands in his lap, as though nothing was out of the ordinary. A woman officer came in looking burdened by her gun belt. Tommy explained the situation. She led the man to the car, then came back to ask Tommy some questions.</p><p>Afterward he stood at the window watching the taillights recede.</p><p>“The fucker,” Rick said. “Probably pulled that scam all over town.”</p><p>But it had occurred to Tommy that maybe the guy really couldn’t pay. Maybe he was desperate. Maybe he hadn’t eaten in days and decided to eat. He mentioned these possibilities to Rick.</p><p>“That guy’s no bum,” Rick said.</p><p>Tommy stood there looking out the window. He knew he was being naïve but couldn’t help feeling guilty. The rain made diagonal zags under the streetlamp and textured the parking lot puddles.</p><div
class="pullquoteLeft">In a dream that night, he glanced in the bathroom mirror and saw that his hairline had receded halfway across his skull. The remaining hair was patchy like crabgrass and came loose when he touched it.</div><p>“Okay, so let’s say you’re right,” Rick said. “Let’s say he needed to eat. Fine. He ate. Now he has to pay the price. You had a decision to make. If that disappoints him, sorry, he can deal with it. That’s what adults do, Tommy.”</p><p>Tommy didn’t know if he was talking about making decisions or dealing with disappointments. When he glanced over, Rick was rubbing his eyes with meaty, grease-stained fingers.</p><p><br
class="spacer_" /></p><p>In a dream that night, he glanced in the bathroom mirror and saw that his hairline had receded halfway across his skull. The remaining hair was patchy like crabgrass and came loose when he touched it. He tried to remain calm. Oh well, he told himself. At least it hadn’t happened sooner.</p><p>He felt a rush of panic when he woke, then relief. He knew he’d been lying to himself about his hairline and resolved to look into treatments. Penelope was way across the bed. He crossed the cool space and entered her warm hollow beneath the covers and huddled against her backside. At his touch she murmured affectionately. Her body softened. He slipped a knee between her thighs, not to open them but to become entangled with her. He was lucky to have met her while he still had hair, he thought, and resolved to tear up Savannah’s phone number.</p><p>By morning he had forgotten this resolution, but he had forgotten Savannah, too.</p><p>The next day he decided to surprise Penelope at work. He was sitting on the couch in sweatpants and slippers, his hair going all directions. He hadn’t done anything all day but watch TV and drink Dr. Pepper. He put on sneakers and a baseball cap but didn’t shower or shave, and at the social services office the fat black woman behind the desk asked if Penelope was his caseworker. Tommy pointed his bouquet of roses at her and asked, “What does it look like?”</p><p>She told him that during business hours Penelope could meet only with cases. It was five minutes till five. Tommy scowled and called Penelope with his cell phone, watching the expanse of cubicles behind the front desk. Her head rose above a partition near the back. She smiled and took the phone from her ear and came over. She wore gray slacks, a black button-down shirt, her hair in a bun. She looked like she belonged on Wall Street.</p><p>“I tried,” the fat woman told Penelope.</p><p>“It’s okay. This one’s current.”</p><p>Tommy didn’t know what to make of that, but he didn’t like it. When he gave her the flowers, she sloped her eyebrows like when she saw cute puppies. They kissed, and Tommy saw the fat woman watching and felt a tingle of happiness and pride.</p><p><br
class="spacer_" /></p><div
class="pullquoteRight">Tommy moved around the table, sloshing wine casually into each glass, embarrassment and anger vibrating in his chest. Purple droplets leapt over the rims and stained the white tablecloth.</div><p>His family was sitting down to Thanksgiving dinner, the air thick with food smells, tall candlesticks burning above the china and crystal and steaming dishes. Tommy displayed the wine label for his mother and father, then moved around the table and displayed it for his younger brother Trevor, who had brought a stunning blonde girlfriend from Arizona, where he studied architecture.</p><p>“Are you twenty-one?” Tommy asked the girlfriend.</p><p>“I practically am.”</p><p>Trevor tugged his tie loose. “Just pour already.”</p><p>Tommy opened the bottle and poured a taste for the girlfriend. She frowned at the puddle of wine. “Can I have more?”</p><p>“You’re supposed to taste it,” Tommy said.</p><p>“Would you just pour the goddamn wine?” Trevor said.</p><p>“Easy,” their father said. “I’m sure it’s fine, Tommy. Go ahead and pour.”</p><p>Tommy moved around the table, sloshing wine casually into each glass, embarrassment and anger vibrating in his chest. Purple droplets leapt over the rims and stained the white tablecloth. No one said anything. He poured for himself last, then sat, and they began to serve themselves.</p><p>“You don’t have to open bottles at work anymore, I hope,” his mother said, scooping sweet potatoes.</p><p>“Never. But it’s one of those things you miss doing. Cutting lemons, too. I always liked cutting lemons.”</p><p>“And how’s the manager job?” his father asked.</p><p>“Oh it’s great.” Tommy swirled his wine and sniffed it, detected chocolate and oak, maybe a hint of asparagus. “Lots of problem-solving, lots of responsibility. But I enjoy that.”</p><p>“My boy,” his father said. He had white hair, a red round face, a fleshy neck that sagged over his tightened collar. His expression was different than when Tommy had been in high school, earning C’s and getting suspended for going to dances drunk or high. Tommy had been telling himself for years that he didn’t care what his parents thought, but he liked this new expression.</p><p>“I have a new girlfriend, too,” he said. “We’re getting pretty serious.”</p><p><br
class="spacer_" /></p><p>Penelope showed up two hours late. “Let’s take your car,” she said.</p><p>She buckled her seatbelt while he backed down the driveway. She still wore her work clothes, which made her look professional and made Tommy feel like a bum in his jeans and T-shirt. They were going to eat sushi. Tommy didn’t like sushi, but he liked the idea of making a sacrifice for Penelope.</p><p>“Why’d you have your phone turned off?” he asked.</p><p>“It’s out of batteries.”</p><div
class="pullquoteRight">Her breathing went choppy. Her chest twitched. “We don’t <em>want</em> to break up families,” she said, her voice an octave higher.</div><p>“What were you doing?”</p><p>She looked out the window. She ran her hands through her hair and sighed. “So did I tell you I’m getting sued?”</p><p>“Sued? By who?”</p><p>“This woman whose son we took into care, based on my decision. I had to explain to her that it’s dangerous to leave a six-year-old alone in the house for an extended period of time. How long, we don’t know, I said, because you won’t be straight with us. But long enough for him to get scared and call nine-one-one. So the woman says she’s going to talk to a lawyer. This is fucked up, she says. And I tell her, yeah, it is fucked up to leave a six-year-old all alone.”</p><p>He could tell by her voice that she was on the verge of tears, so he pulled into a gravel parking lot and turned off the engine. It was dark. He put his arms around her, kissed her temple, smelled lavender shampoo. “Sounds like you were doing your job.”</p><p>“We’re trying to <em>help</em> people.” Her breathing went choppy. Her chest twitched. “We don’t <em>want</em> to break up families,” she said, her voice an octave higher.</p><p>Tommy tried to comfort her, but it felt significant to have her in his arms, crying. Her vulnerability touched him.</p><p>“Is that why you were late?”</p><p>“Why am I crying?” she said suddenly. “What the hell is wrong with me?”</p><p>“Nothing,” he said happily. “Shh.”</p><p><br
class="spacer_" /></p><p>He called Edgar early that Saturday and said he had tickets to the Ducks game, then bought tickets from a scalper outside the stadium. They were expensive because it was last game of the season. Edgar wore a yellow jersey over a yellow sweater and had a yellow rain poncho folded on his arm. He asked, “Why’d you tell me you had tickets?”</p><p>“So Penelope would let me go.” Penelope didn’t care if he went, but he wanted Edgar to understand the level of domesticity they had reached.</p><p>The stadium tunnels were made of thick concrete slabs, and there was an overwhelming smell of popcorn. Tommy took a flask from his sock, uncapped it, swigged, then offered it to Edgar. It was ten o’clock in the morning. Edgar frowned.</p><p>“I knew this would happen after you got married,” Tommy said. “Remember when we dumped beer on our heads during the barn dance photo?”</p><p>“Just let me get some coffee first.”</p><p>They bought coffee and carried it to their seats and dumped in the whiskey. Tommy had another flask in his left sock and another in his coat pocket. He didn’t understand football or care about the game. Edgar kept telling him about players and rankings. It was cold. The sky looked low and dark and deeply textured.</p><p>“You and Carol,” Tommy said after kickoff, “you fart around each other, right?”</p><p>Edgar kept his eyes on the game but grinned. “Sometimes I hold her head under the covers.”<br
/> “How do you go from not-farting to farting? How’s that happen?”</p><p>“You forget you’re not supposed to, then one day you just fart.”</p><p>“How long does that take?”</p><p>Edgar stood suddenly and cheered. So did the rest of the crowd. Tommy was trapped in a cave of yellow torsos. When it was over, Edgar sat down and said, “Carol farted first, actually. She let one rip while I was tickling her, and she got so embarrassed she almost cried. This was pretty early on. After that I felt like I had to start farting.”</p><p>Tommy kept drinking and at halftime called the restaurant to say he was sick. A prep cook answered the phone, and Tommy realized he didn’t know who to ask for, because he himself was the manager.</p><p><br
class="spacer_" /></p><p>When he received the Rogaine package in the mail he felt foolish and skeptical but took it to the bathroom immediately and massaged the foam into his scalp like the instructions said.</p><p>Penelope came over a few hours later and pressed him against the wall before he could close the door. Outside the rain came down in sheets and made a roaring noise. She gyrated her hips and flicked her tongue into his mouth and lifted his T-shirt over his head.</p><p>“Will you still like me if I go bald?” Tommy asked.</p><p>She ran her hand over his stomach and chest. “I like this body.”</p><p>He decided not to feel belittled. He was glad she liked his body because it made all that time in the gym worthwhile. He thought about how all these years, without even knowing it, he’d been going to the gym for her.</p><p><br
class="spacer_" /></p><p>At first he was startled to see Savannah come into the restaurant, she and her friend both wearing high-heels with pointed toes, wool overcoats, the shoulders matted with sleet. Then he decided there was no reason to feel uncomfortable. They stowed sodden Christmas shopping bags under the table and looked at their menus with serious faces. He waited until they had ordered, then brought over an expensive shiraz.</p><p>“On the house,” he said, cutting the foil with a borrowed wine key. “Robust blackberry profile, hint of vanilla. Goes great with everything but salmon.”</p><p>Savannah’s smile went cold with recognition. “You’re that guy from the treadmill.”</p><p>“Tom,” he said, offering his hand, which she didn’t take.</p><p>“When you ask a girl out, <em>Tom</em>—” she spit his name like a cherry pit—“you should take her out afterwards.”</p><p>“I meant to, but things started getting serious with my girlfriend.”</p><p>Savannah stood, gathered her bags, and walked out.</p><p>“She can get kind of intense,” the friend said. She had a chubby face she tried to modify with strategic makeup. She gave him a meek smile and stood. “She’d probably go out with you still.”</p><p>“That stuff about the girlfriend is true,” Tommy said. “I think I love her.”</p><p>“Can we still have the wine?”</p><p>He handed it over.</p><p><br
class="spacer_" /></p><p>The rice-cooker bubbled and hissed while Tommy sautéed chicken in white wine, butter, lemon juice, garlic and capers—a recipe Rick had detailed for him. It smelled tangy and successful. He jostled the pan to make it sizzle. The gray windows were steamy.</p><p>“My parents want to take us to dinner next week for my birthday,” he said.</p><p>Penelope was cutting carrots. The knife made a tearing sound, then a thwack.</p><p>“I’ve never brought a girl home before,” he said. “They’re going to love you. They’ll shower you with affection.”</p><p>The cutting noise continued a moment, then stopped, and the knife clattered on the counter. He turned and saw Penelope contemplating him, her arms folded. “I don’t know if I’m ready for that,” she said.</p><p>“Why not?”</p><div
class="pullquoteLeft">“You don’t fall in love in three months.” She looked down. Her eyelashes were suddenly wet. “That’s not love.”</div><p>She shrugged and looked down. “It could put a lot of pressure on us.”</p><p>Tommy crossed the kitchen to hug her. “We can handle pressure.” He rested his chin on her forehead, ran his hands down her long back. “You’re important in my life, Penelope. I think I’m falling in love with you.”</p><p>Penelope kept her hands at her sides.</p><p>“I said I think I’m—”</p><p>She pulled away. Her neck and cheeks were splotchy like when his beard stubble irritated her skin. She gripped his biceps. “Don’t be ridiculous, Tommy. It’s been—what? Three months?”</p><p>“Three and a half. Doesn’t it seem longer?”</p><p>“You don’t fall in love in three months.” She looked down. Her eyelashes were suddenly wet. “That’s not love.”</p><p>“Hey.” He embraced her, kissed her forehead. “Don’t cry. I’m sorry. You don’t have to meet my parents.”</p><p>But he knew what he felt. He’d never been in love before, and now he was.</p><p><br
class="spacer_" /></p><p>His fingers were frantic on the keyboard. He had already beaten a long-standing high score, and now the Tetris pieces came rocketing down. He reacted instinctively. He was serene, unthinking, Zen-like. Someone knocked on the door. He maneuvered several pieces more, then paused the game.</p><p>“There’s a guy here who wants to see you,” the hostess told him.</p><p>“Is it a vendor?”</p><p>“He just said he needed to see you.”</p><p>Tommy rubbed the digital haze from his eyes. He stood, waited for the head rush to subside, then made his way through the bar. The clamor was pleasant and refreshing—the jumble of voices, the tinkling piano, the sound of forks touching porcelain. He smelled a blend of special-occasion aftershaves and perfumes and the sweet scent of liquor. The man beside the hostess stand looked delicate in his slacks and dress shirt. He had slight shoulders and was several inches shorter than Tommy. “Mr. Upshaw?” he asked, looking Tommy in the eye.</p><p>Tommy shook his hand. “Call me Tom. What can I do for you?”</p><p>The man glanced at the crowd waiting for tables. “Can we talk in private?”</p><p>“About what? I’ve got a busy restaurant here, sir.”</p><p>“I’m Penelope’s boyfriend.”</p><p>Tommy felt his smile go stiff. He recognized him now—the tanned face that didn’t seem to need a razor except at the chin, flaxen hair disheveled meticulously above a confident square forehead.</p><p>They were still shaking hands. “Her ex-boyfriend?”</p><p>“Her boyfriend,” the man insisted.</p><p>“I think you’re confused.”</p><p>The man shook his head in a disappointed way that made Tommy believe him. He released Tommy’s hand. “Listen, Penelope’s been going through some difficulties lately, but we’re going to try to move past it now, if we can. I know she’s kept you in the dark about all this. But she can’t see you anymore.”</p><p>Tommy puffed out his chest. “Says who?”</p><p>“Well, Penelope.”</p><p>Tommy heard himself yelling. He didn’t know what he was saying, but the little man looked frightened, his eyes like nickels beneath the trendy hairdo, which pleased Tommy. He noticed customers turning, understood that the restaurant had gone silent except for the elegant piano music, but he couldn’t stop himself, not until Rick came charging from the kitchen and bear-hugged him. Tommy was grateful for the restraint because it suggested he was about to do something crazy. He pretended to struggle. He didn’t really want to fight; he just felt confused, and deceived. Rick lifted him off his feet and carried him to the office and put him in the desk chair. He whistled and made a gesture, and a moment later there was a beer on the desk. Tommy felt too nervous to drink, but Rick kept standing there, so he took up the beer and sipped it. It was cold and tasted good.</p><p>“We’ll bring more,” Rick said. He tapped the computer screen. “Look at some porn or something.” He left, closing the door gently.</p><p>Tommy drank the beer, stunned by the scene he had made and a little amused. He worked his mind over the new information carefully, like a prep cook thumbing a blade, and each time it snagged on the way the little man had shaken his head, as if in resignation. He was angry about so many things he didn’t know where to begin, except with the possibility that it wasn’t true, and he tried making that argument, though he saw all the evidence against it now. Then he tried to inflate his injury, imagining the ways he’d been used, but he couldn’t quite believe in them. He wanted to call Penelope but was afraid to. He gulped the beer and waited for Rick to bring another, which Rick did. Wordlessly, breathing heavily, he set down a fresh pint and removed the empty one. Tommy felt great tenderness for him.</p><p>When he resumed the Tetris game, the pieces fell like lightning. They stacked up before he could react.</p><p><br
class="spacer_" /></p><p>The next morning he passed the fat black woman and marched down the aisle. He looked into several cubicles but couldn’t find Penelope’s, so he returned to the front desk for directions, which the fat woman happily provided.</p><p>Penelope was on the phone. She held a finger at him and continued the conversation for several minutes, cradling the phone against her shoulder and scribbling notes. Tommy sat and watched her. He smiled. He couldn’t help it. When she finally hung up, he said, “Guess who came into the restaurant last night.” She kept her hand on the phone and stared at it and didn’t say anything, and Tommy felt his heart tumbling from a great height. “Penelope?”</p><p>Her face twisted. She covered it with her hands. “I’m sorry.”</p><div
class="pullquoteRight">Penelope stood when he did and embraced him, but her touch was mechanical, detached, and it saddened him that he couldn’t have one last moment of affection.</div><p>He watched her cry. He wanted to put a hand on her shoulder, but he just sat there and watched her battle the tears. He didn’t know if he was allowed to touch her.</p><p>“Can we still see each other?” he asked.</p><p>She looked at him from puffy red sockets.</p><p>“We don’t have to be exclusive.” He knew he was embarrassing himself; that he would regret saying these things, but he couldn’t stop. “I don’t want to lose you. I want you in my life, Penelope. I’m in love with you.”</p><p>“Stop saying that. It’s not true.”</p><p>It was true. But it wasn’t something he could argue.</p><p>Penelope stood when he did and embraced him, but her touch was mechanical, detached, and it saddened him that he couldn’t have one last moment of affection. She was crying again, so he held her, which was difficult. He let his eyes roam the grid of cubicles, the people working in them. Finally Penelope pulled away. She sniffled and kept her eyes down. “Tommy, I’m so sorry.”</p><p>“I go by Tom now,” was all he could say.</p><p>Edgar’s answering machine said they were at the coast for New Year’s weekend, but Tommy kept calling and leaving messages. When it got dark he poured a shot of Johnny Walker. He tried to watch TV but couldn’t care about anything happening on the screen. He searched his CD collection for lovesick songs and listened to a few, but they wouldn’t break him open, so he poured more Scotch and went through his old photos and found the one of Edgar and him dumping beer on their heads. It was the group photo from the fraternity barn dance. All the brothers wore cowboy outfits, lined up on hay bales, looking with surprise and laughter and admiration at the crazy ones kneeling in the foreground, showering themselves with Hamm’s.</p><p>He looked at the photo a long time. Then he drove to the old fraternity house. It was a big wooden mansion with brown-edged panels that gave the impression of a Swiss cottage. On a lower panel someone had written DOUCHEBAGS in ketchup and mustard. The letters sagged wetly, saturated by a moisture that seemed half mist, half rain. As Tommy walked from the car it tickled his face like fog but soaked his hair and jacket.</p><p>The kid who answered the door had bug eyes and a skinny neck and a few long blond whiskers on his chin. He wasn’t the type of kid they would’ve let in when Tommy was there. Still, Tommy recited the necessary proofs of membership and the kid invited him to the basement, where they were having a darts tournament. There was no party because almost everyone was gone for winter break. Tommy followed him down the staircase, which contained the familiar smells of dried beer and cold cement. Enormous party speakers in the basement played hip-hop at low volume. The carpet had been torn away to reveal slick concrete but the smells of accumulated sweat and vomit persisted, tinged by disinfectant. Half a dozen boys holding cheap beer turned to stare at him. They looked like children, smooth-cheeked, spindly, sullen. He tried to call back the old easy feeling, the state where nothing mattered except how much beer was left, but these boys depressed him, and all he could feel was the big building’s emptiness and dilapidation.</p><p>Someone tossed him a beer, and he decided to carry out his plan anyway—he dumped it over his head and yahooed. The boys only looked at him, then turned to look at each other. A couple laughed, but it wasn’t the same. He felt cold, silly. “When I was here,” he told them, but something finally collapsed in him, and he was relieved to feel tears in his eyes. They were warm and satisfying, like the sun.</p><p>The kid with bug eyes walked across the room and offered him a crusty towel.</p><p>“When I was here,” Tommy said to the kid, his voice tight, “none of you would’ve even gotten in.”</p><p>“Guess it’s different now,” the kid said.</p><div
id="bio"><em><strong>J.T. Bushnell</strong> received his MFA from The University of Oregon.  His fiction has appeared in <strong>Mississippi Review</strong>, <strong>The Greensboro Review</strong>, <strong>The South Carolina Review</strong>, <strong>Meridian</strong>, and other journals.  His book reviews appear regularly in <strong>Western American Literature</strong> and <strong>Fiction Writers Review</strong>.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/12/what-adults-do/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Andre Dubus III</title><link>http://foggedclarity.com/2010/11/andre-dubus-iii/</link> <comments>http://foggedclarity.com/2010/11/andre-dubus-iii/#comments</comments> <pubDate>Tue, 30 Nov 2010 14:27:58 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Featured Articles]]></category> <category><![CDATA[Interviews]]></category> <category><![CDATA[#1 Bestseller]]></category> <category><![CDATA[Academy Award]]></category> <category><![CDATA[Academy Awards]]></category> <category><![CDATA[Andre Dubus]]></category> <category><![CDATA[Andre Dubus II]]></category> <category><![CDATA[Andre Dubus III]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[Bluesman]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Garden of Last Days]]></category> <category><![CDATA[House of Sand and Fog]]></category> <category><![CDATA[Interview]]></category> <category><![CDATA[National Book Award]]></category> <category><![CDATA[Novel]]></category> <category><![CDATA[Oprah Book Club]]></category> <category><![CDATA[Oscar]]></category> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[The Cage Keeper]]></category> <category><![CDATA[The Cage Keeper and Other Stories]]></category> <category><![CDATA[The New York Times]]></category> <category><![CDATA[Townie]]></category> <category><![CDATA[W.W. Norton & Co.]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=10067</guid> <description><![CDATA[The author of <strong><em>House of Sand and Fog</em></strong> and <strong><em>The Garden of Last Days</em></strong> discusses his writing, his father, and watching "Batman" with Kurt Vonnegut.  ]]></description> <content:encoded><![CDATA[<h3 class="byLine">The Fogged Clarity Interview</h3><div
class="center"></div><div
class="center"><p>The author discusses his work, his father, and watching &#8220;Batman&#8221; with Kurt Vonnegut.</p></div><div
id="attachment_10098" class="wp-caption aligncenter" style="width: 245px"><a
href="http://foggedclarity.com/wp-content/uploads/2010/11/andre1.jpg"><img
src="http://foggedclarity.com/wp-content/uploads/2010/11/andre1.jpg" alt="author Andre Dubus III on Fogged Clarity" title="andre_dubus" width="235" height="275" class="size-full wp-image-10098" /></a><p
class="wp-caption-text">photo by Marion Ettlinger</p></div><div
id="bio"> <em><strong>Andre Dubus III</strong> is the author of a collection of short fiction, <strong>The Cage Keeper and Other Stories</strong>, and the novels <strong>Bluesman</strong>, <strong>House of Sand and Fog</strong>, and <strong>The Garden of Last Days</strong>.  He has been awarded a Guggenheim Fellowship, the National Magazine Award for fiction, and the Pushcart Prize, and was a finalist for the Rome Prize Fellowship from the Academy of Arts and Letters.  An Academy Award-nominated motion picture and published in seventeen languages, <strong>House of Sand and Fog</strong> was a fiction finalist for the National Book Award and the <strong>Los Angeles Times</strong> Book Prize, and was a Book Sense Book of the Year, Oprah Book Club selection, and #1 <strong>New York Times</strong> bestseller.  His memoir, Townie, is forthcoming from W.W. Norton &#038; Co. in 2011.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/11/andre-dubus-iii/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/interviews/2010/December/AndreDubusInterview.mp3" length="91964630" type="audio/mpeg" /> <itunes:keywords>#1 Bestseller,Academy Award,Academy Awards,Andre Dubus,Andre Dubus II,Andre Dubus III,author,authors,Bluesman,fiction,fogged clarity,Garden of Last Days</itunes:keywords> <itunes:subtitle>The author of House of Sand and Fog and The Garden of Last Days discusses his writing, his father, and watching &quot;Batman&quot; with Kurt Vonnegut.</itunes:subtitle> <itunes:summary>The author of House of Sand and Fog and The Garden of Last Days discusses his writing, his father, and watching &quot;Batman&quot; with Kurt Vonnegut.</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>38:19</itunes:duration> </item> <item><title>Girl, Interrupted</title><link>http://foggedclarity.com/2010/11/girl-interrupted/</link> <comments>http://foggedclarity.com/2010/11/girl-interrupted/#comments</comments> <pubDate>Tue, 30 Nov 2010 06:29:17 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Gary Percesepe]]></category> <category><![CDATA[Girl Interrupted]]></category> <category><![CDATA[Pank]]></category> <category><![CDATA[short story]]></category> <category><![CDATA[story]]></category> <category><![CDATA[Vermeer]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=10063</guid> <description><![CDATA[Gary Percesepe When his wife asked him for a divorce M drove down the New York State Thruway from New Paltz into Manhattan and checked into the Pierre Hotel. Catherine hadn’t been specific; it had been understood for some time that things were not working. M pouted, pleaded, tried to be charming, threw a fit, [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Gary Percesepe</h3><div
class="center"></div><p>When his wife asked him for a divorce M drove down the New York State Thruway from New Paltz into Manhattan and checked into the Pierre Hotel.</p><p>Catherine hadn’t been specific; it had been understood for some time that things were not working. M pouted, pleaded, tried to be charming, threw a fit, attempted to argue her out of it, and finally resorted to negotiating, but nothing worked. Catherine was firm. “Look, let’s just forget it,” she’d said.</p><p>M chose New York for its anonymity. He wanted to become invisible, his childhood wish. The argument with Catherine had discharged so many violent emotions that M had trouble remembering who he was. If he was no longer married than who was he?</p><p>He removed his wedding band and laid it on the dresser. Then he thought better of that and placed it in his billfold. He looked down at his bare hands and wrists. The ring had left an indentation on his finger. He placed the thumb and forefinger of his right hand in the ring groove and traced the circle of bruised flesh.</p><p>Exiting the hotel, M turned north and walked alongside Central Park in the shade of the large overhanging trees. It was midsummer and everything was in bloom.</p><p>At 70th Street he looked across the avenue at a tall black gate which guarded—what? He couldn’t remember. He hadn’t been to the city in years. Crossing the street, he joined a small group of people waiting to enter the building.</p><p>It was an art museum. The handsome building had been a private residence that now housed a remarkable collection of Old Masters. There was an intimacy to the collection that seemed to invite M directly in. To look, undisturbed.</p><p>He wandered through the library and the family room and paused to admire an elegant staircase leading to the family’s living quarters on the second floor of the residence which was roped off. Standing at the base of the staircase next to the bust of a woman mounted on a pedestal, M looked at the forbidden second floor. A painting was hung on the landing, and two candelabras framed magnificent gold inlaid ornamentation that resembled the cabinets of a cathedral pipe organ.</p><p>M walked down the long dim hallway and stopped to look at a small painting. It was a Vermeer. A young girl sits at a dark table. Sheet music lies on the table, and a man holds with his thumb another sheet of music, which the girl also holds with both hands. But she is not looking at the man, whom M supposes is her teacher. Her face is turned toward the viewer, as if she had been interrupted at her music by M himself. She wears a look of mild astonishment. Her fine head, sheathed in a white scarf, is turned away from her music. She looked directly at him.</p><p>Unnerved, M peered at the title of the painting: “Girl, Interrupted at Her Music.”</p><p>Two weeks after 9/11 M had traveled with Catherine to New York, where they bought a grand piano at Steinway Hall on West 57th Street. Catherine had been a music major in college, and taught private lessons for many years. Over time she had stopped giving recitals, and eventually she ceased to play. Her Baldwin spinet piano held dozens of family photos, of their children and their dogs and horses, but no music. Making a present of the Steinway, it was thought, would spur her to play again. And she did, for a time. But then the grand piano stood idle as well. No pictures were mounted on it.</p><p>Now as he returns the gaze of the girl in the painting, M thinks of his wife, whom he had left standing in the hallway of their house, she holding the mail, he reaching for his car keys. Her face was careworn, and puffy from crying. A strange, lonesome pity enters his heart to think of her. He had never known Catherine in her girlhood, had not in more than a dozen years asked her a question about how it was with her in those days when she was a child, raised by a widower, who managed to see to it that she continued her piano lessons after her mother died. By the time they had met, in college, Catherine was an orphan. He stares now, at the girl interrupted at her music, and he feels his soul run away, the solid world dissolve to tears. He tries to release his gaze but the girl goes on looking at him, startled.</p><div
id="attachment_10095" class="wp-caption aligncenter" style="width: 610px"><a
href="http://foggedclarity.com/wp-content/uploads/2010/11/Vermeer_girl_interrupted_at_her_music.jpg"><img
class="size-full wp-image-10095" title="Vermeer_girl_interrupted_at_her_music" src="http://foggedclarity.com/wp-content/uploads/2010/11/Vermeer_girl_interrupted_at_her_music.jpg" alt="Girl Interrupted" width="600" height="527" /></a><p
class="wp-caption-text">Johannes Vermeer</p></div><div
id="bio"><em><br
/> <strong>Gary Percesepe</strong> has published short stories, poems, essays and reviews in many journals, including <strong>Mississippi Review</strong>, <strong>Antioch Review</strong>, <strong>Westchester Review</strong>, <strong>Rumpus</strong>, <strong>Pank</strong>, <strong>Word Riot</strong>, <strong>Necessary Fiction</strong>, <strong>Metazen</strong>, <strong>elimae</strong>, <strong>LitnImage</strong>, <strong>971 Menu</strong>, and <strong>Moon Milk Review</strong>, among others. Along with Susan Tepper, he co-authored the epistolary novel, <strong>What May Have Been: Letters of Jackson Pollock and Dori G</strong> (Cervana Barva Press), which was recently entered for a Pulitzer Prize. He recently completed his second novel, <strong>Leaving Telluride</strong>. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/11/girl-interrupted/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2010/December/GaryP_GirlInterrupted.mp3" length="13663118" type="audio/mpeg" /> <itunes:keywords>author,fogged clarity,Gary Percesepe,Girl Interrupted,Pank,Short Fiction,short story,story,Vermeer</itunes:keywords> <itunes:subtitle>Gary Percesepe - When his wife asked him for a divorce M drove down the New York State Thruway from New Paltz into Manhattan and checked into the Pierre Hotel. - Catherine hadn’t been specific; it had been understood for some time that things were no...</itunes:subtitle> <itunes:summary>Gary Percesepe
When his wife asked him for a divorce M drove down the New York State Thruway from New Paltz into Manhattan and checked into the Pierre Hotel.
Catherine hadn’t been specific; it had been understood for some time that things were not working. M pouted, pleaded, tried to be charming, threw a fit, attempted to argue her out of it, and finally resorted to negotiating, but nothing worked. Catherine was firm. “Look, let’s just forget it,” she’d said.
M chose New York for its anonymity. He wanted to become invisible, his childhood wish. The argument with Catherine had discharged so many violent emotions that M had trouble remembering who he was. If he was no longer married than who was he?
He removed his wedding band and laid it on the dresser. Then he thought better of that and placed it in his billfold. He looked down at his bare hands and wrists. The ring had left an indentation on his finger. He placed the thumb and forefinger of his right hand in the ring groove and traced the circle of bruised flesh.
Exiting the hotel, M turned north and walked alongside Central Park in the shade of the large overhanging trees. It was midsummer and everything was in bloom.
At 70th Street he looked across the avenue at a tall black gate which guarded—what? He couldn’t remember. He hadn’t been to the city in years. Crossing the street, he joined a small group of people waiting to enter the building.
It was an art museum. The handsome building had been a private residence that now housed a remarkable collection of Old Masters. There was an intimacy to the collection that seemed to invite M directly in. To look, undisturbed.
He wandered through the library and the family room and paused to admire an elegant staircase leading to the family’s living quarters on the second floor of the residence which was roped off. Standing at the base of the staircase next to the bust of a woman mounted on a pedestal, M looked at the forbidden second floor. A painting was hung on the landing, and two candelabras framed magnificent gold inlaid ornamentation that resembled the cabinets of a cathedral pipe organ.
M walked down the long dim hallway and stopped to look at a small painting. It was a Vermeer. A young girl sits at a dark table. Sheet music lies on the table, and a man holds with his thumb another sheet of music, which the girl also holds with both hands. But she is not looking at the man, whom M supposes is her teacher. Her face is turned toward the viewer, as if she had been interrupted at her music by M himself. She wears a look of mild astonishment. Her fine head, sheathed in a white scarf, is turned away from her music. She looked directly at him.
Unnerved, M peered at the title of the painting: “Girl, Interrupted at Her Music.”
Two weeks after 9/11 M had traveled with Catherine to New York, where they bought a grand piano at Steinway Hall on West 57th Street. Catherine had been a music major in college, and taught private lessons for many years. Over time she had stopped giving recitals, and eventually she ceased to play. Her Baldwin spinet piano held dozens of family photos, of their children and their dogs and horses, but no music. Making a present of the Steinway, it was thought, would spur her to play again. And she did, for a time. But then the grand piano stood idle as well. No pictures were mounted on it.
Now as he returns the gaze of the girl in the painting, M thinks of his wife, whom he had left standing in the hallway of their house, she holding the mail, he reaching for his car keys. Her face was careworn, and puffy from crying. A strange, lonesome pity enters his heart to think of her. He had never known Catherine in her girlhood, had not in more than a dozen years asked her a question about how it was with her in those days when she was a child, raised by a widower, who managed to see to it that she continued her piano lessons after her mother died. By the time they had met, in college,</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>5:42</itunes:duration> </item> <item><title>Kleinhardt&#8217;s Women</title><link>http://foggedclarity.com/2010/11/kleinhardts-women/</link> <comments>http://foggedclarity.com/2010/11/kleinhardts-women/#comments</comments> <pubDate>Tue, 30 Nov 2010 06:28:55 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Kleinhardt's Women]]></category> <category><![CDATA[Ted Wheeler]]></category> <category><![CDATA[Theodore Wheeler]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=9985</guid> <description><![CDATA[Theodore Wheeler He noticed how she watched him circle the plaza fountain. Her head tilted slightly skyward, as if she wanted him to think that she didn’t notice him at all. But he was aware of her glances. She took a drink when she looked. She peeked past the curve of her soda bottle. He [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Theodore Wheeler</h3><div
class="center"></div><p>He noticed how she watched him circle the plaza fountain. Her head tilted slightly skyward, as if she wanted him to think that she didn’t notice him at all. But he was aware of her glances. She took a drink when she looked. She peeked past the curve of her soda bottle.</p><p>He circled twice, hesitating when he was on her side of the fountain to bring the stub of a cigarette to his lips, his head raised over chattering students on their way to class. Smoke drifted from his mouth as he peered dumbly at the names stamped on distant buildings. He shook his head then circled the fountain again, patting the pockets of his jean jacket. A green messenger bag hung off his shoulder.</p><p>She watched breathlessly the third time he circled toward her, when he was holding it out in front of himself. She leaned forward on her bench to look, forgetting to be inconspicuous because he’d been swallowed into a crowd. He stepped clumsily in front of bicycles and edged between groups of women in conversation. Then he bent suddenly over to look at it and was obscured by bodies. It was a ring, he lifted it in the sunlight when he knew she was watching, a wedding band that held some foreign inscription, maybe, but looked familiar to anyone, in the thickness of the metal, in the way the silver glinted in the light.</p><p>He made his way to her then and grinned pathetically, searching the faces of others before picking her out—her, of course, because it couldn’t have happened any other way. She looked stunned when he smiled at her. She was braless under a sundress, hair hanging untied to her shoulders. The ring was between his fingers but he slid it into his jeans before speaking. Her eyes followed somewhat desperately as the band disappeared into his fob pocket.</p><p>“Excuse me,” he said. He pulled a digital camera from his messenger bag. “Do you mind if I take your picture?”</p><p>This is how it happened with Jessica Harding.</p><p>He told her to call him Aaron.</p><p> </p><p>The sports bar waitress was named Kim Boettcher. She was a blonde and had a soft round stomach she liked to show off. She wore her jeans low on her hips. Aaron met her outside a grocery store, where her bank was. They were parked next to each other and she rapped on his window to complain after he took her photo. She was still wearing the apron she kept her tips in at work.</p><p>“You can’t do that,” Kim told him. She wanted to be a broadcast journalist and enlightened him on consent laws. Aaron was happy to listen.</p><p>She lived with a couple friends in a south Omaha duplex. It was a single-story house with four garage doors on the street side. Her room was in the back, with a washer and dryer in the closet. Aaron slept there for three days.</p><p>Kim lay face down while he massaged her with baby oil every morning, her eyes closed. When he put his weight on her body, Aaron could smell fryer grease in the sheets.</p><p> </p><p>Lorna Chaplin flashed her cleavage over the orange formica counter when she rang up his total.  Aaron was buying a microwavable Rueben and a Diet Pepsi. She worked at a filling station near the interstate in Ralston and had blond hair with dark freckles around her neck. She wore low rise stonewashed jeans without a belt. When Aaron looked at her midriff he noticed a thick pink scar across her navel. She said, “My eyes are up here.”</p><p>He came back the next night to ask her out to the burger and gyro place down the road.</p><p>She lived in a small white house not far from the filling station. It had been her parents’ house, the place she grew up in. All of the old furnishings were still there, worn sofas, porcelain knickknacks on the wall. There were small wooden cups that Lorna’s father made in his basement workshop when he was still alive. Her eyes pinched nearly closed when she smiled. It was a nice smile, one that made Aaron think that she’d been very pretty when she was in high school.</p><p>Aaron liked talking to Lorna about her life. He laughed at the way she spoke when nostalgic and teary, muttering “son of a bitch” through dry nicotine lips as something sad emerged from her memory.</p><p>She told him how most of her life was documented in the public record, in court cases and various judgments levied against her, in smarmy newspaper articles. There was a string of charges that ended with a conviction for transporting a minor across state lines—a fifteen-year-old boy listed in the record as N.S. And that’s what she called the boy too, when she told Aaron about it, even though N.S. would be close to thirty by then, a man off living somewhere, with a family probably. “I was pregnant by him when they picked us up,” Lorna admitted. “But I don’t have children of my own.”</p><p> </p><p>Betsy Updike ran away across a parking lot when Aaron took her picture, holding her hands in front of her face. She was heavy and short and stomped when she ran. She wore horn-rimmed glasses. Aaron chased after to tell her he meant no harm. This was outside the Von Maur. It was a cold, breezy day.</p><p>“I love your hair,” he said. “That’s why I was shooting a photo of you.”</p><p>Betsy wore a green cardigan and had black hair that washed over her shoulders. She showed her teeth when she smiled.</p><p>When they got back to her house, Aaron brushed her hair and they watched movies she’d recorded on a cassette. He liked sitting behind her on the couch, his legs wrapped around hers, smelling the fruit of her shampoo. Betsy was a sweet girl. She was so eager to be loved that she nearly knocked Aaron over when they hugged.</p><p> </p><p>He introduced himself to Carrie Rehbein at a karaoke bar by the freeway. She was from Ashland and had come to Omaha that day to go shopping with her sisters. She had green eyes and red hair, wore a tight yellow tee shirt under her coat and two small gold necklaces around her neck. Her engagement had been broken off the month before, just after Thanksgiving.</p><p>It was obvious that her sisters were the ones who really wanted Carrie to go home with Aaron. All of them drank tumblers of white wine.</p><p>The sisters sang raunchy lyrics they’d improvised until the DJ refused to let them go on again. They got Carrie too drunk to drive home and made Aaron promise he’d take care of her.</p><p>Carrie was nervous to be alone with him, once they were in his car. She turned and looked out the window, watching for her sisters as he drove her away.</p><p> </p><p>The girl said, “My name’s Emily.”</p><p>She didn’t mind that Aaron hung his messenger bag on the stool next to her. In fact, she leaned over and talked to him while he did it, flashing the freckles of her chest. This was in a small town called Jackson.</p><p>Aaron fixed his eyes on different parts of her face while they drank. He was intense in this way. She tried turning away, but she couldn’t stop looking at him while he was looking at her, while he was smiling. It made Emily visibly nervous, half-smiling herself, her eyes swelling. His hand latched to her thigh and she let it stay there. He understood how these things worked.</p><p>“You know,” he said, “you’re kind of a pretty girl.”</p><p>“I doubt that,” she said, blushing.</p><p>“Would it be too much to take a photograph?”</p><p>“What do you mean? You and me take a picture together?”</p><p>“Of course,” Aaron said. He fingered the strap on his shoulder, ready to pull out his camera and snap a shot of her.</p><p>“You can’t take it here,” she objected. “Who in the world would want to be remembered like this?”</p><p>“Okay,” he said, slouching back into the stool. “But we’ll snap one later. Promise me that.”</p><p>“Sure,” she said, and then she laughed to herself. “We’ll drink a few Long Islands and then take some portraits for the Christmas card.”</p><p>She would apologize for saying this later, because all the other people in the bar laughed long and hard at how she’d put him down. She was sorry for it, even though he never quit smiling at her the whole time. He never let on if he was mad.</p><p>They were driving on the brick roads around town when she apologized. They circled the town square and the Jackson County Courthouse, its moss-covered spires. There was a slumping old lumber yard, stacks of boards and plywood housed in open, side-less buildings enclosed by chain-link fence. There were shops for farm goods, for implements, for rock candy and candles, for baby clothes. At the edge of town was a towering Co-Op silo, plaster white and ominous.</p><p>She suggested they stop.</p><p>“I live around here,” she said, and they went inside.</p><p> </p><p>Aaron met Tamara Jones outside a liquor store in Omaha. It was just a come on. She walked out and Aaron took her picture. That’s how it started.</p><p>She kept a room in a boarding house and that’s where they went to drink. They had some beers and screwed. It wasn’t anything special.</p><p>Tamara sang along with the albums she played the whole time he was there. She only ever stood up to use the bathroom at the end of the hall, or to flip a record. She wailed disconsolate incantations, tilted at different keys, half-notes, trying to exorcise the slow undulations of her blues.</p><p>It really bothered Aaron the way she did it. Tamara Jones laid naked on her bed, swilling, singing, falling asleep.</p><p> </p><p>Elisabeth Hindmarsh lived on the second floor of a partitioned Victorian in Lincoln. There was an inside stairway to get to her door. Aaron just walked in off the street but she didn’t care. It was after a party and he was going to help her finish the gin.</p><p>It was a tiny place, a living room, a kitchenette, a bathroom with black and white checker-board tile. Red paper lanterns hung on wires sheathed in cloth insulators. Elisabeth was thick-bodied, athletic, and her hair was dyed a bluish shade of black. She wore a dress over jeans to hide her porcine legs. Aaron was dressed like Charles Starkweather, a plain tee shirt tight over his weakling chest, blue jeans fitting loose on his skinny hips. He hoped his wispy blond mustache and brown felt hat made him look like the singer of a band.</p><p>Elisabeth was in the bathroom, peeing in that start and stop way people do when they don’t want to be heard, but Aaron talked to her from the adjacent room anyway, reciting the records in her collection that he approved of. She laughed at him when she returned.</p><p>“You know I wasn’t standing behind you anymore.”</p><p>Aaron was good at being laughed at, it didn’t bother him.</p><p>“Don’t worry about it,” he said.</p><p>It felt safe there, warm in a boozy way.</p><p>“Would you dance with me?” he asked, stepping into her space.</p><p>The LP was a live recording of Piaf. It was warped and scratchy, and Elisabeth blushed when it started playing. She was surprised that he’d picked her favorite.</p><div
id="bio"><p><em><strong>Theodore Wheeler</strong> is an author living in Nebraska.  His fiction has been featured or is forthcoming in <strong>Best New American Voices</strong>, <strong>The Kenyon Review</strong>, <strong>Boulevard</strong>, as prize-winner of their Short Fiction Contest for Emerging Writers, <strong>The Cincinnati Review</strong>, as winner of their Schiff Prize in Prose, <strong>Flatmancrooked</strong> and <strong>fugue</strong>, among others.  He is a Senior Fiction Reader for <strong>Prairie Schooner</strong>. </em></p></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/11/kleinhardts-women/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2010/December/TheodoreWheelerKleinhardtsWomen.mp3" length="11474931" type="audio/mpeg" /> <itunes:keywords>author,authors,fiction,fogged clarity,Kleinhardt&#039;s Women,Short Fiction,Ted Wheeler,Theodore Wheeler</itunes:keywords> <itunes:subtitle>Theodore Wheeler - He noticed how she watched him circle the plaza fountain. Her head tilted slightly skyward, as if she wanted him to think that she didn’t notice him at all. But he was aware of her glances. She took a drink when she looked.</itunes:subtitle> <itunes:summary>Theodore Wheeler
He noticed how she watched him circle the plaza fountain. Her head tilted slightly skyward, as if she wanted him to think that she didn’t notice him at all. But he was aware of her glances. She took a drink when she looked. She peeked past the curve of her soda bottle.
He circled twice, hesitating when he was on her side of the fountain to bring the stub of a cigarette to his lips, his head raised over chattering students on their way to class. Smoke drifted from his mouth as he peered dumbly at the names stamped on distant buildings. He shook his head then circled the fountain again, patting the pockets of his jean jacket. A green messenger bag hung off his shoulder.
She watched breathlessly the third time he circled toward her, when he was holding it out in front of himself. She leaned forward on her bench to look, forgetting to be inconspicuous because he’d been swallowed into a crowd. He stepped clumsily in front of bicycles and edged between groups of women in conversation. Then he bent suddenly over to look at it and was obscured by bodies. It was a ring, he lifted it in the sunlight when he knew she was watching, a wedding band that held some foreign inscription, maybe, but looked familiar to anyone, in the thickness of the metal, in the way the silver glinted in the light.
He made his way to her then and grinned pathetically, searching the faces of others before picking her out—her, of course, because it couldn’t have happened any other way. She looked stunned when he smiled at her. She was braless under a sundress, hair hanging untied to her shoulders. The ring was between his fingers but he slid it into his jeans before speaking. Her eyes followed somewhat desperately as the band disappeared into his fob pocket.
“Excuse me,” he said. He pulled a digital camera from his messenger bag. “Do you mind if I take your picture?”
This is how it happened with Jessica Harding.
He told her to call him Aaron.
 
The sports bar waitress was named Kim Boettcher. She was a blonde and had a soft round stomach she liked to show off. She wore her jeans low on her hips. Aaron met her outside a grocery store, where her bank was. They were parked next to each other and she rapped on his window to complain after he took her photo. She was still wearing the apron she kept her tips in at work.
“You can’t do that,” Kim told him. She wanted to be a broadcast journalist and enlightened him on consent laws. Aaron was happy to listen.
She lived with a couple friends in a south Omaha duplex. It was a single-story house with four garage doors on the street side. Her room was in the back, with a washer and dryer in the closet. Aaron slept there for three days.
Kim lay face down while he massaged her with baby oil every morning, her eyes closed. When he put his weight on her body, Aaron could smell fryer grease in the sheets.
