Chris Friel

Chris Friel’s photographs are a study of the desolate and beautiful. More

Jack Radcliffe

A powerful and emotional series documenting the life of his daughter, these intimate photos tell the story of an individual and capture the spirit of a girl becoming a woman. More

Martin Miller

Weapons of Mass Destruction, a Visual Perspective – Miller began this series in 2006 “with a point of view of how awesome and terrifying these battle machines must have seemed to a combat soldier.” These photos were taken at the major Cold War sites in the US, where he managed to negotiate his way in and at times was under the supervision of as many as four escorts. He used an 8×10 view camera which he said “required considerable patience of the escorts.” I can only imagine the tension… More

Tor Dahlin

This month in The Eye: Tor Dahlin’s beautiful black and white series, Lucid. More

Michael Massaia

Michael Massaia is one of an ever-shrinking group of photographers who still strictly use old-school methods. In our modern, digital, quick-fix world, it’s refreshing to come across a photographer with a honed process and an abundance of patience and skill.

For Afterlife, Michael used 11″x14″, 8″x10″ and 4″x5″ view cameras coupled with traditional black and white film… More

Michael Massaia

For Chinatown Nights, Michael used 11″x14″, 8″x10″ and 4″x5″ view cameras coupled with traditional black and white film to capture the highest possible resolution and dynamic range. After the image has been captured and the film developed, Michael hand-makes Platinum/Palladium prints utilizing a unique damp processing technique he developed. More

Tribute to Banality

Photographers tend to showcase their best work. This film is an attempt to do the opposite – to create something out of those images I usually skip when browsing through my photo library: bland, boring images with no discernible subject or meaning. More