A powerful and emotional series documenting the life of his daughter, these intimate photos tell the story of an individual and capture the spirit of a girl becoming a woman. More
Weapons of Mass Destruction, a Visual Perspective – Miller began this series in 2006 “with a point of view of how awesome and terrifying these battle machines must have seemed to a combat soldier.” These photos were taken at the major Cold War sites in the US, where he managed to negotiate his way in and at times was under the supervision of as many as four escorts. He used an 8×10 view camera which he said “required considerable patience of the escorts.” I can only imagine the tension… More
Michael Massaia is one of an ever-shrinking group of photographers who still strictly use old-school methods. In our modern, digital, quick-fix world, it’s refreshing to come across a photographer with a honed process and an abundance of patience and skill.
For Afterlife, Michael used 11″x14″, 8″x10″ and 4″x5″ view cameras coupled with traditional black and white film… More
For Chinatown Nights, Michael used 11″x14″, 8″x10″ and 4″x5″ view cameras coupled with traditional black and white film to capture the highest possible resolution and dynamic range. After the image has been captured and the film developed, Michael hand-makes Platinum/Palladium prints utilizing a unique damp processing technique he developed. More