 
Lorna Chaplin flashed her cleavage over the orange formica counter when she rang up his total.  Aaron was buying a microwavable Rueben and a Diet Pepsi. She worked at a filling station near the interstate in Ralston and had blond hair with dark freckles around her neck. She wore low rise stonewashed jeans without a belt. When Aaron looked at her midriff he noticed a thick pink scar across her navel. She said, “My eyes are up here.”
He came back the next night to ask her out to the burger and gyro place down the road.
She lived in a small white house not far from the filling station. It had been her parents’ house, the place she grew up in. All of the old furnishings were still there, worn sofas, porcelain knickknacks on the wall. There were small wooden cups that Lorna’s father made in his basement workshop when he was still alive. Her eyes pinched nearly closed when she smiled. It was a nice smile, one that made Aaron think that she’d been very pretty when she was in high school.
Aaron liked talking to Lorna about her life. He laughed at the way she spoke when nostalgic and teary,</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>11:57</itunes:duration> </item> <item><title>Extractions</title><link>http://foggedclarity.com/2010/10/extractions/</link> <comments>http://foggedclarity.com/2010/10/extractions/#comments</comments> <pubDate>Mon, 01 Nov 2010 01:34:27 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Extractions]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[John McCaffrey]]></category> <category><![CDATA[story]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=9434</guid> <description><![CDATA[John McCaffrey His name was Crawford Norris. We’d spent more than an hour talking and drinking before he introduced himself. Crawford was tall and husky and looked to be on the long end of seventy. He finished the story he was telling me with a salesman’s smile, his lips parting to reveal a neat row [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">John McCaffrey</h3><div
class="center"></div><p>His name was Crawford Norris.  We’d spent more than an hour talking and drinking before he introduced himself.   Crawford was tall and husky and looked to be on the long end of seventy.  He finished the story he was telling me with a salesman’s smile, his lips parting to reveal a neat row of lime-white teeth.</p><p>I drained my Jack and Ginger, making sure to wince as I swallowed.</p><p>“Still hurts?”</p><p>“Yeah.”</p><p>My pain wasn’t all phony.  I was reeling from my wife walking out on me.  That was the real extraction.  The other, about having a wisdom tooth pulled out, I’d made up that morning.  It was an excuse to get off work and drink, and I’d decided to carry the lie around with me the rest of the day.</p><p>Crawford siphoned off the head of a new beer.  Wisps of foam clung to the sides of his mouth.   “Know where’s she staying?”</p><p>The alcohol had loosened my tongue.  Crawford was the first person I’d told about my wife.</p><p>“With her sister.”</p><p>“Then call her,” he said.  “Tell her your mouth is sore.  She’ll come back.”</p><p>“She hates me.”</p><p>Crawford shrugged his shoulders.  “Women aren’t like men: they can still love someone they hate.”</p><p>I didn’t want to talk anymore about my wife.  So I brought up his.</p><p
style="text-align: left; padding-left: 210px;"><strong>***</strong></p><p>“I can’t believe she did that to you?  I would’ve called the cops.”</p><p>“I almost did.”  Crawford sucked up more beer.</p><p>“What stopped you?”</p><p>“I guess I thought that if she was willing to do all that to get my attention, it was worth giving it to her.”</p><p>“And things worked out?”</p><p>He paused.  “Better than I hoped.”</p><p>“Ready for another?”</p><p>It was the bartender asking.   He lifted away my empty glass and mopped up underneath with a hand towel.</p><p>“Sure,” I said.  “And a beer for my friend.”</p><p>Crawford held his right hand up.  “No more for me.  Got to get home for supper.”</p><p>“One more.”</p><p>“Another time.”</p><p>“Your wife must be a good cook.”</p><p>“She was,” he said, “before she passed.”</p><p>“I’m sorry.”</p><p>Crawford blew out his cheeks as he exhaled.  “It might sound silly.  But I still like to sit at my own table and eat dinner every night.  If I don’t, I feel adrift.  Know what I mean?”</p><p>“I think so.”</p><p>“Your next is on me.” Crawford rose from the stool and nudged his chin toward the bartender who was busy making my drink.  “Tell Jeff I’ll square up tomorrow.”</p><p>I scanned the bar.  Only a few customers remained, all men, each intently watching a horse race on the overhead television.  Underneath the television was a jukebox, unplugged and dull with dust.  The flooring consisted of chipped checkerboard tiling.  The metal stools were covered in black vinyl littered with cigarette burns.</p><p>“You’re Jeff?” I asked the bartender when he returned.</p><p>“That’s right.”</p><p>“The old guy that just left said to put this one on his tab.”</p><p>Jeff’s bald head was too big for his thin neck.   He kept the drink in his hand and said, “Better you pay for it yourself.”</p><p>“Why?”</p><p>“Because he’s not good for it.”</p><p>I pushed over a ten-dollar bill.  “He seemed solid,” I said.  “Told me a helluva thing about his late wife – said she once knocked him cold with a baseball bat after finding out he was messing with another woman.  Then she removed his front teeth with a pair of pliers. ”</p><p>“Not true,” Jeff said.  “My mother never did that.”</p><p>“Crawford’s your father?”</p><p>Jeff nodded.</p><p>“Maybe he never told you about it.”</p><p>Jeff took my money to the register.  He stacked the change, five single dollars, next to the new drink.   “If you don’t believe me, I’ll give you my mother’s number.  Call and ask her yourself.”</p><p>“She’s not dead?”</p><p>“Look,” he said, “my father lies.  I’m sorry.”</p><p>He moved down the bar and began working on the other customer’s refills.  I finished my drink and walked out.  It was dusk and coldish.  I thought about what to do next.  It occurred to me that I better go find some dinner.  Then again, chewing food might hurt too much with the extraction I’d endured.  It felt good to lie, even if only to myself.   I turned and went back inside and ordered a drink.  A new race on the TV had begun.</p><div
id="bio"><em><strong>John McCaffrey </strong>received his MFA from the City College of New York.  His stories, essays and reviews have appeared regularly in literary journals and anthologies, including <strong>Flash Fiction Forward</strong>.  A former <strong>New York Times </strong>fellow, he lives and teaches short story writing in New Jersey.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/10/extractions/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2010/November/extractions.mp3" length="4027981" type="audio/mpeg" /> <itunes:keywords>Extractions,fogged clarity,John McCaffrey,Short Fiction,story</itunes:keywords> <itunes:subtitle>John McCaffrey - His name was Crawford Norris.  We’d spent more than an hour talking and drinking before he introduced himself.   Crawford was tall and husky and looked to be on the long end of seventy.  He finished the story he was telling me with a ...</itunes:subtitle> <itunes:summary>John McCaffrey
His name was Crawford Norris.  We’d spent more than an hour talking and drinking before he introduced himself.   Crawford was tall and husky and looked to be on the long end of seventy.  He finished the story he was telling me with a salesman’s smile, his lips parting to reveal a neat row of lime-white teeth.
I drained my Jack and Ginger, making sure to wince as I swallowed.
“Still hurts?”
“Yeah.”
My pain wasn’t all phony.  I was reeling from my wife walking out on me.  That was the real extraction.  The other, about having a wisdom tooth pulled out, I’d made up that morning.  It was an excuse to get off work and drink, and I’d decided to carry the lie around with me the rest of the day.
Crawford siphoned off the head of a new beer.  Wisps of foam clung to the sides of his mouth.   “Know where’s she staying?”
The alcohol had loosened my tongue.  Crawford was the first person I’d told about my wife.
“With her sister.”
“Then call her,” he said.  “Tell her your mouth is sore.  She’ll come back.”
“She hates me.”
Crawford shrugged his shoulders.  “Women aren’t like men: they can still love someone they hate.”
I didn’t want to talk anymore about my wife.  So I brought up his.
***
“I can’t believe she did that to you?  I would’ve called the cops.”
“I almost did.”  Crawford sucked up more beer.
“What stopped you?”
“I guess I thought that if she was willing to do all that to get my attention, it was worth giving it to her.”
“And things worked out?”
He paused.  “Better than I hoped.”
“Ready for another?”
It was the bartender asking.   He lifted away my empty glass and mopped up underneath with a hand towel.
“Sure,” I said.  “And a beer for my friend.”
Crawford held his right hand up.  “No more for me.  Got to get home for supper.”
“One more.”
“Another time.”
“Your wife must be a good cook.”
“She was,” he said, “before she passed.”
“I’m sorry.”
Crawford blew out his cheeks as he exhaled.  “It might sound silly.  But I still like to sit at my own table and eat dinner every night.  If I don’t, I feel adrift.  Know what I mean?”
“I think so.”
“Your next is on me.” Crawford rose from the stool and nudged his chin toward the bartender who was busy making my drink.  “Tell Jeff I’ll square up tomorrow.”
I scanned the bar.  Only a few customers remained, all men, each intently watching a horse race on the overhead television.  Underneath the television was a jukebox, unplugged and dull with dust.  The flooring consisted of chipped checkerboard tiling.  The metal stools were covered in black vinyl littered with cigarette burns.
“You’re Jeff?” I asked the bartender when he returned.
“That’s right.”
“The old guy that just left said to put this one on his tab.”
Jeff’s bald head was too big for his thin neck.   He kept the drink in his hand and said, “Better you pay for it yourself.”
“Why?”
“Because he’s not good for it.”
I pushed over a ten-dollar bill.  “He seemed solid,” I said.  “Told me a helluva thing about his late wife – said she once knocked him cold with a baseball bat after finding out he was messing with another woman.  Then she removed his front teeth with a pair of pliers. ”
“Not true,” Jeff said.  “My mother never did that.”
“Crawford’s your father?”
Jeff nodded.
“Maybe he never told you about it.”
Jeff took my money to the register.  He stacked the change, five single dollars, next to the new drink.   “If you don’t believe me, I’ll give you my mother’s number.  Call and ask her yourself.”
“She’s not dead?”
“Look,” he said, “my father lies.  I’m sorry.”
He moved down the bar and began working on the other customer’s refills.  I finished my drink and walked out.  It was dusk and coldish.  I thought about what to do next.  It occurred to me that I better go find some dinner.  Then again, chewing food might hurt too much with the extraction I’d endured.  It felt good to lie, even if only to myself.   I turned and went back inside and ordered a drink.</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>4:11</itunes:duration> </item> <item><title>Books That Did Not Help Me Pick Up Women</title><link>http://foggedclarity.com/2010/10/books-that-did-not-help-me-pick-up-women/</link> <comments>http://foggedclarity.com/2010/10/books-that-did-not-help-me-pick-up-women/#comments</comments> <pubDate>Mon, 01 Nov 2010 01:33:32 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Books that did not help me pick up women]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Hoboken]]></category> <category><![CDATA[John McCaffrey]]></category> <category><![CDATA[reading]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=9427</guid> <description><![CDATA[John McCaffrey I bought a bottle of beer and sat next to a woman I found attractive at the bar. She was alone and reading a book. I finished the beer and introduced myself. She told me her name was Meg. She was reading The Sun Also Rises and I asked her what she thought [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">John McCaffrey</h3><div
class="center"></div><p>I bought a bottle of beer and sat next to a woman I found attractive at the bar.  She was alone and reading a book.  I finished the beer and introduced myself.  She told me her name was Meg.  She was reading <em>The Sun Also Rises </em>and I asked her what she thought of Hemingway. Meg took a sip of her own beer and said Hemingway was good but not as good as Fitzgerald.  I joked whether she meant “Ella,” and bought us both beers and we talked some more about writers and books.  When she got up to leave I asked for her number and she seemed sincere as she wrote it down on a napkin.  Two days later I called her and got the answering machine for an airport limousine service.</p><p>A few weeks later I spied a great looking blonde in a halter-top at the bar.   She was dancing in place near the jukebox with eyes closed and I imagined for a moment she resembled a French harlot from a Maupassant story I’d just read.  I downed a tequila shooter and introduced myself.  Her name was Claudine and we found some common ground talking about books.  It turned out she really liked Jack London.  She also liked tequila.  After a few more shooters she said I would look good in a parka.  I agreed and made a move to kiss her.  We had sex that night and started dating.</p><p>Things were good in the beginning with Claudine, but by the end of our second month together I sensed her interest waning.  Trying to stem the tide, I started to wear heavy snow boots, even though it was the summer.  I also bought her a copy of <em>The Sea Wolf</em>.   It didn’t help.  She kept the book and broke up with me.</p><p>The next weeks saw me every night at the bar.  I pined hard for Claudine, writing love poems in my head and doodling pictures of her face on napkins.  I thought several times of putting on my snow boots and trying to win her back, but a mixture of pride and cowardice held me back and kept me rooted to alcohol.</p><p>One night, deep in a funk, I met Talia.  She was taller than me and approached with two shots of Jim Beam in her hand.  She gave me one and we talked.  I learned she played basketball for a local college women’s team.  She was also an English Major.   When I asked who she liked to read she didn’t hesitate:  “Somerset Maugham.”  She spoke for a half-hour straight about his work.  I found her passion erotic and suggested we go somewhere more private to talk about Maugham.  Talia must have sensed my real purpose because she told me she had a rule never to have sex with a man until he first watched her play basketball.  She said her next home game was three days away.</p><p>I marked my calendar and waited.  But right before I was to leave for the game Claudine rang me.  She told me she had been reading Jane Austen and was feeling romantic.  She thought now I would look good in aristocratic clothes.  I told her I had a tweed jacket with denim elbow patches in my closet.  She asked me to put it on and come over.  I did.</p><p>A few weeks later I was at a bar when Talia tapped me on the shoulder. “You never came to my game,” she said.  She pulled a book out of a knapsack and passed it to me.  “I’ve been holding this for you,” she said.  It was <em>Of Human Bondage</em>.</p><p> “Maugham’s best,” she said.</p><p>“What’s it about?”</p><p> “Read the book.  Then come see me play.  I like you.”</p><p>Claudine and I continued on a good patch for another month before it fell apart again.  It coincided with her new interest in Gertrude Stein.  She even quoted Stein’s <em>Stanzas for Meditation </em>a few times in a letter she handed me explaining her reasons for breaking up a second time.</p><p>I fell into another drinking depression.  I brought <em>Of Human Bondage </em>to the bar each night and began to read it while I downed shots.  I was moved by the story about a man who fights to break free from the hold of passion an abusive woman has over him.  The day I finished the book I looked up the schedule for Talia’s team.  They had a game that night.  I got there early and bought a ticket not far from the court.  The two squads came out and I spotted Talia.  She looked sexy in the lay-up line, in her uniform and kneepads.  I waved and shouted her name.  I got excited when she turned and looked into the stands.  But then I realized it was someone else who held her attention.  He was standing a few rows below me.  He was tall and skinny and was wearing a jersey with her number on his back.  And in his hand, which he waved with joyous frenzy, was a book.   I craned my eye to make out the title.</p><div
id="bio"><em><strong>John McCaffrey </strong>received his MFA from the City College of New York.  His stories, essays and reviews have appeared regularly in literary journals and anthologies, including <strong>Flash Fiction Forward</strong>.  A former <strong>New York Times </strong>fellow, he lives and teaches short story writing in New Jersey.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/10/books-that-did-not-help-me-pick-up-women/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2010/November/books.mp3" length="4252491" type="audio/mpeg" /> <itunes:keywords>Books that did not help me pick up women,fogged clarity,Hoboken,John McCaffrey,reading,Short Fiction</itunes:keywords> <itunes:subtitle>John McCaffrey - I bought a bottle of beer and sat next to a woman I found attractive at the bar.  She was alone and reading a book.  I finished the beer and introduced myself.  She told me her name was Meg.</itunes:subtitle> <itunes:summary>John McCaffrey
I bought a bottle of beer and sat next to a woman I found attractive at the bar.  She was alone and reading a book.  I finished the beer and introduced myself.  She told me her name was Meg.  She was reading The Sun Also Rises and I asked her what she thought of Hemingway. Meg took a sip of her own beer and said Hemingway was good but not as good as Fitzgerald.  I joked whether she meant “Ella,” and bought us both beers and we talked some more about writers and books.  When she got up to leave I asked for her number and she seemed sincere as she wrote it down on a napkin.  Two days later I called her and got the answering machine for an airport limousine service.
A few weeks later I spied a great looking blonde in a halter-top at the bar.   She was dancing in place near the jukebox with eyes closed and I imagined for a moment she resembled a French harlot from a Maupassant story I’d just read.  I downed a tequila shooter and introduced myself.  Her name was Claudine and we found some common ground talking about books.  It turned out she really liked Jack London.  She also liked tequila.  After a few more shooters she said I would look good in a parka.  I agreed and made a move to kiss her.  We had sex that night and started dating.
Things were good in the beginning with Claudine, but by the end of our second month together I sensed her interest waning.  Trying to stem the tide, I started to wear heavy snow boots, even though it was the summer.  I also bought her a copy of The Sea Wolf.   It didn’t help.  She kept the book and broke up with me.
The next weeks saw me every night at the bar.  I pined hard for Claudine, writing love poems in my head and doodling pictures of her face on napkins.  I thought several times of putting on my snow boots and trying to win her back, but a mixture of pride and cowardice held me back and kept me rooted to alcohol.
One night, deep in a funk, I met Talia.  She was taller than me and approached with two shots of Jim Beam in her hand.  She gave me one and we talked.  I learned she played basketball for a local college women’s team.  She was also an English Major.   When I asked who she liked to read she didn’t hesitate:  “Somerset Maugham.”  She spoke for a half-hour straight about his work.  I found her passion erotic and suggested we go somewhere more private to talk about Maugham.  Talia must have sensed my real purpose because she told me she had a rule never to have sex with a man until he first watched her play basketball.  She said her next home game was three days away.
I marked my calendar and waited.  But right before I was to leave for the game Claudine rang me.  She told me she had been reading Jane Austen and was feeling romantic.  She thought now I would look good in aristocratic clothes.  I told her I had a tweed jacket with denim elbow patches in my closet.  She asked me to put it on and come over.  I did.
A few weeks later I was at a bar when Talia tapped me on the shoulder. “You never came to my game,” she said.  She pulled a book out of a knapsack and passed it to me.  “I’ve been holding this for you,” she said.  It was Of Human Bondage.
“Maugham’s best,” she said.
“What’s it about?”
“Read the book.  Then come see me play.  I like you.”
Claudine and I continued on a good patch for another month before it fell apart again.  It coincided with her new interest in Gertrude Stein.  She even quoted Stein’s Stanzas for Meditation a few times in a letter she handed me explaining her reasons for breaking up a second time.
I fell into another drinking depression.  I brought Of Human Bondage to the bar each night and began to read it while I downed shots.  I was moved by the story about a man who fights to break free from the hold of passion an abusive woman has over him.  The day I finished the book I looked up the schedule for Talia’s team.  They had a game that night.  I got there early and bought a ticket not far from the court.</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>4:25</itunes:duration> </item> <item><title>No Names</title><link>http://foggedclarity.com/2010/09/no-names/</link> <comments>http://foggedclarity.com/2010/09/no-names/#comments</comments> <pubDate>Sat, 25 Sep 2010 02:31:34 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Alexander V. Bach]]></category> <category><![CDATA[art]]></category> <category><![CDATA[author]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[No Names]]></category> <category><![CDATA[writer]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=8302</guid> <description><![CDATA[Alexander V. Bach The rules they had talked about for a while included that he be in the same room, that they both make the choice and that they would have no contact again with the man selected, which helped with the last rule&#8211;no names; he didn’t want any way for them to know each [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Alexander V. Bach</h3><p>The rules they had talked about for a while included that he be in the same room, that they both make the choice and that they would have no contact again with the man selected, which helped with the last rule&#8211;no names; he didn’t want any way for them to know each other, and he didn’t want any names said during the act. There were also stipulations they went over about the act itself, more appeasements and compromises than straight rules, things that they had felt should stay preserved in their past, such as her resting her chin on his shoulder, or running her fingers over his chest; she wasn’t allowed to be picked up or taken from behind (which she contended would be hard to step around, as it was difficult for her to come when she was facing him); and other things, both more grand and more minute, so that they were left with a sort of choreography. He needed to try, as much for her sake as well as theirs; a woman has needs a man in his position can’t possibly satisfy. Yes, if they were to going to make it, they would both have to make sacrifices.</p><p>Still, it didn’t feel right and he knew it wouldn’t, watching the upside-down heart of her ass—like two conjoined tear-drops cradled in the man’s virile hands— the rise and fall did things to his heart he could not have planned for.</p><p
style="text-align: center;">*</p><p>Theirs had been a relationship spawned from youthful urgency and the acceptance that marriage would facilitate more money and the possibility of safer travels throughout his service career, an extra sliver of hope against their friends’ and cousins’ and classmates’ afflictions mortal and not: begging the question which was harder to deal with. That isn’t to say there wasn’t love, they had been attached to each other, adored each other, but theirs had never subscribed to the idyllic, romanticized couple their parents had read in the war stories of their youth.</p><p>The first night he had returned home after leaving the VA hospital in Fort Wayne he soaked in their tub while her hands dragged a warm washcloth over first his legs, then his feet, the bed sores on his hamstrings and calves, a mauve light glowing on the graying porcelain. He could see the splintered molding around the bathroom, damaged from water vapor and his absence, the framing nails poking through the three-quarter inch strip of wood like crooked, silver fangs. She had painted while he was away and he didn’t like the salmon color she’d chosen, still, the moment wasn’t right to bring it up.</p><p>She had taken her time, rubbed the muscles with the washcloth, with her hands, unsure of herself or of her techniques, enduring against her lack of confidence for a career she’d never thought to be dropped into, yet enduring, nonetheless. Guiding her hands in an ablutionary apology, occasionally taking the cloth from her and cleaning parts he felt more dignified to clean himself, watching her handle his legs, the heavy limbs made buoyant in the ever-chilling water, and he had cried, out of self-pity and shame. She dropped the cloth, put his legs down, and cradled his head in her arms; a six-foot-two child swaddled in the arms of a woman their ethos had sworn him to protect and provide for, and he cried harder.</p><p
style="text-align: center;">*</p><p>He gripped the wheels of his chair against the grunting of the man, against her surmounting sighs and the clapping of the hotel headboard bouncing off paisley wallpaper (they both agreed it shouldn’t be done in their home), their images reversed and doubled in the dresser mounted mirror that faced the bed. The drapery of her hair fell over his forehead, shrouding their faces from him. He hoped they weren’t kissing—that hadn’t been explicitly said because he felt it explicitly unsaid—yet he couldn’t quite bring himself to voice his concern. The end of the first hour beat upon his will and upon the seated muscles collecting blood and formic acid in their unmoving vigil. The bed ticked, keeping time like a Swiss watch, and after each successive movement he wanted to ask if they were almost done but refrained as he didn’t want to ruin the momentum by speaking up as he had done earlier when things were just getting started, directing the action until scolded as being distracting, and he was forced to stop, forced to be quiet and to just&#8230;watch. Early on he had tried closing his eyes, tried to imagine the noises were from another room, from a porno he used to have, from an <em>a priori </em>life, all of which only increased his paranoia, and he kept them open, kept them vigilant; he would act the bailiff.</p><p
style="text-align: center;">*</p><p>Their wedding had been a practical event, that is, just their immediate family and a handful of friends with whom they had grown up. The ceremony was done in her church with her pastor because she was not Catholic. Friends of his parents owned a local bar-and-grill and they were able to have the reception there, freeing them from having to pay the VFW or the gratuitous fees at the Marriot. Near the jukebox that alternated between Springsteen and Chesney there was a table for guests to place cards and gifts inside the mouth of a poster-board collage filled with pictures of toothless smiles, gymnastic competitions, recitals, a boy flexing with war paint in a Hulkamania T-shirt, a girl wearing her older sister’s clothes, football games, soccer games, a boy with shaggy hair kissing a bleached blonde girl in a halter top, a picture of a boy with buzzed head and a girl with brown, yellow-tipped hair wearing a stained, oversized Purdue sweatshirt, and an empty 3”x5” spot on which his mother had written “Grandchildren ?” in marker.</p><p>Their song had been “Born to Run” because he thought he did a good Springsteen impression when he was drinking and they would often end their nights out with his mimetic dance and gestures, pulling her into the open space allocated for dancing and carrying her about in exaggerated movements, picking her up and letting her wrap her legs around his waist as she then placed her hands on his “<em>engines</em>.” They recited the same dance in a brand new wedding dress and a rented tux, dancing on peanut shells, him kissing her neck and feeling her smile against his cheek, his mind lost in an etherized swell thinking about the future.</p><p
style="text-align: center;">*</p><p>The pumping increased and he watched the man’s hands go white from the firmness of his grip on her ass—still taught with youth and the absence of childbirth—as he pulled her closer and picked up his pace. He grimaced watching her aqua fingernails slide over the man’s hands and wrap around his forearms, assisting his hold on her and allowing more of him inside of her. The blankets spilling off the bed knocked the plastic cocktail cups onto the floor, spilling limes, stirrer straws and empty nips of Bombay. He hated that she still drank Gin ‘n Tonics, being the last drink he’d ordered before a knife was stuck into his back–something Spanish whispered into his ear–and he had felt so much weight falling under him. She muttered “Oh God” and they switched positions, him on top of her holding her knees up to her chest, her tongue stroking her incisors before disappearing back into her mouth. On the man’s shoulder, now the closest body part to him, was a tattoo of some jungle cat or other, a black negative in the red light of the EXIT sign celestially hovering over the door.</p><p>The room next to theirs had, since their arrival, been playing the same lamentable German symphony over and over again, the same morose piano accompanying a horrifyingly sad tenor, stalking through the wall and wallpaper, and, after numerous repetitions, the German phrases began planting themselves in his head until the song ended, began and came back around again: “<em>Still ist die Nact, es ru-hen die Gas-sen, in die-sem Hau-se wohn-te mein Schatz&#8230; Du Dop-pel-gän-ger, du blei-cher Ge-sel-le, was äffst du nach mein Lie-bes-leid</em>.” The music was, needless to say, an eerie score for the event. After so many times, he wondered if perhaps the person next door hadn’t killed himself, herself; the hotel seemed like that kind of place.</p><p
style="text-align: center;">*</p><p>They had tried to work things out on their own. He had called the initial phase of their experimentation “Sex For Eunuchs.” Their first move required that she lay naked on the bed, and he to wheel himself to her side, her head propped up on a pillow against the bare wall so their mouths could meet, close but not touching, breathing the other’s breath in a slow rhythm until they were both drunk on carbon-dioxide, as her hands manipulated her breasts before emigrating south. It was the act of tantalization that made it erotic, she had said. The whole time they had stared at each other’s eyes so pathetically and desperately hopeful that this would be enough for both of them, cognitively repressing the nagging doubt that it would not. He hated these “games” for his inaction. Their sex then shifted to her lying prostrate on his naked body while their intertwined hands moved over her, his hands guiding her masturbation, their masturbation, like a Ouija board.</p><p>They had tried toys and he would use them on her: his idea, and admittedly one in which her pleasure rode backseat to the need for him to feel he could still offer her some gratification. She couldn’t come and the sex became perfunctory. She needed more than machination, needed more than his elbow and shoulder working in-tune like a piston, needed the raw and idiosyncratic motion of two fumbling bodies, throwing each other out of symmetry, hitting each other’s pleasure points with accidentals; she needed the passing notes of sexual symphony, needed a force more than gravity pulling her down, pulling him more inside of her—a stabilizing hand on the crest of her ass&#8230;And how could he give that to her?</p><p>She had mentioned a strap-on once, and he had told her to “fuck off!” He didn’t want a “surrogate cock.” Then she asked what he thought the toys were which made him pout. But she had mentioned it again and he gradually became less reticent.</p><p>On a Saturday night after his consent, she had propped his head up on a throw pillow, bent his body to a sixty-degree angle, then removed his clothes one layer at a time: first a button, then another, pulling the shirt from his shoulders, sidling his pants down and yanking them—erotically, she had thought—from his ankles. He had looked down and seen his flaccid member underneath a veil of cotton briefs, had seen the tubes coming out the side, leading to the catheter and colostomy bags tied to the back of his chair sitting beside him. His chair: A<em> vigilant nurse? A visage of sympathetic camaraderie? A beneficent voyeur? His fraternal twin of symbiotic necessity?</em> She then climbed onto the bed, one hand balancing herself, the other waving the polyurethane priapus, a peevish smile on her face diminishing his confidence and heightening his unease and apprehension. As she bent down to his waist he had stopped her.</p><p>“Wait.”</p><p>“What’s wrong?”</p><p>“I don’t want that…thing—look, can we just put a towel or a blanket underneath?”</p><p>She had scoffed but climbed off him and disappeared into the bathroom. When she returned she placed the towel over his hips and he spread it out to cover the bulge of his failed masculinity, making sure he could see only his abdomen disappearing into terry cloth shuddering quickly and shallow to match his breath. Then she reached underneath him and fastened the strap.</p><p>“Giddy-up,” she laughed, unaccompanied.</p><p>He had refused to do that again, and she didn’t object—which he was grateful for; but that had led to other talks, which led them to tonight.</p><p
style="text-align: center;">*</p><p>Their vocals increased in volume and his head dropped to his lap (hands gripping the cold rails of the wheels) while hers was thrown back, eyes closed, a mouth full of mirth. Her fingers were interwoven with his. The carpet was silent under his wheels as he pulled the chair backward the equivalent of a step. Her head dropped to the man’s shoulder and he realized their agreements were more pudding than stone. He glided towards the partition separating the bedroom from the living area of the suite, towards a collapsible bed masquerading as a thin couch as her head pulled back slowly revealing, from her lip to her chin, a sparkling trail of saliva glittering in the faint luminescence of night. Silently still, his wheels moved along their invisible track and out of the bedroom against the primal noises, making no acknowledgment to his station’s departure. Gradually his spins became longer, moving him closer towards the door on which the edges of the fire escape routes were hastily painted over, opening the door at first only a crack, testing for noise and light from the bedroom. Hearing no disruption in their congress, he breached the threshold of the room and crossed into the yellow light of the hallway, sconces glowing like scattered coffee-stained teeth whose enamel has been chipped away, illuminated by the current of the hotel guests’ dirge. Fueled on the coal of his own escape to a blessed absentmindedness, he accelerated down the fake oriental carpeting, arms pumping the wheels and cycling back to apply pressure to the crests of his locomotion: his hands throwing the rails of the wheels to the ground again and again, feeling the folly of friction attempt to slow him.</p><p>Numbered doors flew past him down the long corridor, doors with similar anonymous atrocities. His vision narrowed to only the view of what was immediate: the carpet, the corridor, the lighted sconces on the wall. Rolling faster he failed to notice the wire-conduit hiccupped in the carpet, which caught the wheels and vaulted him into the stale air. His face rubbed hot against the short bristles of the carpet, scraping away a fine layer of skin; his elbows bruised under his cotton shirt and a sharp sting throbbing in his wrist. He groaned and after a minute lifted his hands to his face and felt little dabs of blood on his cheeks and forehead. Down his body his legs lay contorted and folded under each other, the trail of him spreading out in a thin line, like a bicycle-severed earthworm: his arms trying to right his body, his legs gnarled and useless, the twisted tubes attaching him to the bags of waste on the back of the chair standing sentinel over his writhing torso. Turning himself until he was on his back, he lied for a while on the coarse fabric, stirring and contemplating how he could manage to free himself from the weight and his entanglement. He rested the back of his head on the carpet and tried to catch his breath before attempting a return to freedom and dignity. He closed his eyes and reopened them on the burning incandescence of the sconce above him, where, as his gaze focused on the grey-brown dot inside the thin glass, he found a moth burning its wings upon the light bulb.</p><p
style="text-align: center;">*</p><p>She drove home as the night waxed darker. There would be no sound slumber in that room. The couch would remain a couch; the bars of soap would remain packed in paper boxes next to vials of shampoo and conditioner, seals intact; the bed would remain as it was, with unfurled sheets and a permeating dampness.</p><p>As she drove he thought, <em>Would there be others?</em> Yes, probably. Not for a while, he knew. She had seen the look on his face as he had allowed the man’s hands, covered in sweat and her discharge, to lift him, to carry him, and place him delicately back in his chair while she cooed sympathetically, motherly, in his ear, wrapped with ample suggestion in a hotel towel, directing the man’s movement and stroking the back of the man’s head gratefully when he was back in place.</p><p>She drove smoothly—slowly and contentedly—looking at him now and then with reassuring smiles as if the night had merely been a trip to the dentist, a tooth pulled, a cavity filled, a necessary, singular event hurdled. He knew there’d be other times down the road, other men, other names agreeably repressed and discarded, new men taking up the role of Mr. Anonymous, The Mystery Man, Mr. E, together assembling a solitary cloaked man known only by function&#8230;because, after all, it had worked; because, simply, she would have to. He knew he would object, knew they would fight, and in the resolve—<em>a week? a month? a year?</em>—they would talk in quiet terms in an attempt to smother the pity and shame and reproach in the other’s voice. Then there would be a point when he would give in.</p><p>They would find a new man, they would seek him out at a bar or hotel, in classified ads, chat rooms; they would reserve a room somewhere cheap but in the echelon above the hourly payment establishments. He would sit and watch, maybe he would leave the room again; maybe he would be still and defeated and patiently wait for her to come. Maybe, down the road, he would refuse to go with her. Maybe she would put up a fit, saying how she needed him there, how his presence was in <em>their</em> agreement, in <em>their</em> rules, but she would resign that maybe the best thing would be for her to go alone, for him to stay, seeing how hard it was on him. She would leave, kissing him on the forehead, and return several hours later drunk and giddy. He would have put himself to bed, and she would climb in on his side and stroke the skin behind his ear.</p><p>He could see this as clearly as he could see the lines on the road and the bugs crashing clandestine against the windshield. He could read the future on her face in the light of the dash, in the scrapes on his hands and face, in her lane changing and acceleration, in the diaphanous reflection of themselves in the tempered glass against the dirty, humid night. Yes, months, years, from now, she’ll leave the house longer and longer, and he’ll stay because it’s consistent, because it’s necessary, because&#8211;<em>who else would have him?</em> He’ll stay home, picking at his dinner, guffawing at the droll dialogue from some sitcom or other, listening for the six-cylinder whir of their modified mini-van to turn up the drive, pause, idle before cutting out, while he remains inside, dreading, hoping, fearing, praying she’ll come back with a name.</p><div
id="bio"><em><strong>Alexander V. Bach </strong>is a writer and musician currently living in the Chicagoland area. He has received an MA in Writing from Johns Hopkins University and a BA in English from Syracuse University. His work has appeared or is forthcoming in <strong>PennUnion</strong>, <strong>Gargoyle</strong> and a film edition of <strong>Big Muddy</strong>.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/09/no-names/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Vineyard</title><link>http://foggedclarity.com/2010/08/vineyard/</link> <comments>http://foggedclarity.com/2010/08/vineyard/#comments</comments> <pubDate>Mon, 30 Aug 2010 02:28:46 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Michelle Bailat-Jones]]></category> <category><![CDATA[vineyard]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=8014</guid> <description><![CDATA[Michelle Bailat-Jones This is the season they use fireworks to scare the starlings from the vines. The season of hot afternoons and crisp evenings, when her lower back will stiffen with chilled sweat as the sun disappears from the rows of grapes to be harvested. She lives with the men, but apart, separated by a [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Michelle Bailat-Jones</h3><p>This is the season they use fireworks to scare the starlings from the vines. The season of hot afternoons and crisp evenings, when her lower back will stiffen with chilled sweat as the sun disappears from the rows of grapes to be harvested.</p><p>She lives with the men, but apart, separated by a sheet hanging across one end of the dormitory. She smells their feet and armpits in her sleep and dreams of her husband, of the way he smelled after his bath. How his hair always kept some fragrance of his sweat.</p><p>This morning she wakes before the others, startled by the sound of the starlings as they take off in one great mass of beating wings and agile bodies. She creeps out of the dormitory, towel and soap in hand. They have allotted her a shower stall in the communal bathroom; the men leave her alone.</p><p>The new worker comes as she is drying her hair. He arrived weeks after she and the others and does not live in the dormitory but in a camper van parked above the terraced slopes. At night she can see the tip of his cigarette glow in the darkness. A few days ago, she saw him pierce a thin vine shoot with his thumbnail, then watched him put the finger to his tongue and test the sap.</p><p>He excuses himself, backs away, says he thought she had her own bathroom somewhere else. He is lying. The men discuss her when they think she is out of earshot. They complain, but they are all a little afraid of her.</p><p>She pretends not to understand him. She is not from his country and she shouldn’t know his language.</p><p>When he is gone she puts her head under the sink again. His voice belongs to another man. A man she has not seen for six years, who is presumably still waiting for her return. Her mother’s letters tell her as much. He sleeps on the couch, shouts her name from a drunken slumber, complains of the pain in his missing foot.</p><p>She opens the bathroom door and calls to the new worker, this time in his own tongue. A few of the other men are up now, peeking out from the doorless dormitory. He ambles to her wearing a shy, humble smile. He is younger than her. His nose is crooked and beautiful.</p><p>The punch comes as a surprise. She is not a violent person. He falls, she apologizes. He waits at her feet, rubbing his jaw, still smiling a little. He says sorry in the language everyone can understand.</p><p>When she helps him up, apologizing again, even smiling a little now too, he keeps her hand, moving a sharp thumbnail across her skin. He walks away, putting his thumb to his mouth while she rushes into the shelter of the vineyard as the fireworks boom over her head and the starlings squawk and escape across the sky.</p><div
id="bio"> <em><strong>Michelle Bailat-Jones</strong> is a writer and translator living in Switzerland. Her work has appeared or is forthcoming in <strong>Necessary Fiction</strong>, <strong>The Kenyon Review</strong>, <strong>Ascent</strong>, <strong>The Quarterly Conversation</strong> and <strong>Cerise Press</strong>.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/08/vineyard/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Hotel Coyote</title><link>http://foggedclarity.com/2010/08/hotel-coyote/</link> <comments>http://foggedclarity.com/2010/08/hotel-coyote/#comments</comments> <pubDate>Mon, 30 Aug 2010 02:28:46 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Hotel Coyote]]></category> <category><![CDATA[Simone Martel]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=8070</guid> <description><![CDATA[Simone Martel Driving into Coyote, it&#8217;s a straight shot between fields of dusty tomato plants, but the gold tower she&#8217;s aiming for is still miles away and the rattling pickup won’t go any faster. “So forget your scheme. Turn the truck around, come back and do some real work.” She hears her dad jeering, sees [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Simone Martel</h3><p>Driving into Coyote, it&#8217;s a straight shot between fields of dusty tomato plants, but the gold tower she&#8217;s aiming for is still miles away and the rattling pickup won’t go any faster.</p><p><em>“So forget your scheme.  Turn the truck around, come back and do some real work.”</em> She hears her dad jeering, sees her brothers nodding.</p><p>Off the freeway at last, she circles the block twice before finding the entrance to the Convention Centre and hotel parking lot.  In case it’s for guests only, she leans out of the window and calls to the guy in the booth.  “Can vendors park here?”</p><p>“Cost you five bucks.”</p><p>She pays, though every dollar she spends is another she’ll have to recoup.  As she circles the lot, looking for a spot under a tree, she passes behind a ragged man gaping up at the hotel tower, head thrown back, arms outstretched.  She parks in the shade nearby, wipes the sweat off her forehead and combs windblown hair.</p><p>“Little sister, can you help me?”</p><p>A weather-beaten face peers in the window.  He’s standing right up against the truck.  A skinny guy, with dirty gray-blond hair.</p><p>“This is all new to me.”  He sounds put upon, persecuted.  “How long has this been here?”</p><p>He strays away, then weaves back.</p><p>“I lived here.  This tree”–he jabs a thumb up at the shaggy pepper tree–“was in front of my home.  Over there was Chen’s market and over there&#8230;  I don’t remember.  The whole neighborhood’s gone.”</p><p>He wanders off again.  When he’s out of sight, she climbs down from the truck, shakes loose the skirt sticking to her thighs and tugs down her t-shirt.  Standing on one foot, then the other, she changes from flip-flops into high-heeled shoes.  Finally, she hauls the handcart out of the back of the truck and loads her flats of vegetable starts, then wheels the cart across the parking lot, past a border of grass emerald green in the sun.  At home, only the weeds over the septic tank’s leach lines grow green.</p><p>The place is as fancy as she imagined.  As she rolls past the main entrance, she spies a patch of red carpet and an elevator with brass trim.  Outside, a spurting fountain transports her to another place–San Francisco maybe–until a gust of hot central valley wind blows the stink of chlorine into her face.</p><p>Around the corner, she finds the Convention Centre door.  A movie theater-style marquee reads: <strong></strong></p><p
style="padding-left: 30px;"><strong>City of Coyote welcomes the California Garden Club June 4-June 6<br
/> Friday: business meeting, welcome, brunch, seminars, vendor’s market all day<br
/> </strong></p><p>Inside the Convention Centre, she welcomes the air-conditioner’s kiss on her forehead.  Passing an open door, she glimpses a big room with rows of empty chairs.  At the next door, an old lady stands behind a table with a clipboard.  She raises her eyebrows.</p><p>“You are?”</p><p>Her voice cracks when she gives her name.  What if it’s not on the list?  How could she prove that she mailed in her thirty bucks to reserve a spot?</p><p>“You’re late.  Sign here.”</p><p>She signs beside her name, filling the last blank space on the page, and accepts her vendor’s badge.  When she clips it to her t-shirt, the neckline sags.</p><p>“Next time, wear a shirt with a collar,” the old lady advises.</p><p>She rolls her cart through the door into a hubbub of voices and a kaleidoscope of moving color.  The ballroom is high and deep.  Just inside, a lady selling CDs sits on a stool singing along to her guitar while people bustle past.  A cart offers popcorn and hot dogs, but she’s not going to fool away her profit on snacks.</p><p>The vendors nearest the door hawk antique seed packages, flowered aprons, garden gloves and books.  Everything but plants.  Or, not quite.  Toward the end of the row, a blond lady in overalls and a straw hat sells herbs.  “Certified Organic,” the sign says.</p><p>The table beside the herb lady’s should be hers, but a large-bottomed woman is bent over it, busily arranging dried flower greeting cards.</p><p>When she straightens up, she says, “Honey, do you know what time it is?  I didn’t think you were showing, so I switched with you.  You can have number four, over there.”</p><p>She finds number four in a dead-end row, away from the foot traffic.  As she lines up her plastic pots, she worries that garden club ladies might not really garden.  Besides the herb lady, no one’s selling plants.</p><p><em>You’re not going to sell a single one.  Who’d pay a buck for a seedling?</em></p><p>The table looks good though, when she’s done.  She pats the change in her skirt pocket and eyes the door.  It’s nearly ten-thirty but no one’s coming in.</p><p>At the next table, two ladies in purple dresses sit behind piles of lavender sachets and clusters of little bottles.</p><p>“Where are all the garden club members?” she asks them.</p><p>“Don’t worry, their brunch is going late.  Would you like to sample our hand cream?”</p><p>Everyone’s hustling something.</p><p>Suddenly they’re flowing in, the ladies, mostly fat, mostly in flowered dresses or even flowered slacks.  Not all the ladies make it back to table four, but plenty do.  Tags on their huge boobs read Bakersfield, Manteca, Ceres, Livermore.</p><p>Touching her own neck, she feels nothing.  Panic floods her guts.  Without her name tag, she can’t prove she belongs at the convention.  Finally, she spots the white card on the floor, kicked under the table.</p><p>When she comes back up, a tall, freckled lady is standing there with her wallet out.</p><p>“I’ll take five tomatoes.”</p><p>The other vendors have receipt books, some take credit cards.  Luckily, the freckly lady has cash and doesn’t ask for a receipt.</p><p>All in a rush, she sells cucumbers, more tomatoes, sweet peppers and hot peppers.  No one wants corn or squash, though.  She’s doing okay, not great.</p><p>Around noon, a man in a white apron strolls through the ballroom handing out fliers for the hotel&#8217;s restaurant.  He’s cute, with a baby’s pink cheeks and clean pale hands, an indoor look to him.</p><p>“Good morning ladies, enjoying your stay?  Stop by later, we have a special offer for garden club members.”</p><p>“A go-getter,” one of the lavender ladies says when he’s gone.</p><p>The other lady looks at the flier and scoffs.  “Takes gall to charge these prices around here.”</p><p>At noon, a siren starts low and rises to a heart-stopping pitch.  She bolts up out of her slouch expecting a fire or even terrorists.  Maybe she’s a fool to stick herself in the tallest building in Coyote during the biggest convention the city’s ever seen.  In the street outside a fire engine goes by, not very fast, considering, followed by girls playing bagpipes.  Then convertibles with people waving.  She sits back, smooths her skirt over her knees.</p><p>The garden club ladies go out to view the parade held in their honor.  While they’re gone she eats the bag of chips she&#8217;s brought from home, though she feels self-conscious nibbling in public.  The lavender ladies have spread out a whole picnic on their table with deviled eggs, sandwiches and lemonade.</p><p>After the parade, a lady with a ponytail comes in pulling a wheelbarrow full of fake flowers with a coke bottle planted in the middle.  She goes slowly from table to table, pausing at the jewelry display across the aisle.</p><p>“Were you in the parade?” the vendor asks.</p><p>“Yeah, the mayor was there with the president of the Better Business Bureau. They’re set on making a go of this place.”</p><p>She plucks out the coke bottle and drinks from it.</p><p>“It’s brought in jobs,” the jewelry vendor says.</p><p>“But the hotel rooms mostly sit empty.  That’s what I’ve heard.”</p><p>The pony-tailed lady with the wheelbarrow buys a bracelet for thirty dollars.  That’s the whole vendor’s fee made up right there in one sale.</p><p>All around her, vendors are smiling and talking and taking in big money.  Meanwhile, she’s collecting dollar bills.  She decides that even if she doesn’t make a good profit today she’ll lie to her dad and brothers and say she did.</p><p>In the afternoon, the room empties as the ladies splinter off to various seminars.  Though some people come in off the street, they mostly gawk.</p><p>“I read about this in the paper,” a burly young man in a wife-beater tells her.  “Had to check it out.”</p><p>After the seminars, she sells more tomatoes, peppers and cucumbers.  The wad of money in her pocket feels thick, but it’s mostly ones.  She rocks back and forth on her sore butt and rubs her lower back.</p><p>“I’m interested in edible landscaping.  Which of these would be attractive in my front yard, along with herbs and edible flowers?”</p><p>“Peppers are pretty.”</p><p>“I’ll take two and put them in planters on my deck.”</p><p>As she hands the lady the two plastic pots, she sees long lines of dusty pepper plants growing <em>plunk plunk plunk</em> in the dead-white earth while the Mexicans’ curved backs move slowly between the rows.  That’s where she’ll be tomorrow, back on the farm, with not much to show for her day in town.</p><p>A frizzy-haired woman in yet another flowered ensemble picks up a tomato plant.</p><p>“Are these vegetables organic?  I only buy organic.”</p><p>She doesn’t want this sale to walk away.  Under the table, she crosses her fingers.</p><p>“Yes, they are.”  If the lady wants organic, she can have organic.</p><p>In fact, all the ladies can.  Why not?  They’ll have to pay for it though.  After the woman ambles away with her plants, she takes her pen and draws an L-shaped mark, changing the $1 to a $4, then writes, “Certified Organic” on the sign.  Maybe she has a chance to make some real money after all.  Within minutes, a lady in a baseball hat stops to read the sign.</p><p>“Are your organic tomatoes heirloom varieties?”</p><p>“Yes, they are.”  They’re what ever the lady wants them to be.</p><p>The lady smiles.  “Great.”</p><p>She smiles back.  She just sold a tomato start for about as much as her dad would&#8217;ve made if he&#8217;d planted it, watered it, sprayed it, harvested it and sold the it to the cannery.  Let him sweat and wear himself out for pennies while she stands in an air-conditioned ballroom collecting dollar bills by the fistful.</p><p>For the next couple hours, money comes fast.  Outside, the light looks different.  It’s evening, at last.  The low thud of a synthesizer echoes in another ballroom.  Groups of dressed up teens pass by the door and some of them peer into the room.</p><p>“You say these are organic vegetables?”</p><p>It’s the straw hat and overalls lady, her blue eyes bright in her tanned face.</p><p>“Sure,” she answers.  “All of them.”</p><p>She waves her hand, knocking over a pot.  Dry soil trickles out and she chases it around the table with her fingers, while the lady peppers her with questions.</p><p>“What do you use for fertilizer?”</p><p>She uses fertilizer.  Duh.</p><p>“Compost?”  The lady prompts her.  “Manure?  You look blank.  Fish emulsion?”</p><p>“Yes.”</p><p>“Do you use French intensive methods?”</p><p>French what?  “Sure, sometimes.”</p><p>“What do you do about mildew on your cucumbers?”</p><p>This one, she knows.  “Dust them with fungicide.”</p><p>The blond lady with bright eyes keeps looking at her.  Something’s wrong.  Did that lady trap her?  Is that what just happened?</p><p>“I thought so.”  The lady makes a <em>tsk-tsk</em> sound with her tongue.  “Unless you can show me your certificate, I suggest you change that sign.”</p><p>The herb lady backs away, shaking her head.</p><p>Bitch.  She slouches in her seat.  With her dirty index finger, she draws the pen toward her on the table, thinking that her dad and brothers would get a hoot out of all this; how she made herself out to be a fancy organic farmer, then got caught because of her ignorance. Blowing out air between her lips she picks up her pen, reaches for the sign, and writes $1 on the clean side of the cardboard.</p><p>By closing time, she’s sold out of tomatoes, with just a few peppers and cucumbers left.  After she packs up the squash and corn and other remaining plants, she rolls out of the ballroom, ignoring the lavender ladies when they call out goodbyes to her.  In the hallway, she points her cart back the way she entered, and then—why not?—she wheels it around toward the lobby.</p><p>The hall floor changes from concrete to shiny brown tile as she steps from the Convention Centre into the hotel.  A girl behind the front desk glances at her, as do the half dozen garden club ladies sitting on puffy sofas before an empty fireplace.  The gladiolas in the vase on the coffee table are fake.  Still, with her heels tapping on the floor, she crosses the lobby feeling sexy, her chin raised, daring anyone to stop her.  For a few seconds, she could be a model or TV actress.</p><p>The gold and glass doors slide open for her.  Outside, in the hot wind, she passes the fountain, now illuminated.  Straight ahead, developers have carved a whole new street of shops leading down from the hotel, a cul-de-sac lined with places like Starbucks, Walden Books, and Ross all lit up in the night.  On the other side of these new shops, the real Coyote lies hidden and dark, the places selling used tires, bags of fertilizer, cheap Mexican food; the houses and apartments where people like that guy who used to have a house by the pepper tree still live.</p><p>She crosses the parking lot quietly, in case the bum’s sleeping in the bushes there.  She doesn’t see him though.</p><p>Smiling, she unlocks the cab door.  She’s glad she lied, proud, even; glad and proud she made some real money before she got caught.  That herb lady had no right to get judgey.  She should see herself, straw hat bobbing as she chats up the customers, obviously imagining that wearing a farmer’s costume, complete with red bandanna, helps her sell more herbs.  Yeah, she’s a phony, too.</p><p>Inside the cab, she rolls down the window to let out the stale, hot air.  While she changes out of her high-heeled shoes, she looks up at the tall tower, narrower higher up, outlined in gold lights, singing against the blue-black sky, crazy beautiful, like a piece of Vegas, or maybe an alien starship dropped down in the middle of Coyote.  Even though those rooms mostly sit empty, like the wheelbarrow lady said, so what?  The hotel&#8217;s a big fuck-you finger rising out of the flat, depressed, depress<em>ing</em> valley floor.</p><p>She backs out of the parking place, her smile tightening.  When she gets home, she’ll ease the hard-packed bills out of her pocket and fluff them up on the counter in front of her dad and the boys, a big old haystack of money that&#8217;ll make their jaws drop.  She won’t mention that she pretended to be something she wasn’t.  Why should she?  She’ll just say,  “I was a big success, see?”</p><div
