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An Arts Review

Blue, here is a shell for you
Inside you’ll hear a sigh
A foggy lullaby
There is your song from me
— Joni Mitchell

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Male Bonding

Male Bonding

Tom Matlack There’s a gash under my left eye, my right thumb throbs like a son-of-a-bitch, and I keep seeing stars. My whole body hurts. I have a red beard—if you can call it that—after a week of uneven growth. On the plane ride home from Florida to Boston, people look at me like I’m some kind of pirate and wonder where the patch is for my battered eye. After all, at 45, I’m too old for this. I’m thinking back to my college...

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Tom Matlack

Tom Matlack

Author Tom Matlack discusses the passion and purpose behind his Good Men Project.

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It's Not Tiger, It's Not Jesse, It's YOU!

It's Not Tiger, It's Not Jesse, It's YOU!

Thomas Matlack Thomas Matlack was Chief Financial Officer of The Providence Journal until 1997. He was the lead investor in the Art Technology Group, which reached $5 billion in market capitalization in 2001. He founded and ran his own venture firm from 1998 to 2010, before turning to writing. He is the founder of The Good Men Project. ___________________________ I happened to meet a major vendor of Verizon’s new FiOS effort at a...

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Recent

  • RPM Challenge 2012
  • January 2012
  • Andrew Hudgins
  • Bones For Tinder
  • Home Is Not One Heart

Recently Popular

  • Swaddled posted on February 1, 2012
  • “Follies” posted on February 1, 2012
  • The Zeppelin Field at Nurnberg posted on February 1, 2012
  • Book 2 of 100–Kathryn Stockett, The Help posted on January 26, 2012
  • Review: Neil Shepard’s “(T)ravel Un(T)ravel” posted on February 1, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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