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An Arts Review

Tall oaks and lonely shadows in a sacred grove are sublime; flower beds, low hedges and trees trimmed in figures are beautiful. Night is sublime, day is beautiful. The sublime moves, the beautiful charms.— Immanuel Kant

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April 2010

April, the subtle tear of spring. These seasonal movements– scored by a languid cellist –are quaint in their sexuality. The sun asks no simple questions, and in its light I become a prospector panning damage for identity. This month T.C. Boyle sits down with me to discuss the inspiration behind Wild Child, we stream Judson Claiborne’s much anticipated second release, Time and Temperature, Thomas Matlack opines on being a good...

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Chris Salveter

Chris Salveter

Haunting, beautiful, and sweetly melancholic, the music of Judson Claiborne has long been a favorite of Fogged Clarity. In a very special acoustic session, founder and frontman Christopher Claiborne Salveter sits down in a Lakeview apartment to talk and play a few songs, including a rare solo rendition of the Low Skies track, It is True.

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Recent

  • RPM Challenge 2012 Part II
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  • January 2012
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Recently Popular

  • Swaddled posted on February 1, 2012
  • “Follies” posted on February 1, 2012
  • RPM Challenge 2012 Part II posted on February 9, 2012
  • The Zeppelin Field at Nurnberg posted on February 1, 2012
  • Book 2 of 100–Kathryn Stockett, The Help posted on January 26, 2012

Manifesto

By incorporating music and visual arts Fogged Clarity aims to transcend the conventions of a typical literary journal. Our network is extensive and our scope is as broad as thought itself; we are, you are, unconstrained. With that spirit in mind Fogged Clarity will examine the work of authors, artists, scholars, and musicians, providing a home for art and thought that warrants exposure.
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