id="bio"> <em><strong>Simone Martel</strong> is the author of the non-fiction work, <strong>The Expectant Gardener</strong> (2001, Creative Arts Book Company).  Her shorter non-fiction work has appeared in <strong>Greenprints</strong>, <strong>The East Bay Express </strong>and <strong>The San Jose Mercury News</strong>.  Her stories have appeared in <strong>The Long Story</strong>, <strong>Short Story Review</strong> and <strong>Jane’s Stories</strong>. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/08/hotel-coyote/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Taylor</title><link>http://foggedclarity.com/2010/05/taylor/</link> <comments>http://foggedclarity.com/2010/05/taylor/#comments</comments> <pubDate>Tue, 01 Jun 2010 04:11:57 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Ryan Millbern]]></category> <category><![CDATA[story]]></category> <category><![CDATA[Taylor]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=7214</guid> <description><![CDATA[Ryan Millbern Taylor sat in the corner of the bar at the Holiday Inn in Galvin, talking to a man who called himself Sydney. Her pockmarked legs were crossed, her top foot bouncing to the beat of “Papa Was a Rolling Stone.” A strobe light pulsed in one corner and shot up into a rotating [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Ryan Millbern</h3><p>Taylor sat in the corner of the bar at the Holiday Inn in Galvin, talking to a man who called himself Sydney. Her pockmarked legs were crossed, her top foot bouncing to the beat of “Papa Was a Rolling Stone.” A strobe light pulsed in one corner and shot up into a rotating disco ball that covered the empty dance floor with tiny shards of fragmented light.</p><p>Sydney was getting drunk fast, gulping doubles of bourbon and working his way through a soft pack of Pall Mall cigarettes, occasionally offering one to Taylor, who would gratefully accept. He was a steel salesman from Texas on his way up to Michigan to visit a plant in development in Kalamazoo; he had a tan line around his finger where his wedding band should have been. When he talked about work, Taylor pretended to listen. The steel industry was constantly in flux—boom years and recessions, peaks and valleys—and all of it fell on sales. Sydney, who looked twice her age, kept calling her Kayla but she didn’t bother to correct him. She just nodded and closed the distance between them in tiny increments, a shift of the legs and she was leaning in, until he was whispering through wet lips into her ear. He rested a heavy paw on the inside of her thigh. His fingers were made for cigarettes to burn in; dry and white like abandoned snake skins.</p><p>When she brought his hand up to her lips and selected one finger to put into her mouth, she thought about the pink ridge of her daughter Missy’s soft newborn gums, the curl of muscle that was her tongue, the way she’d searched for her mother’s nipple with her eyes closed, brow furrowed—blind trust.</p><p>***</p><p>Taylor had been working as a waitress at Digger’s Café on Main Street when she’d found out she was pregnant. She started feeling nauseous when she woke for work at five a.m. each morning and eight hours of running around a smoky diner became too much for her. She stopped showing up for work and started having nightmares about the baby growing inside of her. In her only reoccurring nightmare, the baby sat at the end of the hospital bed with its back to her, one arm missing—a pale stump at the end of a shoulder. When she awoke, she lay in silence next to Derek, and listened to his breathing. When Derek left for work she would smoke secret cigarettes in the bathroom with the window open and the fan on, blowing the smoke through a cardboard tube stuffed full of drier sheets.</p><p>Taylor wasn’t ready to be a mother and she’d told Derek this on several occasions. She was only twenty years old and hoped to attend Danville Community College after she’d saved up enough money. Derek ignored her and came in her whenever he wanted, rolling over in the full-size bed and drifting off to sleep as soon as he finished. Afterwards, Taylor turned on the fan and the shower in the bathroom and cried.</p><p>While she was pregnant she watched <em>The Price is Right</em> and <em>Days of Our Lives</em>, and in between, commercials for online degree programs and personal injury attorneys. The announcer’s clean, hurried recitation of advertisements provided the soundtrack to her day. Her mother called occasionally, to alert her to an interesting documentary on A&#038;E or Lifetime or to chat about the pregnancy. Other than that, she had little to fill her days. She had the yellow and orange shawl her mother had knit for her to pull over her shoulders when she was cold. There were the four walls of the apartment, the short hallway, the tiny kitchen with its yellow tile and Trinity Mission dining table and chairs.</p><p>Days passed and she stared at the algae in the fish tank and the wide black mouth of the plecostomus that devoured it. There was the cichlid and the catfish, both covered in scars. There was the clock and its slow tick, and the arc of the sun she could trace as it moved from one side of the apartment to the other. On some days, there was the rain.</p><p>And one Friday, when Derek didn’t come home on his lunch break, she called an old friend named Daniel, an ex-basketball star who she used to smoke pot with during high school. Daniel was on unemployment, fired from his machine operator position at Clayton Bottling and living in a mobile in the Cottonwood Trailer Courts on the north side of town.</p><p>“Can you come get me?” she’d asked.</p><p>Daniel had picked her up in a white van and they’d driven past Jiffy Lube. Derek’s truck was gone. They drove around for an hour looking for him, down side streets and alleys, up Highway 31 past KFC and Burger King, past the skating rink and the shuttered brake pad factory. They went past Digger’s and he wasn’t there.</p><p>Later that night Taylor poked at a plate of macaroni and cheese. She was wearing one of Derek’s old Dale Earnhardt t-shirts that hung down to the middle of her thighs“I came by Jiffy Lube on your lunch break,” she said. “Truck wasn’t there.”</p><p>Derek nodded and chewed a mouthful of food, his jawbones flexing like the muscles in horses’ legs. He had a wide, dry mouth. A cold sore stood out on his upper lip, red and greasy with ointment. He broke out when he was stressed or dipping too much.  “I was at KFC with Larry,” he said. He studied a coffee stain on the table and then looked back at his plate.</p><p>Taylor shook her head. Her stomach felt like it was full of glue. “I thought you said you were going to come home and watch <em>Days of Our Lives</em> with me.”</p><p>“Come on, Taylor, you know I hate that fucking show.”</p><p>She wanted to tell him that she’d seen his truck in the driveway of Tabitha Rodgers’ house on the west side of town; that she had walked up to the small ranch house with the black shutters and the picture window where a thick yellow curtain hung. She wanted to tell him that she saw them through a gap in the curtain, fucking on the couch in the living room. Instead, she took her plate to the sink and stared at the chrome neck of the faucet. She had thought she could see her reflection in it, her face twisted to the contour of the pipe, her mouth a sad semicircle.</p><p>***</p><p>Sydney passed out a little after midnight and Taylor stayed in Room 221 at the Holiday Inn in Galvin because she had nowhere else to go. She spent the hours before dawn shooting meth and smoking what was left of Sydney&#8217;s unfiltered cigarettes, watching television in the blue glow of their motel room. When the first light of morning crept in, she thought about her daughter Missy. She hadn’t seen her in six years.</p><p>Her chest was shuddering like a speaker in a dance hall: a frenetic disco heart. She felt scraped out and hollow, like the wind could fill her. She scratched her legs underneath the hotel sheets and concentrated on the stream of smoke that passed beneath her nose and out into the pre-dawn room.</p><p>Sydney was slumped in an armchair by the bed in the same wrinkled suit and tired shoes he&#8217;d worn the night before. He looked old enough to be a grandfather with his bulbous alcoholic nose all gin-blossomed, purple and bulging. In the sunlight coming through the window his scalp glowed bright pink and flakes of dandruff dusted his shoulders and the tops of his ears. A bottle of Early Times whiskey three fingers full sat on the nightstand next to him and Taylor took the bottle and gulped from it.</p><p>Taylor drank and smoked cigarettes and hoped that Sydney had died, that his breathing had slowed and stopped in a brown lagoon of whiskey. She knew this wasn’t the case though, as she could hear him struggle for breath. She would feel the ghost of him on her skin. When she stood in the curtains looking out on the highway, she would feel his nose and smell his sour breath and remember the low drone of his voice beneath the electric crackle of the hotel bar and the jukebox.</p><p>She crouched down beside him and fished through his pockets, pulled out a wad of bills held together by a faux-gold money clip with the letter S engraved in its center, and retreated to the bathroom to dress.</p><p>Taylor slipped the wad of bills into one of her jean pockets and stepped into the pants. Her legs were long and slender, unshaven. She pulled her pants up over the blades of her hips and the end of her C-section scar, ran her finger along its white ridge and remembered her daughter like she was seeing her through a series of windows, standing on a subway platform looking in on a train as it passed. In one window were Missy&#8217;s newborn fingers, opening and closing, in another, her heavy eyes before she slept. Then a lip, a bulging stomach, a ribcage. A diaper. A fat ankle, a wisp of blond hair. Then a highchair and a running bath.</p><p>She fixed a cold shot under the shaky florescent light of the bathroom, found the soft lump of her vein in the middle of a green bruise, and got right, her brain like heat lightning, fluttering and white hot.</p><p>Taylor left the Holiday Inn with forty-three dollars and a pebble of meth balled up in a piece of tinfoil in the front pocket of her jeans. The radio was dead in her ’91 Cavalier, but she didn’t want music. She rolled down the window and stuck her arm out as she picked up speed heading south on 31 towards downtown. She was tired of motel rooms and bars and the murmur of televisions, tired of laundry mats and bathrooms and walls and the tight, private spaces to which she retreated. She wanted the country that blurred past her window and the road that disappeared beneath the front end of the car—she imagined all of it disappearing into the bleeding hole in her arm. Like a vacuum it would funnel everything in a distorted curve and blur of images into her veins: the low wooden fencerows, the white and red Co-Op grain elevator and its rusted, worm-like silo, the massive fallow fields, the ReMax billboards, the yellow Jesus Saves signs on two-prong metal wires stuck in the ditches on either side of the highway.</p><p>Taylor wanted to be part of something that could not be forgotten, something more than a night in a cramped hotel room, a crumb of meth in a sweaty palm. She looked at her reflection in the mirror. Her nose was red and dry and she thought of Sydney’s nose and the cold sores on Derek’s lips. She thought of every man she had ever known and the mornings after, how she always felt like running.</p><p>The windows were dark in her mother’s house when Taylor pulled into the gravel driveway of the two-bedroom ranch in Walnut Hills. When Taylor was young the neighborhood had been filled with kids, and in the summer they’d played night tag. She remembered sprinting through their neighbors’ yards at dusk, the orange rectangles of light from the kitchen windows of the houses illuminating patches of grass. There would be twenty kids some nights, running haphazardly in the dark, sometimes crashing into one another and picking themselves up off the streets and driveways, breathless, looking for a shed or garden to hide in. The neighborhood had changed by staying the same; the children left and their parents remained and every once in awhile a young family filled a vacancy. But there was no more night tag, no more crowded streets.</p><p>Taylor killed the engine of the Cavalier and made her way up the red brick walkway between the garage and the line of low bushes in the front yard. She slipped a pink scrunchy off her wrist and pulled her hair into a ponytail, rang the doorbell. When there was no answer, Taylor fished her keys out of her purse and unlocked the door, stepped into the living room.</p><p>The curtains were drawn, the ancient television sat on the floor like a wooden dinosaur, and the overstuffed couches and chairs filled up what was left of the living room in pink floral patterns that looked grotesque in the sunlight. The house smelled like burnt toast, coffee and cinnamon potpourri. It reminded Taylor of Sunday mornings before church when she was little, her father seated at the table in the kitchen with his morning devotional laid open before him.</p><p>Taylor spoke to the empty living room: “Mom?”</p><p>The television was muted and on the screen a shaky camera captured two dark-skinned men in cutoff jean shorts and ripped T-shirts, hauling a shark onto the wet wooden deck of a long fishing boat. Taylor scratched her neck and watched. One of the men wrapped his arms around the shark’s flailing tail while his partner removed a machete from a leather sheath hanging from his waist. The man worked quickly with the weapon, lopping off the shark’s side fins and then the dorsal fin. Dark blood jumped from the holes in its body.</p><p>Taylor brought her hand up to her mouth.</p><p>When all of its fins were removed in this manner, the shark flopped around as sprays of seawater diluted the ribbons of blood that ran on the deck. One of the men braced himself against the helm of the boat and pushed the shark into the ocean with his foot. The shark sank beneath the waves, a white blur.</p><p>Taylor turned off the television. Her mouth was dry. “Mom?” she called. She walked into the kitchen, where a stack of envelopes sat on the table alongside a collection of vitamin bottles and a beige container of Metamucil. Beside the Metamucil was a single knit placemat. Taylor fetched a glass from the cabinet, filled it with water and drank until she was short of breath. She remembered coming in from tag when she was little, chugging Diet Coke until her nose and throat burned. She liked the way the ice in the glass felt against her upper lip and she’d hold the drink there and breathe into it, watch her breath fog up the inside of the glass.</p><p>A single picture hung on the front of her mother’s refrigerator, held in place by a Jesus Fish magnet. In the picture, Derek was bent at the knees in front of the metallic globe of a jungle gym, shirtless, holding Missy on his shoulder. Taylor constructed the story of the picture. Missy had been playing and had jumped on to his back. Derek had pulled her forward toward the camera, obscuring her face and exposing the top of her head, her long brown hair like a streak of mud, parted down the middle. Who had taken the picture? She wondered. She fingered the wad of tinfoil in her pocket and looked at the clock, 9 a.m. When would her mother return? The picture felt like some kind of warning.</p><p>Taylor believed in signs and omens, in angels and ghosts. She felt the ghost of her father in the kitchen. He had died in the garage, hunched over a belt sander, a carving of a tiny Indian girl he’d made on the garage floor behind him. Derek had left him alone for a moment to fetch a couple of beers. When he came back, Jack was dead. Cardiac arrest.</p><p>Taylor left the kitchen, glided down the narrow hallway off the living room, until she found herself in her mother’s bedroom, staring at the hospital corners of the comforter and the vacuum lines in the carpet. There was a stack of paperback books on the bedside table Mary Higgins Clark and Danielle Steele. She searched her mother’s dresser drawers for money, parting piles of underwear, unwrapping folded socks. She looked under her mattress and in her nightstand and found nothing. She opened her jewelry box to reveal a five-dollar bill, a pair of earrings and a bracelet. She jammed them all in her pockets. Her hands were shaking.</p><p>As she turned to leave, she saw her footprints in the vacuum lines in the carpet. She squatted down and smoothed the tread of the carpet with her palm so it would match the rest. She imagined that each thread was a tree and the carpet itself was a forest and she was a giant, pulling the trees up by their leaves, the way Derek had pulled her up by her hair off the carpet the first time he’d hit her. She remembered the two drops of blood that had fallen out of her nose, how they had landed an inch apart from each other on the carpet, the whole canted plane framed by the tangle of her hair, her field of vision tilting from the carpet to the ceiling to frame Derek’s face and then four knuckles and she was down again, tasting the carpet, hair there also, she felt it on her tongue. He’d hit her again and again, saying “Daniel” and “you fucking bitch” and she couldn’t speak long enough to say that they’d only been out looking for him on his lunch break. She couldn’t catch her breath to say, “What about your baby? It is inside of me.”</p><p>“Sweetie?”</p><p>Taylor looked up from the carpet to see her mother standing in the bedroom doorway, arms crossed, looking older than she ever had. Fran wore a white, sleeveless blouse and pink capri pants with white shoes. She held a white knit handbag under one freckled arm.</p><p>“What are you doing?”</p><p>Taylor stood up, straightened her shirt. “I thought I’d come to see you.”  She walked over to her mother and hugged her close, smelled White Rain hairspray and makeup. Fran put one arm around Taylor, cupping the ridge of bones that was her back. They pulled away from each other and Fran looked into Taylor’s eyes. “You’re high,” she said.</p><p>“No I’m not,” Taylor said.</p><p>“You’re high. Did you do it here? Because I don’t want you to do it here,” she said. She set her handbag on the bed.</p><p>“Mom, I’m fine.”</p><p>Fran grabbed her arm by the elbow and twisted it toward her. Dime-sized green bruises and flecks of dried blood dotted her forearm like small cities on a map, the veins beneath flat and blue through transparent skin. She sighed and let go. “You have to leave, honey.”</p><p>“But Mom, please?” She started to cry.</p><p>“No, Taylor.” Her mother picked her shirt off of her stomach.</p><p>“But, Mom, I’m going to see Missy today.”</p><p>Fran caught her breath, then laughed and wiped her lower eyelid, batted her eyelashes. “Honey you can’t do that, not after what you did. You know that.”</p><p>Taylor wanted out. She felt the meth and the booze under her skin and in the lining of her stomach like lead, weighing her down, giving her a center, something for her heart to beat into. She tucked a stray piece of hair behind one ear. “Fuck you,” she said to her mother, and she was gliding through the hallway again, through the living room, into her car, all of it aquatic and unbroken, never interrupted by the rise and fall of her feet, and then she was driving with the windows down through tree-lined streets, her cheeks hot. She wondered if her mother was going through her jewelry box, counting her losses, or sitting on the bed, crying. She wondered if she was calling Derek.</p><p>***</p><p>Taylor and Missy had spent the first part of that blistering August morning swimming in the public pool at Milligan Park when Taylor received a call on her cell phone from Daniel, who promised her two grams of pure methamphetamine. Taylor strapped ten-month-old Missy into a car seat in the back of her Cavalier and took Highway 31 to Daniel’s trailer on 150 South, the windows up, the air conditioning on full blast. Missy wore a white swimsuit and little black sunglasses with a yellow duck on each earpiece. Her nose was covered with a white blob of sunscreen that she’d started to smear all over her cheeks with the back of her small pink fist. Taylor had reached behind the passenger seat and wiped the lotion from Missy’s face, rubbing the excess into her own sunburned chest above her bikini top. Then she’d killed the engine and stepped out barefoot on to the gravel driveway, slammed the door behind her. She disappeared into the trailer, carrying her purse in one hand and a tube of lipstick in the other, and Missy had stayed in the car, looking up at the sun through her duck sunglasses, through the black lines on the back windshield, a white nickel in the sky.</p><p>***</p><p>Her veins danced. She thought about those shots in movies of the freeways at night, where the headlights of cars sped up into a single white blur of movement. She imagined her blood in the same way, moving so fast it had somehow become static. She itched her elbows, the skin flaking off until it became blood beneath her nails.</p><p>She bought gas and cigarettes at the Marathon station and shot up in the cramped bathroom like this: pink lighter, flame like a teardrop, old spoon head, syringe, green bruise, veins of white light, sweat on the lip and the eyebrows, sweat on the ears, sweat on the eyelids she blinked away. Then back in the car, sweat under the folds of her buttocks, sweat on her lower back. She thought of old friends: Chris Barbee, dead in his black Dodge with the radio on. She thought of Seth White, facedown in Sugar Creek in the heart of the KOA campground. She thought of Jillian Myers, dancing on a pole at Touch of Class, covering up track marks on her thighs with a brush and powder. She thought about Digger’s and daytime television, about the confinement that was her life and the road that disappeared beneath her. She thought about Missy, and the bloated body they had pulled from the backseat of the very car she drove out of the Marathon parking lot, her hot, dry ten-month-old body in the white-gloved hands of the paramedics like a bag full of wet clothes, the hospital behind them, and Taylor breathing through a green oxygen mask, thinking about the different ways a heart dies.</p><p>***</p><p>Taylor had ripped through two bowls of meth with Daniel and then spent the next twenty minutes beneath him on a mattress on the floor of his bedroom. They’d smoked some more and then Taylor had shot up for the first time. Neither Daniel nor Taylor had expected the shaking, the sheet of sweat that covered her, the twitching of her jaw. Then she was unconscious on the floor of the living room next to a coffee table, one strap of her blue bikini top loose, exposing her tan line. Daniel called a friend and told him to meet them in the back lot of St. Catherine’s Hospital just outside of Galvin. He’d carried Taylor to the front yard and propped her up against the car. When he’d opened the passenger side door, he was greeted by a blast of heat. Missy was in the backseat, unconscious—her skin arid and starting to swell, her sunglasses crooked on her face, tongue barely showing between her lips. Daniel had driven them both into town in the Cavalier and left them at the emergency room door, escaping on foot to meet his friend.</p><p>Missy’s temperature was 105 and her breathing had slowed to a thin whistle around her swollen tongue. Two paramedics lowered her into a tub of cold water until her chin rested on the surface. They’d set up four fans and pointed them on her from all directions in an attempt to drop her body temperature. Taylor watched the entire procedure through the doorway of an adjacent room. She could hear her own breath, her heartbeat in her ears, the soft blip of the machines, and the prayer of the nurse who had watched it all beside her.</p><p>***</p><p>Taylor stood in the parking lot of Waterford Apartments at dusk, smoking Sydney’s last cigarette down to the filter, sweating through her t-shirt and staring at building number four like it would eventually take flight. It was the time of night that they used to gather in the neighborhood for tag, an hour after dinner when the sky was a blue orange smear behind the rows of houses and you could smell the dampness of night settling into the leaves of the trees like a fog. This night was no different, except for the cicadas with their screech and their hum, their endless vibratory song.</p><p>The air inside the building smelled of curry, fried food and laundry. She read the names on the row of black mailboxes and none of them made sense but Derek’s. She traced the letters with her fingertips and touched her face and looked around to see if anyone had seen her. The corridor was empty.</p><p>It had taken her six years to make the climb, and the cigarette butts and flat discs of crushed bubble gum that littered the concrete stairwell made her sad with their ordinariness. There should have been great shafts of light, she thought, something better than the hollow of her stomach, the high beating in her temples and this dank grey staircase. She remembered hauling groceries up these very steps, how Derek liked to spit brown chew spit from the same landing, how she had held Missy against her and made her way down the same steps, scared of dropping her and watching her slowly roll out of a bundle of pink blankets. That fear, like the dreams that plagued her during her pregnancy, would never match the reality of the heat of the car, which had reached upwards of 140 degrees, or the coma that followed, or the way the machines in Missy’s hospital room seemed to be watching her in her glass bed.</p><p>***</p><p>While Taylor had awaited trial, Missy was handed back and forth between Fran and Derek’s parents. Meanwhile, Derek had beaten her around the apartment, punching her in the stomach and in the back, kicking her in the crotch, but ultimately, leaving her face untouched. Taylor knew it was because he did not understand what had happened, had in fact, been blindsided by everything. Sleeping with Daniel had made it worse. Derek had asked her to describe him: the sex, the duration and location, the frequency, the size of Daniel’s penis.</p><p>Taylor asked him about Tabitha and the house with the black shutters and the yellow curtains and he’d hit her harder for her knowledge of the affair and her ability to hide it. Derek hadn’t listened to Taylor; he’d just spoken over her with his grunted mantra: “You almost killed our daughter.”</p><p>Taylor was charged with negligence and public intoxication. Daniel had taken the stash off of her for his troubles, so she narrowly escaped a possession charge. She ended up doing four years in a women’s prison in Illinois and was released on good behavior, with the agreement that she would never see her daughter again. The judge decided that too much time had passed, and it might be better that Missy didn’t know about her mother at all.</p><p>***</p><p>There was movement behind the apartment door and Taylor could hear the springs in the recliner creak as someone rose. She tried to step out of the view of the peephole but the door swung inward and Derek stood shirtless in the yellow light of the living room, holding a can of Diet Pepsi, a wad of chew tucked into his lower lip. His hands were covered in grease and there were dark purple scars on his chest and across his stomach, scars that Taylor had touched and known. The three-inch scar above his left nipple was from falling through a coffee table when he was still a young boy, the two smaller diagonal cuts, from the undercarriage of cars at the garage. He spit into the Diet Pepsi can and shook his head, staring at Taylor as if he were trying to look through her.</p><p>“Hi,” she said.</p><p>Derek nodded, pulled his shoulders back in a mock stretch and propped himself up against the doorway. She could smell the sour wintergreen chew and she remembered the taste of his lips, mentholated and earthy. “This is a surprise,” he said.</p><p>Taylor adjusted her ponytail. “I need to see her.” She looked past him into the apartment. A plastic Fisher Price table covered in coloring books and crayons lined one wall. She tried to swallow but her mouth was too dry.</p><p>“She’s asleep. She was swimming today.”</p><p>She was a body in the hands of the paramedics like a bag of wet clothes. She was a ribcage, an open mouth. She was being lowered into the water. She was a Fisher Price table, coloring books.</p><p>“Can I look at her?”</p><p>“According to the court you’re not supposed to be in this apartment complex, let alone her bedroom.”</p><p>Taylor stood up on her tiptoes, trying to see more evidence of her daughter. It’s better that she’s asleep, she thought. Words won’t get in the way. “I’ll look at her and then leave. Please Derek.”</p><p>He turned his back and walked into the apartment, the open door an apparent invitation to enter.</p><p>The apartment hadn’t changed much since she’d seen it six years prior: same thrift shop recliner and sofa they’d yanked off a curb on the south side of town, same fish tank. There were piles of dolls, most of them missing clothing, some of them made up with crooked slashes of green and yellow marker. A pile of plastic dishes sat on one side of the kitchen sink and the refrigerator was covered with pages from coloring books and magnets, glossy 3&#215;5 pictures. Derek stood next to the couch in the living room, spit into the can and nodded towards the hallway.</p><p>“Bedroom’s still down on the left,” he said.</p><p>Taylor walked down the familiar hallway to the same room in which they’d kept Missy’s crib. She remembered the first few sleepless months after Missy was born; how she’d ease open the door to her room and step towards her crib. She would stand above her in the dark and watch the shadows from the shifting mobile dance across her face. Sometimes she would wake her just to make sure she was still breathing, for she was so still and silent.</p><p>The door was slightly ajar and Taylor opened it slowly and entered the room, her back to the wall. She closed the door behind her. A blade of light from the hallway fell onto a pair of bare feet and the satin edge of a blanket. The feet were small and dirty and rested on a sheetless mattress that lay flush with the floor. She made out the rest of her daughter lying motionless beneath a mess of throw blankets. Her curved, sleeping form was impossibly long. Above the bed, a white curtain billowed out and then returned to the frame of an open window. It seemed to move in time with Missy’s breathing, with the slow rise and fall of the blankets.</p><p>Missy began to move under the pile and Taylor panicked, suddenly aware of what she was doing. Missy sat up in bed, the light from the hallway falling across her face. Her face was round and flat like Derek’s, her eyes dark and deep set, like her mother’s. Taylor wanted to trace the curve of her mouth and the soft pockets that were her dimples. She wanted to hear her voice.</p><p>Taylor stood in silence while her daughter pushed an errant strand of hair behind one ear and yawned. Surely she can see me, Taylor thought, I am not invisible. “Hello,” Missy whispered sleepily.</p><p>Taylor swallowed, opened her mouth slightly as if to speak, and then closed it.</p><p>“Hello?” she whispered again, inching forward on the bed. She pulled the covers to one side, swung her legs out onto the floor. She was wearing red drawstring pajama pants and a white tank top, a silver heart necklace that shone in the light from the hallway. Missy couldn’t see her face from her spot on the bed with the light in her eyes and the darkness of the room around her. Taylor would be a faceless shadow, filling up the doorway. Missy reached for the lamp on her bedside table and orange light filled the room.</p><p>Taylor turned and disappeared into the hallway, gliding past Derek, through the cluttered living room with its fish tanks and plastic tables and dull yellow light. She thought that she could hear her name, not mom or mother, just Taylor, the impersonal, a name that dozens of people had known and forgotten, or never even cared to learn.</p><div
id="bio"><p><em><strong>Ryan Millbern</strong> earned his M.A. in English from Ball State University where he taught composition and fiction writing.  His writing has appeared in <strong>Notre Dame Magazine</strong>, <strong>BestSemester</strong> and <strong>Designer</strong>.<br
/> </em></p></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/05/taylor/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Skylights</title><link>http://foggedclarity.com/2010/04/skylights/</link> <comments>http://foggedclarity.com/2010/04/skylights/#comments</comments> <pubDate>Fri, 30 Apr 2010 22:35:55 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Jessica Johnson]]></category> <category><![CDATA[Skylights]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=6862</guid> <description><![CDATA[Jessica Johnson We left a day before my 17th birthday, just when the sun began pumping hazy orange light into a humid Friday morning. Mom was rushing from one room to another, making sure we didn’t forget any small toys or dishcloths, while Dad and I stuffed our sleeping bags into the U-Haul and Keith [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Jessica Johnson</h3><p>We left a day before my 17th birthday, just when the sun began pumping hazy orange light into a humid Friday morning. Mom was rushing from one room to another, making sure we didn’t forget any small toys or dishcloths, while Dad and I stuffed our sleeping bags into the U-Haul and Keith hunted for our cat. An hour later I sat behind the passenger seat, knees curled over a laptop case and one foot jacked high on a plastic container filled with Legos that I hadn’t seen since 7th grade. Keith was already dozing in the middle beside me, hands clutching an old color Gameboy and a 12-pack of Duracell AA’s; the other window seat was swamped in travel bags and pillows. The car felt smothering and I hadn’t even closed my door yet. I tried not to think about my friends, who’d probably sleep happily for the next four hours, and how Seth saying “God, that sucks” during a Brawl tournament doesn’t really constitute a goodbye. My thumb grazed over the keyboard of my cell phone as I glanced at the time. Not even 8:00.</p><p>My mother slipped in up front, clacking on her seatbelt and then turning to see how we were situated. Her brown eyes still seemed foggy from sleep. “Everyone comfortable?” She asked, smiling at Keith’s sleeping form. “Do you need me to take anything?”</p><p>As I leaned back against the headrest, I spotted the cat carrier sitting rather forlornly in her lap, our fat old calico squashed inside. It had taken Keith half an hour to corner her, stupid thing, but for a moment I understood what it must be like in there, inside a little box.</p><p>“No, mom. We got it.”</p><p>When Dad pulled away from the curb, I watched the house (it really wasn’t ours anymore, we’d been sleeping on the floor for a week now) fade behind us. No one saw us off – everyone had said their goodbyes last weekend at the party my uncle hosted – and if it wasn’t for the large U-Haul my father hooked to the tail of our gray sedan, our neighbors might have thought we were going out to breakfast and not moving to the other end of the East Coast. Not heading to Albany, Georgia; one thousand, two hundred and ninety two miles, twenty-one hours and twenty-two minutes away from Portsmouth, New Hampshire. It was late August, and I had not seen the beach once or shot a single game of hoops with my friends.  I’d spent my summer packing dusty photo albums and my great-grandmother’s quilts into oversized cardboard boxes and donating old clothes to Good Will. Tossing a decade of childhood memories in the trash. Karen Sanders had helped with the yard sales at first, until the sun started staining the roads the color of Cherry Kool-Aid at night and the college kids made bonfires on the beach. Then she sorta smiled and shrugged, and stopped coming by.</p><p>The thought is bitter, even now. “When’re we stopping for breakfast?” I asked, and watched my Dad glance at the clock on the dashboard. “Once we’ve got a couple of hours under our belt,” he said, “around 10:30 or so, it’ll be more like brunch.” We’d be in Rhode Island by then.  I shifted my feet and searched for my MP3 player, the Game-Boy was easy to pry from my brother’s loose hands. The car felt small and over-warm, and my legs were already cramping. Mom rolled down the window as I tucked in my earbuds, pressing herself toward her door like maybe it would open. The wind caught her dark hair and lifted it up like strands of a torn spider web. It was starting to gray, I’d never noticed before. The fading strands glinted like tinsel sticking out of a box. Her face reminded me of my old English teacher’s after a long day–deflated, like a patient who’d been leeched of energy instead of blood.</p><p>It felt strange, knowing we wouldn’t be returning to that blue house with the hydrangea bushes in the front yard and the oak deck. It had been in our family for generations. Mom said her grandfather had the house built when he and her grandmother first got married, and it was always passed down to the oldest child. It would’ve been mine, if we’d kept it. I remembered Grandma had filled the living room with family portraits and grave photographs of straight-backed ancestors in grayscale; men with thick, handlebar mustaches and women in high lace collars and pleated skirts. Mom hung pictures of lighthouses in the bathroom and spent six months remodeling the kitchen. My room had a skylight, and when I was younger I thought that sheet of glass was the only thing that kept the stars from flooding my room.</p><p>We’d had a trampoline in the backyard, one with a net around it so we could jump onto it off the deck. Mom said it was dangerous, but Dad let us do it as long as we stuck to regulation codes. At my party last year, on my 16th birthday, Karen Sanders jumped into the trampoline for the first time. She had long blonde hair that almost curled, and a body that was as lithe and slender as a cattail. Seth and I had to convince her to jump; she thought the drop was too far, that she’d hit dirt and break a bone. I jumped first to show her it was safe, and when she finally leaped her hair billowed behind her like a flag. She landed on her feet but her knees crumpled, and when she bounced her shirt flew up, showing a flat white stomach and the underside of a bra the color of a blue-raspberry Jolly Rancher. It branded into my mind. I was the only one who saw it. She was embarrassed and flustered but I said it was okay. My mouth dried and my palms got sweaty, like my body didn’t know what to do with its moisture, and I kept glancing around, making sure no one else had noticed. It felt like she’d shown me a treasure.</p><p>That was the night I asked her out. She’d smiled quick and bright, like the blink of a firefly, and said yes.</p><p>Around 10:00 Dad pulled the car into the narrow parking lot of a small town restaurant called Percy’s Place somewhere in Massachusetts. It was a squat white building with a yellow awning above a door with a red rooster on it. It looked very “local,” I decided. Karen Sanders liked to use that word a lot.</p><p>Dad had to park across three spots in the lot in order to fit the U-Haul. As we all disentangled ourselves from the car, stiff and slightly dazed, I realized my father had to let go of my mother’s hand in order to get out of the car. Had they been holding hands the whole ride, I wondered? At the going away party, my Uncle Rob and my mother didn’t speak. She was officially the guest of honor, but when Uncle Rob had my parents stand up he only talked about the house and about Dad’s job. He didn’t mention Mom once, but I had figured it was a mistake.</p><p>As we headed into the restaurant, Mom made sure to keep a window cracked open for the cat. Said the next time we stopped we’d have to let it out for a while. The inside of Percy’s was littered with checkered countertops and Norman Rockwell paintings, an attempt at folky that felt almost deceptive. Our hostess was pretty, probably in college, her lips dragging over her teeth in a wan smile that said she didn’t want to be up this early any more than I did. As soon as we’d settled onto our shifting laminated cushions she placed our menus on the table and hurried away.</p><p>“Well, this is a neat little place, isn’t it?” Mom glanced at the picture above our table as Dad slipped his hand back into hers. There was a boy and a girl on it, the general scraped-knee-and-pigtails variety that Rockwell usually painted. At the going away party, she’d sat at the table and let him get her food, which I thought was strange because Mom’s really particular about her food, and usually doesn’t let anyone touch it. I’d forgotten about that, I realized, but didn’t think much of it. I was starving, and the menu was a gift from heaven.  I was convinced that the &#8220;Dapper Dan&#8221; breakfast special-eggs, bacon, pancakes, sausage, baked beans, homefries and toast-was named for me, and decided on it with no hesitation.</p><p>“Daniel, anything look appetizing to you?” I looked up from the menu and saw my mom’s teasing smile. I smiled back and nodded, tugging my cell out of my pocket to snap a picture of the menu.</p><p>Mom shot me the disapproving look that usually preceded an irritated reprimand. “Daniel,” she started, but the waitress arrived just then, settling four glasses of water down with a cheery “Hello!”</p><p>When the food arrived I snapped a quick picture of my plate and forwarded it to Seth. He would love it. None of us really spoke as we ate, we’d never been a family for table talk. My food was delicious, and any food was usually enough to keep me quiet. Keith had finished quickly and settled down with his Gameboy, occasionally asking the waitress for refills on his chocolate milk. My Mom and Dad poured over maps and paperwork, making sure we really had everything we needed.</p><p>In my back pocket, my cell phone stayed silent.</p><p>The weekend before we left, my uncle threw a party so our friends and family could  ‘see us off.’ Friends, relatives and neighbors swarmed into his yard, eating hot dogs in white buns and drinking beer out of plastic cups and saying “We’ll miss you ” over and over again. &#8220;We’ll miss you, don’t forget to stay in touch.&#8221; No one mentioned that my mother and her brother did not once look at each other. After sunset Karen and I stole back to my house down the road and curled up together on the yellow grass where the trampoline had been to watch the sky turn black. “The Egyptians thought the sun died every night, and was reborn every morning.” She told me quietly, eyes on the purpling sky, watching the stars and planets glow faintly, before turning to me and saying in the same breath, “I think we should break up.”</p><p>Over fifty years ago, my great-grandfather had a blue house built for a family that didn’t yet exist. He did not know his granddaughter and her husband would single-handedly break the family solidarity. He did not know that she would sell that house after his death, nor did he know that his grandson-in-law would get a job transfer sending the family across the country, breaking the tradition of living close. He would have called them ungrateful, especially my mother. My mother, who set trash bags and boxes into the U-Haul with a mechanical delicacy, wearing blue jeans and a dull gray sweatshirt she normally reserved for days when she was so sick the only thing she could do was sprawl on the couch and down mugs of oolong tea, snuffling into tissues. It was somehow unnerving to see that shirt on while she was healthy.</p><p>One day, Keith dropped a swan figurine Mom and Dad got at their wedding. Dad spent twenty minutes making sure he’d swept up all the glass shards, and Keith sliced his palm and cried while Mom got the disinfectant.</p><p>“It wasn’t that important, anyway, don’t worry,” she said, but her eyes were already shiny and even Keith knew she was lying. Her grandfather would have chastised her for being so attached to an object. Her grandfather would have reminded her that family and people are more important than wedding gifts.</p><p>After we left the restaurant, we rarely stopped again. Dad had thought of visiting D.C. or New York to do some sightseeing, but with the U-Haul clinging to our bumper, the idea was too risky. Most of the day was spent playing “I Spy” games and dozing heavily. Mom said I slept through whole states, and each time I woke up it was in a nostalgic haze.  I didn’t really care, Karen Sanders was in my thoughts either way.  Was this what it felt like after you passed out or got wasted? I was never brave enough to try when my friends drank, I knew Mom would smell the alcohol on me and I didn’t want to see how she’d react. I wondered, though.</p><p>My head jerked back every time my thoughts wandered, and my brain clouded. My eyes landed dully on a square blue sign coming up on the right: Food, Rest Stop 12 ½ miles.</p><p>We were somewhere in West Virginia the last time I woke up, and Dad said we were almost at our hotel. Keith was going on about wanting to climb the cliffs on the side of the highway. The banded rocks rose on each side of us like folded layers of melted wax, lines of red and brown and yellow-white, the color of dirty egg yoke, all folded on top of each other. I remembered my geography teacher last year said stuff like that happened during earthquakes, when the rocks get hot enough to bend but don’t melt. Karen Sanders had told me it wouldn’t work out, that she didn’t want to attempt a long-distance relationship. My head fogged again and I leaned against the frame of the door.</p><p>When we reached the hotel Keith was out, hand still clenched around his Gameboy. I struggled my way out from under my pillow and jacket, eager to stretch, while Dad popped the trunk. My knees and back popped and my body lurched when I stood, protesting movement after being immobile for so long.</p><p>The hotel room was generic: a flat, matted carpet underneath a TV set and wardrobe, and two queen sized beds covered in comforters that crinkled when you sat on them. The bathroom was small and smelt strongly of Febreze citrus. Mom lay down on one of the beds, looking like she hadn’t seen a mattress in days. Dad tucked Keith into the opposite bed and settled beside her, silently rubbing her shoulder. I went to walk the cat.</p><p>Mom had bought one of those fancy cat leashes a while back, made the calico get used to the outside before we moved. Idly watching as the feline searched for a place sufficiently like her litter box, the leash loop securely around my wrist, it did not occur to me how strange a picture we probably made. It was dark, she could have easily been mistaken for a small dog.</p><p>The parking lot was almost completely empty, and our white U-Haul caught so much light I had to squint. I flicked through my phone, checking to see if I had missed a message during a rest stop. I hadn’t. I checked again.</p><p>The cat had finished, and was now chewing contentedly on grass that was growing near the sidewalk. I jerked the leash, and the cat snarled before heading back for the grass. With a sigh I reached down and scooped her up, fighting her claws.</p><p>The next morning we all trekked down to the continental breakfast, and I had just settled down with a glass of OJ and a bagel when she walked in the room. She was probably my age, if not a little older. A little on the shorter side, with a slim waist and wide hips. She smiled at me as we passed by, her eyes were the exact same blue as the walls of the old house. She was wearing a blue striped sweater that hung off her left shoulder, exposing a long expanse of uninterrupted smooth, freckled skin. She was wearing a strapless bra. The idea made me clutch at my cup of orange juice, splay my fingers out over the sweating glass in search of relief.  I watched as she wandered the room, saving a table for her family before heading to the waffle maker. Earlier, I had decided against waffles, but now I scuttled back my chair, reconsidering.</p><p>We stood side by side, waiting for the timer to count down, when I realized how short she was. She barely came up to my shoulders. She leaned down to pull out her waffle and the lax shoulder of her sweater dipped forward like the bend of a horizontal curtain, revealing just enough skin to hint. I stopped breathing, just for a second. I wondered if her bra was blue, like her sweater. Like Karen’s bra that day she leapt onto the trampoline, or blue like her eyes. We didn’t speak, and when I came back to my seat I felt foolish.</p><p>“You alright?” My Mom asked. “Fine,” I said. “Everything’s fine.”</p><p>The night I asked Karen Sanders out, we were both lying on my trampoline long after my party had ended, her head nestled in the crux of my shoulder. She pointed out stars to me and the synthetic weave beneath us dipped and creaked whenever she moved her arm. Her dad studied astronomy as a hobby, she said, and she could name a lot of the constellations. She probably named half a dozen, but her heat struck me on one side, and the almost chill of an August night got me on the other, combined with the scent of her hair in my nose, I really wasn’t capable of rational thought. I laid there and listened, absently drawing circles on her stomach with my thumb, loving the warmth she radiated. In the end, I could only recognize the Big and Little Dippers, but I’d always sort of known those anyway.</p><p>We left soon after breakfast without seeing the blue-topped girl again. I think I spent the whole day (outside of rest stops and one bridge we looked over at the South Carolina border) completely asleep. It was dark when I woke up again, and I figured we’d get to the new house in a couple of hours. Mom was driving now, the first time I’d seen her take the wheel this trip. The radio was spewing muted tunes of classic rock and garbled with Dad’s low, rumbling snores. I shifted slightly, readjusting my leg over the box of Legos and pulling off my headphones. The earbuds were giving me a headache. My right leg had gone numb up to my knee, and I shifted and tried to clench my toes. Outside the car the sky was as dark as the bottom of the ocean, and the stars seemed to swim as they reflected off the window. I craned my neck, trying to see over the car, catching the tail end of what might have been the Big Dipper. My breath came a little thicker, as if the night air had leaked through a window like water and flooded the car.  Everything felt bigger, almost infinite. I could almost believe that the universe spanned billions of miles and that other galaxies existed somewhere. My brother’s head was sinking into my shoulder and my leg was still numb, and everything inside our sedan was warm and jumbled and close and I knew if I opened my door, I would fall out and maybe never land anywhere.</p><p>My thoughts wandered to Karen, with her slender waist and long hair, but the picture in my head came up with brown hair instead, and she was wearing a blue sweater pulled off one shoulder that I knew she didn’t own. All I could think was that Karen dumped me without even trying to make it work and Dad held Mom’s hand all day yesterday.</p><p>There was something significant in that I couldn’t place. I sucked in another breath, it felt like inhaling with a damp towel over my mouth. How different would things be in Georgia? We’d have to get a new license plate for the sedan.  Somewhere down there was my new school, and I supposed if things turned out I would have new friends. We wouldn’t have winter like in New Hampshire.</p><p>For a moment, I opened my mouth and wanted to speak: <em>Hey Mom, where are we?</em>, but my voice had settled in my lungs. It was dark in the car, passing cars and the dashboard lights only dimly illuminating the front seats. The red bulb on the radio threw my mother’s face into relief, seeping into the creases around her eyes and catching her grays. Why had she wanted to move? I felt like I was seeing something important, something profound in my mother’s face at that moment, like the first time you recognize the way the wind feels wet before it storms. My lips closed. Instead of speaking, I pressed my face to the cool glass and kept my eyes open, focused on the yellow lights of passing cars. I would stay awake until we got to the house.</p><div
id="bio"><em><strong>Jessica Johnson</strong> is a writer from New Bedford, Massachusetts.</div><p></em></p> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/04/skylights/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>At the Opera</title><link>http://foggedclarity.com/2010/04/at-the-opera/</link> <comments>http://foggedclarity.com/2010/04/at-the-opera/#comments</comments> <pubDate>Fri, 30 Apr 2010 22:35:37 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[At the Opera]]></category> <category><![CDATA[audio]]></category> <category><![CDATA[Ben Evans]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Miami]]></category> <category><![CDATA[Nora Bonner]]></category> <category><![CDATA[reading]]></category> <category><![CDATA[ryan daly]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=6730</guid> <description><![CDATA[Nora Bonner Sandy Harris died on her way to dress rehearsal two days before the opera premiere. Most of the ensemble didn’t notice her absence. She was nine years old. The other children in the chorus whispered her name while mothers fitted their wig-caps and buttoned their long red robes. Her costume remained on the [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Nora Bonner</h3><div
class="center"></div><p>Sandy Harris died on her way to dress rehearsal two days before the opera premiere.  Most of the ensemble didn’t notice her absence.  She was nine years old.   The other children in the chorus whispered her name while mothers fitted their wig-caps and buttoned their long red robes.  Her costume remained on the rack, stiff and heavy over satin slippers.  Before long, the stagehand appeared, miscounted, and led them to the orchestra pit.</p><p>The children passed an exit propped open with a travel mug; wind and cigarette smoke pushed into the hallway.  Near the stage, a row of impaled heads leaned against the stairwell, suitors who failed to answer the princess’s riddles.  Layers of drops, snow-capped mountains and Chinese gardens, lined the backstage. The principal singers remained behind doors closed to their dressing rooms while sopranos and baritones from the adult chorus attacked the empty seats with their vibratos.  The children sat on the apron and dangled their feet into the orchestra pit, above a tuning tuba.  “We’re missing one,” the children’s director said.  “Who’s missing?”</p><p>One child raised her hand, out of habit, and told him Sandy was probably stuck in traffic.  He told her to spit out her gum, threatening to replace her with someone more professional.  She swallowed.  Tears smudged her almond-painted eyes.  He conducted their scales and they returned to the dressing room.</p><p>Homework waited in book bags.   The boys drew caricatures of the girls with extended noses and wider ears. The girls filled their notebooks with lists of potential husbands, makes of cars, and dream careers.   The mothers made sure they kept their fingers away from their powdered faces.  They watched the door for Sandy to barge in at any moment, out of breath and apologetic.  She did not come.  The overture commenced through the intercom.</p><p>“This music is disturbing,” one mother said to another while re-stuffing her daughter’s braids into a wig cap.  The opera began with the dissonant chorus harmonies; slaves beaten, crying for mercy.</p><p>“He was sick when he wrote it,” the other mother said.  “He died before he finished the score.”</p><p>The stagehand reappeared and led the children backstage for their first entrance.  The princess climbed into a wooden lotus flower suspended by piano wire.  She did not return their stares while she rose into the fly gallery.  The flower wobbled, bits of light caught on her icy crown, until she disappeared into the shadows.  Meanwhile, the stage manager passed out paper lanterns dangling from brass rods for the children to carry.   Just when she would ask them about the extra lantern, a tenor from the adult chorus interrupted and pulled her aside.</p><p>The music stopped.   An hour passed while light board operators refigured cues for the princess’s entrance.</p><p>“She’s still up there,” a child said, pointing.</p><p>“Maybe she’s sleeping,” said another.</p><p>“Less orange.” The director’s voice echoed over the loud speaker.  “I want to see the lanterns glow.”</p><p>The children took turns balancing the rods on their curved palms.  Their scalps itched.  They had to wait for a stagehand to escort them to a bathroom. Girls practiced ballet positions while boys played a condensed version of freeze tag around a row of Chinese dragons.</p><p>“Children stand by,” the stage manager said.</p><p>At her command, they crossed the stage in a solemn procession.   Their melded voices drifted over the accompaniment.  The girl last in line nearly tripped while arching her neck to catch a glimpse of the princess floating down to center stage.  Behind the curtains once again, they leaned their lanterns against a wall and flexed their aching arms.  The children’s conductor waited in their dressing room with notes.  He told them to hold the rods at waist-level and keep them straight, to open their mouths more when they sing, and that he noticed the girl who broke her concentration.  He did not mention Sandy.</p><p>At intermission, the children darted out into the auditorium. The house-lights dimmed and act three began in front of a Chinese palace façade.  Their eyes grew heavy while attempting to follow subtitles.  It was well-past their bedtimes.   They slipped to the floor beneath the seats until a stagehand tapped them awake.</p><p>“It’s finale time,” she said, and counted the tassels on their hats as they lined up once more.   When she only counted fifteen, she glanced beneath the seats and across the aisles for the missing child.  She found no shadow, figured she was tired.  Paper petals drifted to the stage floor, the curtain came down, and at two-thirty in the morning, the director called it a night.</p><p><strong>*</strong></p><p>One of the mothers brought carnations for the opening and set them along the dressing table. She wrote the children’s names on colored paper, bent into the shapes of fans, and attached a chocolate kiss to each. “They can’t eat in costume,” another mother said.    Sandy’s flower was pink with yellow around the petal tips.</p><p>Before the children could change into costume, the artistic director gathered the ensemble behind the curtain for a ten-minute memorial.  “We’ve had a tragedy,” she said, and told them Sandy’s body was found beneath a shattered windshield on the Lodge Freeway.  Her father also passed away in the five-car collision.  The ensemble would collect donations for funeral flowers.   The director said, “She was a nice girl,” as if she knew her well.</p><p>The children returned to the dressing room filled with her absence: quiet Sandy Harris from Farmington Hills; dark haired, wide-eyed, quick to pick up complicated melodies, always on the outskirts of their attention with a book in her grasp.  After the performance, her carnation remained on the dressing table until the petals withered and the chocolate melted beneath warm lights.</p><div
id="bio"><p><img
title="Nora Bonner on Fogged Clarity" src="http://foggedclarity.com/images/otherFeatures/2010/May/nora.png" alt="Nora Bonner on Fogged Clarity" width="150" height="150" /></p><p><em><strong>Nora Bonner</strong> is currently completing her MA in Fiction at Miami University.  In 2002, she received a Hopwood Award from the University of Michigan.  Her fiction is forthcoming in <strong>Shenandoah</strong>, and has appeared in <strong>Octopus Beak</strong> and <strong>Eclectica Online</strong>, among others. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/04/at-the-opera/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2010/May/AtTheOpera.mp3" length="5908927" type="audio/mpeg" /> <itunes:keywords>At the Opera,audio,Ben Evans,fogged clarity,Miami,Nora Bonner,reading,ryan daly,Short Fiction</itunes:keywords> <itunes:subtitle>Nora Bonner  Sandy Harris died on her way to dress rehearsal two days before the opera premiere.  Most of the ensemble didn’t notice her absence.  She was nine years old.   The other children in the chorus whispered her name while mothers fitted their ...</itunes:subtitle> <itunes:summary>Nora Bonner
Sandy Harris died on her way to dress rehearsal two days before the opera premiere.  Most of the ensemble didn’t notice her absence.  She was nine years old.   The other children in the chorus whispered her name while mothers fitted their wig-caps and buttoned their long red robes.  Her costume remained on the rack, stiff and heavy over satin slippers.  Before long, the stagehand appeared, miscounted, and led them to the orchestra pit.
The children passed an exit propped open with a travel mug; wind and cigarette smoke pushed into the hallway.  Near the stage, a row of impaled heads leaned against the stairwell, suitors who failed to answer the princess’s riddles.  Layers of drops, snow-capped mountains and Chinese gardens, lined the backstage. The principal singers remained behind doors closed to their dressing rooms while sopranos and baritones from the adult chorus attacked the empty seats with their vibratos.  The children sat on the apron and dangled their feet into the orchestra pit, above a tuning tuba.  “We’re missing one,” the children’s director said.  “Who’s missing?”
One child raised her hand, out of habit, and told him Sandy was probably stuck in traffic.  He told her to spit out her gum, threatening to replace her with someone more professional.  She swallowed.  Tears smudged her almond-painted eyes.  He conducted their scales and they returned to the dressing room.
Homework waited in book bags.   The boys drew caricatures of the girls with extended noses and wider ears. The girls filled their notebooks with lists of potential husbands, makes of cars, and dream careers.   The mothers made sure they kept their fingers away from their powdered faces.  They watched the door for Sandy to barge in at any moment, out of breath and apologetic.  She did not come.  The overture commenced through the intercom.
“This music is disturbing,” one mother said to another while re-stuffing her daughter’s braids into a wig cap.  The opera began with the dissonant chorus harmonies; slaves beaten, crying for mercy.
“He was sick when he wrote it,” the other mother said.  “He died before he finished the score.”
The stagehand reappeared and led the children backstage for their first entrance.  The princess climbed into a wooden lotus flower suspended by piano wire.  She did not return their stares while she rose into the fly gallery.  The flower wobbled, bits of light caught on her icy crown, until she disappeared into the shadows.  Meanwhile, the stage manager passed out paper lanterns dangling from brass rods for the children to carry.   Just when she would ask them about the extra lantern, a tenor from the adult chorus interrupted and pulled her aside.
The music stopped.   An hour passed while light board operators refigured cues for the princess’s entrance.
“She’s still up there,” a child said, pointing.
“Maybe she’s sleeping,” said another.
“Less orange.” The director’s voice echoed over the loud speaker.  “I want to see the lanterns glow.”
The children took turns balancing the rods on their curved palms.  Their scalps itched.  They had to wait for a stagehand to escort them to a bathroom. Girls practiced ballet positions while boys played a condensed version of freeze tag around a row of Chinese dragons.
“Children stand by,” the stage manager said.
At her command, they crossed the stage in a solemn procession.   Their melded voices drifted over the accompaniment.  The girl last in line nearly tripped while arching her neck to catch a glimpse of the princess floating down to center stage.  Behind the curtains once again, they leaned their lanterns against a wall and flexed their aching arms.  The children’s conductor waited in their dressing room with notes.  He told them to hold the rods at waist-level and keep them straight, to open their mouths more when they sing, and that he noticed the girl who broke her concentration.  He did not mention Sandy.
At intermission, the children darted out into the auditorium.</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>6:09</itunes:duration> </item> <item><title>Mexico City</title><link>http://foggedclarity.com/2010/02/mexico-city/</link> <comments>http://foggedclarity.com/2010/02/mexico-city/#comments</comments> <pubDate>Sun, 28 Feb 2010 23:40:11 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Mexico City]]></category> <category><![CDATA[Perle Besserman]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=5929</guid> <description><![CDATA[Perle Besserman &#8220;Rosie had in fact approached the bar, placed one purple-veined elephant leg on the brass rail, and was preparing to launch one of her unsolicited performances.&#8221; The doctors in Mexico City learned early not to cry. Sergio, a visiting surgery fellow in our Roosevelt Hospital residency training program, would describe the operations he’d [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Perle Besserman</h3><div
class="pullquoteRight">&#8220;Rosie had in fact approached the bar, placed one purple-veined elephant leg on the brass rail, and was preparing to launch one of her unsolicited performances.&#8221;</div><p>The doctors in Mexico City learned early not to cry. Sergio, a visiting surgery fellow in our Roosevelt Hospital residency training program, would describe the operations he’d performed in cemeteries without so much as a catch in his voice; and his eyes were dry when he talked about his fiancé being gunned down by riot police during a student demonstration. Though he was only thirty-two when Andrew and I met him, many of his friends were already dead.</p><p>Sergio had grown up in the hills outside of Cuernavaca in a villa with a pool bordered by red tiles where he swam every day from the time he was five. At eighteen he was offered a place on the Mexican Olympic Swim Team but chose to join a peasant rebellion instead. The only revolutionary among his three brothers and two sisters, Sergio had left home after antagonizing his father by announcing his intention to become a “barefoot doctor.” (Felipe Ruiz owned the biggest Mercedes dealership in Mexico and feared that his son’s activities would alienate his politically conservative clientele.) Sergio’s mother, a copper-haired Englishwoman born and raised on a farm in Surrey, was the horsy daughter of a French-Jewish millionaire and a devout Anglican Englishwoman who had once been a chambermaid. Alicia Ruiz had adapted well to her new life in Mexico; she simply transplanted her interest in horses to managing her large household staff, playing bridge, and overseeing charitable fundraisers. The Ruiz family took frequent holidays in Europe, visiting on occasion with Sergio’s millionaire Jewish grandfather in the south of France.</p><p>Sergio was short and brown-skinned with the quick movements of a jack rabbit. He was shy and wore round, thick-lens glasses with tortoise shell frames that made him look even more scholarly than he was. When he’d been a kid, he said, his teeth were so crooked that he hardly spoke to anyone at school because he was ashamed to open his mouth. His mother made him wear braces and take dancing lessons in the hope of socializing him. Every Wednesday, he and an awkward young girl from a neighboring estate were chauffeured to a dancing school run by a portly French woman in a purple long-sleeved gown with white lace wrist ruffles. Paola and Sergio sat in the back seat of the Mercedes like two cardboard dolls, not talking, each terrified of looking at the other, Sergio in black short pants and an Eton jacket that was too tight across his chest, and Paola in pink tulle and white gloves. Of course they fell madly in love and both went on to become medical students and revolutionaries together, until the day Paola got gunned down in Oaxaca.</p><p>Whenever Andrew was on-call, Sergio and I would share a bottle of wine in a funky bar habituated by down-and-outers a few blocks from the hospital in the dappled shadows under the West Side Highway trestle. It was a picturesque and sad place, a fitting backdrop to Sergio’s stories, and, on our off-hours, we soon became regulars. Andrew, whose tastes were more upscale, had joined us once or twice but always found a good excuse not to return afterward.</p><p>We were sitting at our usual table, half-heartedly watching a baseball game on the TV above the bar, when Sergio asked me to come down to Mexico City with him to work for <em>“la revolucion”</em>.</p><p>“This isn’t real,” I said, “I’m dreaming this conversation, this place . . .”</p><p>“I can’t believe I’m here myself,” Sergio gazed, as always, a little past my shoulder. It was his habit never to look me straight in the eye. We were both a little bit in love with each other but didn’t want to acknowledge it because I was married to Andrew.</p><p>“Did you always want to be a doctor . . . or did you ever want to be something else?” I asked to change the subject.</p><p>Bluntly, almost angrily, Sergio said, “A woodcarver once, when I was a kid.”</p><p>Then, instead of lifting his hand from the table and caressing his beautiful surgeon’s fingers, which was what I really wanted to do, I found myself promising to come to Mexico City and work for <em>la revolucion</em>.</p><p>“Good. We drink to that!” Sergio poured the last of the wine into our glasses.</p><p>I noticed that the bottle was slightly chipped at the mouth and that I was drunker than I thought and would probably be sorry tomorrow for what I had promised so cavalierly.</p><p>“We’ve been drinking ground glass,” I said, thinking, damn you, Sergio, and your social justice routine. Why don’t you just take me to your apartment and make love to me?</p><p>The sun disappeared behind a cloud, and I thought I saw Rosie, a bulky singer of off-color ditties who’d taken a liking to us, expand and float toward the doorway.</p><p>“Rosie’s blotted out the sun,” I said dreamily.</p><p>“No,” said Sergio, “it’s someone else. Another Rosie.” Was he drunk too?</p><p>The conversation trickled off, giving way to the toot of fog horns on the Hudson. Now it was raining outside, though it had been a perfectly sunny day when we first sat down.</p><p>“God, Faye, do you realize what a momentous occasion this is?” Sergio grabbed my hand suddenly and shook it hard.</p><p>“Looks like Rosie’s going to serenade us,” I responded muzzily. Rosie had in fact approached the bar, placed one purple-veined elephant leg on the brass rail, and was preparing to launch one of her unsolicited performances.</p><p>“Let’s get out of here,” Sergio said, his glasses misting over in the now steamy bar.</p><p>“Where to?”</p><p>“The movies . . . anywhere . . .”</p><p>“What about Andrew?”</p><p>“Call him and tell him he must come too.”</p><p>“Hi, dearie, Rosie cawed at me as I passed her at the bar. And I recognized instantly what I could never have seen while dead sober: Rosie was a transvestite.</p><p>“Didn’t you know it all along?” Sergio asked as we were heading cross town toward the Lincoln Square multiplex in a Checker cab papered with stickers denouncing everything but Marine World in Florida.</p><p>“That Rosie was a man?”</p><p>“Yes.”</p><p>“No, damn it. I once even peed in the woman’s toilet with him standing in front of the mirror at the sink applying make-up.”</p><p>We both laughed.</p><p><strong>* * * *</strong></p><p>A month later I was on leave in Mexico City training as a demonstration marshal, studying crowd control, and helping Sergio organize the university’s medical faculty and students in a protest march against the imprisonment of a union leader named Vallejo. I didn’t know it then, but Sergio’s Mexico City demonstration, along with several others around the country, had been planned as a dry run before the Zapatista uprising. Not that knowing what was coming would have changed anything once Sergio had worked his revolutionary magic on me. We didn’t become lovers. I’d half hoped we would, but Sergio was too ethical for that. He slept on the sofa in the living room of the flat in the Pedregal we shared with an older American medical student named Margo who’d divorced her husband and left her two daughters with her mother in North Dakota, in order to attend, as she put it, the only medical school in the hemisphere that would have her. Margo had been an army nurse in the States before deciding to become a doctor. Her porcelain-white skin and baby blue eyes belied her tough anti-American persona, but she had yet to shed her military boot camp training. She’d moved in only two days before me but her side of our shared bedroom was already meticulously arranged when I arrived, everything in its proper place: medical books in sparsely occupied bookcases, spotless desk, personal items tucked out of sight in khaki rayon bags. Margo sat on the edge of her bed eyeing me suspiciously as I unpacked my hibiscus-flowered suitcase and stuffed my things into drawers in no particular order. Later, when we got to know each other better, she confessed that my “Hawaiian luggage and hick outfit” (a checked gingham pinafore and wooden clogs) that first day, had convinced her I was a CIA plant, and I told her I’d automatically a<br
/> ssumed that, being military, she was a lesbian—and we both had a good laugh because—-as events later proved&#8211;neither of us could have been more wrong.</p><p>Every day, we’d join Sergio and his radical friends in a Zona Rosa café called The Laughing Horse. We’d sit there for hours on tiny, cramped white wire chairs around dollhouse-sized tables, planning for the demonstration, arguing politics, stuffing ourselves with soggy guacamole and stale tostadas, and drinking too much Tequila.</p><p>It was at the Laughing Horse where I watched Sergio fall out of love with me and in love with Margo. A TV Soap star named Felix unsuccessfully tried convincing me to have an affair with him instead. Humberto, a penniless film director, finished cutting his documentary on the last days of Trotsky in Mexico, to which I had contributed most of my money, and our motley group celebrated the event by cramming into an ancient Volkswagen beetle and driving around the Paseo de Reforma honking the horn and shooting colored streamers out the windows. The documentary’s scriptwriter, and owner of the Volkswagen, got a flat tire and forced us to abandon the car right under the nose of a policeman with a head-bashing baton at his waist and a prominently displayed revolver strapped to his chest. Felix, the black-haired Soap star, had begun pawing in the direction of my breasts, muttering something about existential decisions. Margo, who had drunk too much tequila, pushed him off me, hissing into his face that he and all men were <em>filo da puta</em>. After which, threatening to kill himself, Felix lunged into the mad Mexico City traffic. Fortunately, Humberto snatched him out of the road just in time to avoid being run down by a door-less and windowless bus jammed with farm workers.</p><p>On the morning before the march, Sergio announced over a poached egg that he and Margo were going to be married. Margo was out taking an anatomy exam, it was drizzling lightly. I had just closed the door and returned from the hall after having paid the bread man. I placed two fresh rolls on the table in front of Sergio and stood watching him eat. Seeing him sitting there, in his crisp blue denim work shirt, vulnerable as only a man eating his poached egg can be, no longer buck-toothed and shy but still wearing thick-lens glasses and not looking me in the eye, made me want to cry.</p><p>“When’s the wedding?”</p><p>“Friday, at noon, in the City Hall.”</p><p>“Will you throw me out of the flat?”</p><div
class="pullquoteLeft">&#8220;By the time I was twelve I was an avowed enemy of the capitalist government in the United States, an urban guerrilla in my own country.”</div><p>“Pobrecita,” he said laughing.</p><p>“Well, I can’t live here with you and Margo. I’ll have to find a new place,” I said, turning to the stove.</p><p>“Of course not, you’ll stay here.”</p><p>“No, I can’t,” I said, hating myself for throwing money at Humberto in order to ingratiate myself with Sergio and guilty for no longer being in love with Andrew. I turned up the flame under the coffee pot then poured warmed milk halfway into a mug and waited.</p><p>Sergio buttered a roll and placed it on my plate. “You know, I used to sneak the best food from my mother’s pantry and bring it to the peasants who worked on our estate. By the time I was twelve I was an avowed enemy of the capitalist government in the United States, an urban guerrilla in my own country.”</p><p>The coffee pot hissed. I poured some into my mug, stirred in a spoonful of sugar, set the pot back on the stove, and sat down at the table. Through the curtain-less window, a sudden ray of sunlight pierced the smoggy drizzle illuminating the roll on my plate. “We’ll have good weather for the parade tomorrow,” I said.</p><p>As I’d predicted, the sky was blue and cloudless the next day. The air was clear, free of the usual stink of diesel fuel; there were no cars, no scooters, not even a city bus in sight. Everyone was in a holiday mood: even the policemen on their balky horses were laughing. Onlookers were already lining both sides of the Paseo de Reforma three rows deep behind the sawhorses when Margo and I arrived at the designated meeting point. Banners fastened to street lamps billowed lightly in the wind—-red, yellow, royal purple, and dragon green. Office workers leaning out the windows of their buildings signaled their solidarity with the gathering marchers by throwing handfuls of heart-shaped confetti. Sergio was up ahead, testing the sound system on the speakers’ platform that had been constructed in the Zocalo. As principal organizer of the event, he’d been responsible for obtaining a permit and, after bribing the appropriate municipal authorities, a promise of no police harassment.</p><p>Slipping on our white armbands and taking up our megaphones, Margo and I began organizing the demonstrators. We had drawn lots for marching partners earlier that morning, and I was greatly relieved not to have drawn horny Felix, but soft-spoken Humberto, who was gay, and whose stylish tweed and leather-patch-sleeved jacket, ever present pipe, and directorial confidence were far more reassuring. Humberto and I had just linked arms and were waiting for the signal to start marching when a low-flying police helicopter swooped down and buzzed the crowd.</p><p>“CIA, GO AWAY!” shouted a student in a brown corduroy suit, pumping his fists as he leapt from his cross-legged seat on the pavement behind the sawhorse. His companions immediately jumped to their feet and joined the chant. A young woman pretended to shoot the helicopter out of the sky with her thumb and forefinger: “CIA, GO AWAY! CIA, GO AWAY!” The helicopter was so close now that three men in civilian clothes could be seen peering out of the open door. Oblivious to the jeers of the crowd, two of them were waving enthusiastically.</p><p>A small ruckus exploded out of a side street. Word came that horses were being turned on a rowdy cluster of marchers. Together, Humberto and I hurried in that direction to confirm the report, which, it turned out, was only a rumor—but worrisome nonetheless, for, after all the initial gaiety, there was a definite whiff of paranoia coursing through the crowd. Fortunately the marching signal—-a white handkerchief tied to a pole being waved from across the street&#8211;prevented it from spreading. With arms locked, in rows extending fifteen across, the marchers surged ahead chanting “Free Vallejo!” The last and loudest line to join us, a phalanx of Labor Unionists, spewed from the side streets, leaving the monument start point deserted. Their hoarse cries demanding Vallejo’s release blended with ours, creating for one fleeting but exalted moment the unearthly harmony of a Gregorian chant.</p><p>Directly in front of me a woman pushed a toddler in a pram waving a Che Guevara paper flag. We were just approaching the first cross street when a man suddenly bolted from the sidelines and, aiming directly at the Che Guevara flag, pitched a tomato. Instinctively breaking ranks and pulling away from Humberto, I jumped in front of the child&#8211;and caught the splattering tomato’s juice and seeds in the chest. The woman with the pram marched on without acknowledging me; but the Unionists who had seen me take the hit were stomping and hollering their approval. Egged on by their cheers, I turned to face them, dipped my fingers into the mess and pretended to lick off the “blood” before rejoining Humberto in the line.</p><p>We encountered our first group of hecklers in front of the Hilton. Flashing my stained chest at them, I shouted “Cowards! Free Vallejo!”—which set the hecklers to booing and the Unionists to chanting even louder and drowning them out. Unaccountably buoyed by their battle cries, I could no longer distinguish friend from foe: the hecklers, the mustached policeman rocking back and forth on his horse alongside me, the woman pushing the pram, the girl with the defiantly bobbing blond pony tail, the fist-brandishing Unionists, the marching band now segueing into an incongruously rollicking version of Guantanamero; however, my moment of ecstatic oneness was interrupted when the music suddenly spiraled out of con<br
/> trol, panicked drum beats, short blasts from the tuba piercing the air like cannon fire, and now—unmistakably&#8211; human screams coming from the direction of the Zocalo.</p><p>Tearing through the seams of our carefully organized formations, the marchers in front of me were scattering. Raising the megaphone to my lips, I shouted for them to get back into line but no one heard me, or if they did, they were too intent on scrambling for safety to regroup. Humberto had grabbed my free hand and was pulling me forward. I dropped the megaphone and felt it crumple under my feet. The girl with the pony tail to the right of me was gone. The scruffy boy in sandals with her had fled too. The woman with the pram had abandoned it and, carrying the child in her arms, was seeking refuge among the dispersing onlookers behind the no longer existing sidelines where the no longer laughing mounted policemen and their frenzied whinnying horses were chasing down onlookers and demonstrators alike through a maze of bunting. Still holding hands, Humberto and I joined the blind scattering mob but were unable to move either forward or backward. Our efforts at threading a sideways path toward the curb were equally unsuccessful. From the Zocalo, clearly now, came the steady burst of gunfire.</p><p>Many of the musicians, too, had bolted and were now scattering through the streets. A beautiful black woman holding a trumpet high over her head pressed against me, her hair brushing my face. Tugging at my monitor’s armband, she screamed in English, “They’re shooting! They’ve opened fire at the Zocalo. They’re killing us!”</p><p>Flailing their truncheons, the mounted police plowed into the crowd. Still holding my hand, Humberto zigzagged back and forth trying to avoid them. A heavyset girl in a pink dress wasn’t as nimble and, having taken several blows to the neck and head, was bleeding. I reached out to help her but was blocked by a policeman wedging his horse between us. Leveling a barrage of curses and maneuvering the horse only inches from my face, he swung his truncheon first at the bleeding girl, then at me. The girl fell and Humberto dragged me away screaming. Weaving through the melee, he didn’t stop until we’d reached an eerily empty side street behind the Reforma. It was only after he’d propped me sagging against the wall of a cold stone building that he finally let go of my hand. The windows of a nearby shop, an elegant handbag boutique that had been looted, lay shattered on the sidewalk.</p><p>“Home, Humberto. Take me home, please,” I gasped, falling against his chest.</p><p>Miraculously, Sergio, unhurt, was in the flat when we arrived. His shirt was stained with blood, his thick-lens glasses were shattered but he was still wearing the frames. Margo, he said, had been slightly injured; it was her blood on his shirt. She was in the hospital but there was no need for me to venture out; he’d arranged with the emergency room doctor, a friend, to get her back to the flat in an ambulance—-maybe later, maybe tomorrow. He was leaving for Cuba right away. He might contact me. On the other hand, I was not to worry if I didn’t hear from him for a while. He was being monitored. Then, almost off-handedly, he added, “Andrew called. He said to get on the next flight out and come back home.” Standing for a moment in the doorway, Sergio flashed me the victory sign. “Good luck, Faye,” he said. Then he slipped out of my life as casually as he’d entered it.</p><p>* * * * *<br
/><em>Papua New Guinea<br
/>2004 </em></p><p>I might have caught a glimpse of Sergio again three months later, on January 1st, while NAFTA was being celebrated in Mexico City, the same day the Zapatistas emerged from their jungle training centers and took control of five major towns in the state of Chiapas&#8211;where, ignoring Andrew’s tepid recall&#8211;I’d joined Medecins Sans Frontieres as a staff doctor. It could have been the thick-lens glasses worn by the serape-wrapped peasant in sandals running past our makeshift hospital tent; or that I needed to see him again, to thank him for teaching me how to serve. Maybe it wasn’t as noble as that, maybe I just needed to prove I was no longer an armchair revolutionary living vicariously through him. Whatever the reason, I can’t say for certain it was Sergio. That was ten years ago, and I haven’t seen or heard from him since. Not that it matters.</p><div
id="bio"><em><strong>Perle Besserman</strong> is the recipient of the Theodore Hoepfner Fiction Award and past writer-in-residence at the Mishkenot Sha’ananim Artists’ Colony in Jerusalem. Her autobiographical novel <strong>Pilgrimage</strong> was published by Houghton Mifflin, and her short fiction has appeared in <strong>The Southern Humanities Review</strong>, <strong>AGNI</strong>, <strong>Transatlantic Review</strong>, <strong>Nebraska Review</strong>, <strong>Southerly</strong> and <strong>Bamboo Ridge</strong>, among others. Her books have been recorded and released in both audio and e-book versions and translated into over ten languages. Her most recent book of creative non-fiction, combining memoir, storytelling, and women’s spiritual history is <strong>A New Zen for Women</strong> (Palgrave Macmillan); and her latest story collection, <strong>Marriage and Other Travesties of Love</strong>, is currently available online from Cantarabooks. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/02/mexico-city/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Girls</title><link>http://foggedclarity.com/2010/02/girls/</link> <comments>http://foggedclarity.com/2010/02/girls/#comments</comments> <pubDate>Sun, 28 Feb 2010 23:39:47 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Amanda Viviani]]></category> <category><![CDATA[author]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Girls]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=5914</guid> <description><![CDATA[Amanda Viviani Anne-Marie and Emily both wore eyeliner and purple iridescent lipstick by sixth grade; they blotted their shiny mouths in the third-floor girls&#8217; bathroom and traced thick lines onto their lips. Except Celeste was the first to buy department store lip gloss and leggings. Celeste was always first, and she liked it that way. [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Amanda Viviani</h3><p>Anne-Marie and Emily both wore eyeliner and purple iridescent lipstick by sixth grade; they blotted their shiny mouths in the third-floor girls&#8217; bathroom and traced thick lines onto their lips.  Except Celeste was the first to buy department store lip gloss and leggings.  Celeste was always first, and she liked it that way.  Hannah always followed Celeste, even when she stole her mother&#8217;s Dunhill cigarettes and smoked them in the basement laundry room.  Celeste taught them all how to inhale, and how to hold their cigarettes like Sandy in <em>Grease</em>.  Her indigo lips pursed and released white wisps of smoke through the screened window slowly as she sat atop the Maytag dryer with her back straight like a queen.</p><p>On weekends, they didn&#8217;t bake chocolate chip cookies anymore but nibbled on carrot sticks and called up boys.  Older boys, boys from the tenth grade and sometimes even older.  Late at night they burned what they said was incense and giggled loudly under blankets.</p><p>They lived in big houses of brick and expensive stone facades, houses on the outskirts of town that loomed up like temples before neatly manicured lawns and intricate landscaping.  Sometimes their mothers would be outside planting hostas; most of the time green-suited men from the lawn-care companies would finish the job.</p><p>At school they held court the way they had since second grade, with Celeste at the helm the same way she had been since the minute she was born.  While everyone played basketball in the gym before class, they occupied a spot at the bottom of the bleachers, away from the bounce of sports equipment and squeak of tennis shoes.  They crossed their legs and talked in low voices, close to each other&#8217;s faces, or, when they wanted to be noticed, would lean back on their hands and push their small chests forward.  They spent hours getting ready in the morning, just to look as though they hadn&#8217;t.</p><p>They all had sleek, thick hair in rich colors, hair that floated back into perfect place when it was disturbed.  Of course, Celeste was a blonde, a coveted platinum that needed no rinses or dyes.  They wore all sorts of jeans, the popular distressed kind that looked as if the fronts had been bleached out and then rolled in mud; the skinny, stretch-denim pants whose lack of rear pockets made them possible for only the thinnest of females.  They made sure that their Lycra or rayon tops were fitted tightly, with necklines that dipped to the most appropriately inappropriate level.</p><p>They poured over issues of <em>Cosmopolitan</em> and <em>Glamour</em>, giving up the crush confessionals of <em>Seventeen</em> for advice on “How to Please Him.”</p><p>“I&#8217;ve done that before,” Celeste scoffed, as they giggled about the sexual exploits of a 30-something writer.</p><p>“Right,” said Anne-Marie, with a drop of sarcasm.  Celeste threw her a look, but she never said anything to Anne-Marie, because Anne-Marie was beautiful.</p><p>“It sounds gross,” Hannah offered, and Emily snorted.  Then Celeste threw her a look, because snorting was something they just didn&#8217;t do.</p><p>Celeste had discovered blow jobs by fifth grade, but it was Emily who supposedly had experienced the real thing the summer before eighth.  After that, they all looked at Emily when she ate popsicles, to see if she looked any different.</p><p>At lunch, they had the first table, the seating capacity and arrangements of which varied from day to day.  Not that any of them really ate.  They preferred seclusion, or at least anywhere that was void of some 500 pairs of teenage eyes.  Anne-Marie, who had an ongoing relationship with Pizza Hut and Taco Bell, remained tall and lithe and never over 100 pounds.  She showed them all how to stick their fingers down their throats, but Celeste preferred less messy methods.</p><p>When their parents had parties, they wore tight dresses and waited for their fathers&#8217; friends to notice their cleavage, then slip an arm around their waists and say how much they&#8217;d grown up.  At these parties, their mothers were all sociable and whiny, and their fathers drank scotch from crystal cocktail glasses.  Everyone was beautiful and sparkling and loud; the women had shrieking voices to go with their thickly sequined dresses.</p><p>There were school dances, which they never went to at the junior high.  Instead, high school boys asked them to homecoming and the winter formal, where they wore short little dresses with heels, but made sure they stood by and yawned for the full three hours.</p><p>“Want to dance?”  Emily&#8217;s date asked her at the start of all the slow songs, but she just shook her thick red hair and smiled at him.  They all made sure to ignore the homecoming queen, and the spring princess, and the prom court.  Sometimes they danced, to the fast songs, moving so precisely that everyone would stop and stare at them.  There was something comforting about being so beautiful that boys stopped looking at their own dates altogether, just to look at you.</p><p>At 14, the only aspirations they had were to model, or perhaps go to college, for the parties.  Anne-Marie&#8217;s father wanted her to go to Sarah Lawrence, but his girl was intent on watching E! Fashion television and snacking steadily on celery stalks.</p><p>“You&#8217;ll never stay beautiful if you don&#8217;t take care of yourself now,” she&#8217;d lecture, thin thighs cocked and applying her mother&#8217;s Lancome eye cream.</p><p>Celeste rolled her eyes and asked, what did she think plastic surgeons were for?</p><p>Emily and Hannah silently vowed to never eat pizza or donuts again and added eye cream to their mental shopping lists.</p><p>They&#8217;d begun drinking coffee already, and drinking it black, although some of them emptied pink paper packets of sweetener into their silver Nissan mugs when no one was looking.</p><p>They had rules, laws that they&#8217;d seen their mothers live by, and their mothers were beautiful and successful.  Never eat past eight in the evening.  Low-fat ice cream tastes just as good as regular, you&#8217;d swear you could never tell the difference.</p><p>You can tease the boys, said their mothers, but don&#8217;t let them lose interest.  Ever.  There were too many other girls, and other girls were sly.  Other girls were catty.  Other girls were just jealous.  Then their mothers fixed any stray wisps of hair, tucking them back into their Ivana Trump coiffures, and wiped away the lipstick that caked in the corners of their large, round mouths.  When they reprimanded, their hands flashed with fat diamond rings made from four-carat gems purchased at cost on winter vacations in the Caribbean.  Their faces were never bare, always made up with age-defying foundation and rouge that sat high on the apples of their sallow cheeks.</p><p>Their fathers, who had been affectionate and warm a few years ago, now only smiled at them with tight lips and gave stiff hugs.  They were afraid of their daughters, painfully aware of their new bodies and the older boys who followed them down to their bedrooms on Friday nights.  Their fathers made sure that work kept them too late for dinner most days, but always remembered to get their wives expensive jewelry for Christmas.</p><p>Celeste&#8217;s father was gone so long and so often, that she would sometimes forget the color of his eyes or how tall he was.  But when he came home – together they tried to avoid each other, and together they made it work.</p><p>Her father brought home a friend for a week, a business acquaintance from the east coast.  Mr. ___ drank imported beer in the living room and stared at Celeste when she arrived home from school.  He shifted his weight on the buttery leather sofa and ran manicured fingers down the leg of one trouser, pulling the creases taut.</p><p>At dinner, Mr. ___ leaned in close to her when he wanted a dish passed.  He flattered her mother and talked business with her father.  Afterwards, when everyone was having their wine in the living room, Celeste slipped his wallet from the breast pocket of his coat in the mudroom – as she was inclined to do when she<br
/> w<br
/> as curious.  He was 33, he had a platinum card, and $200 in dirty, creased bills.  Celeste replaced the wallet and pocketed half of the cash.</p><p>When she started back for the living room, he was standing there, leaning against her mother&#8217;s china cabinet with thick arms folded against his chest.  He smiled at her with his eyes, and she wasted no time returning the favor.</p><p>On Saturday nights they went to high school parties.  They knew people – some important and some not so much, but it was enough.  A quartet of sophomore boys pulled into the driveway; they all wore ratty baseball caps backward and sucked on hip flasks full of sweet, syrupy liquor of a bright color, a drink that was so thick with sugar and booze that it always made them throw up at the end of the night.  They shouted and caroused, driving too fast and listening to their music to loud.  The girls laughed at them, swiping shots from the small bottles they&#8217;d tucked in their purses.  But they didn&#8217;t really like these boys, they were too stocky and Celeste said she hated the smell of them when they thought they could kiss her.  Anne-Marie thought they were repulsive.  Nevertheless, boys were boys, and boys with a car were even better.</p><p>At the party they balanced plastic beer cups on their knees and whispered together, bare shoulders sparkling with spaghetti straps and cheap drug store glitter.  Boys came up behind them, kissing their cheeks, offering drinks or back rubs or dances.  They licked salt off their forearms and sucked lemons with tequila, they chain-smoked in an upstairs bathroom and tossed the butts in the sink.   They were childish, they were disgusting, and they were beautiful.  Altogether, they were so lovely.</p><p>They went back to Celeste&#8217;s house that night, arriving home long after the TV stations had shut down and the stoplights in the middle of town were flashing yellow.  The sky had a weak light to it, and they tiptoed through the hazy purple, stumbling and giggling.</p><p>Emily held her stomach and said she felt sick; Hannah tripped over the stairs and laughed.  One by one they ended up in a spare bathroom, holding thick handfuls of sticky, smoke-scented hair back while someone threw up, resting their heads on the bathtub ledge and wishing they were dead.</p><p>Celeste, who was leaning against the doorway and reveling in just slight intoxication, shook her head in disgust.  She thought them all rather pathetic.</p><p>She found that Mr. ___ was having a cigarette out on the patio, holding it in his thumb and index finger like a joint, one leg resting casually over the other knee.  He was dressed as though he had just arrived home himself.</p><p>“Care for one?”  He waved the box flippantly at her, speaking clearly but very quietly.</p><p>She took one; they were Nat Shermans, black paper with a gold filter.  She liked that he didn&#8217;t reprimand her the way most adults would.  He just watched her with a half-smile, and when she brought the cigarette to her mouth he did the same.</p><p>“And where have you ladies been tonight?  It&#8217;s pretty late,” he remarked.</p><p>“To a bar,” Celeste lied coolly.</p><p>“Really.”  He widened his eyes in mock surprise.  “You might have invited me along, I was out myself.”</p><p>“Where did you go?”  Celeste blew the smoke out her nose, the way she&#8217;d seen her mother do.</p><p>“The Green Room.  On the east side of town.”</p><p>“Oh, we don&#8217;t go to the Green Room,” she said dismissively, with a wave of her hand.</p><p>“You don&#8217;t, huh?”  He grinned and lit up another one.</p><p>“No.  It&#8217;s too quiet.”</p><p>“So where do you like to go, then?”</p><p>“Oh, here and there.  Anywhere that&#8217;s not too boring.”  She smiled like a little chorine, pleased to death that she was keeping up her lie so smoothly.</p><p>“Well, my date and I liked it very much.  It was nice – nice for the Midwest.”  He paused and let the silence fill in, drinking from a cup that she hadn&#8217;t noticed earlier.</p><p>“You had a date?  Who is she?”  Celeste asked this the same way she always had, curious but not demanding.</p><p>“Oh, just an acquaintance.  Not a girlfriend.  Business, you see.”</p><p>“Ah.”  Celeste had come to know what “business” dates meant.  She swiped another smoke from between them.</p><p>“Do your parents know you smoke?”  He chided lightly, offering her the blue flame of the lighter anyway.</p><p>“Probably not.  They don&#8217;t know most of what I do.”</p><p>“They should.  They should worry, I mean.  You&#8217;re quite pretty, you know.”</p><p>“No, I don&#8217;t know.”  But she did, and soaked up the compliment that made her move a little closer to him.</p><p>Mr.___ didn&#8217;t mean to then, but he kissed her, right under the burned-velvet sky, on her parents&#8217; patio.  He was careful, and when he opened his eyes he noticed where the mascara and eyeliner had smudged down beneath her lower lashes.  The glitter gel from earlier was crusted to her skin, on the sharp turn of her shoulders and the pale flesh that lay over her bony sternum.</p><p>What he liked about her was the slowness, the deliberate delicacy of her movements, coupled with innocence, and the fact that she didn&#8217;t get up and follow him afterwards.</p><p>She watched, and stayed just as quiet as she had the whole time, watching his retreating back; with her head on its side, it looked as though he were walking on the wall.  The floor tiles were cold on her cheek.</p><p>In the morning, they were all asleep in one room, sprawled on the floor in wrinkled skirts and tank tops, their hair wild and makeup smeared across the pillows.  Celeste was huddled on the bed, hugging her knees up to her chest and breathing deeply under the quilt her grandma had made,</p><p>There were still dolls on her shelves, the expensive collectible kind that could never be taken out of their boxes, but stared blankly through cellophane windows in big fluffy dresses and cotton-candy hair.  Her bed was carpeted in stuffed animals, some old and worn, some brand-new with tags on their ears.  Sometimes she tossed them off the bed at night, but most of the time she slept with them.  And when she slept she held her blanket up to her face, just to smell the scent of being a little girl again, because they would have to wake up and do it all over again the next weekend.</p><p>“You&#8217;re so beautiful,” the boys would say.  “Don&#8217;t you know that?”</p><p>“No,” with a coy smile.</p><p>But they did.</p><div
id="bio"><em><strong>Amanda Viviani </strong>has a B.S. in English and Creative Writing from Edgewood College in Madison, WI.  Her short fiction has been published in the <strong>Edgewood Review </strong>and <strong>Toasted Cheese</strong>.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/02/girls/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>If I Can Keep One Thing, It Will Be This</title><link>http://foggedclarity.com/2010/01/if-i-can-keep-one-thing-it-will-be-this/</link> <comments>http://foggedclarity.com/2010/01/if-i-can-keep-one-thing-it-will-be-this/#comments</comments> <pubDate>Mon, 01 Feb 2010 04:31:01 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[If I Can Keep One Thing]]></category> <category><![CDATA[It Will Be This]]></category> <category><![CDATA[Kirsten Clodfelter]]></category> <category><![CDATA[reading]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=5186</guid> <description><![CDATA[Kirsten Clodfelter Alone in Michael’s car, I steal moments of sleep without meaning to. I try to keep my eyes open, and each time they close I instinctively jerk myself awake. It’s early, a few minutes before seven. My husband thinks I’m at the gym, and in twenty minutes he&#8217;ll start to wonder why I’m [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Kirsten Clodfelter</h3><div
class="center"></div><p>Alone in Michael’s car, I steal moments of sleep without meaning to. I try to keep my eyes open, and each time they close I instinctively jerk myself awake. It’s early, a few minutes before seven. My husband thinks I’m at the gym, and in twenty minutes he&#8217;ll start to wonder why I’m not back at home getting ready for work.</p><p>Michael is inside Kara’s Coffee buying breakfast. This is where we go after we’ve left the quiet safety of his bed, the same thing we’ve been doing for the last eight months. Together we force comfort from this small routine.</p><p>I want to distill these final minutes that he and I have together before we start our separate day; I want to slow everything. But then I think of Dylan at home, of how he’ll ask with enthusiasm about the distance and time of a run I didn’t really take. The familiar anxiety wraps itself around my chest and pushes outward, as if my ribcage might snap from the pressure and burst through my skin—like a tree splintered by lightning and then uprooted as it falls. All I want in this moment is to already be back home, brushing my teeth and towel-drying my hair, listening to Dylan call out the newspaper headlines through the bathroom door.</p><p>The sun heats through the windshield glass, but it’s not enough to counter the cold edge of this November morning. I watch a blonde woman push a baby stroller down the sidewalk while she talks on her cell phone. She’s wearing a ski hat with a yellow pompom on the top. In one hand she holds a jerking dog leash, though I can’t see the animal from where I’m sitting. The line extends into nothingness—an invisible pulling force, and I let the landscape of the parking lot blur. Far off, someone blasts a car radio, and for an instant I dream of a parade.</p><p>Whenever I tell Michael that it’s difficult to answer questions about a future with him, a future without Dylan, he looks anywhere but at my face. While he’s inside the coffee shop, I try not to picture the way he busies his pale eyes with anything else in the room during these conversations, a conversation we had again this morning. He no longer gets angry, or speaks of what’s fair, and this resignation has started to haunt me even when we’re not together—it snakes up from the drain in the bathtub while I’m taking a shower, it hijacks radio waves and crackles through my alarm clock in the darkness of the bedroom each morning. Michael no longer asks me if I’ll leave with him, but the guilt has already woven into my bones; my body is heavy now, I’m tired constantly.</p><p>Throughout the day, while we’re apart, I recall moments with Michael from our hurried mornings. Last week: He lies with his head across the top of my bare thighs, his face upturned, smiling. When my phone rings, he sits up and begins to untwist the sheets. While Michael makes the bed, I stand by the dresser and talk to Dylan, my voice low, saying all of the things a happy wife would say to her husband. For a few minutes after I hang up, Michael and I occupy separate spaces in his room, trying to remember the way back to each other.</p><p>I always imagined heartbreak as a type of shredding, with the clawed organ left as tangled threads in a pulp. Even now, after all these months, I’m surprised to find that it’s a divide—two perfect halves, symmetrical fruits. One that beats Dylan’s name; the other, Michael’s. But when split evenly, there’s nothing left for me. All that blood just stills.</p><p>Michael returns to the car with two lattes and chocolate croissants. He buckles his seatbelt even though the car is in park, even though we’re not going anywhere. We spread napkins across our laps for a breakfast picnic. When he hands me my coffee, he asks, “You okay?” and then he squeezes my hand in his.</p><p>I don’t answer, and in the silence that follows, I think again about goodbye. Then I talk just to avoid leaving, to postpone the ache that will make up apart. “It’s too cold today,” I tell him, “It’s not even winter yet.” It’s a silly thing to say, but my voice tangles once it hits the air; it’s quieter than it sounds in my head, and I find myself swallowing anything else that might have been there.</p><p>Michael slides the thermostat to red as far as it will go, and a blast of warm air rushes out of the vents. He cups his hands around mine and rubs. He missed a spot along his jaw when he was shaving, and I point it out, kiss him there. I laugh, but the sound is hollow—it tinkles against my teeth and the roof of my mouth as it leaves my throat. I’ve made this decision a dozen times before. I’ve always come back. This will be the last time.</p><p>I study the dirty laces of my running shoes, my unpainted fingernails. I press my lips together and turn away from him. He shakes his head when I finally begin to speak, as if he can deflect each sentence as it slips from my mouth. As if this will make it untrue. As if this will make me stay.</p><p>There are a hundred apologies. “I can’t,” I say, “my heart breaks over it every day,” and then I’m silent; there’s nothing that will make it hurt less. In the stillness of the car, Michael relaxes his hand so that our fingers are no longer touching. He closes his eyes against my words, and as I reach for the door handle I worry that eventually he’ll stop seeing me at all, my silhouette etched against that darkness.</p><div
id="bio"><p><img
title="Kirsten Clodfelter on Fogged Clarity" src="http://foggedclarity.com/images/otherFeatures/2010/February/clodfelter.png" alt="Kirsten Clodfelter on Fogged Clarity" width="150" height="150" /></p><p><em><strong>Kirsten Clodfelter</strong> is the Associate Editor of <strong>Pif Magazine</strong> and an MFA fiction candidate at George Mason University. Her work can be read in <strong>Perigee</strong>, <strong>Word Riot</strong>, <strong>Forge</strong>, <strong>Dark Sky Magazine</strong>, and <strong>Bayou Magazine</strong>, and is forthcoming in <strong>The Iowa Review</strong>.  She was a finalist for <strong>Cutthroat Magazine’s</strong> 2008 Rick DeMarinis Short Story Award and <strong>The Tampa Review’s</strong> 2009 Danahy Fiction Prize. She currently lives in Virginia.<br
/> </em></p></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/01/if-i-can-keep-one-thing-it-will-be-this/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2010/February/Clodfelter.mp3" length="5899542" type="audio/mpeg" /> <itunes:keywords>fogged clarity,If I Can Keep One Thing,It Will Be This,Kirsten Clodfelter,reading,Short Fiction</itunes:keywords> <itunes:subtitle>Kirsten Clodfelter  Alone in Michael’s car, I steal moments of sleep without meaning to. I try to keep my eyes open, and each time they close I instinctively jerk myself awake. It’s early, a few minutes before seven. My husband thinks I’m at the gym,</itunes:subtitle> <itunes:summary>Kirsten Clodfelter
Alone in Michael’s car, I steal moments of sleep without meaning to. I try to keep my eyes open, and each time they close I instinctively jerk myself awake. It’s early, a few minutes before seven. My husband thinks I’m at the gym, and in twenty minutes he&#039;ll start to wonder why I’m not back at home getting ready for work.
Michael is inside Kara’s Coffee buying breakfast. This is where we go after we’ve left the quiet safety of his bed, the same thing we’ve been doing for the last eight months. Together we force comfort from this small routine.
I want to distill these final minutes that he and I have together before we start our separate day; I want to slow everything. But then I think of Dylan at home, of how he’ll ask with enthusiasm about the distance and time of a run I didn’t really take. The familiar anxiety wraps itself around my chest and pushes outward, as if my ribcage might snap from the pressure and burst through my skin—like a tree splintered by lightning and then uprooted as it falls. All I want in this moment is to already be back home, brushing my teeth and towel-drying my hair, listening to Dylan call out the newspaper headlines through the bathroom door.
The sun heats through the windshield glass, but it’s not enough to counter the cold edge of this November morning. I watch a blonde woman push a baby stroller down the sidewalk while she talks on her cell phone. She’s wearing a ski hat with a yellow pompom on the top. In one hand she holds a jerking dog leash, though I can’t see the animal from where I’m sitting. The line extends into nothingness—an invisible pulling force, and I let the landscape of the parking lot blur. Far off, someone blasts a car radio, and for an instant I dream of a parade.
Whenever I tell Michael that it’s difficult to answer questions about a future with him, a future without Dylan, he looks anywhere but at my face. While he’s inside the coffee shop, I try not to picture the way he busies his pale eyes with anything else in the room during these conversations, a conversation we had again this morning. He no longer gets angry, or speaks of what’s fair, and this resignation has started to haunt me even when we’re not together—it snakes up from the drain in the bathtub while I’m taking a shower, it hijacks radio waves and crackles through my alarm clock in the darkness of the bedroom each morning. Michael no longer asks me if I’ll leave with him, but the guilt has already woven into my bones; my body is heavy now, I’m tired constantly.
Throughout the day, while we’re apart, I recall moments with Michael from our hurried mornings. Last week: He lies with his head across the top of my bare thighs, his face upturned, smiling. When my phone rings, he sits up and begins to untwist the sheets. While Michael makes the bed, I stand by the dresser and talk to Dylan, my voice low, saying all of the things a happy wife would say to her husband. For a few minutes after I hang up, Michael and I occupy separate spaces in his room, trying to remember the way back to each other.
I always imagined heartbreak as a type of shredding, with the clawed organ left as tangled threads in a pulp. Even now, after all these months, I’m surprised to find that it’s a divide—two perfect halves, symmetrical fruits. One that beats Dylan’s name; the other, Michael’s. But when split evenly, there’s nothing left for me. All that blood just stills.
Michael returns to the car with two lattes and chocolate croissants. He buckles his seatbelt even though the car is in park, even though we’re not going anywhere. We spread napkins across our laps for a breakfast picnic. When he hands me my coffee, he asks, “You okay?” and then he squeezes my hand in his.
I don’t answer, and in the silence that follows, I think again about goodbye. Then I talk just to avoid leaving, to postpone the ache that will make up apart. “It’s too cold today,” I tell him, “It’s not even winter yet.” It’s a silly thing to say,</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> <itunes:duration>6:08</itunes:duration> </item> <item><title>The Question of the City</title><link>http://foggedclarity.com/2010/01/the-question-of-the-city/</link> <comments>http://foggedclarity.com/2010/01/the-question-of-the-city/#comments</comments> <pubDate>Mon, 01 Feb 2010 04:30:59 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Sam Ramos]]></category> <category><![CDATA[The Question of the City]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=5181</guid> <description><![CDATA[Sam Ramos Jerome’s collar put pressure on his windpipe and his backpack dug into his shoulders. It was the discomfort typical to every morning’s train ride and he soon forgot it. His thoughts drifted back to where they’d been since the previous night when Meg shut off the T.V. and arranged her body to face [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Sam Ramos</h3><p>Jerome’s collar put pressure on his windpipe and his backpack dug into his shoulders. It was the discomfort typical to every morning’s train ride and he soon forgot it. His thoughts drifted back to where they’d been since the previous night when Meg shut off the T.V. and arranged her body to face his. He’d heard her words and a moment later he took her in his arms. He looked over her shoulder at the room and wondered when, exactly, it became his family’s (was it the instant she told him, or would it be when the baby was carried into the apartment for the first time. Had it been when Meg first learned about the pregnancy, then stood in the room alone, imagining the things he imagined now. Or had the room been their family’s always, before they moved in, before they themselves were born), and he was confronted then with a realization that the future exists.</p><p>He’d had girlfriends, a couple of them very serious, and he’d considered the possibility of marriage and children. But as each relationship came to its end, his endearment to love itself began to dissipate, until he wasn’t sure he believed in it, or if he wanted to.</p><p>Then he’d met Meg at a finance conference in Houston. He saw her take a seat in the first row of an auditorium with a stage and podium at the front, but hadn’t been immediately attracted to her. She appeared dour and her limp eyelids and pursed mouth communicated a feminine impatience he found intimidating. He forgot about her and turned his attention to the carousel of rehearsed informative presentations that lasted until lunchtime. Two or three hundred brokers congregated in an adjacent room decorated with simple white-clothed tables and a buffet of Subway sandwiches, soda and fruit. Jerome attempted to locate someone from his branch but failed and sat at a table by himself. The tables had chairs for ten people each and his slowly filled. Men in suits, bent over their plain lunches, betrayed their dignity, and women with mousy hairstyles and moustaches caked in skin-colored make-up sat up straight chewing delicately under the delusion that elegance was attainable there. One chair at his right remained. Meg seated herself there without speaking and took a couple of bites in his peripheral vision. Then she said, “I hate Subway.”</p><p>“If you hate this,” he replied, “you should try their sandwiches.”</p><p>Meg laughed. They noted each other’s nametags then fell easily into a refreshingly familiar conversation. She explained that she grew up in Houston and considered leaving but hadn’t gotten around to it. He told her he was living in Chicago but wanted to move to New York.</p><p>“I’ve always wanted to move to New York,” she said.</p><p>“You can come with me,” he said, aware that he was flirting. Aware, also, that she knew it.</p><p>“Really?” She leaned toward him and smiled, a large smile that accentuated the wrinkles from the edges of her nose to the center of her chin. Her skin was the first he’d come across that he might describe as olive, and she had freckles on her high cheek bones. Her hair was black and cut to the bottom of her neck. Jerome chose then to see her as beautiful.</p><p>They moved to a panel of executives they’d both been assigned to and for the rest of the day Jerome found himself watching her from several brown-cushioned chair rows back, attempting to get to know her silently. She rarely looked his way, but he was sure she knew he was looking; as sure as if he was tapping on her shoulder.</p><p>They ate lunch together the last two days of the conference, choosing to take their sandwiches outside the hotel where they leaned against the Regency’s sidewalk marquee and observed the humid bustle of downtown Houston in the summertime. After they ate she would smoke and he would watch her expert exhalation and the casual crossing of her small chest with her jacketed arms. Her nails were painted red and her fingers were pale. He took notice of her details between the ebb and flow of their increasingly personal conversations, just on the other side of an irreversible confidence.</p><p>At the end of the conference they shook hands in the lobby of the hotel and parted, but not before exchanging email addresses. Jerome emailed her from his laptop before boarding a flight to Chicago: <em>I think I might miss you already.<br
/> </em><br
/> He shut the laptop and lined up at the gate, aware that he’d taken a risk with a woman he might never see again.</p><p>When he returned to his Lincoln Park apartment and retrieved his email he saw her response: <em>I’m pretty sure I miss you too, friend. I guess things like this really do happen.<br
/> </em><br
/> She didn’t leave his thoughts. One bright afternoon he sat overlooking the Loop from his office window and strained for half an hour to recall her smile. After several minutes of apprehension he sent her an email explaining that he’d been thinking about her. She responded with a long monologue about how she hated her work, why she’d started going to a gym, and she even mentioned, at one point, a stuffed bear she used to own. It was a brown teddy bear with a green bow tie, she wrote, and she’d spent an hour in her mother’s garage the previous day trying to find it. Thereafter Jerome and Meg exchanged emails several times a day, until he asked for her phone number and every night, before bed, they spoke.</p><p>The things he told her were not things he had never told anyone else. He didn’t have any deep secrets that he only shared with her. But she made him feel immediately that what secrets he did have were important to her. He was reassured that even those secrets culled from the darkest places would never turn her away from him in their after effect. He disclosed himself to her and by winter it had dawned on him that she was doing the same.</p><p>It was New Year’s Eve and he was standing on the top of his building. On the other side of the roof, facing the skyline and the lake, his friends were drinking champagne and preparing for the fireworks at Navy Pier. He stood alone against the rail facing north, huddled in his long winter coat, his cheeks burning against the hard wind, his phone in his hand.</p><p>“Meg,” he said, “I’m pretty sure I’m in love with you.”</p><p>“What,” she said.</p><p>He rolled his eyes at the poor reception that insinuated itself between them.</p><p>“I love you,” he said.</p><p>“I love you too,” she said, without hesitation, but with a widening sadness that accumulated at each word’s passing.</p><p>“I’d do anything to kiss you right now,” he said.</p><p>“That’d be wonderful,” she said, and Jerome felt his cheeks warm up against the freeze as he realized that what they’d exchanged was just as good as any tender, small physicality.</p><p>In February he flew to Houston. He paid for a hotel but he only stayed there once. After the first night he stayed at her apartment where they slept together, frantically consummating their unlikely affair. He could smell and taste red wine on her tongue and on her lips, and in their months apart he was returned often to the scent and the clean white sensation of her fresh sheets.</p><p>The following spring Meg came to Chicago. There was no pretense of a hotel. She slept with him in his room and in the morning they jogged together along the lakefront past family barbecues and men playing basketball. The evenings were reserved for friends and dinner parties where they drank beers until midnight when they went to his room and embedded themselves in each other.</p><p>It was a little more than a year after their first meeting when Jerome announced he was ready to move to New York, and he wanted her to come with him. There’d been an understanding all along that one day they would live together somewhere and New York presented the opportunity. Meg agreed and their transfers were approved shortly after. They moved into their Upper West Side apartment in the fall, when trees above the western wall of the park were orange and shedding into busy playgrounds and against quiet stone church steps. The apartment was on Amsterdam Avenue just north of 86th and across the street from a cluttered computer repair shop and a Middle Eastern restaurant called Mataam Al-Mataam.</p><p>Their first year together was characterized by the adventure of a new life in the most exciting city in the world. They excelled at the game of discovery and took extreme satisfaction in the buildup of restaurants, parks, bookstores and museums – places they could claim for themselves. Even more satisfying was the excavation of each other. They both breathed a sigh of relief at each layer of revelation that exposed a more perfect, more loving incarnation of the person in whom they’d placed so much hope.</p><p>They worked in the same office downtown and took the train together every morning. After a few months, however, Meg became depressed with work, and each day her depression threatened to invade the rest of her life, and then his. She slept at odd hours and had unpredictable bouts of nausea. The exhilaration they’d shared began to shift until Jerome worried he alone preserved it. Their morning commute became an exercise in silence. Meg could only concentrate on the interminable tedium of the day ahead, and Jerome stayed quiet with her as though in common mourning over some long dead friend.</p><p>It was late, past three, when Jerome woke and the bed was empty. He left the bedroom and saw the light on beneath the door of the bathroom. He knocked. There was a cough inside and a moment later Meg told him to come in. He opened the door and she was sitting against the bathtub, her legs curled under her.</p><p>“You were sick,” he said.</p><p>She nodded then said yes in a quiet voice made of air.</p><p>“What is it,” he asked.</p><p>Meg closed her eyes and let out a long breath. Her shirt and pajama pants made her body seem insubstantial and hollow against the tile. Her feet were dimpled with pale spots and shaped into crescents of thin bone and veins. She was always tired now and looked it. Gray pools had formed under her eyes and her mouth didn’t close all the way as if she was too exhausted to keep her jaw up. She shook her head.</p><p>Jerome sat next to her, his back rested against the sink cabinet, and ran his hand over her hair. He understood it wasn’t the work itself that made Meg unhappy. Instead, she suffered at her looks into the future, which revealed an unending tide of narrow, uncolored years. Meg imagined a life of events, but had yet to experience one. The future she’d invented for herself was one of revolving encounters that turned on her own initiative. The move to New York had been Jerome’s doing, not hers, even if it had taken her own resolve to decide upon it. Now she wondered where her own direction went, and if she could find it.</p><p>“You should quit,” he told her.</p><p>Her breath rattled out of her with her eyes down on the toilet’s porcelain. Her hair fell in her face.</p><p>“I can’t,” she said.</p><p>“I want you to.”</p><p>Her eyes lifted. She had to know whether he understood his own assertion, and if he meant it. Jerome was used to taking risks. She was not. She needed his faith to be real first, before she moved. If she looked close she could see it, in his sober expression, and in the calm posture of his body like architecture on the green bathroom rug. Meg knew Jerome could go on without her, but in the bathroom with the pink stream of her sick still floating in the water like a constellation, she confessed she couldn’t continue without him.</p><p>“Of course you could,” he said.</p><p>Jerome sat with her and waited but she wasn’t sick anymore. Then he gave her his hand and helped her up from the floor.</p><p>It took several weeks, but after many assurances that he and her savings would care for them, Meg was convinced to quit. They didn’t speak on the train ride home after her last day. She sat next to him, a box of personal items removed from her desk on her lap, and though it wasn’t obvious, he knew she was smiling. The train shook in the tunnel and their heads bobbed equally and in unison. Her fingers were wrapped around the box’s edge and he wanted to touch them in congratulation. He kissed her on the cheek because it was all he could do, then looked again through the window opposite into the passing blackness.</p><p>***</p><p>She’d decided she wanted to go back to school and was beginning to figure out where when she learned she was pregnant. They could have everything they wanted, he was sure. Jerome didn’t believe in God, but he thought, if such a thing could exist, his life had been blessed. He lived in a constant state of awareness, conscious always that bad things might happen, though they never did. He began, in his early twenties, to feel an obligatory appreciation for what seemed to be a string of good luck from the moment he’d been born to the moment he stepped on the train that morning. It wasn’t a dramatic luck – the kind that lottery winners had – but a common one that built over time into a balanced, healthy life. There had been no great tragedies to come to terms with. His body was fit and his intelligence was competitive. His parents were still alive and in good health. He had Meg, and now a child was coming. If he was not appreciative, Jerome feared, it might all be taken away. By whom he wouldn’t take time to consider, worried  he might unearth some religious tendency leftover from childhood that had never been entirely bleached out of him. All the same, by acknowledging the grace that had enabled him to live fully to that day, he was acknowledging God in his life. Jerome wasn’t entirely comfortable with the realization but found it natural and so accepted it until some further date when he might root it out and dash it away.</p><p>Jerome transferred to another train, walking quickly out of habit among the other hurried travelers. A young man with dreaded hair stood in a white t-shirt and stained jeans over an open guitar case and sang a version of “Falling Man” that required him to stomp his grayed sneakers every few beats in exclamation. Jerome boarded the train and stood in the middle of the car over a sleeping homeless man whose assortment of plastic bags occupied the seat next to him.</p><p>The train screeched around a bend and the tunnel lit up in intermittent notions of luminescent orange. A middle-aged blonde woman a few feet away in a beige pants suit stumbled forward and a disembodied hand reached out to stabilize her by the elbow. The woman stood up straight without looking back at the person who’d assisted her. Instead she took a more firm grip on the vertical metal pole at her side; a gold ring with a red stone pressed into the thick flesh of her fourth finger.</p><p>The train became more crowded until he couldn’t see the woman anymore. His view was obscured by the raised blue-jacketed arm of a man in front of him. The train whistled and rocked and everyone in the car stayed still, so used to the motion of the track that they hardly noticed it.</p><p>Jerome thought again of the baby, as far away as it was, so very close by. His belief in fate began to creep back up on him and it both comforted and irritated him. He wanted to believe that people had the choice to make of themselves what they wished, but he was just as sure that there was no escaping an action once it was committed, and that any action once done was always intended. If a person could only map out their life at the end looking back, and see how they might be born and grow, and then love and then die, it didn’t mean those events hadn’t been laid out long ago in some cartographic society of the otherworld. Jerome found the thought suffocating and attempted to reason around it but failed. He was frustrated by the smallness of mind in an infinite reality.</p><p>Jerome tended to ponder too deeply the busy chasms of his terror, and it caused him to hate going to bed alone. When he was a boy he contemplated for long hours at night what death might be and what the end of the universe looked like. Decomposition was especially troubling to him. He’d conjure a face, sometimes, that floated gape-mouthed in his imagination and somehow became more grotesque by the instant until young Jerome forced it away. His insomnia lasted into adulthood until he began leaving the T.V. on to distract him from his own thoughts. It became the only way he could sleep at all. When Meg came to New York with him and they moved into the same bed, he’d found her presence enough to subdue him. He only rarely lay awake dreading the day his parents were gone, or shaken by the thought of his own death, in an airplane, or at the end of a long life when all that was left would be himself and the open entrance to the darkness.</p><p>Jerome stumbled on a reservoir of concern for their baby’s well-being. He recognized the flipside, that fear was love and that one wouldn’t go on without the other. He would transform out of devotion into a father.</p><p>The train came to his stop and Jerome deboarded onto the shining gray tile marred by years of gum and streaks of shoe rubber. He adjusted his collar and tie while he walked, aware and proud of the click of his stiff heels, then pushed his way through the gold revolving doors into the lobby.</p><p>He crossed to the elevators. On the way up he noticed one woman in front of him, petite and wearing a black dress, staring at the ground while everyone else looked up at the numbers as they flashed by. He wondered where she was, and felt, though she couldn’t see him, that he was involved with her. He made out her white knuckles and the short brown hairs on her neck against the paleness of her skin. Then the doors opened and they stood on the platform to wait for the next elevator up, the woman now somewhere behind him. Jerome attempted quietly to distinguish himself in some subtle, just perceptible way for the woman, in case she’d felt him watching her. He tapped his fingers against his pant leg, hoping his silent communiqué might reach her across the vast extremes of the wasteland between strangers.</p><p>He reached his desk and sat to check his email. There was a message sent from Meg that morning: <em>Have a great day, Daddy. I love you. </em></p><p>Tears came and he rubbed them away with the ends of his thumb and forefinger. He wrote back: <em>I love you, honey. Thank you.</em></p><p>He answered more emails and returned phone calls left over from the day before. After an hour he crossed the gray carpeted office for his morning’s first coffee. He was pouring a cup when Andrew Barkow asked him how he was doing. Andrew stood leaned against a wall, his wide frame exposed beneath his blazer, a permanent troublemaker’s smile on his face. Behind Andrew a long window on the far wall posed the question of the city far away and little compared to the clear blue sky beyond it. Jerome almost told him then reconsidered. He wanted to hold onto it just a little longer.</p><p>He went to his desk and placed the coffee down where it dipped against the mug’s lid and over the side streams of brown hot liquid poured to the faux wood beneath. Jerome took a tissue and wiped his fingers and the desk then tossed the damp paper into the wastebasket.</p><p>Jerome’s small office was bordered on three sides by gray removable partitions and on the other by a white dimpled wall with a beige runner. There was no window but he found the wall’s blankness as receptive to daydreams as any window view might be. He was leaned back in his chair with the end of a pen in his teeth, his gaze somewhere deep in the space of the blankness, when without knowing why, he lifted the phone to call Meg. It started to ring and his words began to form when an industrial scream interrupted his thoughts and a loud boom made him drop the phone. A muscular force shifted the building one way then back as though the continent quivered to the wreck of all above. His body and other vulnerable objects were lifted from their places so that pens, paper and wires were left exposed and lost after the lights went out. He heard shouts – a man shouting – and a great buzz that rumbled beneath and around him. Jerome sat on the floor, against a wall, somewhere near the cubicle opening that served as a doorway. He was stunned by the unknowable power that had shaken him out of all life and into whatever improvised zone it had awakened. He couldn’t tell if the force had come from inside or outside, but he knew the buzz born from the scream was inside with them now. Jerome smelled smoke, and he was aware, after a moment, that the floor had become hot, and felt with each breath that he was swallowing conflagration itself. He grasped that something unexpected and terribly wrong had happened. Everything went still and quiet for a long minute, except for the buzz whirring in the invisible floors below.</p><div
id="bio"><em><strong>Sam Ramos</strong> was born and raised in Austin, Texas and is currently a student at the School of the Art Institute of Chicago.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2010/01/the-question-of-the-city/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>A Prayer for Becky Sims</title><link>http://foggedclarity.com/2009/12/a-prayer-for-becky-sims/</link> <comments>http://foggedclarity.com/2009/12/a-prayer-for-becky-sims/#comments</comments> <pubDate>Wed, 30 Dec 2009 22:16:22 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[A Prayer for Becky Sims]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Marcos Soriano]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=4789</guid> <description><![CDATA[Marcos Soriano “Teach me how to pray,” she says, and gets down on her knees. Becky Sims, a wispy, straw-haired freshman. Eyes blackened with mascara, a wash of rouge painted over blemished skin. You’ve only seen her once before, in the first meeting of your &#8220;Mystery of God&#8221; course. Now she kneels in front of [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Marcos Soriano</h3><div
class="center"></div><p>“Teach me how to pray,” she says, and gets down on her knees.  Becky Sims, a wispy, straw-haired freshman.  Eyes blackened with mascara, a wash of rouge painted over blemished skin.  You’ve only seen her once before, in the first meeting of your &#8220;Mystery of God&#8221; course.  Now she kneels in front of you, barely a breath away, on the Persian rug that covers your office floor.  The resource bookshelf looms at her back, all thick vertical tomes, and for a moment you feel as though the books are prison bars, and you’re trapped in a cell with the girl.</p><p>“I want to know the words,” she says, weaving her thin fingers together, holding her clasped hands in front of her chest.  She turns those inky eyes toward you.  The collar feels stiff at your throat; each cuff a cotton shackle.  This isn’t the first time you’ve felt this way.</p><p>In seminary you shared a dorm with a ruddy faced boy from Boise: Patrick Brennan.  Wistful and shy, the pink in his cheeks like a constant blush, Patrick looked to you for guidance during his first year.  You quickly grew fond of him, and began taking him along for hikes through the wooded hills.  Marching hither and yon, throwing your arms open to vistas and declaring “This is God’s glory,” you imagined yourself a great teacher.  Finally after months of such excursions, you led Patrick to an icy spring, stripped off your clothes, and dove in.  He stood ashore, trembling.</p><p>“Come in, Patrick.  There’s nothing finer.”</p><p>Slowly, with eyes cast down at the earth in front of him, Patrick began to remove his clothes.  His cardigan, his shirt (freezing up at each button, then willing himself onwards), his undershirt, his belt.  When he’d gotten to his briefs, so pale white against the rosy hue of his delicate thighs, he darted a glance at you, and caught the angle of your stare.  Face burning crimson, he re-dressed and retreated, leaving you feverish in the cold water.  You’d been found out.  The swirling current offered no cover from God’s rigid gaze, and Patrick never spoke to you again.</p><p>Now, so many years later, Becky Sims kneels before you.  Her eyes are shut tight, her hands held together so fervently that white spreads from where her fingers touch.  You can see the florid glow rising under her makeup, blooming upon her neck and upper chest.  A heat builds in your own cheeks; you grow slightly dizzy; there is a prickling in your loins.  This young girl before you, desperate for what you can give.</p><p>Before you know it you’re on your knees with the girl, gripping her hands in your hands, praying.  A creature lives within all of us, it buries itself in the depths of our bodies, bound by muscle and bone.  A creature that yearns for miracle light, but digs like a tick.  You hold Becky’s tiny hands in your own moist grip, and say a prayer for her.  You say a prayer for Patrick Brennan.  You say a prayer for yourself.</p><div
id="bio"><p><img
style="padding-left:15px;" alt="Marcos Soriano on Fogged Clarity" src="http://foggedclarity.com/images/otherFeatures/2010/January/marcos2.png" title="Marcos Soriano on Fogged Clarity" class="alignright" width="150" height="150" /></p><p><em><strong>Marcos Soriano</strong> has published stories in <strong>Quick Fiction</strong>, <strong>Instant City</strong>, <strong>NANOfiction</strong>, online at <strong>Thieves Jargon</strong>, and elsewhere.  He lives in San Francisco and earns a living as a gardener.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/12/a-prayer-for-becky-sims/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2010/January/prayerforbecky.mp3" length="1469287" type="audio/mpeg" /> <itunes:keywords>Marcos Soriano, A prayer for becky sims, fiction, fogged clarity</itunes:keywords> <itunes:subtitle>Marcos Soriano    “Teach me how to pray,” she says, and gets down on her knees.  Becky Sims, a wispy, straw-haired freshman.  Eyes blackened with mascara, a wash of rouge painted over blemished skin.  You’ve only seen her once before,</itunes:subtitle> <itunes:summary>Marcos Soriano
“Teach me how to pray,” she says, and gets down on her knees.  Becky Sims, a wispy, straw-haired freshman.  Eyes blackened with mascara, a wash of rouge painted over blemished skin.  You’ve only seen her once before, in the first meeting of your &quot;Mystery of God&quot; course.  Now she kneels in front of you, barely a breath away, on the Persian rug that covers your office floor.  The resource bookshelf looms at her back, all thick vertical tomes, and for a moment you feel as though the books are prison bars, and you’re trapped in a cell with the girl.
“I want to know the words,” she says, weaving her thin fingers together, holding her clasped hands in front of her chest.  She turns those inky eyes toward you.  The collar feels stiff at your throat; each cuff a cotton shackle.  This isn’t the first time you’ve felt this way.
In seminary you shared a dorm with a ruddy faced boy from Boise: Patrick Brennan.  Wistful and shy, the pink in his cheeks like a constant blush, Patrick looked to you for guidance during his first year.  You quickly grew fond of him, and began taking him along for hikes through the wooded hills.  Marching hither and yon, throwing your arms open to vistas and declaring “This is God’s glory,” you imagined yourself a great teacher.  Finally after months of such excursions, you led Patrick to an icy spring, stripped off your clothes, and dove in.  He stood ashore, trembling.
“Come in, Patrick.  There’s nothing finer.”
Slowly, with eyes cast down at the earth in front of him, Patrick began to remove his clothes.  His cardigan, his shirt (freezing up at each button, then willing himself onwards), his undershirt, his belt.  When he’d gotten to his briefs, so pale white against the rosy hue of his delicate thighs, he darted a glance at you, and caught the angle of your stare.  Face burning crimson, he re-dressed and retreated, leaving you feverish in the cold water.  You’d been found out.  The swirling current offered no cover from God’s rigid gaze, and Patrick never spoke to you again.
Now, so many years later, Becky Sims kneels before you.  Her eyes are shut tight, her hands held together so fervently that white spreads from where her fingers touch.  You can see the florid glow rising under her makeup, blooming upon her neck and upper chest.  A heat builds in your own cheeks; you grow slightly dizzy; there is a prickling in your loins.  This young girl before you, desperate for what you can give.
Before you know it you’re on your knees with the girl, gripping her hands in your hands, praying.  A creature lives within all of us, it buries itself in the depths of our bodies, bound by muscle and bone.  A creature that yearns for miracle light, but digs like a tick.  You hold Becky’s tiny hands in your own moist grip, and say a prayer for her.  You say a prayer for Patrick Brennan.  You say a prayer for yourself.
Marcos Soriano has published stories in Quick Fiction, Instant City, NANOfiction, online at Thieves Jargon, and elsewhere.  He lives in San Francisco and earns a living as a gardener.</itunes:summary> <itunes:author>Marcos Soriano</itunes:author> <itunes:explicit>no</itunes:explicit> </item> <item><title>Back From Boston</title><link>http://foggedclarity.com/2009/12/back-from-boston/</link> <comments>http://foggedclarity.com/2009/12/back-from-boston/#comments</comments> <pubDate>Wed, 30 Dec 2009 22:16:22 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[Back from Boston]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Ryan McCarl]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=4960</guid> <description><![CDATA[Ryan McCarl It began, to pick an arbitrary beginning, with a key that would not turn in a lock. I hauled my first load of bags and boxes into a Mass Ave complex, struggling through two heavy gates with my car against the curb. Up a slow, sweating elevator, and I gratefully dropped everything in [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Ryan McCarl</h3><p>It began, to pick an arbitrary beginning, with a key that would not turn in a lock.  I hauled my first load of bags and boxes into a Mass Ave complex, struggling through two heavy gates with my car against the curb.  Up a slow, sweating elevator, and I gratefully dropped everything in the hallway, inserted the key, and turned – and nothing happened.  A half-hour of phone calls later it came to light that the place for which I had signed a lease that morning would remain occupied by the current tenant for another month.  Profuse apologies from the real estate agent, and for me a restless night in a hotel.</p><p>I got a new set of keys and a new one-bedroom, and when the second move was complete I struggled a twenty-five-dollar air conditioner into the window, threw on a fresh shirt and shorts from the sprawled-open suitcase, and sat uncomfortably on the air mattress, sinking to the floor.  A chair and desk would have to come later.  I knew no one in the city.</p><p>Afternoon light filled the window, and the question of the night awaited my response.  I had no response and a to-do list that was empty.  Louder than the birds and car-horns and air conditioner’s drone I heard the chaos that is in me, the thoughts that will not be centered.</p><p>The night approached: I could see it in the window.  The world open before me and I open before a world that does not know me.</p><p>I made an acquaintance at the bar near Harvard Square.  She was curious about what I was writing in my leatherbound journal between sips of a Boston ale.</p><p>Three days later she sent me a message and asked if I had plans for the weekend.  And I had to give the sheepish response that everything had changed, that I was back in the safety and stasis of my hometown, writing from a familiar coffee house, compulsively checking my e-mail between job applications flung hopelessly out into the ether of inboxes.  I no longer lived or worked in Boston; would not be back in the near future, so far as I knew.</p><p>How did it come to this?  Well, it was a Thursday night, my second or third night in the city.  And the real estate agent called to say that the lease for the new room was prepared, the old one was void, and I would need to come in the following morning to sign.  Twelve months at eight hundred dollars a month.  A good place, overlooking the edge of Harvard Yard.  Walking distance to a first job at least as good as any other.</p><p>But I am not the sort to comfortably sign twelve-month leases, and I immediately saw my opening, a swiftly-closing emergency exit door.  The chaos in my mind rose to a fever-pitch.  Memories of other options believed in, pursued, and gone: paths opened and unwalked.  Rosy dreams of teaching flashing past images of a businessman in a suit, walking off a plane into some foreign flag-lined airport with a full wallet and a copy of the <em>Journal</em> under his arm.</p><p>And the next day it was over.  The sun rose over the Mass Pike, hovered forever over the upstate highways of New York, and died as I charged forward into Ontario.  The caffeine kept falling off and I kept stopping to recharge, and I fought against the fatigue of a sixteen-hour drive.  By the time Flint passed in the Michigan darkness all the hopes of being homeward had passed: I was exhausted and afraid, unemployed and in debt.</p><p>I had explained myself over and over to friends and family on the drive, which keeps one’s mind off the infinity of the road but just the same drains our word-exhausted reasons into dust.  I had no money; I would have to empty two retirement accounts in a rock-bottom market and swallow the loss to cover the credit card I would soon fill again.  God that I might find new work, closer to home.</p><p>I am back from Boston and have several homes and none.  Other doors have opened and closed.  Ladders I have climbed so proud to reach new heights of discontent.  I stand and live in the unimagined neighborhoods of the world, I occupy the career-dreams of others, but my heart rages against all reason and I reliably run chasing after something else, no different really than the dogs that destroy the grass in a yard by chasing whatever opportunity happens by.</p><div
id="bio"><em><strong>Ryan McCarl</strong> is a contributing editor of <strong>Fogged Clarity</strong>.  He is a frequent contributor to <a
href="http://antiwar.com">Antiwar.com</a>, and his writing has appeared in <strong>The Philadelphia Inquirer</strong>, <strong>Crain&#8217;s Chicago Business</strong>, <strong>Sojourners online</strong>, <strong>The Colorado Daily News</strong>, <strong>The Muskegon Chronicle</strong>, and  elsewhere.  McCarl lives in Ann Arbor, where he is a graduate student at the University of Michigan School of Education.</p><p></em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/12/back-from-boston/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Love</title><link>http://foggedclarity.com/2009/12/love/</link> <comments>http://foggedclarity.com/2009/12/love/#comments</comments> <pubDate>Wed, 30 Dec 2009 22:16:22 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Love]]></category> <category><![CDATA[Marcos Soriano]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=4797</guid> <description><![CDATA[Marcos Soriano Cradled within his palm, slightly brighter in color than the pink of his skin, was a single pill. Roughly triangular in shape, and no larger than a child’s first tooth, the pill had cost him more than the equivalent of a year’s lease on his Volvo V70. It was love itself. He’d spent [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Marcos Soriano</h3><div
class="center"></div><p>Cradled within his palm, slightly brighter in color than the pink of his skin, was a single pill. Roughly triangular in shape, and no larger than a child’s first tooth, the pill had cost him more than the equivalent of a year’s lease on his Volvo V70.</p><p>It was love itself.</p><p>He’d spent more than three weeks searching for it.  He’d met with strangers in dark alleyways and the backs of booming clubs.  He’d paid dearly for hints and clues.  He’d made telephone calls to numbers with unknown area codes.  He’d spoken passwords, and driven to isolated locations, and carried enough cash to make himself feel queasy.  And now he had it.</p><p>Love itself.</p><p>A high percentage of dopamine and norepinephrine, to provoke the euphoria of first attraction.  Androgens and estrogens for the heat of lust.  Oxytocin and vasopressin to smooth the rush with the dreamy bliss of a long term relationship.  A perfect chemical symphony.</p><p>He held it in his palm, gazing at it, but seeing Sophie instead.  He saw her hair in its morning tangle, her eyes thick with sleep.  He saw her in their shower, head bowed and arms crossed as if she were praying.  He saw her at the other end of the dinner table, her eyes glimmering in the candle’s flicker.  And he saw her as he’d seen her last, a month before, hanged from the banister, her neck stretched long, her bare feet dangling.  She hadn’t left a note.</p><p>He put the pill in his mouth, and tried to swallow, but his tongue was dry, and the pill caught in his throat.  He reached for the bottle, to wash it down.  He raised the bottle up, and gulped hard, kept on gulping until the bottle was empty.  Even after he’d forced the pill through, and the chemicals had started to do their work, he could feel where it had caught.  He could feel it, and it brought the tears to his eyes.</p><div
id="bio"><p><img
style="padding-left:15px;" alt="Marcos Soriano on Fogged Clarity" src="http://foggedclarity.com/images/otherFeatures/2010/January/marcos2.png" title="Marcos Soriano on Fogged Clarity" class="alignright" width="150" height="150" /></p><p><em><strong>Marcos Soriano</strong> has published stories in <strong>Quick Fiction</strong>, <strong>Instant City</strong>, <strong>NANOfiction</strong>, online at <strong>Thieves Jargon</strong>, and elsewhere.  He lives in San Francisco and earns a living as a gardener.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/12/love/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/readings/2010/January/love.mp3" length="1805734" type="audio/mpeg" /> <itunes:keywords>Marcos Soriano, Love, fiction, fogged clarity</itunes:keywords> <itunes:subtitle>Marcos Soriano    Cradled within his palm, slightly brighter in color than the pink of his skin, was a single pill. Roughly triangular in shape, and no larger than a child’s first tooth, the pill had cost him more than the equivalent of a year’s lease ...</itunes:subtitle> <itunes:summary>Marcos Soriano
Cradled within his palm, slightly brighter in color than the pink of his skin, was a single pill. Roughly triangular in shape, and no larger than a child’s first tooth, the pill had cost him more than the equivalent of a year’s lease on his Volvo V70. It was love itself. He’d spent more than three weeks searching for it.  He’d met with strangers in dark alleyways and the backs of booming clubs.  He’d paid dearly for hints and clues.  He’d made telephone calls to numbers with unknown area codes.  He’d spoken passwords, and driven to isolated locations, and carried enough cash to make himself feel queasy.  And now he had it. Love itself. A high percentage of dopamine and norepinephrine, to provoke the euphoria of first attraction.  Androgens and estrogens for the heat of lust.  Oxytocin and vasopressin to smooth the rush with the dreamy bliss of a long term relationship.  A perfect chemical symphony. He held it in his palm, gazing at it, but seeing Sophie instead.  He saw her hair in its morning tangle, her eyes thick with sleep.  He saw her in their shower, head bowed and arms crossed as if she were praying.  He saw her at the other end of the dinner table, her eyes glimmering in the candle’s flicker.  And he saw her as he’d seen her last, a month before, hanged from the banister, her neck stretched long, her bare feet dangling.  She hadn’t left a note. He put the pill in his mouth, and tried to swallow, but his tongue was dry, and the pill caught in his throat.  He reached for the bottle, to wash it down.  He raised the bottle up, and gulped hard, kept on gulping until the bottle was empty.  Even after he’d forced the pill through, and the chemicals had started to do their work, he could feel where it had caught.  He could feel it, and it brought the tears to his eyes.
Marcos Soriano has published stories in Quick Fiction, Instant City, NANOfiction, online at Thieves Jargon, and elsewhere.  He lives in San Francisco and earns a living as a gardener.</itunes:summary> <itunes:author>Marcos Soriano</itunes:author> <itunes:explicit>no</itunes:explicit> </item> <item><title>Moving Limbs</title><link>http://foggedclarity.com/2009/11/moving-limbs/</link> <comments>http://foggedclarity.com/2009/11/moving-limbs/#comments</comments> <pubDate>Tue, 01 Dec 2009 04:09:38 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Moving Limbs]]></category> <category><![CDATA[story]]></category> <category><![CDATA[Terry Sanville]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=4517</guid> <description><![CDATA[Terry Sanville I hadn’t seen him for days. The seat next to me on the bus to San Fernando Junior High stayed empty. There were rumors: a fiery car crash, a crippling polio attack, the Russians kidnapping his whole family. The Sanders’ Studebaker was missing from their driveway. My mind conjured fantastic tales. But on [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Terry Sanville</h3><p>I hadn’t seen him for days. The seat next to me on the bus to San Fernando Junior High stayed empty. There were rumors: a fiery car crash, a crippling polio attack, the Russians kidnapping his whole family. The Sanders’ Studebaker was missing from their driveway. My mind conjured fantastic tales. But on Saturday afternoon, something bounced against my bedroom window and I saw him climbing our walnut tree.</p><p>“Aaron, where’ve you been? I was worried.”</p><p>“Sorry, Akela. I didn’t have time to tell ya.”</p><p>“Tell me what?”</p><p>“My parents dropped me at Aunt Barbara’s in Newport Beach. No big deal.”</p><p>“Why’d they do that?”</p><p>Aaron hesitated. “Don’t know. Pop said somethin’ about a job in LA.”</p><p>“But why’d your mother have ta –”</p><p>“Hey, I don’ know. Okay?” Aaron scowled.</p><p>“Probably more secret spy stuff, huh?”</p><p>“You got a screwy mind, Akela, ya know that?”</p><p>“Mother says I have a vivid imagination…going to be a writer, or maybe an artist.”</p><p>“Yeah, well before ya do, ya gotta help me.”</p><p>“We’ve got all tomorrow to do homework.”</p><p>“Not that,” he said, impatiently. “Come on.”</p><p>Following my normal parent-avoidance procedure, I climbed out the window and shinnied down. It was easier to just disappear than explain everything to Mother. Ever since my first period she wanted to track my every move…as if the neighborhood coyotes could smell me.</p><p>We slipped out the back gate into the rolling hills that surrounded our row of pink and green tract homes. Aaron headed upslope toward a grove of trees. I struggled to keep up, inhaling the scent of wild oats and sage. At the top, I was dripping, my T-shirt wet between my tiny breasts.</p><p>“Come on, let’s climb her.” He grasped the trunk of a huge oak, its gray bark patterned like alligator hide. Aaron climbed like a trapeze artist ascending to his high platform. My own technique involved bear hugging the tree and scooting upward, losing skin and some pride along the way.</p><p>Halfway up, the trunk divided into three massive limbs. I straddled one, Aaron balanced easily on another. The wind whistled through the brittle leaves. The branches rolled slowly beneath us.</p><p>“See the way they twist in the wind?” he asked.</p><p>“Huh?”</p><p>“The limbs.”</p><p>“Oh.”</p><p>“When we lay the floor, we can’t nail it to anything. The tree would tear it apart.”</p><p>“What are you talking about?”</p><p>“Our house…ya know, our very own house.”</p><p>Even before our family moved to California from Hawaii, Mother had warned me about <em>haole</em> boys who wanted to play “house,” a variation of the “Doctors and Patients” game, only with more serious consequences. But this was different. What did building a tree house have to do with anything? Why was Aaron acting so creepy? The week before, he’d sleepwalked his way around school, followed me like a stray dog, and stayed late at my place to finish homework.</p><p>My puzzled look must have made him mad because he bolted into the treetop.</p><p>“Aaron, come down. Tell me about your… your house thing.”</p><p>He stood on a limb no thicker than my wrist and bounced up and down, his slender arms holding onto almost nothing. The wind whipped black hair into my face and I struggled to scrape it away. When I did, he was poised on the branch next to me.</p><p>“What da ya think of my idea?”</p><p>“Why do you want to build a tree house?”</p><p>His face darkened. “Don’ know. Just thought it’d be, ya know, fun.”</p><p>“But we’ve never built –”</p><p>“If ya don’ wanna do it, JUS’ TELL ME.”</p><p>“You don’t have to yell.” I looked away.</p><p>“Sorry. I…I just thought it’d be…be our own hideout…away from….”</p><p>“But a tree house is a big job…we’ll need to use your father’s tools and – ”</p><p>“I’m not touchin’ none of his stuff, ” he growled.</p><p>“You in trouble with your Pop?”</p><p>“Yeah.”</p><p>“What for?”</p><p>“Him and Mom were yelling at each other. I…I can’t stand that…told him to…to SHUT THE HELL UP. But he wouldn’t…kept calling her a…a…” Aaron swiped at his eyes and looked away.</p><p>“Jeez, Aaron.” I watched his whole body shudder, like the time I had the shakes from chicken pox. Gradually, he quieted. I reached forward and touched his arm. “Hey look, building a tree house could be really cool. But my family doesn’t have anything to build it with.”</p><p>The only object my father owned that might be considered a tool was the slide rule he used to teach math.</p><p>Aaron sniffed and wiped his face on his T-shirt. “Jus’ let me worry about tools.”</p><p>“But where are we gonna get wood?”</p><p>“Those houses they’re building down the street. There’s always stuff layin’ around, and we can take –”</p><p>“You want me to steal?”</p><p>Aaron smiled weakly. “They don’t use half of what they got. They’ll never miss it.”</p><p>I stared into the valley at our postage stamp homes, at Aaron’s father, lying face down on a lawn chair in their back yard. His parents liked to sunbathe…they were darker than me. I couldn’t see his mother.</p><p>“But how we gonna get the stuff up here?” I asked. “It won’t be much of a secret if we drag it through the weeds.”</p><p>“We can do it at night, take it up the hill in back of the Writson’s, then across the top.”</p><p>“You’ve got this all figured out, don’t you?”</p><p>“Yeah…sort of. Come on, Akela. It’ll be…be just for us.”</p><p>Aaron scrambled to the end of the limb, face flushed, eyes wide. He reached for an overhead branch, pulled himself up, and circled the treetop before rejoining me. Leaning forward, he kissed my lips, his nose leaving a smudge on my glasses. His breath smelled of Juicy Fruit. It was better than our first time. I felt his eyes boring through me. Shivering, I kissed him back.</p><p>***</p><p>Thanksgiving passed before we finished collecting the materials: timbers, planks, two-by-fours, rope, bolts and nails, and an old carpet from our garage. Hauling sheets of plywood was the toughest. We stumbled uphill in the darkness, the moon reflecting off high clouds, while my parents camped in front of the television, believing I was upstairs with Aaron, doing homework.</p><p>On New Year’s morning we climbed the hill. It had rained the night before and my jeans got soaked in the wet grass. But our supplies were dry, under a tarp that used to cover the old boat in back of the Foley’s house. Aaron wouldn’t tell me where he got the tools.</p><p>He pulled folded sheets of binder paper from his pocket and spread them on the ground. “See, I figure we can build it like this. My Pop made me learn how to sketch things, like when he builds cabinets.”</p><p>“Those look great. But…but do you think we can do it?”</p><p>“Yeah, sure. You can help with measuring and lifting…and I’ll do the… the rest.”</p><p>We spent that morning measuring distances between the limbs with a long tape. At first, it was hard for me to balance. I almost fell and Aaron grabbed my braid to steady me. But after a while I lost my fear and could concentrate on the work and not the height. By the end of the first week we had the floor beams cut and positioned. The frame balanced on the three main limbs, lashed with ropes, moved as the tree moved.</p><p>As the days grew warmer Aaron became more angry or sad, I couldn’t figure out which. We hardly talked. He quit the baseball team a week after making the cut. During our homework sessions he didn’t try kissing me or anything. The only time his face lit up was when we worked on the tree house. It was almost summer before we finished it, a single large room with a window facing the valley, slanted roof, and a ladder leading to a padlocked side door. Inside the swaying house, we sat in silence, his arm wrapped around my shoulders. I felt a strange vibration going through him.</p><p>“Are you all right, Aaron?”</p><p>“Yeah, sure.”</p><p>“What’s going on? You’ve been, ya know, weird.”</p><p>“Just stuff.” He began pounding the carpeted floor with his fist.</p><p>“Is your Pop yelling again? Maybe I can – ”</p><p>“You can’t help. It’s all screwed up…all blown apart.”</p><p>“I was just trying – ”</p><p>“DON’T.”</p><p>We sat not touching. Boards creaked. Finally, he took my hand. “We could, ya know, live here, just you and me, away from all –.”</p><p>“What? Here? You crazy <em>hoale</em> boy…we could never… my Mother…”</p><p>Aaron scrambled up, his face bent into a grotesque mask I’d never seen before. The ladder shook and rattled as he plunged downward. I sat frozen, watching him tear across the hilltop, running madly through the waist-high weeds, his red-blond hair blasted like flames by the wind. The oak’s limbs bucked and tossed, the tree house moaning its pain.</p><p>After that day, Aaron wouldn’t sit next to me on the bus. When school let out for the summer, he all but vanished. Mother must have noticed. I was eating lunch when she started in with her third degree.</p><p>“How is your boyfriend, Aaron?” she asked, smirking.</p><p>“Why? What do you mean?” I played innocent, ignoring the boyfriend dig.</p><p>“He seems…seems troubled, and he hasn’t come around.”</p><p>“Uh huh.”</p><p>“Did you two have a fight?”</p><p>“Noooo.”</p><p>“I should talk with his father.”</p><p>“Please, just stay out of it,” I whined. <em>Why would she want to talk with his father when she’s a good friend with his mom?<br
/> </em><br
/> “Something’s not right,” Mother continued, “spending too much time in that tree house.”</p><p>“You know about the…”</p><p> “Of course we do. What kind of parents would we be if we didn’t?”</p><p>“Don’t tell Aaron you know, okay?”</p><p>“I won’t. But I really should talk with Howard.”</p><p>“Why…why not talk with his mom?”</p><p>Mother stared at me, wide-eyed. “Oh Lord, Aaron didn’t tell you?”</p><p>“What? Tell me what?”</p><p>Her bottom lip trembled, cheeks paled. “Aaron’s mom, ah…left a few weeks back.”</p><p>“What do you mean, left?”</p><p>“Well…Betty fell…fell in love with another man and…”</p><p>“How could she do that?”</p><p>“It happens, Akela. The heart will have its own way.”</p><p>A dull pain surged through my chest. “Aaron should have just told me.”</p><p>“It was probably too awkward. But I really need to talk with Howard and – ”</p><p>“He hates his father. I’m the only one…left.”</p><p>The summer heat suddenly made our house suffocating. I bolted from the table and ran outside and up the slope. I was mad at Aaron for not telling me, angry with myself for being stupid. I had so little experience with love and betrayal. But I knew what it would feel like if my own mother left. Just the thought made my heart hurt.</p><p>Halfway up the hill I looked downslope. Mother stood in our backyard, hands on mountainous hips, watching. I whirled and continued climbing to the grove of trees. Something seemed out of place, the branches weren’t arranged right, or something new had been added. Creeping into the shade of our oak, I stared at jagged pieces of the tree house scattered on the ground. I gazed upward. High above me, Aaron swayed stiffly from a thick rope, his eyes open, mouth gaping, swollen tongue sticking out.</p><p>The sound of my scream shook me. It went on and on. I dashed to the edge of the hill. Mother charged toward me through the weeds, her green muumuu billowing in the afternoon wind. I sobbed and stared into the valley, at lines of houses snaking their way into every crease. My body felt beaten, pummeled, and I waited for Mother to fold me into her soft embrace. But I knew even then that she could never take the ache away.</p><div
id="bio"><em><strong>Terry Sanville</strong> lives in San Luis Obispo, California with his artist-poet wife. Since 2005, his short stories have been accepted by more than 100 literary and commercial journals, magazines, and anthologies including the<strong> Houston Literary Review</strong>, <strong>Birmingham Arts Journal</strong>, <strong>Boston Literary Magazine</strong>, and <strong>Underground Voices</strong>. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/11/moving-limbs/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>My Dinner With Andy</title><link>http://foggedclarity.com/2009/11/my-dinner-with-andy/</link> <comments>http://foggedclarity.com/2009/11/my-dinner-with-andy/#comments</comments> <pubDate>Tue, 01 Dec 2009 03:54:39 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Jeff Andersen]]></category> <category><![CDATA[My Dinner with Andy]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=4512</guid> <description><![CDATA[J. Andersen The assignment was simple, the man, not so. All I had to do was spend a week poking, probing, and if necessary, pulling from him the information required. After waiting a half hour at the pub, I was about to leave, flustered, when I saw my quarry enter…sharp, exact, and malign. He headed [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">J. Andersen</h3><p>The assignment was simple, the man, not so.  All I had to do was spend a week poking, probing, and if necessary, pulling from him the information required.  After waiting a half hour at the pub, I was about to leave, flustered, when I saw my quarry enter…sharp, exact, and malign.  He headed straight towards me, glowing cigarette leading the way, hat at a jaunty angle, worn sports jacket highlighting his small frame.  Extending my hand to meet his, he ignored my bodily presence completely, focusing his unseen eyes on my hip pocket.  “So, are y’gonna get the fuckin’ drinks in, or wot?” he barked. “Er..yes, yes, …of course” I stammered, quitting my cleverly rehearsed introductory speech and ice-breaking jokes.  I was now forced into a servile position, “Get us a stout” he said, and I walked off to the bar, arousing the suspicions of the regular customers who looked as if they had to be dusted from time to time.  A blonde woman with thick, pouty lips eyed me suspiciously from the confines of her faux fur jacket, which was thirty years out of date, but suited her nonetheless.  Turning quickly to the long oaken bar, the roar of a darts game covered my request to the barman, who was polishing already clean pint glasses with a cloth.  I had to raise my voice to meet his hairy ears.  Nodding, he returned with two fresh pints “That’ll be four and twelve,” he said, taking my five pound note, and depositing the change on the clean, dry bar.  “And just one other thing, if you don’t mind” which I didn’t, eager to gain information from any and all sources, “why on Earth would anyone want to interview HIM?” he asked, pointing to my subject, who was now slouched in a corner bench, signaling his impatience clearly by tapping his foot.  The best answer I could manage was “Well, er..it’s just that he’s sort of a…’cult figure’ in other parts of the world.  And, he’s never granted an interview before…until now.”  I beamed at this last bit of information, and at this proud moment, the rather beat looking blonde laughed and blew smoke out of her pert, snub nose “He must be really hard up this week,” she snorted “’cos normally, a man like Andy Capp would’ve beaten the shit out of you by now!”  I forced a laugh, a grin, and a paltry wink, and made a realistic exit back to the table, not wanting to keep Mr. Capp waiting.</p><p>After years of relative silence and obscurity,  THE Andy Capp was about to reveal to me, your faithful reporter, his inner workings, hopefully.  He seemed a man of few words, and rather reactionary reactions.  I wanted to chart the course his personality took, and try to make sense of it all.  A straightforward assignment enough, as it were, if he were willing, which he was about eight pints later.  We came to the agreement that I would stay at his house for the week, and tag along with him as unobtrusively as possible—he made special note of this last condition by making a fist and holding it under my nose—all this, in return for buying him his libations.</p><p>By midweek, having exhausted the magazine’s expense account and some of my own savings, I was nonetheless impressed, or at least awed by Andy’s lifestyle, and decided to carry on with what would be my most important assignment to date, both personally and professionally.  On Saturday, he managed to play an entire game of soccer with a cigarette hanging out of his mouth.  Not only that, but Andy also scored six goals, and started, fought, and won three separate fights.</p><p>A routine developed.  I slept uncomfortably on the floor while Andy napped—frequently, and paid his bar tab every afternoon and evening.  Covering his expenses like a generous blanket.  I also bought drinks for Andy’s friends, and the seemingly identical looking women he courted at the pub, but had to make myself scarce while he romanced them up against walls in urine-soaked alleyways.  I also met Andy’s longtime friend and companion, Chalkie, and bought his drinks too.</p><p>The week came to an end, quietly, as we sat in the front room of the Capps&#8217; small townhouse, me thinking about the week spent together, he probably thinking about how many more drinks he could wring from my wallet.  Who was this man, exactly, and why hadn’t he spoken more than a few grunts to me all week?  Why was he so reluctant to bare his soul, when his physical body required so little to sustain itself?  And why did I have to pawn my watch, and hitchhike to the airport?    As if in answer, Andy suddenly looked me up and down from his perch on the sofa “Let’s go” he croaked, his voice strained, and he pointed in the opposite direction of his local public house.  An hour later, in a distinctly uncharacteristic tea house, and refreshingly sober, Andy let Andy fall out before me.  The drinking, the darts, the women, and finally, the cap.  In my memory, he had never taken it off.  It was on his head at every twist and turn of his rather exhaustive yet routine life.  Never to be adjusted or altered in position by tumbling fights on each and every Saturday afternoon, never knocked askew by a chance meeting with Flo and her rolling pin.  Never sent flying into the street as the result of a slap from one of the girls with the pert noses, bobbed hair and fake fur jackets.  I finally asked the question, “Why?” why he never took his hat off, even at bedtime, and presumably bath time as well.</p><p>Tilting his head sideways, and then lowering it, Andy’s delicate, nicotine stained hand grasped the brim of his peaked cap.  Taking a deep breath from his cigarette, he lifted the cap upwards, making a slight sucking sound, and placed it on the table, lost and lonely.  Trembling slightly, I stared at the shadowy space where the hat had been.  Andy broke the fearful silence with a strained, gravelly whisper “You want to know why I never take me cap off, you speccy bastard?”  Knowing full well my answer, Andy raised his oddly pointed head, and looked at me…directly.  Shaded for years behind a cheap twill hat, two bright, blue orbs, book ended by iridescent whites, with ebony pupils pinpointing an exact center, stared at me with an honest intensity.  Never had I seen eyelashes that long or sensuous, on man or woman, and a sparkle glinted from them, even in the grim Northern dusk.  Those eyes spoke reams of poetry and magic to me, and I wondered aloud why.  Why had this man never shown his gift to the world, as success in the cartoon would be guaranteed, not just a marginal spot in low-level dailies?  In answer, Andy shrugged and wiped a large tear from his left eye.  Again, he addressed me with more words than he had used the entire week, putting his cigarette out on the table, along with, it seemed, his carefully constructed defenses.  “A long time ago…” he began, voice aquiver “I promised me mum I’d never abuse these eyes..that I’d never exploit them…’cos some folk don’t have ‘em.  She didn’t.  Not even pupils.”  He leaned closer to me “And her…just a poor orphan…..Annie…”.</p><div
id="bio"><em><strong>J. Andersen</strong> lives in Hamilton Ontario Canada where he teaches English at an international school.  Currently, he is working on his first chapbook of shorter prose entitled <strong>A Nasty Little Book</strong>. He also plays, records and performs with his band, The Responsibles.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/11/my-dinner-with-andy/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Almost</title><link>http://foggedclarity.com/2009/10/almost/</link> <comments>http://foggedclarity.com/2009/10/almost/#comments</comments> <pubDate>Fri, 30 Oct 2009 05:11:08 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Almost]]></category> <category><![CDATA[Bruce Bromley]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[NYU]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=4117</guid> <description><![CDATA[Bruce Bromley She thought that she wanted him to stay in the same place, but she did not know where that place was. She wanted to be able to return to him, to come back with bags of vegetables, coffee, and cheese, to open their apartment door and smell the rosemary soap he showered with [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Bruce Bromley</h3><p>She thought that she wanted him to stay in the same place, but she did not know where that place was.</p><p>She wanted to be able to return to him, to come back with bags of vegetables, coffee, and cheese, to open their apartment door and smell the rosemary soap he showered with on weekday evenings before Noah was born. She would track him through the kitchen, down the hall, into the living room where he would be standing before the window, spotting the snow that must always be about to fall. The back of his legs would glisten with water that had not dried. She touched his tail-bone with her hand: “Keep it there,” he said, the bone screened by her hand.</p><p>She could not protect him.</p><p>She carries the weekend shopping up the stairs, imagining the scene behind her apartment door. Louisa, her husband’s mother, would have wanted to read to Noah, but she chose, as usual, to do her nails. Noah is evaluating a monster movie in which the dead stalk the living in houses whose cardboard walls are about to come down. “Stop jiggling on the bed,” Louisa insists, the nail polish tumbling to the floor. “They all look alike,” Noah replies, referring to the living and the dead. He will not be interested in distinguishing them; he won’t hear her key twisting in the lock.</p><p>When she opens the door, Noah is at the kitchen table, scratching paper with a crayon. Red and shaped like a missile, the crayon dwarfs his right hand.</p><p>“Did it hurt him?” Noah asks, shaking the table as he draws.</p><p>“Where’s your grandmother?” she responds, trying not to look down. She opens the refrigerator and finds his half-eaten tuna sandwich on a shelf next to an empty pint of apple juice.</p><p>“You drank your juice,” she says, facing the back of his neck, exposed by the shortness of his hair. She sees herself wanting to shield it with her hand.</p><p>“Look,” he directs her, holding up the paper cemetery of stick-men without heads, without clothes, piled at the bottom of the page. Their heads seem to bounce in the upper right-hand corner, as though they had been bowled there.</p><p>“It hurt,” he tells her, giving her the paper and the crayon.</p><p>When she looks in her bedroom, her husband’s mother is lying on the bed, asleep, painted nails leaning on her thighs. Disturbed by the pillow, Louisa’s hair crouches on her face, shadowing the vertical line between her eyebrows so that the line merges with her nose. Her lips are the color of her nails, smudged at the corners, as though she had been talking. A woman on the television sprays kitchen stains with an aerosol that encourages the stains to disappear. Turning off the television, she notices how the polish puckers at Louisa’s cuticles, emphasizing the grey, ridged skin below them. It will be time to wake her.</p><p>But she does not wake her.</p><p>What she wants, when she enters the living room, is not to remember the ruin of the car, the ruin of his face that she could not identify under one of the wheels, as if the car had birthed him on a road from which he would not rise. She wants to forget the duplicates of his face stiffening in picture frames on tables she cannot yet discern. She does not want the light that the room can offer her. She wants to walk through the room and approach the window, while in the apartments overlooking the park, lights blink on, disclosing the snow that does not fall, the anonymous father and son parking a car that will not engulf them, permitting them to move up the brownstone’s steps that are always there. She wants to wake Louisa and send her home. She wants to sit at a table with Noah and draw a body uniformly whole. It will not smell of rosemary soap or require the kind of protection that was beyond her. Together, they will position it on the page, and to them it will seem almost incapable of breaking.</p><div
id="bio"><em><strong>Bruce Bromley</strong> has performed his poetry and music at the Berklee Performance Center (Boston), Shakespeare and Company (Paris), The Village Voice (Paris), and at the 1986 Edinburgh Theatre Festival. His poetry has appeared in <strong>Gargoyle</strong>; his fiction and essays have been published in <strong>Word Riot</strong>, <strong>The Vocabula Review</strong> and <strong>On the Square</strong>, among others. He has taught at the Berklee College of Music, Columbia University, and is Senior Lecturer in expository writing at NYU.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/10/almost/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Me and Henry Miller</title><link>http://foggedclarity.com/2009/10/me-and-henry-miller/</link> <comments>http://foggedclarity.com/2009/10/me-and-henry-miller/#comments</comments> <pubDate>Fri, 30 Oct 2009 05:10:54 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Hemingway]]></category> <category><![CDATA[Henry Miller]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[John Hemingway]]></category> <category><![CDATA[Me and Henry Miller]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=4111</guid> <description><![CDATA[John Hemingway I was reading a novel about every three or four days in the beginning and if I had any time between lessons I’d spend it at the Feltrinelli near the Scala. They had a good selection of American and English titles and as I bounced from stories as different as Endo’s The Sea [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">John Hemingway</h3><p>I was reading a novel about every three or four days in the beginning and if I had any time between lessons I’d spend it at the <em>Feltrinelli</em> near the <em>Scala</em>. They had a good selection of American and English titles and as I bounced from stories as different as Endo’s <em>The Sea and Poison</em> to Coezee’s <em>Waiting for the Barbarians</em>, I found that my tastes in literature were divided into two camps: the authors whose pessimistic vision of humanity presented me with disturbing moral questions and those who had a more “damn the torpedoes,” libertine approach to life.</p><p>Perhaps it was because I’d finally abandoned my schizophrenic mother to her own fate when I’d left the States. After years of taking care of her I thought that she could fend for herself, which, of course, wasn’t true. She would never be totally self-sufficient, but it was what I wanted to believe.  I didn’t want to think about what I’d done, but like the characters in Endo’s novel, I’d been faced with a choice. Do I protect the weak or selfishly pursue my future as a writer in Europe? I chose the latter and so condemned my mother to years of living homeless on the streets of Los Angeles. At the time, no one else could have looked after her, or probably, for that matter, endured her often times extreme behavior, but I didn’t see that as an excuse. She was crazy, and I knew that she would never get better, but I hadn’t been there when she needed me and that was all that mattered in my mind.</p><p>To forget about this lack of self-sacrifice, or <em>abnegazione</em> as the Italians called it, I read Henry Miller and Bukowski. I also had copies of two of Ernest Hemingway’s earlier works, <em>The Nick Adams Stories</em> and <em>The Snows of Kilimanjaro </em>but those stories, in my opinion, didn’t have that “in your face” sexuality/escape quality that I was looking for. Which is ironic, when I think that Hemingway had already written <em>The Garden of Eden</em> in the 1950s and that his gender-bending tale of three lovers was certainly more radical than the rather traditional “man-on-woman” action that Miller and Bukowski were offering.</p><p>The anarchy and black humor of Bukowski’s <em>Post Office</em> said to me that while I hadn’t written anything that I could hold up and say “Hey, this is proof that I’m a writer!” my life was certainly as screwed up as Bukowski’s and I figured that that was a good start. A writer needed to experience life and then eventually write about it and if it turned out that I didn’t have any talent and that I would have done better to stay with my mother then I would cross that bridge when I came to it. In the meantime, I’d convinced myself that I was creating the raw material that I would later use in my “masterpieces.”</p><p>Yet, if Charles Bukowski assuaged my guilt and made me think that perhaps it was cool to live in a dump and do minimum wage work, Henry Miller’s novels were saying that there should literally be no limits to my head-long flight from responsibility. I was reading what he wrote about love, women and sex, and thinking that perhaps I could apply his particular recipe for happiness to my own life. His erotic prose fit in perfectly with the country that I was living in. The Italians were obsessed with beauty and especially female beauty. Scantily clad, seductive women were everywhere you looked. Gorgeous Mediterranean <em>signorine</em> with dark hair and light skin advertising black lace negligees in the Metro and on the trams that I rode to work. It was an endless parade of titillation and while Italian men seemed to take it in stride, for me it was something new.</p><p>Another novelty was the way that people looked at each other. Flirting was a national pastime in Italy and everywhere I went women were giving me stares that back home I would have interpreted as “strong interest.” Here, it was just a part of the scenery. You looked at them, they looked at you and usually it never went any further than that. It was a very traditional country and so long as you were aware of this, there was never any problem. My mistake was thinking that I could act like Mr. Miller and get away with it.</p><p>The more I read from the man who’d given us <em>Sexus</em>, <em>Nexus</em> and <em>Plexus</em> the more I became convinced that betrayal was the solution to my problems, although I didn’t think of my fantasies as betrayal. No, for me this wasn’t cheating on Patrizia, I was just playing the field, and how could it be wrong if she knew what I was reading and more or less what I was thinking?</p><p>It was all out in the open and while I know that some women can be tolerant of their men when they act like imbeciles, when I think back on what I was planning I’m amazed that she didn’t leave me. Subconsciously driven to recreate past events of betrayal and abandonment, it was almost as if I was trying to provoke a reaction in Patrizia when I kept bumping, purposely, into one of her girlfriends at the U2 concert in February, or when I would tell her that I was still receiving and sending letters to a college student I’d met in France the summer before. We hadn’t been together very long (about five months) and had it been me instead of her on the receiving end I’m sure that I would have called it quits.</p><p>The cherry on the cake, though, came when one of her school friends invited us over for dinner. Usually we either went out with a group of people or on our own and so when Patrizia asked me if I felt like going I said “sure”. I bought a bottle of <em>Bonarda</em> in the <em>macelleria</em> near our apartment before we left and armed with that we set out to find their apartment.</p><p>The building was on a dimly lit street, not too far from Corso Buenos Aires. It was old, but it had been recently restructured and we had to walk up three flights of stairs because there was no elevator. Following Patrizia with the bottle in my hand, I asked her again what her friend’s name was.</p><p>“Francesca,” she said, “and his is Ettore.”</p><p>At the top of the stairwell there was only one apartment and we knocked on the door.</p><p>“Avanti!” said someone from inside and walking in we were greeted by Ettore who gave Patrizia a kiss on the cheek before shaking my hand. He was about my height, 5’9”, and was wearing a pair of jeans and a heavy wool sweater. He didn’t speak much English but I knew enough Italian to be able to follow the conversation he was having with Patrizia. He wanted to know if we’d had any trouble finding the place and said that it was great that we could come and that finally he had a chance to meet us after all Francesca had been telling him.</p><p>Looking around I saw that their apartment was tiny. There was the combo living room/kitchen area where we were standing, a small bedroom to my right and an even smaller bathroom to the left of the entrance. Francesca worked at a travel agency and Ettore was a bank clerk, and I thought that like us they too were probably renting but later discovered that Ettore’s parents had bought him the place when he finished university.</p><p>Francesca had prepared <em>stuzzichini</em> (small antipasti with speck and other cold cuts) and then a fantastic spaghetti <em>alla carbonara</em>, followed by a roast, and finally a<em> tiramisu</em> for dessert. The dining table in the center of the room was set with candles and crystal wine glasses. I sat facing Ettore, while Patrizia was at the opposite end from Francesca. Our hostess was perhaps a bit taller than Patrizia and had thick, dark hair which grew down past her shoulders. She was certainly an attractive woman and what you noticed first about her were her eyes. They were lively and at the same time vulnerable. They were open to conversation and I could see why she and Patrizia got along. Behind the quick glances and the laughter there was a hint of melancholy and abandon, which I didn’t understand but which added to Francesca’s sensuality.</p><p>We opened up the bottle of <em>Bonarda</em> and when that was gone, another bottle from Valtellina that Ettore insisted that we try, a four-year-old <em>Inferno</em>. The dinner was excellent and when Ettore asked if I liked Italian cooking I told him what I told everyone, that it was second to none and that Italy was a great country and then, looking at his girlfriend, that the women were very beautiful. Francesca, whose cheeks were already rosy from the wine, turned a darker shade of red and asked me, after conferring with her boyfriend, if I wanted to see some photographs.</p><p>“Just an album that we put together last year,” she explained, looking at Patrizia, “an art book of sorts,” and I was sure that they’d be the usual family vacation pics that Italians were always showing each other.</p><p>Instead, when she put the heavy leather album down on the dining table and opened it up to the first photo I was surprised to see her posing like a ‘50s pinup in nothing but a black lace bra and panties.</p><p>“It was my idea, but Ettore took the photos,” she told me and when I turned the page there was another woman, slim, blond and buxom, but who instead of black was wearing red. She, too, was striking a pose and the first image that came to mind was of Ettore, alone in a room with the two of them, clicking away as they pranced about him half naked. “Art, indeed!” I thought.</p><p>“That’s Eleanora,” said Francesca to Patrizia, “do you remember her from school?” Patrizia did and wasn’t impressed. She may have been getting bored or angry with me, but I wasn’t even looking at her. I was staring at the book and as I turned the pages I felt almost intimidated. It was as if Francesca had pegged me right from the start and was calling my bluff. As if she was challenging me not to be stimulated by what I had in my hands.</p><p>“Nice pictures,” I said, after a parting shot of Eleanora licking a lollipop in a sheer silk negligee.</p><p>“And we did the whole shoot in one hour” said Ettore.</p><p>“Truly remarkable.” I answered, as I pushed the album to the center of the table.</p><p>We didn’t stay much longer after that. It was getting late and we had a long ride home. We promised to see each other again and in the days that followed I kept thinking about Francesca and our meeting. I had memorized every detail of her from the photos and the dinner and almost imperceptibly, I’d started to think that I would have to see her again, but this time alone. The whole thing reminded me of <em>Tropic of Capricorn</em>, and of the women Miller would pick up in offices and parties, and at night when Patrizia and I were in bed and talking about what had happened during the day I’d sometimes mention the photos and my fantasies and how it was just like a Henry Miller novel and that perhaps I should take this to its “logical conclusion.”</p><p>We were both young and open-minded but I think that Patrizia didn’t throw me and my belongings out on the street when I got “logical” on her because she didn’t take everything I said that seriously. It was one thing to be theoretically in favor of “free-love,” quite another to practice it. She liked me and wanted our relationship to work and probably believed that I was just spouting off and that eventually I’d calm down and forget about Mr. Miller and his ideas.  But the more I thought about Francesca the more obsessed I became with my desire to be as free and unhindered as Henry Miller was. Was it or was it not the land of <em>amore</em>? To me it was and so I decided to pay Francesca a visit. I remember that I actually told Patrizia that I was going and that amazingly enough she didn’t stop me. Perhaps after all my emotional acrobatics she’d reached her limit and had written me off as a hopeless case. I don’t think that she was very happy, but in my obsessive state I took her acquiescence as a green light.</p><p>Had I bothered to think about it I would have noticed that my behavior had more in common with Hemingway’s than with Henry Miller’s. Like Ernest, I was addicted to the idea of being in love, to the crazy euphoria of the first days and weeks and the way it made you feel, not to the realities of a long-term relationship. I believed like the author of <em>A Farewell To Arms</em> in the supremacy of romantic love, and while Hemingway once said that if you loved a woman then you should marry her, he never remained faithful to any of them for long. He married four times and his second wife, Pauline, was actually a good friend of his first wife, Hadley. On average his interest in any of his wives or lovers lasted about three years. After that, he’d start to look for someone new. He always felt guilty about his betrayals but that never stopped him from doing what he had to do. As he had one of his female characters in <em>To Have and Have Not</em> explain it, men couldn’t help but be the way they were. Women certainly preferred companions they could trust and who were faithful but men weren’t built that way:</p><p>“They want someone new or someone younger, or someone that they shouldn’t have, or someone that looks like someone else. Or if you’re dark they want a blonde. Or if you’re a blonde they go for a redhead. Or if you’re a redhead then it’s something else. A Jewish girl … (or) Chinese or Lesbians or goodness knows what … The better you treat a man and the more you show him you love him the quicker he gets tired of you.”</p><p>For me, though, my biggest worry on the tram to Francesca’s house wasn’t any species-wide tendency towards infidelity but that Francesca wouldn’t be there. I had imagined this encounter with her so many times but had never factored in the possibility that she might have gone out. I didn’t have her number and standing in front of her building I almost decided to give it up and go home. Luckily, when I finally pressed the button on the intercom, she answered. I quickly told her who I was and said that I wanted to see her. She must have been sleeping because she asked me if I could wait ten minutes while she put something on.</p><p>I walked to the end of the block and back a few times and when ten minutes had passed I climbed the stairs to her apartment. Once inside, she told me that unfortunately Ettore was at work, but that if I didn’t mind just talking with her we could have a coffee together. She then asked why I’d come and I made up some excuse about being in between lessons and with time to kill. I would have had to teach at two but I’d canceled everything that afternoon in anticipation of my great exploit.</p><p>She, however, was not playing her part. She may have believed me when I’d told her that I was just passing through, but any credibility that I might have had ceased to exist the moment I asked if I could see the photo album again.</p><p>“No,” she told me, that wouldn’t be possible. They only showed it to friends on special occasions and, besides, I’d already seen it once. Why in the world would I want to look at it again?</p><p>I then tried to steer her into the bedroom, but she wouldn’t budge from the kitchen. The door was open and I could have a look at the bed, if I felt like it, but she had to do the laundry.</p><p>“Put on a record,” she suggested, as I sat on the edge of their bed. There was a stereo on the floor and a jazz collection next to it, but I wasn’t in the mood for music. I’d come to try on my new identity as a literary Don Giovanni only to discover that the suit didn’t fit and that Francesca was way ahead of me. The bubble of my free-love obsession had been popped, but just to prove that there’s no end to humiliation once it’s begun, she decided to call her boyfriend and tell him that I was there. She wanted to see if he could make it home for lunch, because, “<em>che bella sorpresa</em>,” I had showed up at their door and it would be lovely if the three of us could eat together again. Ettore, though, wouldn’t be back ‘til four. He had work to do, and when I said to Francesca that I really should be leaving, she begged me to stay until her boyfriend came home. I told her that I couldn’t and when she insisted I finally understood that I hadn’t been wrong the night of our dinner. She was interested in me, but only so long as Ettore was there. They were offering me the chance to make my “dreams” become reality, to live another chapter from <em>Tropic of Capricorn</em>, but by then I’d flunked my first test as a Henry Miller apprentice. My ego had been justly bruised and I’d been forced to admit (if only for a moment) that who I was and what I wanted to be were not at all the same.</p><div
id="bio"><em><strong>John Hemingway</strong> is an American writer and translator living in Montreal.  He is the author of the critically acclaimed book, <strong>Strange Tribe: A Family Memoir</strong>. </em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/10/me-and-henry-miller/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Strangers</title><link>http://foggedclarity.com/2009/09/strangers/</link> <comments>http://foggedclarity.com/2009/09/strangers/#comments</comments> <pubDate>Wed, 30 Sep 2009 02:13:23 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Renee Evans]]></category> <category><![CDATA[Strangers]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=3902</guid> <description><![CDATA[Renee Evans At the breakfast table, Grace sits eating instant oatmeal she warmed in the microwave all by herself. The fake peach scent makes her stomach turn a little, but this is the only thing she knows how to fix and her mother—Diane—isn’t around to prepare anything for her, again. Her father, Frank, is in [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Renee Evans</h3><p>At the breakfast table, Grace sits eating instant oatmeal she warmed in the microwave all by herself. The fake peach scent makes her stomach turn a little, but this is the only thing she knows how to fix and her mother—Diane—isn’t around to prepare anything for her, again. Her father, Frank, is in the shower, weeping and telling himself he needs to stop. He’s got to get to work, got to earn money to pay for things someone convinced him and his family they need or want. But first he must take his daughter to school so she doesn’t have to catch the bus. That was his promise last night. Grace said she couldn’t sleep, and he told her she could crawl into her mother’s empty spot in their bed.</p><p>Grace had been lying on the floor beside her parents’ bed, pressing her hand over her mouth to not make noise as she cried, but he heard her. A parent knows his child’s cry, and if Diane had been the one to get up and check when Gracie was just an infant wailing in the middle of the night, his turn is now. He held her little hand and they slept. Grace, no longer an infant, eight years old, will grow up to look like her mother, which will break Frank’s heart over and over again.</p><p>But this morning Diane is across town, in a hotel room where the television is bolted down and the toilet runs all night. She watches morning talk shows and tilts a glass bottle into her cup of hotel-lobby coffee. She watches the smiles on the television screen and fights the voice inside that says good mothers don’t leave their children, like she did last night. They don’t watch their husbands drive off with their babies in the back seat. But maybe this will be better. She swirls the contents of her coffee cup. Maybe now she won’t have to anticipate when a husband needs her to stop talking or start talking or when a child needs her to be firm or to coddle. She won’t have to look at that always-frightened look on Gracie’s face, like she never knows when Diane is going to screw up again. She walks through the halls during parent-teacher conferences, pulling on the strap of her purse for some sort of support and people still stare at her, she thinks: What has she ever done to these people? And what business of theirs is it how she lives?</p><p>Back in the kitchen, Frank pats Grace’s still-wet head, “Be sure to dry your hair. It’s chilly out. I don’t want you catching cold.” These are the sorts of things her mother would say if she were here. He and Grace haven’t talked about it: the heavy quiet in the house this morning. They won’t talk about it either, not in the way they need to.</p><p>Grace can still feel the warm spot from her father’s hand on the top of her head. When she was younger, she always loved it when he would brush her hair after she got out of the tub. He gripped the brush by the head, not the handle, and started at the ends of her hair, running his other hand along her hair behind the brush. He was always so gentle—he dreamed once that he pulled too hard and she came away in chunks of scalp, then pieces of bone, then nothing at all—that was what safety felt like to Grace. She brushes her own hair now; she’s too big for her father to do it for her. She will most likely remember her father brushing her hair, though. She will put it in the corner of her head with other things, like getting into a warm car on a chilly fall day, or the way her mother kisses her forehead to feel for a fever. Some things she won’t want to remember, like the veins in the backs of her mother’s hands. Those blocky hands with their square-tipped fingers. And the way they sometimes shake when she concentrates.</p><p>Diane’s hands tremble only slightly as she smokes her day’s first cigarette, even though she has rented a non-smoking room. This is one of the simple things she is supposed to be grateful for: that first cigarette and cup of coffee. But instead, the filter flutters to her lips in a way that is unsatisfying. She should eat something. What if she’s not just hungry and this hand thing is a sign of something else? Diane’s mother died when she was very young, but she has an idea of what she inherited: a tendency toward self-cutting and suicidal thoughts. Was this what it was like for her mother, Diane thinks, did her mother feel this persecuted? Do most people?</p><p>She should call in sick to work. Her head hurts and she craves greasy biscuits and gravy. She will miss out on one day’s pay. But it shouldn’t make too much difference in the paycheck; they should still be able to buy groceries. For skipping out, Frank will probably call her irresponsible once again. Last night he was yelling at her, accusing her of being defective. (He was only trying to tell her she’s sick, that she needs help.) Whatever it was he was saying, all she could think to tell him was, “I thought you loved me.”</p><p>Last night as the two of them stood there on their friends’ porch—they’d gone over for dinner and drinks, maybe a little cards after, but she just kept drinking—each could see the other’s breath. He tried to get her to come home, it was time to come home, and Grace—she sat in the warming van with the radio turned up and her eyes clamped shut—just wanted her mother in the car with her, just wanted her home with them, just wanted them to be a family and for that to be good enough.</p><p>But Diane heard him say she was sick, heard, “You’re not a good mother,” though that may not be what he really said. Still, that’s what she heard. And that’s why she promised—the word seems improper now—she promised to leave him. Them. Out loud she said she would leave when she was damn good and ready. Inwardly, though, she was imagining him staying up all night waiting for her to come home. He was too proud to come get her, and he would just fall asleep while he waited. He would realize how great she was and how lucky he should consider himself since she even chose to date him in the first place and then said yes when he asked her to marry him. He’d plan his apology and then he would treat her good for once, ask her her opinion of him and how much she thinks he’s worth. Or she’d sneak in and crawl in bed with Grace and let him know who she trusted more until he begged her to come back.</p><p>When she was ready to leave, Diane called a cab and the driver asked where she was headed. Maybe she was still a little drunk. Maybe that was just an excuse. Maybe she wanted, just once, to see what life would have been like without any of them. For years she secretly wondered how things might be different if she hadn’t gone to the grocery store the day she met Frank.</p><p>He’d come running out behind her as she dug through her too-big purse to find her keys. “Ma’am, miss?” He changed his mind about what to call her as soon as she looked up at him. It was her hair. She wore it back in a bun at the nape of her neck, lending her a matronly look. He thrust a sack in her direction. “You left these,” he said, peeking into the bag. Generic orange juice and bread and a box of adult diapers. No, they were not hers, actually. He had mistaken her bun for that of some other old lady’s, and they laughed about it there in the parking lot. That was how it started, and now she was in a cab that reminded her of rotten potatoes and the driver asked her again where she wanted to go. She leaned her head against the cool window and allowed her breath to fog it over.</p><p>“Motel Six. That’s cheap, right?”</p><p>The cabbie peeked at her through the rearview mirror. He considered asking her if she was okay—it was his nature to be concerned—but he thought better of it. If this lady wanted to go somewhere and cry herself to sleep or numb herself into oblivion, that was none of his business. His business was to avoid traffic, not ask questions, and hope for a big tip. As a consolation, he took her to the second-cheapest hotel in town, on account it was less likely to have bedbugs.</p><p>But before the cabbie took this sad and lonely woman into consideration last night, Grace peeked out of the window of the van at her parents, at all that angry breath. They were yelling. He pointed to the van. Grace should not have been born, she knew. Her existence threw off an equilibrium established well before she showed up. She was the wrongness. She’ll probably end up being the one thing they’ve done right together, but little girls don’t know these sorts of things, and she’ll carry the guilt of that night with her. Grace’s guilt will manifest itself in an ever-so-slight tremor of the hands. Maybe she’ll think about why that is. Maybe she’ll remember where she’s seen that before and wonder what on earth her mother must have been going through.</p><p>Frank got into the van and tried not to slam the door. Gracie was already crying.</p><p>“Daddy?” was all she could say between sobs.</p><p>He sighed, shook his head. He put on his seatbelt and put the van in reverse. He looked over his shoulder to back out, and his baby had snot bubbling out of her nose. She knew it was there, but her hands were too cold to wipe it away.</p><p>“It’s okay, baby. Mom’s coming home later.” As he pulled out of the driveway, he would not look back at his wife, who he knew still stood on the porch, crying tears that weren’t from just drinking. He was tired. He was tired of all of it. He’d asked her, like he had so many times before, what to do to make her happy. She didn’t know, she said, talk to her. So he told her what he could remember—what he worried about—but that didn’t help, either. He wasn’t the deep, passionate, brooding man she thought she married. So she drank, and it made him tired. He had to be up early in the morning, so he’d said, “Fine,” and left her there on the porch.</p><p>He would go home, and she could leave whenever she wanted. She could come home or not. It was her choice. It was always her choice. Maybe they’d do better without her. Bring some stability to their lives.</p><p>She was surprised by how easily it happened this time. She stood on the steps a moment for lack of anything else to do. She was hurt and proud and scared and lonely, but she was also giddy in a way that felt inappropriate. She couldn’t yet label her giddiness as that chance to make decisions for <em>her</em>, and kept her feet where they were to think about it.</p><p>Grace cried most of the way home, and when they got there, her father carried her—he hadn’t picked her up in a while and now he remembered why—into the house and sat her down, groaning as he did so, talking about how heavy she is and how big she’s gotten, trying to make her laugh.</p><p>“We’ll have to put a brick on your head to keep you from growing.” He smiled weakly at her.</p><p>She was not amused. “Dad.”</p><p>“Okay, maybe not. Listen, I want to talk to you about—”</p><p>“When’s Mom coming home?”</p><p>And here Frank blinked rapidly several times and looked over his shoulder at the front door. He hadn’t cried in front of his daughter before and she was already terrified enough. He was pretty sure she didn’t need to see this, too. He cleared his throat several times, blinked some more, and sniffed loudly.</p><p>“I don’t know, sweetie. When she’s ready, I guess.”</p><p>Grace nodded. She wanted hard and fast answers: How would she get home? When—to the minute—would she arrive? Why did she leave? The sooner she knew for sure, the sooner she could fix it and begin focusing on something else. She will probably become a woman who wastes no time with mourning. She will make lists. She will work to cross items off her list, but that’s it. There will be no wallowing.</p><p>“What do we do?” she asked.</p><p>“About what?”</p><p>“Mom.” Her voice was quiet. “And why she’s mad.”</p><p>If she had been there listening to her daughter explain—this little bit was all that counted for explanation from Grace—how she was sorry she ruined her parents’ lives, Diane would have wrapped her baby in her arms and rocked her. And Diane would reassure her that her life—their lives—were richer because of Grace, and that they’d figure it out together.</p><p>But Frank simply reverted to the honesty that befell him when he didn’t know what else to say.</p><p>“I don’t know what to do about your mother,” he said. “I guess we’ll just have to wait and see.”</p><p>“Do I still have to go to school tomorrow?”</p><p>He smiled. “Yes.”</p><p>“Do I have to ride the bus?”</p><p>“Tell you what.” He stood and offered his hand as he led her to her bedroom. “I’ll take you. How’s that?”</p><p>She nodded. “A compromise.”</p><p>Frank lay in his bed and Grace in hers, though neither really slept. She knows too much, he thought. She will always know too much. She hugged her stuffed cow, but that wasn’t enough, so she hugged her pillow and cried a wet spot into it.</p><p>From down the hall he heard her sniffing and rolled over. For fifteen years he had fantasized about having a bed to himself once again. He could sprawl and kick and roll and tuck and un-tuck and scratch and do whatever he wanted and there was no one to sigh heavily in the dark to let him know in her own way that she was also annoyed with the situation. Nobody to poke him in the ribs or jab him with her elbow or hold his nose to make him stop snoring. God, how he hated when she did that.</p><p>But then again, on mornings when they could peacefully sleep in, she snuggled up to him and pressed her body against his. Fifteen years together and he still loved the way Diane felt next to him in the morning. She threw an arm around him and as she breathed in, her stomach billowed and pressed against his back. Those, he thought, were their most intimate moments, and they very well may have been. He held still for as long as his bladder would allow on those days, just trying to keep her there for a little longer.</p><p>So many times he felt like she was just trying to escape him, her life, who they’d become.</p><p>And she was gone now. Her place in the bed sagged next to him. He felt as if he was falling up into space, as if the very earth shuddered to be rid of him. He reached out a hand and placed it in the empty spot where his wife should have been. The sheets were cold. This was not what he had wanted.</p><p>Down the hall, Grace’s breathing slowed. She fell asleep just as across town her mother paid the driver, then entered the hotel lobby. She checked into her room and blinked in the fluorescent lighting of the bathroom. She didn’t look at her face. She didn’t want to see it, didn’t want to think. She peed first and held her head in her hands. It felt too heavy for her neck. She stayed that way, replaying the night until the nausea overcame her. Diane kneeled in front of the toilet to vomit. Grace awoke in the middle of the night.</p><p>Grace was supposed to remember something. When she was frightened and confused in the night, she crawled into her parents’ bedroom to sleep on the floor beside their bed. She had to be quiet, otherwise they’d wake up and send her back to her own room—she was too big to do this anymore. She lay on her back on her mother’s side of the bed, attempting to steady her breath. She listened to see if she was making any noise.</p><p>The only breathing in the room was her father’s heavy wheeze. Then she remembered her mother. She began crying again. Frank’s breathing grew quieter as he listened to her try to stifle the noise she made. He called her name and she sat up. In the darkness he could barely make out the top of her head as it appeared just above the edge of the bed.</p><p>“What are you doing?”</p><p>“I can’t sleep. Can I get in bed with you?”</p><p>“Okay, but you have to go to sleep.” He pulled back the covers and fluffed his wife’s pillow.</p><p>She wanted him to hold her and rock her and to tell her he would fix it, but instead she reached across the middle of the bed and took his hand. That was enough to allow them both to fall heavily to sleep.</p><p>This morning her eyes burn from all the crying. She rubs them and rubs them with the backs of her knuckles as she sits in the front seat on her way to school.</p><p>“Something wrong with your eyes?” Frank let her sit in the front to help her feel better. It sort of worked.</p><p>“Can’t keep ‘em open.” It’s not that she wants to stay home today, but going to school seems disrespectful.</p><p>“Yeah, crying will do that to you. I’d share my coffee, but you wouldn’t like it.” He sips from his travel mug and they say nothing else until they arrive at the school, when he says goodbye and watches his little stranger trudge into the building.</p><p>Instead of going to work, Diane goes for a walk. The air is crisp, but the sun is out and she is warm under her coat. She’s a receptionist, so she doesn’t get to move around a lot. The walking is nice. She used to worry about getting fat and ugly, about being unattractive to her husband, who never seemed to gain anything except bags under his eyes. Each year, her pants have grown tighter and tighter across her thighs and through the seat. At first she stopped eating lunch and dinner and took walks on her lunch breaks. When she wasn’t losing anything and Frank said she was cranky all the time, she gave up. Now she just buys bigger clothes every other season.</p><p>She tucks her nose into the collar of her coat and checks the traffic before crossing the street. Maybe she should change jobs. Try physical labor. She would love to work in a greenhouse planting and weeding and doing whatever they do. That work is probably only seasonal, though. She’s got a daughter to think about.</p><p>But she’s not thinking about leaving yet. They’ve been through versions of this in the past, and it will probably take her several attempts before she gets it right, before she can leave for good. Each time there will be a big scene and mean things will most likely be said, and each time it will be her fault. As she passes the windows of a strip-mall, her reflection looks lumpy and disheveled. This is not what she meant to happen last night. She has a husband. He’s a good man, and God knows he puts up with the stuff she puts him through. Granted, he could be a little more vocal, a little more involved, but she still considers herself one of the lucky ones. And for some reason, she’s still so unhappy.</p><p>She is thinking about change. She’ll change her job, maybe her hair. She should go on a diet again, cut back on her drinking a little.</p><p>The day wears on and she makes lists: talk to Grace about sex, tell Grace she is beautiful, compliment Frank more, give Frank more space, make quality time for family. They pile in her head only as ideas, not as plans. It is this lack of foresight that keeps her from understanding that she will never be happy as long as she continues this way. But she won’t make plans for change. She can’t think about that now.</p><p>Grace can’t concentrate in school. She keeps seeing her parents fighting and can’t shake the feeling that maybe her mother is lying hurt in a ditch. Her mother is gone and she’s not coming back, and it’s all her father’s fault. But her instincts aren’t true yet. It will be a few years before Grace shrinks from her mother’s hug for the first time since she can remember. Maybe she saw this coming, and she felt the first hints of it when she was eight, trying to read along with Mrs. Clark, who sometimes skipped sentences and whole paragraphs as she read <em>Little House on the Prairie</em>. Out loud, she wants to say, <em>the world is not right</em>.</p><p>At lunch, she picks at a tray of chicken and dumplings—her favorite. No one has asked why she doesn’t eat or why she doesn’t want to play or why she doesn’t want to do group work. Grace has always been shy and has assumed people don’t like her. Why would they bother to ask? This is something she’s going to have to face alone.</p><p>They are all alone. While he stocks shelves at the sporting goods store, Frank feels as if he might be the last man alive. He remembers that episode of <em>The Twilight Zone</em> where the man emerges from the fallout shelter to find he’s the sole survivor and he can read all the books he wants, but then he steps on his glasses. Frank’s glasses have been stepped on.</p><p>“Guy should’ve just killed himself,” Frank mutters as he pulls boxes of golf balls to the front of the shelf. He checks his watch. He’s been here for five hours now. He and Grace didn’t say anything about him picking her up from school, too. With his luck, she expects him to and he won’t do it simply because they didn’t agree about it. Then he’ll be one of those parents.</p><p>He pushes a dolly back toward the stock room and it gets stuck on a piece of floor stripping. He shouldn’t say “those parents.” Diane walked out of the grocery store once when Grace was still at the cash register playing with the bagging station. Grace noticed they were separated before Diane did and went running and screaming out to the parking lot. Diane called him at work to tell him the story. She sounded pretty rough over the phone. He spent five minutes just telling her to calm down. It happens. People leave their kids. They leave their families.</p><p>Frank wonders what it would be like if he’d been the one to leave. He’s thought about it before. Just take a couple hundred from the bank and go. Then maybe Diane would have to straighten out—take care of the kid. Frank pushes through the swinging doors of the store room, leading with the dolly. He’d miss her. He’d miss them both. But what if he were dead?</p><p>He wouldn’t want them to feel bad if he killed himself. Frank drops off his equipment and heads to the bathroom. He’s got to sit down. Really think. His knees are killing him. He hates this job, but it pays well enough. There’s insurance. They’d get some money if he died on the job. He wonders how to kill himself and not make it look like a suicide. Where to find a hit man?</p><p>He pictures the girls coming home to find him. He’s all bloody and probably crapped himself. Diane sees a hand peeking from behind the couch and automatically knows he’s dead, only she freaks out and doesn’t have the sense to shield Grace from seeing. And she’s scarred for life while her mother just keeps drinking until there’s no more liver left. Diane is mean to Grace and Grace resents her for it, even after Diane dies too young in a too-painful death and it’s all Frank’s fault.</p><p>He washes his hands and chuckles a little. He’s really thinking this? He smiles and cries some. A co-worker enters the bathroom and sees Frank.</p><p>“You okay, man?”</p><p>Frank just dries his hands and walks out of the bathroom to call the school. He’ll be picking up his daughter today.</p><p>When Grace climbs automatically into the front seat of her father’s car, she hugs and kisses him and lets the tears go right there in the parking lot, and she doesn’t care who can see.</p><p>Frank hates this. “Oh, baby, don’t cry.”</p><p>“But it feels better when I do.” She whispers these words to keep from sobbing them, so he can understand what she says.</p><p>“Okay.” He pulls out of the driveway and heads home.</p><p>“Dad, I didn’t say anything to anybody all day. I have to tell you. If Mom’s hurt. . . . I want her back. I want her to be home when we get there.”</p><p>“I can’t guarantee anything.”</p><p>“I know. But I’m just saying.” She’s being honest, and he appreciates that. It doesn’t happen much, but when it does, he feels like he knows her better.</p><p>When they get home, Diane is there, waiting. Vodka is supposed to be odorless; it was just a sip. The television is on <em>Jeopardy</em> and she is smoking at the coffee table when Grace enters.</p><p>“Mom!”</p><p>“Hi, Gracie.” It’s a whisper into the girl’s ear. As always, Diane watches out for the cherry on her cigarette when her daughter is in her arms. She hears Frank enter. “Come sit,” she says to him. Now, everybody is crying. She sits Grace between herself and Frank and they all sit there sniffing for a long moment.</p><p>“First I want to say I’m sorry about the way I acted last night.” No one speaks during Diane’s pause. It’s a familiar line. “I didn’t go to work today, but I did do a lot of thinking. Frank,” she says. He is expecting her to leave. She might give this speech again and again, and each time, he will probably expect her to actually leave for good, just as he always has. That is, until she ever really goes; by then he might not believe it’s happening. “I don’t want to leave. I want to stay and make things right.”</p><p>“Me too,” he says, but she doesn’t understand he was thinking about leaving them, too.</p><p>“I’ve got all kinds of ideas that I want to talk to you about. But first I want to say I love you, and I’m sorry. I’d like for us to sit down and discuss our plans.”</p><p>They will order a pizza and Diane will do all the talking. She’ll mention family game night and date night and dinners and extra-curricular activities. Grace will be moved to hope by the tone of her mother’s voice. Frank will become worried that he’s never going to have any more free time, and Diane will panic once she realizes they expect her to be the one to organize and initiate all these things.</p><p>If Diane finally leaves, she might rent a little green apartment above a garage. A new job working for the state in social work service would finally bring her some satisfaction. She’d miss her family, but she would be grateful they were hers. She could go for walks in her spare time, and because the thinking would allow her to calm down, she might not need as many drinks.</p><p>Though Grace would become estranged from her mother, she and Frank might be brought closer. He might even begin to think he knows her. He would become deeply depressed if Diane left. He would stay single for the rest of his life. Grace, on the other hand, would probably go through man after man, trying to find one who seems right. She wouldn’t recognize that “right” would mean just like her father. But she’d continue through them coldly, crossing their names off her list.</p><p>But for now, they sit side-by-side on the couch, watching <em>Jeopardy</em>, holding hands, and not knowing the questions to the answers the program gives.</p><div
id="bio"><em><strong>Renee Evans</strong> holds an MFA from Southern Illinois University.  Her work has appeared in <strong>Roger</strong>, <strong>Crab Orchard Review</strong>, and elsewhere.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/09/strangers/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Pop Psychology</title><link>http://foggedclarity.com/2009/08/pop-psychology-2/</link> <comments>http://foggedclarity.com/2009/08/pop-psychology-2/#comments</comments> <pubDate>Mon, 31 Aug 2009 02:52:08 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[Dylan Brock]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Hunter College]]></category> <category><![CDATA[Novella]]></category> <category><![CDATA[Part 2]]></category> <category><![CDATA[Pop Psychology]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=3663</guid> <description><![CDATA[Dylan James Brock Part 2 22 June 2002, 3pm Hot sunshine awakens me. On the pop art print across from where I lie, Lichtenstein’s little dots diffuse into solid color, only to sharpen when I focus. I rise from bed, light a cigarette, and play some music. From my bedside coffee pot, I pour leftover, [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Dylan James Brock</h3><p><strong>Part 2</strong></p><p><span
style="text-decoration: underline;"><strong>22 June 2002, 3pm</strong></span><br
/> Hot sunshine awakens me.  On the pop art print across from where I lie, Lichtenstein’s little dots diffuse into solid color, only to sharpen when I focus.  I rise from bed, light a cigarette, and play some music.  From my bedside coffee pot, I pour leftover, lukewarm java into a dirty mug, and down it in three gulps.  After the first chorus of the Mp3 playing, I turn it up and sing along: <em>So you made me come</em>/<em>then you sent me away</em>/<em>like a messenger bird</em>/<em>so I circled the earth</em>/<em>blown away in the wind</em>/<em>but I always return</em>/<em>with some new little song</em>/<em>some sad story to tell</em>/<em>of a brief love affair</em>/<em>with a girl I compared</em>/<em>to you and she failed</em>.</p><p>On opposing walls, collaged celebrities face off  – doctors and scientists stare down lyricists and guitarists. In this conflict, my sympathies shift continuously.  One day I want to heal the world, and the next I want to rock it.  Despite these aspirations, I spend far too many hours at a fake-smile minimum-wage service job.  But I’m hosting a homecoming party for Trevor tonight, so I’m off today and tomorrow.</p><p>Even before the Internet economy collapsed, Trevor was serious about web design and serious about money-laundering, but never serious about e-commerce.  He was content making enough pages to clean up his finances and pad his portfolio, but we never recruited clients.  After the NASDAQ implosion there were no clients to recruit, and I had to find work I couldn’t do wearing boxers in my bedroom.</p><p>When the song and the smoke end, I grab a guitar and head out to the screened front porch to play in the sun.  Outside, rays slip between a maple and a pine in the yard, shining on the couch facing the house.  I sit in this spotlight and fingerpick with two digits bandaged from workplace nicks.  The rising roar of an approaching motorcycle brings me to my feet.</p><p>It couldn’t be Lyle – last I heard he was still cruising down the eastern seaboard.  But sure enough, the Kawasaki he calls his ‘Cow’ rolls up our driveway.  Sitting back down, I lay my guitar on a torn cushion as hiking boots knock a path through the slamming screen door of the porch.  Lyle flops onto the corduroy loveseat, setting his patched knapsack and ancient football helmet on the hardwood floor.</p><p>“What’re you doing here?” I ask, lighting up a smoke, “Thought you’d still be able to see the Atlantic today.”</p><p>Lyle’s goofy smile spreads over a ratty drifter’s beard.  “I checked my E-mail someplace in Maine, got your message about the party for Trevor, and I decided to come home a week early,” Lyle replies.</p><p>Because he was home-schooled on a commune in rural Newaygo County, Lyle and his siblings speak their own dialect.  They use z instead of s and remove alveolar flaps in favor of diphthongs, so “city” is a homophone for “see,” and “decided” becomes “de-sie-ed.”  They also have some bizarre verb forms. “Your e-mail remound me that Trevor was gone.  We both left at the end of last term, but sometimes I still forget he’s not coming back.”</p><p>Then Trevor trots up the steps and onto the porch, gently closing the door behind him.  Sometimes, because of his outsized charisma, I forget how small my best friend is – that his head ends at my neck.  In the last six weeks, only his wardrobe has changed – he wears the studied casual attire of a surfer out of water. “Paul.  Lyle. Lyle!  Thought you were driving to that island.”</p><p>Lyle says he came back for the homecoming party.</p><p>“Rad,” Trevor affirms, then proclaims, “I’m home,” and in one fluid motion removes his shirt.</p><p>Trevor has a few habits that take some getting used to – how he walks around the house in pants, pecs, and a six pack, and how he climbs the walls.  While somehow scaling a stone pillar that holds up the screened porch, he talks of climbing Yosemite, then asks Lyle how his drifting went.</p><p>“Good, good,” Lyle says, “Once you get past Quebec, the QEW ends, and there’s nothing for, like, five hundred miles.  Only gravel and markers that say ‘You just crossed the Fee-first parallel,’ ‘You just crossed the Fee-second parallel.’ ‘Course I brought gas, strapped it on, but I had to buy another plas-sick tank.  Otherwise I never would’ve made it to the ferry – y’ know, to earn the patch.”</p><p>“And how are all things Melanie?” I inquire.  Lyle has been infatuated with Melanie since he met her in the fall of 2000.  In the summer of 2001, she visited a Newfie friend and brought home a patch for him. The two-dollar speck of blue, embroidered cloth launched a month-long quest. Lyle insisted that wearing this gift would remain hypocritical until he visited the island himself.</p><p>“Fine.  How are things with Chloe?” Lyle asks.  I sigh, stamp out my cig, and shake my head.   Trevor climbs down to discard my littered butt while I ask what route Lyle took home. While he speaks of the Atlantic’s edge and Ohio cops, I pick up my instrument and strum.</p><p>Seeing the guitar, Trevor asks me when I replaced the one that’s still missing.  “Didn’t,” I say, “This is Chloe’s.”  He asks to hear something new, so I play and sing. <em>A day without Chloe’s</em>/<em>like a day without food</em>/<em>possible supposing</em>/<em>I don’t care about my mood</em>/<em>or instincts opposing</em>/<em>the lifestyle of a man who’d</em>/<em>for some reason chosen</em>/<em>to faithfully fast and brood</em>/<em>without Chloe</em>.  I finish, and he tells me he loves it, asks if she’s heard it.  I nod, and light a Marlboro.  He asks what she thought of it.  “She told me I was the only guy she’d ever met who wrote songs that were good.”</p><p>“Oh, I get it – she strokes your ego.  Chloe’s super-picky about music, but she likes your shit. That must feel good.”  This is how Trevor and I talk about women, analyzing relationships in the vernacular of pop psychology.  We become therapists practicing on each other.  Using a hodgepodge of techniques, we analyze our behavior in terms of cognition, biology, and sociology.  But in the end, our discussions always progress from and digress into musings about specific women.  We talk the sun up, babbling psychology and citing song lyrics.  At least, we used to – till Trevor went to California, left an aching in my heart.</p><p><span
style="text-decoration: underline;"><strong>20 April 2001, three am</strong></span><br
/> A little over a year ago, Trevor and I had our wildest session.  By three o’clock in the morning, I was two pots full of coffee, cramming for a nine o’clock Friday exam, but too wired to concentrate.  Shooting repeated glances at my bed, I caught the celebrity headshots vibrating on my walls.</p><p>I kept scribbling scraps of songs in the margins of my notes – here a clever line, there a chord progression.  Throwing my hands up, I decided to get the words out of my system.  A few months before, after a brutal argument with my father about my musical aspirations, I had sworn off songwriting to focus on medicine.  During my creative abstinence, focus sharpened for the first couple months.  But by spring break, the build- up of unwritten lines weighed on me. I’d gone from writing a song a week to a song a semester; it only made sense that the work would be overlong.  When I finally took a break to write during that day’s smallest hours, I couldn’t stop myself from crafting an epic.  Sixteen verses I wrote, about a girl who’s all but irrelevant now.</p><p>I finished at six.  The pull of the bed was strong, but I broke from its gravity.  I knew if I slept, I wouldn’t wake in time for my exam, but I was crashing and needed a fresh face to talk me through the next few hours.  A knock brought Lyle to his door but he shook his head and shut me out before I could say a thing.  Frank had passed out only a few hours before, and needed to sleep off a post-exam celebration hangover.</p><p>Walking into Trevor’s room, I pleaded for a favor: “I need somebody to keep me going till my nine o’clock.”  Trevor grunted, agreed, and grunted again as he climbed out of bed.  “Meet me on the porch in fifteen,” I requested.  My Marlboro was half-gone when Trevor stepped through the thick oak door.  Behind the westward screen, a moon and two streetlights shone the same pastel orange.  I looked up while stepping to the sidewalk and spied dippers through branches with buds I couldn’t see in the dark.</p><p>“Wait, where’re we going?” asked Trevor, rubbing blue eyes with a thumb and forefinger.  I suggested we eat breakfast at the Sherman, deep into Roosevelt City, some miles inland from the college neighborhood of East Roosevelt. “’K,” he said, “I’m driving.”</p><p>We climbed into a clean SUV bought with dirty money. The bass of a folksy song boomed too loud for the genre playing. <em>Ooh, get me away from here. I’m dying</em>/<em>Sing me a song to set me free</em>/<em>Nobody writes them like they used to</em>/<em>So I guess it may as well be me.</em></p><p>Walking into the all-night diner, we spotted and sat at a table in the back corner.  Next to us, two middle-aged women gabbed too loudly for the hour.  They looked like two pieces from a set of Russian dolls – same wide face and brown ball of a hairdo, same round yet solid body, except one was slimmer than the other.  Round spoke soft quips while Rounder’s laugh rolled.  I could barely make out my inner monologue over their banter.</p><p>The diner was a two-man operation before dawn.  A methodical, twitching short-order cook never turned away from his griddle, even when there was nothing to grill. Our waitress had rose-vine tattoo sleeves on arms too built for her slight body.  “What you having?” she asked both Trevor and me.  Her repetition was broken-record precise.  He got grapefruit juice and a side of Greektown hash – potatoes with a pile of vegetables heaped with feta cheese.  For me – bacon, pancakes, and coffee.</p><p>“Chekhov said an obscure artist is like a gambling addict without money: All risk and no reward, or something like that,” I started, and lit a Marlboro, ashing on the floor.  “It’s risking time like money, I’ve got none to spend.  Words keep me up nights, steal hours from work and sleep. So I stop, say I’m going to focus on Russian or physics or psych, or the fact that somehow I’ve got to get into Med School, but the songs don’t stop, and I still wake up humming melodies, ignore my notes to slant rhymes in lectures.  Songs are my obsession, writing’s the compulsion, and burnout’s the only cure.”</p><p>“You’re way too insightful to give up Psych – and you know I love your songs.  It’s all about balance, y’ know?  I mean, dude, don’t write a song every day, but don’t spend every hour working either.  Like I always say, work less but harder; write less but better. And chill – dude, you must chill – enough to be cool, without getting all cold.  Always remember, I love you, Frank loves you, Lyle loves you, even your parents love you – when your not trying to be a rock star.” An arm, all working muscles and flowery tattoos, slapped a check on our table and receded before I could tell who it belonged to.  With his last sip of juice, Trevor stood and picked up the check before I could object.  “You got your stuff with you?” he asked.  I did, it was in the car.  We got our bags and left his SUV to head east, up Liberty.</p><p>“So you know how I was saying the sub-striate pathways responsible for blind- sight could be construed as an unconscious mind?” I began, and Trevor nodded, his bleached dreadlocks bobbing.  “Well, get this,” I go on. “The other day I’m walking by Dover Drugs, and it just comes to me: maybe it’s chemistry of the synapse, y’ know, neurotransmitters &#8211; maybe the biology of the brain is the unconscious Freud was looking for… Dopamine as Id, Seritonin as Ego, Norepinephrine as Superego – that kind of thing…” And we were off again, two future scientists talking in tangents and waking up the sun.</p><p><span
style="text-decoration: underline;"><strong>20 April 2002, three pm</strong></span><br
/> A year later, I stood in our front yard begging Trevor not to leap off our roof.  The album playing had ended – the only sound was a daredevil’s crowd murmuring in anticipation.  He must have heard me over the crowd chanting ‘Jump!” because he made eye contact and shook his head.  Frank handed the mailman a half cup of beer.  The carrier gulped it down, and shouted “C’mon, little guy – you can do it.” Trevor nodded and flew.  Stretching the center of our trampoline almost to the ground, he did a gymnast’s flip, bounced off onto the grass, and stuck the landing with arms to the sky.  The few dozen at our graduation barbecue cheered.  “Who is he?” Chloe turned to me and asked.</p><p>“Y’ know, Trevor,” I told her, “My best friend.”  She rolled her eyes and crossed the yard to chat with the stuntman.  The mailman congratulated Trevor and continued on his route.  I went inside and put on the White Stripes, Chloe’s favorite, but only before the Lego video for “Fell in Love With a Girl.”</p><p>I recalled three conversations: all with Trevor, all about Chloe.  I’d insisted that the closer I came to friendship with her, the further I’d felt from a relationship.  He’d insisted that, while Chloe was rad, she stood five foot nine, four inches taller than him, and that difference too great for her to be worth his pursuit.  Yet a few minutes into his longest conversation with her, Trevor was already brushing a stray amber strand from Chloe’s face.</p><p>Deciding to eavesdrop, I walked within a few feet of the pair and spoke with Trevor’s Little Brother.   Every Saturday afternoon, Trevor used to spend several hours hanging out with a special-needs eighteen-year-old named Ishmael.  That weekend, the kid got to attend his first college party.   After gathering that Trevor and Chloe were only swapping lab job war stories, I asked Ishmael if he was having fun.  “Yeah,” he beamed, “Lots of girls.  She’s pretty,” he said, his crooked hand pointing straight at my friend.  I introduced Ishmael to Chloe.  “You’re pretty,” he gushed.</p><p>Chloe thanked him for the compliment and excused herself to fetch a second plastic cup of Oberon, summer ale rare and prized beyond Michigan.  Trevor followed her and they resumed their shoptalk.  I wanted to interrupt with a story of rat beheading, the real meat of Trevor’s job, but I never got in his way when it came to women, quite simply because I couldn’t. Taking a sip of coffee from my mug, I gave Ishmael some advice: “Chloe doesn’t take physical compliments well.  She likes it better when you acknowledge her accomplishments.  Tell her that her coffee’s great, her fashion sense is razor-acute – that kind of thing.”</p><p>Ishmael chuckled. “Ok, cool,” he agreed, then asked: “Jump on the trampoline?”  I nodded, and we bounced for a while.  At the peak of my arcs through air, I saw clips through the porch screen – Chloe and Trevor, all laughing teeth and grazing touches. Before too long, Big Brother saw Little Brother playing and left the porch to play along.  Chloe followed, and seconds later the four of us were careening around like lotto balls.  After a few jumps, I timed my landings to sap energy from Trevor’s bounces.  During the third such theft, I flew so high I left the tramp for the knee-buckling ground.   “Hey, watch where you’re going, you sloppy drunk!” Frank slurred at me, for big laughs.</p><p>I picked up my coffee mug, stood up, and remembered I’d left my guitar on the porch.  For a graduation present, I had written a song about each of my housemates: “<em>Trevor majors in hugging and snuggling</em>/<em>Frank’s double major is EECS and drugging</em>/<em>Lyle’s doctorate is in weird anecdotes</em>/<em>class never ends – don’t forget to take notes</em>.”  At the barbecue, I had performed on the steps of our house for attentive friends.  After singing, I had set my instrument on the porch’s tattered couch and run outside to watch Trevor jump off the roof.</p><p>But when the screen slammed behind me, I saw no guitar.  Figuring some guy borrowed it to amuse himself or impress a girl, I swept through an entirely familiar crowd and every room in the house.  I didn’t find my ancient, pristine Silvertone acoustic with lowered action and a customized pickup.  “Have you seen my guitar?” I asked, then begged, then pleaded, going through until everyone had answered more than once.  Everyone said no, not since I had played.  Everyone except Chloe, Trevor, and Ishmael, I should say – they jumped, oblivious all the while.</p><p>Dejected, I sank into a shadowy Lay-Z-Boy in the back of the living room.  While chaining cigarettes like Christmas popcorn, I waited for someone to take notice and pity me.  Seven smokes later, Lyle and Sara walked in and scolded me for sulking.</p><p>“You’re not allowed to be a sad bastard at your gradation party,” Sara sniped.  I reminded her that I wasn’t graduating for another year – the party was for my housemates.  “Just save the act for your bedroom mirror and come have some fun,” she urged me.</p><p>As we stepped back into daylight, Lyle reassured me, promised we’d find the instrument: “There’s no way anybody could’ve grabbed it from the porch when we know everyone here.”  For the first time, it occurred to me that someone might have taken it while everyone was watching Trevor jump.  The first thing I saw when I got outside was my best friend with a bicep arcing up and around Chloe, while she ripped on the Strokes to the chagrin of Frank.  The thought of theft made me want to trade porcelain mug for plastic cup, be drunk enough to forget the whole mess.  It only took a beer and a half for me to get wasted.</p><p>I don’t really like drinking and I like being drunk even less.  I’ve always been the one sober friend of a bunch of party kids – holding girls’ hair and driving boys home.  I suppose I could be codependent – addicted to helping the addicted – but that word is like ‘love:’ it’s been used so often to describe so many different feelings that it’s all but meaningless.  I go out to people-watch and meet girls, I tell myself.</p><p>One of my favorite jokes was to follow a flaky move with, ‘Sorry, I’m totally trashed.’  The next several hours were a blur of me repeating that catch phrase to anyone who would listen.  I must have said those three words plus a contraction a couple dozen times.</p><p>By eleven I was back to where I started – sulking in my Lay-Z-Boy.  I hadn’t had a drink since seven –and that was only a small splash of Bailey’s in my beloved java.  When Chloe stepped through the front door, her full lips were stretched into a sheepish smile.  She didn’t stop laughing to herself till she hit the lights in the room where I sat and saw me.  “Have you seen Trevor?” she asked before checking my expression.  After I murmured something about my friend taking Ishmael home, she noticed my thick, frowning eyebrows.</p><p>“God, what’s wrong?” – with the face of someone whose puppy just got injured.</p><p>“Somebody stole my guitar,” I muttered.</p><p>“What?” – with the face of someone who’s broke but still hit-up for change.</p><p>“Somebody stole my guitar,” I enunciated.</p><p>“I know.  I heard the first time.  You’re sure?” – with the face of someone still hoping a fact is a joke.</p><p>“Almost positive – combed the house, asked everyone about it more than once.”  She reminded me that I had forgotten to ask Trevor and her.  “Didn’t want to interrupt anything,” I spat.  She asked what that meant.  “Sorry I’m taking this out on you.”</p><p>“Yeah you are. Why?  Wait, no – I don’t want to know.  Listen, I’ll give you my guitar – I can barely play Cat Power on it anyway, and you know how easy her songs are.  Just get up.  Everybody’s going to the Grant Street block party.  You’re coming, and I’m going to cheer you up – by any means necessary.”  I followed her like a twelve-year-old hound – droopy-eyed and slow but faithful.</p><p>Sara was waiting on the front porch with a cigarette burning, rolling her eyes.   Parties and winos scrolled by as we walked. I skulked along a half-step behind.  Somehow we found Lyle, Frank, and Trevor in the teeming mass clogging the road of the bash.  By midnight a dozen trashed assholes were trying to flip an eighties-model Ford Taurus.  After a half-hour effort, they’d barely tipped the car.  Chloe left in disgust.  Sara mused that the attempted riot was a symbol for partying in Roosevelt – no matter how hard we tried, we didn’t have the heart to get as wild as the other university kids.  At a state school they would have burned the car and a couch.  Here at Dover, Frank gave the rioters a mechanics lesson in car-flipping, which was largely ignored.  Trevor couldn’t stop laughing.</p><p>At both ends of the block red, white, and blue flashed.  Maglite beams cut through the crowd, and the flocks scattered.  Somehow, I ended up walking home with Trevor after our flight.  We plodded southeast down Cherokee.  After a block or two, Trevor spoke with me for the first time since early afternoon.  “God, at our party today, for some reason I just wanted to make out with Chloe.  So bad, dude, so bad.”</p><p>“I know, she’s great,” I sighed. “Why’d you think I write songs about her?”</p><p>“Yeah.  It’s just, I’ve seen her before – y’ know, like, once or twice – and she’s cute, I guess. But today she had this spark, passion, whatever – it just made me want her.”  I shot him a stare that should have hurt him.  “But, y’ know, nothing happened, of course.”</p><p>A pause.  “Someone stole my guitar,” I reported.  We stopped and Trevor hugged me.  His concerned embrace sent insects through my skin.  I’ve never met anyone better at casual comfort, but the last thing I wanted was for him to touch me.  Trevor felt enough of my exceptional awkwardness to keep quiet the rest of the walk back to our house.  He always seemed sensitive.</p><p><strong><span
style="text-decoration: underline;">23 June 2002, twelve am</span> </strong><br
/> Our party rages.  Orientation children pack the kitchen, staring at our kegs as if they’re too good too be true – a few hours ago Lyle and Frank handed out fliers in South Quad.  In addition, two-fifths of the summer’s homeless population is in the house.  On our stereo, Michigan’s own Iggy Pop screams “I got a lust for life!”  I stand in a kitchen corner, catching up with Trevor, smoking a Marlboro Red, sipping tap water from a glass milk bottle. “So, honestly, what was the deal with you and Chloe?”</p><p>Trevor laughs, stops to say, “Funny you ask.” He laughs again and spills it: “I went over to her place tonight and said ‘Sorry.’”</p><p>“For what?” I sneer.  A Pillsbury Doughboy too baffled to be anything but an incoming student splashes beer on our feet and moves on without apologizing.</p><p>“Babies, they look like babies,” Trevor quips with a winning grin.  Through our speakers, Dust Brothers-era Beck blasts a guitar-string noose lyric.  My best friend segues again: “This song’s great.  I love it when he’s like ‘Saving all your food stamps and burning down the trailer park.’  That was my life in Fruiton.  Sometimes I forget that shit – being a broke-ass kid playing in underwear between the doublewides.”  Surveying him from head to toe, I figure that what he wears now – designer jeans, Italian wingtips, Swiss timepiece, and tailored t-shirt – is worth a few dozen pills.</p><p>“But Chloe, Trevor, Chloe,” I remind him, and we’re making progress again.</p><p>“Nothing happened,” he confesses, “You know that.  Wanted her till she wanted me, then didn’t want her anymore.  Still, after the chase, I just ignored her, avoided her, for a couple weeks – till I left in May.”  Sara and Chloe burst into the kitchen as Trevor finishes under his breath: “It was a dick move, so I said sorry.”  After the tiny dancer ends his sentence, he darts out of the kitchen.</p><p>Chloe bounds across the room, throws an arm around me, and hangs off my shoulder like a dress shirt. “I love this tie,” she flatters, tugging at it, “It’s so… so… wooly.”  I nod, and question Sara with glances and shrugs.</p><p>“You should go Avril ,” Sara suggests.  She slides open the tie, pops open my button-down and there I am with a tie around a t-shirt.  Usually Sara can hold her booze as well as a Kegerator.  Back home in Roosevelt Shores, she held hair for a group of girls who drank spiced rum by the pint.  Now miles in from our rolling lakefront suburb, she holds hair for girls with higher SATs and lower tolerances than her hometown crew. Yet tonight even Sara’s tipsy.</p><p>I’ve already drunk a half-cup, and that’s plenty for one evening. But I’m besotted with Chloe, who’s quite the sot tonight.  “This is the best outfit ever,” she observes. “Guys love the tube top, girls love the hair fountain.”  On her crown, she’s pulled her tarnished blond bob into a miniature pony tail that spills up and over its rubber band.  She continues: “At first I thought this beer tasted like a litter box, but now it’s just water.”  With each sip, she tips closer to me, and I feel sleazy for loving it.  “Oh, Talking Heads are playing! Let’s dance, guys.”</p><p>Chloe drags Sara and me along the first few steps to the living room.  After David Byrne is done bellowing “Wild, Wild Life,” the Beastie Boys and Q-Tip rap “Get it Together.”  The tune is only a few beats in before Frank and Lyle beg Trevor to break.  He plays it off, thrice declining before he can’t ignore the circle forming around him.</p><p>Dropping and pushing off, he bounces up, right hand down, then left, then right again.  Popping and locking bare arms, his feet slide underneath as if he were riding an airport walkway.  Falling to the ground and curling up his limbs, he spins like a beetle on its back.  Pulling his frame perpendicular to the hardwood floor, he finishes the dance with a head-spin and a handspring.  Gaping and cheering, the crowd calls for more, but Trevor disappears into the back-patting throng.</p><p>Trevor’s circle closes to dance away the song.  When “Just Like Heaven,” comes on, however, the couple dozen on the floor clear out.  Only Chloe, Frank and I remain.  Dancing in the base of a tall bay window, my smallest housemate flails in time.  Chloe pulls my tie as a puppeteer strings along a dancing marionette, says “I want this.”  For an instant I fool myself into believing she could ever want me.  Then I forget my delusions as an adolescent shakes off a wet dream with a celebrity and know she means the tie and only the tie.  Taking it off, I loop it around her neck, and we do our best to keep up with the beat.  Next, the Jackson 5 funk up “I Want You Back.”  Leave it to little Michael to fill a living room within a minute.</p><p>Sara and Trevor join Frank to groove on a windowsill of our big old Arts and Crafts style house.  A meter from me, Lyle’s dancing to a different drummer.  I wonder when we’ll all be in one room again and look at Chloe to ask.  My hazels catch her blues, and she’s stilled.  Chloe’s eyes close as she tips toward me.  I glance at the bay window.  While Trevor watches us, Sara points at me.  Frank steps down after she whispers into his ear.  When I look straight ahead, Chloe’s face is the closest it’s ever been.  I give her a peck and scurry outside to smoke.</p><p>A group of gawkers brave the drizzle to watch lightning scar the sky.  Thunder has been shaking the house for hours, but the earth’s barely damp.  I take out a Red and think of a loving candle and wish my room didn’t smell like wax and Boone’s Farm.  My eyes leak, but the sky breaks open and falls in sheets, disguising sentimentality.  I take my first drag and notice Frank beside me, scratching his non-smoking hand on rock-hardened hair.  “You know what’s worse than loving someone who doesn’t like you? Loving someone who only likes you,” he shares.  Lyle and Sara gallop through a screen slam into the rain.</p><p>After a white flash, Lyle lectures as usual, relating a directionless anecdote: “Heat makes the air electric.  Riding my Cow home at dawn, I had this red See sky behind me, the See of Toronto – brightening sky; I chased night.  I knew there was going be a storm tonight, y’ know?  ‘Buckets of Rain.’  We’ll need “Shell-er from the Storm.”  How’s Chloe?” he asked.  I shrugged, so my friend continued with the Dylan lyrics: “If you could only go back to when God and her were born…”</p><p>After a sky crash, Sara clarifies as usual, relating a thoughtful paragraph: “Just remember, Paul – ‘dance floor kisses don’t count.’  Chloe’s words matter way more to you than yours do to her.  She kissed you to make sure you guys were friends.  Why d’ you think she hates Trevor?  She didn’t get her friendship make-out session, so how could she know if he liked her?  I know she said ‘I love you’ – somehow you already told me that twice tonight – but she tells me that almost every day.  Kissing means she just wants to be friends.”</p><p>“Yeah, Chloe doesn’t like herself enough to love anybody,” I say, and start to sing: “‘Cause everybody knows/she’s a Femme Fatale/The things she does to me/She’s such a little tease/See the way she walks/Hear the way she talks.’”</p><p>“Ok, no. Stop. Tomorrow’s parties never come.  Stop.” Sara begs, and removes her mesh truck-stop hat to squeeze it onto my head.  “She’s not a femme fatale – she’s not gonna kill anyone. You’re just in a relationship with her while she isn’t in a relationship with you. That’s all.”  A pause as we put out cigarettes.  “God,” Sara giggles, “my hat’s already as big as it gets, and it still won’t fit.”</p><p>“I’ve got a big fucking head,” I say, and laughter rolls. My friends couldn’t agree more.  “No,” I insist as my foot goes further down my throat, “I mean, it’s really big. I have to get custom hats – eight and three-quarters,” but my details only turn chuckles into cackles.</p><p>Calling from our roof, I hear an old friend.  I beg Trevor not to jump off onto a slippery trampoline, but he ignores the plea: “C’mon up to the roof – you can really see the storm up here!”  My friends and I climb the stairs to join Trevor and Chloe above the earthly stars of a city asleep.  Little more than silhouettes to the students below, seven lightning rods stand on the rain-slicked roof.</p><div
id="bio"><em><strong>Dylan James Brock</strong> got his undergraduate degree from the University of Michigan and an MFA from Hunter College in New York City.  He has worked as a reader at the <strong>Paris Review</strong>, a barista at Starbucks, a research assistant for author Kathryn Harrison, a dog walker, an adjunct teaching writing in Michigan and New York City, a sales associate at Best Buy, a founder of the record label <strong>Jumberlack Media</strong>, a ride attendant at a water park, and a freelance web developer.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/08/pop-psychology-2/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Familiarity</title><link>http://foggedclarity.com/2009/08/familiarity/</link> <comments>http://foggedclarity.com/2009/08/familiarity/#comments</comments> <pubDate>Mon, 31 Aug 2009 02:51:50 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[author]]></category> <category><![CDATA[Familiarity]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Jonathan D. Scott]]></category> <category><![CDATA[Jonathan Scott]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=3712</guid> <description><![CDATA[Jonathan D. Scott It took me a few seconds before I understood that the girl was talking to me. She stood on the step above where I was sitting, bent slightly, casting a shadow over my textbook. “Joe!” I looked up. She was a white girl. Her light brown hair was pulled back behind her [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Jonathan D. Scott</h3><p>It took me a few seconds before I understood that the girl was talking to me. She stood on the step above where I was sitting, bent slightly, casting a shadow over my textbook.</p><p>“Joe!”</p><p>I looked up. She was a white girl. Her light brown hair was pulled back behind her ears with clips. She had large blue eyes and wonderfully smooth cheekbones.</p><p>“Joe?”</p><p>I have never been called Joe. I should have told her that then. I should have said that, even though all young African-American men must look alike, she was mistaken. But at that moment it seemed somehow unkind and unnecessarily rude, especially as she seemed so eager. And was so pretty.</p><p>I simply didn’t know what to say.</p><p>“It’s me, Wendy. You changed a flat tire for me last fall? On Morganton Road out near the reservoir?”</p><p>In high school I had taken honors classes where I was the only African-American in class. I was used to the way I was treated—with politeness and carefully measured acceptance. Never fully expressed, but always underlying, there was a quiet assumption that I was an outsider, a representative of the slightly less-thans who had been given temporary entrance into the world of the slightly-more-thans. But the girls—and especially the attractive ones—overtly regretted any attraction that they might have incited in me. They maintained a distance I had come to accept as inevitable.</p><p>“I don’t know what I would have done if you hadn’t come along.”</p><p>“That’s quite all right,” I said, finding a voice. “I was glad to help.” I told myself I was doing the right thing on behalf of ‘Joe’ and all black men. I was politely obliging, able to meet her standard of manners without being self-abasing.</p><p>“You didn’t tell me you were a student here.”</p><p>I held up my book. <em>Ethics of Psychology</em>.</p><p>“Psych major?”</p><p>“I can only hope,” I said.</p><p>“Imagine that. If I had known you were here, I would have sent you a note. I don’t think I ever really said thank you.”</p><p>I shook my head, indicating suitable humility, hoping the interlude would end without embarrassment. “No problem,” I said.</p><p>“Listen, Joe, could I buy you a cup of coffee or something? I feel like it’s the very least I can do for you. It’s cold out here anyway.”</p><p>Her smile was distinctly not cold. It kept me from giving her the proper answer. “Maybe just a quick cup,” I said. “I don’t deserve any more than that.”</p><p>I didn’t.</p><p>We walked across the Quad to the Student Union, a distance of not much more than fifty yards. I ignored the part of me that was painfully aware of how entrenched I was becoming. Instead, I imagined the experience of walking with her as if it were a date, taking a measure of my real feelings for white women. My only girlfriends had been black, and all those of average attractiveness. None had as much of the look of a catalog model as this woman.</p><p>I held the door open. “Wendy, what’s your major?”</p><p>She smiled again, looked directly at me, and I was struck by the softness and light of her eyes. “I can’t make up my mind,”’ she said. “I don’t seem to have the brains for science, or the stomach for medicine. I was actually thinking of switching my major to psychology. Maybe you can tell me what I’d be in for.”</p><p>I followed her to the Rathskeller where she immediately drew the attention of the eager student behind the counter. “I’d guess you’d be in for years and years of education,” I said, “before you had enough letters after your name to get a decent job.”</p><p>She laughed and ordered a latte. I took a cup of their house coffee, black, the least expensive thing on the menu board. We sat at a small wooden table near the window.</p><p>“Is that what you want to do, Joe? Get a doctorate?”</p><p>“I just take it a semester at a time. Most of it depends on how much financial aid I get.”</p><p>She blew across the top of her latte but put down the cup without drinking. “I hope you get all you need. You strike me as the kind of person who’d make a good therapist.”</p><p>I was once again at a loss. I was desperately trying to construct a painless escape when a young woman, stocky and blonde, walked up to our table. “Susan,” she said to Wendy, “did you ever find your phone?”</p><p>Wendy looked up. “I had to keep calling my own number from Frankie’s phone,” she said. “It turned out it was in my car. It had fallen in between the seats.”</p><p>“Ah.” The other woman, obviously perplexed, turned to me.</p><p>“Robin, this is Joe. Remember when I had that flat last fall? Joe is the guy who changed my tire. I had no idea he was a student here.”</p><p>“Isn’t that nice?” Her voice was flat. “I won’t be back home until after dinner. I have to do laundry.”</p><p>Wendy did what manners required. “Joe, this is Robin, She’s one of my roommates.”</p><p>I extended a hand that was reluctantly accepted. “Nice to meet you,” I said.</p><p>“Sure. I suppose I’ll see you later then.” She shifted her shoulder strap and left, holding her Styrofoam cup with the hand that also held her books.</p><p>“She called you Susan.” I immediately regretted the way I had said it, but she grinned, barely suppressing a laugh.</p><p>“This is really awkward,” she said.</p><p>I waited.</p><p>“The thing is, it was dark and I wasn’t sure what sort of person you might be. There are so many strange people out there these days. I gave you a different name. Just in case. My parents always taught me to be cautious with strangers. Especially…especially men, you know what I mean.”</p><p>I knew what she meant.</p><p>“It’s all right,” I said. “I understand. There are strange people out there. My parents taught me the same thing. My name’s not really Joe. It’s David.”</p><p>For a brief moment her grin remained, then it was lost. I hadn’t meant to confuse her or confront her, but my words seemed to have upset some comfortable and unconsidered assumption.</p><p> I tried to come to her rescue. “But I’m glad to know your real name.”</p><p>“Me, too.”</p><p>I doubted that I would ever have another coffee with such a beautiful woman. “It’s been nice to see you again,” I said, rising. “Thanks for the coffee. I hope that makes us even.”</p><p>She looked past me and stared out the window, where the sun was bright across the Quad and the shadow of the library fell across the steps.</p><div
id="bio"><em><strong>Jonathan D. Scott</strong> is the author of two novels, <strong>The Woman in the Wilderness</strong> and <strong>Lenegrin</strong>, and his short stories have appeared in numerous print and online journals.  He lives in North Carolina.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/08/familiarity/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Pop Psychology</title><link>http://foggedclarity.com/2009/07/pop-psychology/</link> <comments>http://foggedclarity.com/2009/07/pop-psychology/#comments</comments> <pubDate>Sat, 01 Aug 2009 03:29:39 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Dylan Brock]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Hunter College]]></category> <category><![CDATA[Pop Psychology]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=3350</guid> <description><![CDATA[Dylan James Brock Part 1 22 June 2002, twelve am Chloe and I sit facing each other on the stone railing of her front porch. It must be midnight – the stoplight above the intersection of Grant and Cherokee just started blinking red. I sip from a cup of coffee that is somehow cold in [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Dylan James Brock</h3><p><strong>Part 1<br
/> </strong></p><p><strong><span
style="text-decoration: underline;">22 June 2002, twelve am</span></strong><br
/> Chloe and I sit facing each other on the stone railing of her front porch.  It must be midnight – the stoplight above the intersection of Grant and Cherokee just started blinking red.  I sip from a cup of coffee that is somehow cold in air that could steam broccoli, but the java still tastes great because Chloe made it.  She’s got a radio show from three to six am on the student station and we’re drinking our sleep.</p><p>Chloe’s nimbus blue eyes glisten as if they might rain.  I can predict her better than the weather, and those are storm clouds in her irises – Chloe doesn’t get sad, just irritated.  “Trevor’s coming back tomorrow, that he’s going to be here, makes me so angry,” she says.  About their attempted romance, I know too much in confidence, but I don’t want to undermine my own chances so I change the subject as quickly as she did.</p><p>My fingers fidget, right index wrapping black curls around my thumb, left index pushing up horn-rimmed specs.  I take out a Marlboro and, after a drag, ask “What do you want to play on the show tonight?”</p><p>“You,” she says, as instantly bubbly as a cracked can of Coke.  “I’ve had your song in my head for five days now.  I even sing it at the lab.”  I hope she’s talking about “Without Chloe,” so I’m disappointed when she starts singing a more clever but insipid work: <em>If you have sex with me, I’ll write a song about you/If you come and kiss me, maybe I’ll write you two/If you say you love me, I’ll write you three or four/but if you say no to me, I’ll write you many, many more</em>. A cute girl performing a song I wrote should be enough, but it’s not – she should be singing the one I wrote about her.</p><p>“We’ll play your CD and I’ll interview you and stuff.”</p><p>Chloe is tall and stunning, but her lack of poise makes her approachable.  I see a spattering of klutzy bruises on her gracefully shaped leg and remember that she bleeds like everyone else.  Trevor once told me to love my female friends because of their faults, for without them, they’d hang out with better-looking guys than me. Chloe can probably rattle off the genetic markers for whatever defects she has, which makes her all the more appealing in spite of them.</p><p>But Trevor also taught me that a person’s image is always a choice – so I ponder why Chloe doesn’t shave her legs.  When this mischievous curiosity overwhelms me, I ask, and wait for more rain.  “I’m lazy,” she lies, and, with a glare, I let her know that I know how much overtime she works at the laboratory where she isn’t paid by the hour.  “Ok, my appearance isn’t that high of a priority,” she fibs, and, with a glance, I let her know that I remember where in France she found those burgundy pumps.  “All right, all right,” she crescendos, “When I shave, guys look at me different, and I don’t like it.” A pause, then she ponders: “It’s like I look too good.”  Another pause, then: “God, I can’t believe I just said that.”</p><p>The awkward quiet of crickets and joy-riders ends only when Chloe gets off the stone railing, slams the screen, and puts The Soft Bulletin in the stereo: <em>Two scientists are racing for the cure that is the prize/both of them side by side/so determined</em>.</p><p>Somewhere nearby, the laid-back summer party we were supposed to attend is at its anticlimactic peak.  I doubt it’s much fun, and, unless the hosts have held a summer party before, I bet they’re disappointed – standing around a sweltering house watching a couple dozen kids struggle to finish a quarter barrel.  When we do go out, Chloe and I stick to the dance floor, not because we’re good, but because it’s something to do.  Still, dancing’s not the same without Trevor – he’s not good; he’s great.</p><p><span
style="text-decoration: underline;"><strong>23 September 2000, twelve am</strong></span><br
/> As children of the eighties, Trevor and I were several years younger than the Detroit techno scene.  But in the last years of the twentieth century, the American popularity of a little pill used for decades in European clubs surged.  Trevor started selling Ecstasy for twenty-five dollars a pop a year before that trend peaked and he got out of the game just before its popularity waned.  The guy’s got amazing timing, as anyone who’s danced with him can attest.</p><p>Trevor could break dance: he popped, locked, flipped, even spun on his head.  It was an art he perfected when he was still dealing.  He’d head to raves to dance – the guy never drank or smoked or used anything – and to sell only to his few hundred friends.  His most attractive quality was his poise, charisma that could melt the conceit of the coldest coed.  Of course, looking like a preteen pin-up never hurt: maize hair, cobalt eyes and a nose men would pay for atop the body of a former gymnast.</p><p>I met Trevor in 1998, at Roosevelt County Community College, in Psych 101.   I’d gone to Roosevelt Shores, the suburban high school; he’d gone to Roosevelt Catholic Central.  Both of us stuck around to be with younger girlfriends.  Both of us got dumped early in our freshman year.  I wanted to be a psychiatrist; Trevor wanted to be a psychoanalyst.  We were best friends within a week.</p><p>When we transferred to Charles Dover University, without leaving Roosevelt County, we moved in with a couple of his friends from high school – a mild rover named Lyle and a motherly engineer named Frank.  The four of us lived at 1013 Hooker for our next three years.  Binding us were our common origins and the shared belief that a man who claims to keep it real is the biggest phony of all.</p><p>Trevor reworked his entire image every year.  Summertime was when his phase changed – fewer folks were around to witness awkward transitions.  Gradually he would work new accessories and articles into his outfits. His fashion paints a blurry picture because it changed so fast.</p><p>Still, the most important trend Trevor got over was Ecstasy.  I was sitting next to him on our porch swing when he swore off dealing.  It was the first sweater night in what had been a warm September.</p><p>Trevor and I had seen enough episodes of club life to feel trapped in a rerun – dancing and selling, kissing and leaving, sober all the while.  He had gone out to make money, and I had gone out to meet women, but we had discovered we did both better in places where the bass didn’t drown conversation.</p><p>But disenchantment was the least of Trevor’s troubles.  “I’m tired, y’ know?” he lamented. “Tired of feeling sad and mad and guilty, my friends coming over Saturday mornings all e-tarded but still wanting another roll.  Tired of getting shit-scared, looking over my shoulder, every second of the walk from the rave to my car, hoping nobody knows about the cash I’m carrying.  “I mean, look what happened to Calvin.”</p><p>A half-dozen career criminals with a half-dozen guns had broken into his supplier’s apartment near Wayne State University.  The robbers had taken everything that matters to a guy – drugs, electronics, cars, even the porn stash.  “Y’ know there’s gotta be a better way to make money,” Trevor said.</p><p>It was 2000 – the Internet economy was still only teetering – and Trevor was smart enough about business to recognize a once-in-a-lifetime laundering opportunity.  Pacing the porch he explained his e-commerce plan, and the next day we pooled our talent and started a web design company.  Within two weeks we were making money.  It was that easy, Trevor made things happen.</p><p><strong><span
style="text-decoration: underline;">22 September 2001, twelve am</span></strong><br
/> A year later, I stood in the back of a packed living room watching four little punks fumble through covers of Weezer, Phish, and Radiohead.  The dozen freshmen off to my left kept shooting avid glances at the front door, as if either John Belushi or their parents would burst in and change this wild party for better or worse.  It didn’t occur to me that they might be watching for police; I’d been twenty-one for months and was never much of a drinker.  Nursing my usual cup of coffee in a crowd of beer guzzlers, I wondered why I was still at the party.</p><p>Lyle had insisted the band was not to be missed; that was the only reason I had squeezed myself into a closet with shag carpeting and Bob Marley posters.  Trevor, Frank, and Lyle were supposed to meet me there, but all three had called within an hour,  apologizing for ditching me and going to The Lakeshore Brewing Company instead.</p><p>I didn’t care for bars; the scene reminded me of the old days, raves and clubs.  For the same reason I usually avoided parties.  I pried myself out of the crowd and onto the small, semicircular porch.  Lighting a Marlboro, I wondered how my night could amount to anything.  It was only twelve; I couldn’t just go home and sleep.</p><p>From behind, I heard an insistent, familiar voice.  I turned and there was my high school friend Sara, as in Samsara – that was how she introduced herself.  Sara’s half Bengali, half Irish, but everyone at our high school assumed she was black. Favoring cardigans with tank-tops, Sara would joke that she worked a sexy Grandma look.  “We’re just as bad as prom monarchs,” she was arguing, “Someday we’re gonna be telling our kids how college was the time of our life.  That’s what my parents say, and it’s scary– it’s sad.”</p><p>“So how ‘bout that band?” I asked, stepping to their side of the porch.  I didn’t know Sara’s companion but, catching her eye color, I thought she was cactus-rose cute in her cowboy hat.  The girl even had a paper cup of coffee to match my own.  The moment was dreamy until she spoke.</p><p>“Weezer is terrible, but Radiohead is worse,” Chloe shouted in reply.  A couple hunches told me that yelling was her normal volume, and bashing was her normal mode of conversation.  What Chloe dislikes defines what she’s like.  She hates ten times more acts than the average fan knows, and likes only acts that are either obscure or inarguably, timelessly great.</p><p>“It’s like this,” Chloe explained. “Weezer made fun rock in the mid-nineties but now they’re a bad tribute band of themselves.  Radiohead stopped making Radiohead albums with <em>Kid A</em> – Kraftwerk could have released that record in the late seventies.  Past greatness doesn’t justify present mediocrity, y’ know?”</p><p>In three sentences she had shelled my two favorite bands. Like any insecure elitist, meeting someone more exclusionary made me want her to include me. I asked what she did like.  Chloe listed three albums: <em>Wild Love</em> by Smog, <em>Slanted and Enchanted</em> by Pavement, and, obviously, <em>In the Aeroplane Over the Sea</em> by Neutral Milk Hotel.  After a drag from my smoke, I sang an excerpt from the last of these: <em>What a beautiful face/I have found in this place/That is circling around the sun</em>, and by the third word she was singing along.  After, we discussed the recording with the enthusiasm of birders who’d seen the same Kirtland Warbler.</p><p>Then Chloe cut an effusive critique mid-syllable.  “Wait, who are you?” We exchanged names.  “How do you know Sara?”  Chloe asked, and her friend told her we’d gone to school together, speaking of our days in computer club with embarrassing relish.</p><p>Sara’s anecdote, in short: as a senior, I attempted to buy the office of Computer Club President.  Attempted, because I gave a dollar to an exact majority of fellow members – in advance.  Sara decided to teach me a lesson, voted for the other guy, and cost me the office.  Thus I had the indignity of writing on my application to CDU: “Vice President, Computer Club” – a position the student who beat me created out of pity.</p><p>“I was in computer club and math club and physics club and chemistry club and…” Chloe stopped when she realized her mannerisms were being parroted and parodied by Sara.</p><p>Three thick-necked guys in white hats slammed the screen door behind us.  They brushed against my narrow shoulders, nudging me into Chloe.  She smelled like coffee beans roasted with ginger.  Once on the street, one of the guys pointed at the cowgirl and yelled “Ye-ha!” as the group faded into shadows from the blue moonlight and orange street lamps.   “I hate that shit,” Chloe complained, standing just inches from me. “I’ve worn this hat for ten years ‘cause I grew up on a farm, but since that Madonna music video, guys yell at me all the time, Ye-ha.”</p><p>Sara dismissed this and asked Chloe what she wanted to play on her radio show that night.</p><p>“I don’t know.  We’ve still got three hours till we have to worry about music.”</p><p>“You spend half your day worrying about music, show or not,” Sara said, taking out and lighting up another cigarette.  I followed suit, and smiled, knowing my night had just gotten longer.</p><p><strong><span
style="text-decoration: underline;">22 June 2002, three am</span></strong><br
/> Tonight her show goes great.  The student radio station, W-Dover, is one of only a couple dozen of free-form stations left in the country.  What this means is that Chloe can play whatever she wants, as long as she mixes her rotation up enough – Igor Stravinsky rubs elbows with Elliott Smith and Charlie Parker is birding until he gets spun right afterward.  Broadcasts beam from the basement of the Student Activities Building, a standard, boring late twentieth-century construction.</p><p>Within W-Dover are several rooms shelving music from floor to ceiling.  A massive collection of vinyl lines the walls of the studio.  CDs have a room of their own, while hip-hop is segregated off in a messy closet.  We’re bouncing from stack to stack of music.  I keep throwing her cuts with lyrics like <em>You are always on my mind</em>, and <em>Do you realize that you have the most beautiful face?</em> but she doesn’t take hints.</p><p>As the show is just getting underway, Frank stops by the station on the way home from his boyfriend Lance’s place.  A cigarette’s between his lips, and his lighter’s sparked before Chloe reprimands him.  Frank apologizes while scratching pale hair rigid from product.  In our house, he’s the homemaker – pausing between daily sweeping and mopping to sip cheap Chardonnay from a Mason jar, shaming his housemates into weekly room cleans. While scrubbing, he plays independent-label rock and roll albums that catch my ear, albums I haven’t heard but, after listening, burn to buy.</p><p>Until I met Chloe, Frank introduced me to almost every album I own.  He revels in such introductions. Every couple months, Frank dumps Lance to pursue a straight boy.  Frank makes the cutie a wondrous mix CD, makes an advance, gets indirectly rejected, and makes up with Lance again.  I like it when Frank’s single – he cleans more thoroughly and more often, and I hear more new music.</p><p>While alphabetizing the stack of albums we’ve yet to play, Frank asks what’s playing now.  Chloe saves me the embarrassment of telling my roommate that I’m the guy he’s hearing.  “Wait, this is you, Paul? This is…good,” Frank says in surprise.  His tiny hands stroke the shape of a goatee his boy-smooth chin could never grow.  A blank stare washes over eyes that cross when Frank drinks and thinks too much.  “You’re good, Paul,” he comments when my song ends, “and I’m tired.”  Frank turns his gelled head towards Chloe, ignoring her finger pointing to the glowing ‘On the Air’ sign. “I love you guys.  G’ night,” he says, blowing a kiss on his way out.</p><p>“We love you, too, Frank,” Chloe says into the microphone, “G’ Morning.  It’s about twenty after three, and we’re here with our special guest Paul Clemens. You just heard the title track off his EP ‘You Mix My Metaphors’, Before that was the Flaming Lips with “Do You Realize,” Count Basie’s “One O’Clock Jump” and ‘New Partner’ by Will Oldham under his Palace moniker.  Now, Paul, what do you write your songs about?”</p><p>“Girls,” I state.  Chloe points to the oversized headphones hanging on my mic, and I strap them over my curls.</p><p>“Tell us about your middle name, what it means to this business,” she commands, and reclines in her chair.</p><p>“It’s a fucking curse,” I slip, and she sits up, brings a hand across her neck to remind me that it’s illegal for anyone to use the dirty seven on the air.  “My mom’s maiden name, my middle name, is McCartney.  I’m bound to be a disappointment.    I mean, George Washington Carver didn’t run for president.  He made peanut butter.”</p><p>“What about, like, Martin Luther and Martin Luther King?”  Chloe asks.</p><p>“Well, I guess they were both good preachers.  I don’t know, it’s just a lot to live up to, y’ know?”  I comment.  Chloe agrees and reminds listeners to call in requests, and, glaring at me, dedicates “You’re So Vain” to Sara, a Carly Simon fanatic.</p><p>At quarter-to-four I fetch us Cokes from a late night pizza place a few blocks from the station.  Chloe never asks why I stay up with her till sunrise a couple Fridays a month, why I get her drinks, why I call each cup of coffee she makes me the best I’ve ever had.  Like a lot of pretty girls, she has become accustomed to gentlemanly kindness.</p><p>Her show ends with a beautiful rasp warbling <em>I’ve got reservations about so many things/But not about you</em>.  We walk south down Madison.  Her house lies where the street dead-ends into Packard.  I’m counting the blocks.  When we pass the second dormitory on the left, we pause to part.</p><p>We hug, and only then she walks across the street backwards, toward her house, talking about the plans for Trevor’s party tomorrow.  She finishes her thought, then waves goodbye.  Before she can turn, I call out “I love you,” for the first time.</p><p>In early May, just before Trevor left, I cornered Chloe on my porch and confessed: ”I’m in love with you.”  Chloe replied that I didn’t love myself enough to be in love with anyone else, and changed the subject.  But “in love with” and “love” are distinct phrases – each loaded with an armory of implications.</p><p>“I love you, too,” Chloe calls back.  I feel as light and breathless as a moon man.</p><p>“No, really!” I yell.  She smiles and shakes her head as she turns to walk straight home.  I call Trevor, knowing the time difference between Michigan and California, hoping he’s still awake.  I enthuse and fret about the exchange.  He mutters that his plane leaves for Detroit in five hours, begs me to let him sleep.  “’K,” I say, “I’ll talk to you today, tomorrow, whatever.  G’ night –G’ morning.”</p><p>As I walk the last block to my house, I look through my bedroom window to a still lamp burning in the crimson dawn.</p><div
id="bio"><em><strong>Dylan James Brock</strong> got his undergraduate degree from the University of Michigan and an MFA from Hunter College in New York City.  He has worked as a reader at the <strong>Paris Review</strong>, a barista at Starbucks, a research assistant for author Kathryn Harrison, a dog walker, an adjunct teaching writing in Michigan and New York City, a sales associate at Best Buy, a founder of the record label <strong>Jumberlack Media</strong>, a ride attendant at a water park, and a freelance web developer.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/07/pop-psychology/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Danielle Evans</title><link>http://foggedclarity.com/2009/07/danielle-evans/</link> <comments>http://foggedclarity.com/2009/07/danielle-evans/#comments</comments> <pubDate>Sat, 01 Aug 2009 03:25:30 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Interviews]]></category> <category><![CDATA[author]]></category> <category><![CDATA[authors]]></category> <category><![CDATA[Best American Short Stories]]></category> <category><![CDATA[Danielle Evans]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Short Fiction]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=3335</guid> <description><![CDATA[The Iowa Writers' Workshop graduate discusses fiction, race and success.]]></description> <content:encoded><![CDATA[<h3 class="byLine">The Fogged Clarity Interview</h3><div
class="center"></div><div
class="center"><img
class="noframe" src="http://www.foggedclarity.com/images/otherFeatures/2009/evans.png" alt="Danielle Evans" /></div><div
class="center">The Iowa Writers&#8217; Workshop graduate discusses fiction, race and success.</div><div
id="bio"><em><strong>Danielle Evans</strong> was born in Northern Virginia in 1983. Her short fiction has appeared in <strong>Best American Short Stories 2008</strong>, <strong>The Paris Review</strong>, <strong>Phoebe</strong>, <strong>Black Renaissance Noire</strong>, and <strong>The L Magazine</strong>.  She received a BA in Anthropology from Columbia University,  an MFA in fiction from the Iowa Writers&#8217; Workshop, and the Carol Houck Smith Fellowship from the Wisconsin Institute for Creative Writing. She has taught in the creative writing program at Missouri State University, and has recently joined the faculty at American University in Washington, DC. She is currently editing her first short story collection, tentatively titled <strong>Before You Suffocate Your Own Fool Self</strong>, and working on a novel titled <strong>The Empire Has No Clothes</strong>. Both are forthcoming from Riverhead Books.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/07/danielle-evans/feed/</wfw:commentRss> <slash:comments>0</slash:comments> <enclosure
url="http://media.blubrry.com/foggedclarity/foggedclarity.com/audio/interviews/2009/August/evansInterview.mp3" length="35854876" type="audio/mpeg" /> <itunes:keywords>author,authors,Best American Short Stories,Danielle Evans,fogged clarity,Short Fiction</itunes:keywords> <itunes:subtitle>The Iowa Writers&#039; Workshop graduate discusses fiction, race and success.</itunes:subtitle> <itunes:summary>The Iowa Writers&#039; Workshop graduate discusses fiction, race and success.</itunes:summary> <itunes:author>Fogged Clarity</itunes:author> <itunes:explicit>no</itunes:explicit> </item> <item><title>Hurricane Season</title><link>http://foggedclarity.com/2009/06/hurricane-season/</link> <comments>http://foggedclarity.com/2009/06/hurricane-season/#comments</comments> <pubDate>Wed, 01 Jul 2009 04:54:24 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[claire foster]]></category> <category><![CDATA[Claire Rudy Foster]]></category> <category><![CDATA[fiction]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[hurricane season]]></category> <category><![CDATA[short story]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=3043</guid> <description><![CDATA[Claire Rudy Foster Liz was a chain-smoker. She sat on the roof at night, lighting cigarette after cigarette, one off of another. She rarely got caught because she kept all the stubs in one of Pop’s empty beer cans. The section of the roof where she sat was right next to the dumpster, she would [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Claire Rudy Foster</h3><p>Liz was a chain-smoker. She sat on the roof at night, lighting cigarette after cigarette, one off of another. She rarely got caught because she kept all the stubs in one of Pop’s empty beer cans. The section of the roof where she sat was right next to the dumpster, she would drop the can over the edge of the gutter and listen to make sure it landed in with the rest of the trash. It made a good noise, a hearty thunk that somehow sounded also thin and far away. She could sit there for an hour and go through half a pack of Merits on the nights she was thinking hard.</p><p>She showed me how to do it, too. Showed how you only need one match, if you’re careful. The first puff of sulfur made me cough, and she laughed at me.</p><p>“Watch it, Ray,” she said. “That was just the match. We haven’t even gotten to the main event.” My real name is Ramona. Liz’s real name is Elizabeth. She was seventeen. She wasn’t supposed to be smoking because Pop said so. I wasn’t supposed to be smoking because I was nine.</p><p>The hard part was keeping the tip of it in a perfect cone, so that the cigarette was shaped like a dart. When Liz was talking she gestured with hers, and the glowing point of it was like an arrow in the dark.</p><p>“Did you watch <em>Oprah</em> today?” I asked. Liz worked at the Casino Magic, one of the brightly-lit gambling joints on the strip in Biloxi. Liz had been hired as a root beer girl by the casino manager, Mel. Liz said Mel was vain about his looks, always wearing a neat white shirt and a bolo tie. He was balding, and carefully combed his head in a way that was supposed to make him look hairier. Mel said things to Liz like, “I can’t believe you’re not eighteen, girl.” He would ask her when her birthday was. He never tried to touch her, she said, because he knew she’d pour her whole tray of root beers on him and make a scene.</p><p>Liz got to watch <em>Oprah</em> at work because one of the bartenders, Andie, was a woman, and the bartenders got to pick what was on their televisions. Liz would take her break as soon as <em>Oprah</em> came on. She’d sit for the whole hour, two breaks stuck together, chain-smoking and watching without anyone trying to feel her up .She told me she’d even take off her shoes, the high heels she wore every day, fulltime.</p><p>“Part of the rules is always looking the part,” Liz said about the casino. “You gotta look happy all the time, like at Disney World. Happy people spend a lot of money. The only person spends more than a happy person is a drunk who’s got no reason to go home.” Then she looked at me sharply. “You remember what I say, Ray? You always remember every word. You just remember it’s all true.”</p><p>Liz’s shoes used to be Mama’s. They weren’t real high heels, fancy shoes. They were snub-toed, faded-blue leather, with a four-inch heel and no back. Liz called them mules. She called herself a mule, too. She’d been working at the casino since she dropped out of school, almost six months going full-time. The snub toes were getting to look battered and scuffed. There were nicks in the heels, too, where Liz had banged into something with sharp edges. She needed new ones, and could have bought them with her paychecks, but she didn’t want to. She said they were just getting broken in the way she liked, and nobody could see how beat-up they were in the casino light that was dulled with cigarette smoke.</p><p>Today on <em>Oprah</em>, Oprah went to a school in South Africa and gave a lot of money to the little black girls there. The little girls in Africa were wearing green uniforms, the color of bullfrogs. Their smiles were extra-big and shone very white against their ebony skin. Oprah was smiling and crying, draped like a queen in pink. She was hugging those little girls so hard, like she wanted to squeeze them until they became part of her body.</p><p>Liz likes Oprah even though she took Mama away. Mama sent in a postcard for a contest, a weight-loss contest on the Oprah show. Mama isn’t really fat, not the way that people in the carnival are fat, or some of the summer tourists from Louisiana. Mama is shaped more like the “before” picture in a diet ad. You could see that she wanted to be skinny. Oprah must have known how bad she wanted it because Mama’s name got picked to be on television with five other big people.</p><p>The week before Mama left for Chicago, she and Pop were fighting every day.</p><p>“How long will you be gone,” he’d ask, and she’d laugh. He was drinking a lot. He told her she was damn irresponsible and selfish, and that she ought to stay.</p><p>“I’m staying until Oprah sends me home,” she said. “Don’t you bother me til then.” She was picking out clothes to wear, trying to decide how small a size she’d be when she came back. Mama wrote to Oprah on the postcard that she wanted to lose 85 pounds. That’s as much as I weigh. It gave me a funny feeling to see that number written on the postcard, as if Mama wanted to lose a piece of herself that was as big as me, shaped like me. I wondered where all those pounds would go when she lost them. I saw them leaving her in a silver string, one pound after another, and stacking themselves up into the shape of a little girl. I didn’t like thinking this way. It made me uneasy.</p><p>Mama and Pop had a big argument on the morning before Mama’s plane left, but he drove her to the airport anyway. Pop worked weekends at the airport, and he waved at a few of the other security guys when we walked Mama up to the gate. Liz wasn’t there. She’d got an early-morning shift at the casino and couldn’t get out of it. I thought of her, in Mama’s busted-up heels, pushing her drink cart across the casino floor. I gave Mama an extra kiss from Liz, and she gave me two back, one on each cheek.</p><p>We couldn’t go past the first security checkpoint with Mama because we didn’t have tickets, so we watched her wade along with her two duffel bags. She stopped, one time, to wave at us once we were safely separated by the wall of metal detectors. At a distance, I could see why she wanted to lose weight. She was short, and lumpy under her KLPN Radio shirt. As she walked away from us, she seemed smaller and squatter, until she blended in exactly with all the un-special tourists coming in from Florida or Cincinnati to throw their money away in the casinos.</p><p>I told Liz, when she asked, that Pop hadn’t said anything in the truck on the way home, this was a lie. He took us back the slow way, bypassing the interstate a few times and keeping us in sight of the coast. He said he wanted to look for hurricanes, which made me nervous. I stuck my hands together in the shape of prayer and pressed them between my thighs.</p><p>Pop looked for hurricanes when he was angriest and saddest. The time he’d lost his job counting shipyard stock, when Pappy died, when he’d thought Mama had left him because they were fighting all the time—that’s when Pop started checking the horizon for bad weather. At home, he’d put on a Merle Haggard tape and sit on the porch watching the sky for hours, drinking beer. But all this driving in circles made me worry.</p><p>“She’ll come back,” I said. “She’s not running away.”</p><p>Pop shook his head. “She wants to be away. She’ll come back different, Ray. She thinks being different is gonna make her happy.”</p><p>I leaned my head on the truck window, close enough that my eyelids brushed the glass. Over the Gulf, the gulls went singing by in a quick wind. I looked out, further, towards Cuba. There was a fat ribbon of cloudbank sitting there, stubborn as a toad. “That looks like a hurricane,” I said, and I figure that made Pop feel sorry for us both because he got us cokes at the gas station and took us straight home.</p><p>Later that week, Liz was watching <em>Oprah</em> on her break when Mama came on. She called me at the house and I flipped on the tiny black-and-white set in my bedroom. I pulled the television close to me on the bed, and flopped down on the quilt to watch Oprah meet my mother.</p><p>We’d got the TV from the Goodwill, so the picture was grainy as diner coffee. I had to get my face pretty close to the screen—something my mother always said would make me blind, but I wasn’t much concerned. Oprah’s big, black, smiling head bobbed around the screen. The audience was full of pearly-faced white women who all clapped together when Oprah announced her fat-person candidates. She was sitting with a skinny white man with bug-eyes. He was from New York. Oprah and the skinny man, (presumably her personal dietician) started to talk about health, and Oprah put her hand on the white man’s knee several times, as if they were friends and she wasn’t paying him a lot of money to reform her body so the tabloids would leave her the hell alone.</p><p>She said a lot of things about health, and about nurturing yourself, and some of the women in the audience, especially the fatter ones, started to tear up. Oprah always makes somebody cry on her show. I’ve never seen one where the people are happy the whole way through.</p><p>Then the skinny man looked expectantly off into the wings and Oprah said, “Here they are! Let’s hear it for our challenge’s candidates!” Everybody clapped, and the TV camera swooped around the stage. I had to lean back from the screen, because the excitement made me dizzy. They began to file on stage, one at a time, people wearing their fat like wet overcoats. They were a bunch of women, with but one man. They sat on high stools in the middle of Oprah’s platform, so everybody could see their bodies. It reminded me of a trick I’d seen at the zoo in Florida. A zookeeper made a family of orangutans all sit on stools, just like that, and clap their hands while he threw to them fruit and pieces of candy. I was only about five, and hadn’t liked the orangutans’ sad, pouchy faces. Their hands were big and chalky, like Pop’s when he came home from hauling crates at the shipyard.</p><p>She was sitting second from the right, and she was wearing a dark pullover shirt I’d never seen before. It was impossible to tell the color on account of the black-and-white TV. Her hair had a lot of extra spray in it, like she it when she was going to see Pop’s Maw-Maw and she was nervous about anybody saying anything to her. Her hair was big and stiff, like it was full of wind. I could tell she’d done her own makeup, too, because she always did her left eyebrow a little higher than the right one. I put my finger right over her face while the camera did its swoops and dives around the stage. I felt a sudden rumble in my gut and wished I had some peanuts or candy, but I didn’t dare get off the bed and go to the kitchen. I was waiting to hear what she was going to say—and what Oprah would say to her.</p><p>Mostly it was pretty boring, up until Mama. The other people talked about their families, and their jobs, and the places they lived. There was some footage from these people’s audition videos to be on Oprah’s show. They were holding their fat like wet laundry, shaking it, pointing at it. They didn’t look anything like my mother. My mother was all in one piece, one whole person who wore out a new swimsuit every summer and loved to sit on the porch, baking her big arms red in the sun. The others, gripping their rolls in their two frustrated hands, seemed monsters in comparison.</p><p>“Well, my name is Marilou,” my mother said when Oprah got to her turn. “I’m from Biloxi, Mississippi.” I got my face up close to the screen again. “I’ve got a husband and two children, and we live near the Gulf by the casinos.” Oprah nodded. My mother wouldn’t look into the camera, out at me and Liz and probably Pop, too, in the living room. Her eyes kept sliding sideways to look at Oprah. Oprah nodded a lot, and looked interested at what everybody said. It was hard to tell if she was actually listening, or only hearing my mother when she spoke.</p><p>“I love my children and my husband,” my mother said, “but I feel that I do not have time for myself. I take care of them all day, and aside from my sister-in-law who lives across town, I don’t really have any friends. I have nothing to do and I feel bored.” Her eyes started to get all sticky, and I smudged them on the screen with my finger. I bit my lip, like she was doing. I could feel myself starting to tremble.</p><p>“I wanted to go to real estate college after I graduated high school, but we just couldn’t afford it, and I was pregnant right off the bat. Life’s been hard. I love my family, but they’ve been a trial to me since I married.” A tear started to muddle up her eyeliner. Oprah nodded a lot, leaning forward in her chair.</p><p> “I guess I just feel like I eat because it’s how I remember feeling loved when I was a child myself. My mother died last year in the hurricane, and at her funeral all I could think about were the recipes she’d lost in the flood. I remembered sitting on the floor of her kitchen—it was underwater for weeks, there was no getting back to it—and she’d just feed me little tastes of whatever she was making. My daughters are both good girls, but they’re no great help in the kitchen. Not my husband either. So it’s just me, every day, cooking for the four of us and feeding myself the whole time.” The tear made a gray track down her face. I could tell that her eye makeup was about to start running at full speed.</p><p>“I miss my mother,” she said. “I miss the taste of what she made, and I’m sorry that I can’t seem to give that kind of love to my girls. I feel like I’m so full up inside, and it’s got nowhere to go. I just can’t seem to get rid of it, even giving it to myself.”</p><p>She began to cry, the hot wet sobs of a young child. Oprah reached across the skinny man from New York and put her hand on my mother’s lap. “We all need love,” Oprah said. I wondered what Oprah’s hand felt like to my mother. Was it dry or soft? Did it smell like the hands of the black women we knew in town, whose coconut scent clung to the paper bags of groceries they sold us at the corner store? My mother bent down her head and looked at Oprah’s hand. She probably was trying not to dribble tears on it, it was such a precious thing. My mother had probably been waiting her whole life to see Oprah. Seeing my mother’s pale fingers crooked around Oprah’s brown ones, I thought that to be able to hold Oprah’s hand and be comforted by her was all my mother ever wanted. Looking at them on the television, I saw that Oprah was only about five years older than my mother, but aside from being black and white they could be sisters like me and Liz.</p><p>“We all have a lot of pain in our lives,” Oprah said. “But we need to learn how to carry it. Not in our own bodies“—a few of the fat women in the audience nodded like chickens—“but in other ways. We need to nourish ourselves, but not with food. We need to learn to feed our pride, our hearts, and take care of our bodies so that we can be strong.” I felt my eyes begin to pinch. The audience started to tear up, and even Oprah had moved herself enough to start glistening around the eyes. My mother just kept looking down at Oprah’s smooth, brown hand, as if she would like to stroke it, or tuck it into her blouse like a pendant. Oprah put her other hand on my mother’s wide shoulder and leaned against her. She smiled over the top of my mother’s head into the camera, and then the whole show went to commercial.</p><p>I went down to the kitchen as quickly as I could, down the sun-warmed wood of the stairs and across the chill linoleum. I didn’t want to open the refrigerator on account of Pop, who might hear me from the living room and feel like talking. Instead I lifted the lid of the ceramic jar shaped like a rooster and pulled out a small paper bag of Mama’s homemade candied pecans. She saved them to use in her special pecan pies, for our birthdays or around the Thanksgiving holiday. I took the bag back up to my bedroom, careful not to step too heavily on the stairs. As I slid my door closed, I heard Pop sidle into the kitchen and crack open the refrigerator. It was strange knowing that we were all watching—me and Pop at home, and Liz at the casino. I wondered if we should be taping it, for Mama—but then, we didn’t have a VCR, and she probably wouldn’t care to see herself on TV anyway. It couldn’t compare to the feeling of really being there. As it was, I knew I would remember everything she said. I would save it up to roll over in my mind for days and days.</p><p>I lay on my stomach on my mattress, curled up to the television. The pecans rattled in their paper bag, so I opened the wrapper and began to eat them. They were sweet at first, and then I began to taste the tiny amount of cayenne and salt Mama had rolled them in while their layer of candied sugar was still hot and sticky. I ate steadily through the second half of an advertisement for Stouffer’s meals and watched a happy family drive their new hybrid car through their tidy neighborhood. I had never seen anything on television that approximated the place that I lived, or the people I knew. I wondered if Mama had seen these things, and if it was for this reason that she so craved the happiness that Oprah could offer her.</p><p> Liz came home that night after work, sweating from the end-of-summer heat. She took off her borrowed high heels, and I could see where the navy blue suede had stained the tips of her toes. “You have Gonzo feet,” I said, and tried to tickle her, but she kicked me away and went to get a soaking tub from under the kitchen sink. Today, she didn’t even bother to hide her smoking from Pop. She sat in Mama’s regular place on the porch, her feet relaxing in a basin of warm water with plain Epsom salts. She had her usual pack of Merits, and she smoked them one after another, letting the ash drift down onto the smock of her plain yellow dress. Her dark hair was tangled around her headband, as if the piece of plastic was being eaten by a ditch full of soft brambles.</p><p>“Ray,” she said to me, “you’ve been eating candy or something. Your lips are all sticky.” I tongued around, trying to get rid of the sugary pecans. I could feel the leftover bits of sweet nut sticking in my teeth when I closed my mouth after speaking. They stuck my jaws together, tighter than a secret. Inside my head I heard the things that my mother had said to Oprah. I had not ever known that to eat was the same as to be loved.</p><p>“Just a treat,” I said. Her feet, in the basin of water, looked fat and white as defrosting shad fillets. I wondered what we’d eat for dinner, now that Mama was gone. I supposed it would be macaroni again, or something bought and cooked from a box. Pop didn’t care to cook, he’d make to do with sandwiches, and I’d never seen Liz do more than boil water. I tried to remember the quick pinching movements of Mama’s hands, laying pie dough or dressing a whole chicken, but I was unable to comprehend what she’d done. I had never thought that she’d be gone for dinner, and that we’d have to scratch it together on our own.</p><p>“Did you watch <em>Oprah</em> today?” Liz asked. She lit another cigarette, twiddling the burning stub of the old Merit into the barrel of the fresh one. The cigarette caught fire slowly, and she had to sit puffing for a minute, trying to encourage the transfer of the spark.</p><p>“I got out my TV,” I said. “The picture wasn’t very good, but I saw.”</p><p>“What’d you think of it, Ray? Was it what you expected?”</p><p>“I don’t know,” I said, and I glued my mouth shut again, biting down on those pecan fragments in my teeth.</p><p> “I couldn’t believe it,” Liz said. She smoked a little, quietly. She let the smoke blow right back in her face, and in her hair. I wondered if Pop would give her hell for smoking, and I didn’t think so. It wasn’t the kind of day when anybody could get in trouble for anything. Liz squinted in the smoke, looking out at the scrub grass that lined our chain-link fence.</p><p>“I felt sorry for Pop,” she said, thoughtfully. I stuck my finger into the basin of water and watched it wiggle at her toes.</p><p>“I feel sorry for us,” I said, without thinking. “She didn’t even say she missed us.”</p><p>“She doesn’t miss us, Ray. She’s in Chicago. She’s probably staying in a hotel and sleeping on clean sheets every day. She probably has room service, and she gets to see Oprah every week, and be on television with her. Think about it.”</p><p>“She should miss us,” I said. I pulled my finger out of the water and flicked a lazy bead onto the porch.</p><p>“Yeah, she should, but I don’t think she does.” Liz took her feet out of the water and dropped her cigarette butt into the basin. It fizzed out immediately, but her hands were already busy lighting another one. The butt turned the water a pale, sickly brown. I didn’t like to look at it, so I dragged it to the edge of the porch and tipped it into the yard, water, cigarette and all. I left the basin sitting upside down on the porch, its lip hanging a few inches over the edge to dry overnight.</p><p>“Why do you feel sorry for Pop?” I asked. I looked back at Liz, in her yellow dress. Her wet feet were planted flat on the wood.</p><p>“Because she didn’t hardly talk about him,” she said. “She said a lot about herself, and some about us, but nothing about him.”</p><p>“I didn’t know she wanted to sell real estate,” I said.</p><p> “Well, maybe she doesn’t anymore,” said Liz. “But you don’t watch as much television as I do, being at the casino all day. As soon as a person gets onto a TV program, they remember everything that ever happened to them, and every thing where they didn’t get their way. Half the talk shows are like that, people rehashing all the bad that’s been done to them. They never think about what they’ve got, just what they missed out on.” Liz stuck her cigarette in her mouth and rolled her lips around it. The sun was hitting the neighbor’s rooftop nice and low, and it made her face turn golden in the light. She screwed up her eyes and looked into the sun.</p><p>“That Mel made a pass at me today,” she said. “On account of my birthday being in two weeks. He saw it on a piece of paperwork or something.”</p><p>“What did he say to you?” I asked.</p><p>“Oh, he sat next to me when I was on break. He sat next to me that whole time I was trying to watch Mama on Oprah today. He tried to play with my hair.”</p><p>“Did Andie say anything?”</p><p>“No, she can’t. He’s her manager too. But when he tried to order a drink from her, she pretended not to hear him. We both just tried to ignore it, but he didn’t go away.”</p><p>I remembered what she’d told me of Mel, his sweaty cheeks and pencil-thin tie. I hated him. If I was Pop I would have insisted that she find another job so she wouldn’t have to be around a creep like that, but I wasn’t old enough to boss her.</p><p>“Did you tell him to leave you alone?” I asked.</p><p>“Well, not in so many words. He just tried to talk to me, see what I was doing after work. It’s not the first time it’s happened, with him or anybody else. Lots of men do that at the casino. It’s part of my job. They’re on vacation, and they’re drunk and feeling good about themselves. Nobody ever said anything nasty to me, but I get a lot of come-ons from the gamblers.”</p><p>“You should quit,” I said. “You should do something else.”</p><p>“Ray,” she said. “I’m seventeen, and I’m a girl, and I’m not ugly to look at. It doesn’t matter what I do for a job, somebody’s going to say something to me eventually.”</p><p>“Not fair,” I said. She lit another cigarette, and rattled the box, looking in to count how many were left.</p><p>“No, it’s not. It’s not fair that Mama loves Oprah more than her own family, and it’s not fair that some seedy jerk thinks he can chat me up when I want some time to myself. It’s not fair that half the people we know lost their houses last year, and it’s not fair that most of them are still trying to get themselves together when the casinos are making so much money. Lots of things aren’t fair, Ray. We just have to get by inside of what there is.”</p><p>“I can’t believe Mama sold us out like that,” I said. I picked my toes. I didn’t know what to say. Suddenly Liz seemed very old, and strangely wise. I wondered if she’d been this old the whole time, when she was teaching me to roll the beer can off the roof straight into the garbage. “Like we were nothing but trouble for her plans.”</p><p>“She’ll forget all about it when she comes back,” Liz said. The golden light rested on her face, light as a veil. She blew out another sigh of smoke.</p><p>We watched Mama on the Oprah show. We got to see her learn how to use a treadmill, and how to put salad on her plate first. It hurt my heart to see my mother in Chicago, so very far away, her life changing before the eyes of millions of strangers. I wondered if she’d ever come back to us, or if she’d just find a job up north and leave us to our worry here at home.</p><p>August got nearer and nearer, and the weatherman on the news started to talk about hurricane season. The station showed all the clips from last year: the family camping on their own roof only a few feet above the flood, the dog rescued by the Coast Guard helicopter, the historic houses and trees lashed by weeks of rain. They showed all the strangers who came to volunteer with the cleanup in New Orleans. They interviewed weather experts and Katrina survivors, all of whom predicted that this year’s hurricane season would be even worse. For Liz’s birthday, Pop bought her a cake from Mrs. Williams’ fancy bakery. We sat in front of the television, crowded into cushions together. We ate cake and watched last year’s storm rip up the coast.</p><p>“Some party,” Liz said, but I knew she was joking. She didn’t want any friends, because she said they were more trouble than they were worth. It had been her idea to stay in, anyway. When Pop showed her the cake, she’d almost started to cry.</p><p>“You don’t like it?” he’d asked. The cake was high and pink, two layers, with Liz’s name done on it and decorated with roses.</p><p>“I love it,” she said. “All of a sudden I just missed Mama.” She cut a big slice for me, and put three of the buttery roses on my piece. “Cake for dinner,” she said to me, and winked to show that it was okay. Pop said he wasn’t hungry, but he ate plenty. We were all getting pretty tired of macaroni and sandwiches, and the cake was a good change.</p><p>We only saw Mama on television once a week, when the newest episodes were playing. She always showed up right on time with Oprah, standing in a row with the others, holding their hands and smiling out at the audience. Her face, over time, seemed more and more polished, and her smile had been subjected to some kind of tooth-bleach. After Oprah sent the ladies to the hair salon, she grew blonder, and, after clothes-shopping, more stylish. At three months, she announced to the camera with glee that she had lost the first sixty pounds.</p><p>“This is the best day of my life,” she said, and her face, no longer quite so soft, picked up the glare of the television lights and sparkled out of our screens, in a beacon of total happiness. I decided that I didn’t really know her any more. The woman who had gone away and become this strange, skinny figure on the TV wasn’t my mother. It was as if she had eaten up the big body of my Mama, and yet somehow managed to become smaller and smaller. Oprah more than once laid her scented hand on my mother’s shoulder. I could see her squeezing it, and I could see Mama glowing from that squeeze, as if Oprah had found her tiny, secret switch that the rest of us had been looking for all the time. Mama lit up under Oprah’s touch the way that even a perfect report card or an extra-special after-dinner kiss could never make her. She looked alive, finally, without us.</p><p>Mama’s final episode on <em>Oprah</em> was late in the season. The sky down towards the Gulf was looking sulky and bruised. I watched it from my place on the roof.</p><p>“Ray, you coming in?” Liz called from inside the upstairs window. “It’s fixing to rain, you ought to come down.”</p><p>I didn’t want to. The evening air seemed to crackle under its own thickness, which was as the consistency of buttermilk poured through beer. The hair on my arms began to lift up with the electricity. Inside, on my bed, my tiny black and white television burst into spats of static. The opening music for Oprah’s show began to play, and the camera swooped down to the stage, where my mother stood with the others, arms outstretched, welcoming the crowd of hopeful worshipers. Her face filled the screen, its newly luminous curves in shades of gray. Over my head the sky turned purple, and across town I could see the lights in the houses begin to shut down, whole blocks of them.</p><p>The rain, as it opened its first hail of wet bullets on the roof, soaking my hair and the shoulders of my thin shirt, was as warm as a kiss.</p><p>“Ray!” Liz called for me. “Ray, now!”</p><p>I tilted my face up to the sky and curled my toes on the roof tar. Already I could feel the water lifting from me, like steam, like smoke, rising up from me the way souls do when they have passed their time on earth.</p><div
id="bio"><em><strong>Claire Rudy Foster</strong> holds a B.A. in English from Reed College and is currently pursuing an MFA from Pacific University.  Her fiction has appeared in <strong>The Ink-Filled Page</strong>, <strong>The Benefactor</strong>, and other publications.  She currently lives in Portland, Oregon with her husband and son.</em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/06/hurricane-season/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>The Day-Trader</title><link>http://foggedclarity.com/2009/06/the-day-trader/</link> <comments>http://foggedclarity.com/2009/06/the-day-trader/#comments</comments> <pubDate>Tue, 30 Jun 2009 05:02:19 +0000</pubDate> <dc:creator>Benjamin Evans</dc:creator> <category><![CDATA[Short Fiction]]></category> <category><![CDATA[Chicago]]></category> <category><![CDATA[fogged clarity]]></category> <category><![CDATA[Ryan McCarl]]></category> <category><![CDATA[The Day-Trader]]></category> <category><![CDATA[writer]]></category> <guid
isPermaLink="false">http://foggedclarity.com/?p=3032</guid> <description><![CDATA[Ryan McCarl Every day for ten years Robert had come to this café on the second floor of the Borders on North Michigan Avenue. He was a talented day-trader, fluent in the language of the market. He saw candlesticks and skylines in graphs where those with less training saw only the patternless movement of a [...]]]></description> <content:encoded><![CDATA[<h3 class="byLine">Ryan McCarl</h3><p>Every day for ten years Robert had come to this café on the second floor of the Borders on North Michigan Avenue.  He was a talented day-trader, fluent in the language of the market.  He saw candlesticks and skylines in graphs where those with less training saw only the patternless movement of a line; in cloud-clusters of data points he saw writing as clear as Times New Roman type, with outliers dotting and flourishing the letters.</p><p>Some of his peers embraced the label “speculator,” but Robert rejected it – he was an investor, a finance professional.  In earlier days, he had meticulously showered and donned a suit every morning, combed his hair and been out the door with a nod to the morning doorman and a swinging briefcase by seven-thirty – but that was only to visit Ahmed’s news-booth on the corner of Clark and Adams to purchase his cluster of morning papers, and then it was back to the office he kept in the corner of his small studio apartment.  Dressed every bit as keen as if he had been entering the Board of Trade with a badge on his label and a firm behind him, and incoming calls on a cellular phone.</p><p>He did keep a phone, but it rarely rang.  He was a broker for himself, and worked full-time on behalf of the same.  His habits were rigorous: six morning papers (and the <em>Journal</em> read twice), several newsweeklies, and then the messages of the market.  When necessary he would carefully consult the shelf of experts that sat above his trading desk: Fabozzi, Graham and Dodd, and others, and the great 20th century economists – Hazlitt, Hayek, and Von Mises, whom he loved, and Keynes and Galbraith, whom he abhorred but kept around just in case.</p><p>Now seventy, he still worked and would work until forbidden by the seal of the casket.  But for the past ten years he had not worked from home; his practice was based out of the café in Borders.  To his great impatience, the store did not open until 9:30, long after the market’s opening bell.  (He had struggled with himself and with his sister over whether to move to New York to be more in tune with the schedule of the market, had several times packed the contents of his apartment into a few boxes and vowed to make the move that very weekend before the markets opened on Monday, but never seemed to be able to finalize things, to bring that decision to its lonely conclusion).</p><p>When the Borders manager-on-duty turned the lock of the first foyer door, Robert would be waiting without fail – the two exchanged a familiar nod and good-morning, and Robert quickly made his way up the escalator to claim the first cup of coffee poured that day, which he drank black.  And then he sat at the very same table as the day before, the one with the best view of the old Water Tower through the trees and the horse-and-carriages stomping at the side street.  After a sigh and an unlidding of the coffee he would fan his morning papers out across the table and pile a stack of books and company prospectuses high upon an adjacent chair and get on with his business of underlining and graph-reading, finding pictures heavy with meaning in the dimensionless points of the scatterplots and the suggestive starts and stops of the trend-lines.</p><p>It was the seventh of June, one of those rainy and sixty-degree days so familiar in the early Chicago summer.  He knew the date well, and paused a moment with his pen hovering over an underlined section of a page.  His hand trembled with a tremor he carefully ignored.  The branches of the fir trees in the plaza stirred, and he paused to reflect: it had been ten years since he made his last trade.</p><p>Events in the window and in the café were different and the same – the other regulars, the eternal students, the homeless, and the businessmen seeking refuge from their offices in the Loop, had aged and changed their wardrobes, and many familiar faces were gone, having moved on to other cities and other lives.  But Robert was a fixture of the place.  On the rare occasion that a traveler with a bit of fondness in his heart for the café would stop by and look to Robert’s table and find it empty, a moment of disorientation and even sadness would follow: a reminder that even the most permanent things of this world must pass.</p><p>Ten years since his last trade, and ten years since he moved his daily operations to this table in the bookstore café.  He permitted himself only a moment to reflect – this was one memory he could not stand to look at for long, and anyhow there was much to get done before lunch, and he could not afford to fall behind.  But the anniversary of that day forced itself into his consciousness, will it away though he might.</p><p>One day, when very recently he had begun to dabble in short-selling, that is, betting that a stock would fall but assuming unlimited liability in case it should rise, he had misjudged the direction of a stock.  A grave, grave misjudgment – his books and papers had failed him, and it was all he could do not to burn them and burn his apartment and trading desk down on top of them.</p><p>The next day, he was sick and missed the morning bell for the first time since his first day on the job as a mail-sorter and clerk for a small brokerage operation in his Indiana hometown.  And the day after that, he had been lured away from his desk for a breakfast with his brother-in-law; his sister, who by order of some long-ago court supervised his accounts for reasons of a diagnosis he refused to name as he knew it to be false and a lie, begged off and was unable to attend.  He ate anxiously with the brother-in-law and thought of the markets and how he might climb back to where he had been; he thought also suspicious thoughts, thoughts of betrayal – the food tasted strange and the tone of his brother-in-law’s voice was strange.  His eyes were strange.  Some of the more ominous messages that one finds in the chart of a stock-price may sometimes be found as well in the eyes of a man; this, too, Robert understood.</p><p>But it was too late.  He returned from the breakfast to find his trading desk empty of its most prominent feature – the array of computers and monitors that surrounded and cradled him as he sat in his hard-backed chair.  He always, without fail, locked his apartment door; for Robert to forget to lock his door would be for to the sun to forget to set or for Kant to forget to take his afternoon walk through Königsberg.  Besides the landlord, only his sister had a key.</p><p>He searched the apartment and opened every cabinet five or six times over, threw his books and papers around the room, kicked his treasured copy of Graham and Dodd’s <em>Security Analysis</em> sprawling spine-broken into a corner, pounded with his fists on the imperturbable plexiglas of his floor-to-ceiling thirtieth-floor window overlooking the desolate landscape of the West Side.  The computers, and his livelihood, were gone.  Stolen by his sister, his one link to the non-economic world.</p><p>His was a blue-chip firm, and he had read much about companies bouncing back from crises.  His business, too, would recover from this setback.  It must go on – there was meaning in it, it mattered.  And within days he had moved his operations to the table in the Borders café, the one with the best view of the old Water Tower through the trees and the horse-and-carriages stomping at the side street.  The computers were gone, but in the end he had never thought much of that method of trading – had found it effeminate.  The old paper-traders knew how to do things right after all.</p><p>Enough of such thoughts: Robert turned back to his papers and began furiously underlining the latest intelligence about the movement of copper prices – it was serious business, it would affect the summer production schedules of many firms in which Robert had an interest.</p><p>Eventually he finished his first reading of the morning <em>Journal</em> and, with a sigh and a cracking of his knuckles, turned his attention to the <em>Tribune</em>.  Familiar headlines; then he unfolded it and his heart broke as he read, and read again:</p><p>BORDERS TO CLOSE FLAGSHIP MICHIGAN AVE. STORE</p><div
id="bio"><em><strong>Ryan McCarl</strong> is a contributing editor of <strong>Fogged Clarity</strong>.  He is a frequent contributor to <a
href="http://antiwar.com">Antiwar.com</a>, and his writing has appeared in <strong>The Philadelphia Inquirer</strong>, <strong>Crain&#8217;s Chicago Business</strong>, <strong>Sojourners online</strong>, <strong>The Colorado Daily News</strong>, <strong>The Muskegon Chronicle</strong>, and  elsewhere.  McCarl lives in Ann Arbor, where he is a graduate student at the University of Michigan School of Education.</p><p></em></div> ]]></content:encoded> <wfw:commentRss>http://foggedclarity.com/2009/06/the-day-trader/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> </channel> </rss>
